What happened on the Mount of Olives in the Garden of Gethsemane both before and during our Lord's arrest has some surprising lessons for us, upon whom the end of this age comes. In the season of trial that approaches, many of us will be tempted and fail. It has oft been said that a failure to plan equates to a plan to fail, and there is some truth in that. How do we plan to succeed in the days of trial? This is what I learned from what happened in Gethsemane. It began when I learned a simple symbol, that the Mount of Olives signaled division.
“While studying the account where Y'shua was praying at Gethsemane before his arrest, I was struck with how very emotionally intense it was and then how odd it seemed that he had taken his disciples with him only to separate himself from them. Was he motivated simply by a desire for a particular degree of privacy or was there some other reason? As I wondered and prayed, it came to me that the very location of the event typified separation. Indeed, even though such a thing is never stated directly, the entire Mount of Olives is a symbol of division and separation. As I checked every mention of this location in the Bible, this signification became very clear. Knowing that the Mount of Olives is always associated with division affords us greater insight, because all that the Bible records as being said and done on the Mount can be considered from that perspective. Though it may seem a small matter, this insight has led me to some very important lessons about the Lord's plans for the latter days of his church.”
Read more here: The Testimony of Gethsemane - Part 1 - (The Mount of Olives)
On this subject, I also recommend a post that will hopefully extend into a series on the Revelation of Babylon Blog. The Path of The Good Shepherd: Sacrifice Not Survival ~ Part 1
Monday, April 30, 2012
Friday, April 27, 2012
Part 55 - Rango - The Fringe Version of Petrus Romanus, a “Black Stone”
Continuing from the previous post, yet another witness to the meaning of Rango's terrarium gravel as the Beast DNA portal comes from Fringe, the TV series. The character named Peter Bishop is the basis for a special device that bridges the two universes. Think of this as bridging heaven and earth. The name “Peter” is in Greek, petras, a stone, which you may recall from Post 53. (the cryptogram Blackstone derived from Schwarz(man) and Peter(son)) Peter Bishop's DNA is the singular key to the mechanism.
The following is from the scene where Peter is studying some of the components of the bridging device. His observation is correct in that it was designed just for him.
This device is so large Peter has to climb up stairs to access it. In the upper of these two images you see him in the machine while Olivia stands on a portable staircase. When Peter is in the machine it responds to him, enabling him to bridge heaven and earth, as it were. Having ascended into the machine, Peter becomes the bridge between heaven and earth, petra, a stone, the unique biological agent with the essential genetics! In the lower image you see him as with a blue light body, appearing as an ascended god in the apotheosis of Peter Bishop.
Notice how the episode referenced is numbered 2.23. The "other" universe tried to drive the transdimensional machine with DNA derived from Peter's child. It didn't work well, having only his genetic contribution as a father. With Peter himself in the machine, all 46 or 2·23 chromosomes were present, and it worked perfectly. The Fringe folks are clever.
This drawing was handed to Peter after he had examined the components and discovered that they responded to him. It shows the device with a picture of him and what we imagine is his personal genome sequence.
If I was expecting to do a series on Fringe I'd already be moving on to the next black stone item, but since I'm not, I'm going to expand a little on the role of Peter Bishop. My buddy Aaron and I were discussing it some time back and it occurred to us that he was the Pope, the False Prophet. According to Roman Catholic doctrine, the Pope is the bishop of Rome, successor of St. Peter, chief of the whole Church, and the Vicar of Christ on earth. Peter, as in St. Peter - Bishop as the Bishop of Rome. This petras stone is the false prophet, the Petrus Romanus, the last Pope in St. Malachy's twelfth-century prophetic sequence.
The False Prophet will be a Pope, the Beast John saw coming up out of the earth. Notice how the drawing of Peter has fiery smoke rolling up out of his eyes, subtly forming two horns like a lamb. Notice how the machine has extensions of Peter's arms that resemble dragon wings, or fangs.
The False Prophet is like the first Beast, a therion, which to say he is of a similar kind, genetically special, hybridized. Since he will fulfill the role of High Priest and baptizer to the other Beast, it seems a reasonable inference that, as John the Baptist preceded Y'shua with a 6 month advance, the papal False Prophet will begin a ministry in advance of the revealing of the lawless one. But I digress.
But, hey, while I'm digressing, I want to at least lightly touch on the symbolism of the winged machine. Things with wings usually fly, right? As a biblical symbol, things that have wings can traverse dimensional boundaries. The visual designer of this Fringe device understands. The person he inspired to draw it up might understand, too. ;)
Olivia is the lead character of the show, who can cross over without technological aid; and there's Walter, who crossed over to get Peter; and Dr. Bell, who crossed over; and Peter, who, with the necessary help of Olivia, not only crosses over but controls the breech created by Walter. These characters all had wings, in a figurative sense, but Peter had them visibly, in the device he was biologically connected with.
The main plot device of Fringe involves the relationship between the two universes, which are ultimately symbolic of heaven and earth. Control over the boundary linking the two and thereby the status of both is the MacGuffin. The dimensional boundary, the border, that's the fringe that's the real focus of attention, beyond the “fringe science” aspect played up more superficially. With regard to control over the dimensional fringe, here's a key connection that will tie in with the stone theme.
The Fringe is the hem of the ephod with alternating bells and pomegranates all around. This dynamic of this feature perhaps most particularly enables the High Priest to access the most holy place to enter into the presence of the Lord without dying. He meets the Lord, as we noted earlier from Exodus 25, who speaks to him from between the cherubim, whose wings are spread upward.
I see Peter Bishop in the winged transdimensional device modeling St. Peter, Bishop of Rome, Petrus Romanus, the papal False Prophet. The False Prophet is modeled on both Elijah and John the Baptist. Luke 1:5 reveals the name of John the Baptist's mother: Elizabeth. Peter Bishop's mother's name was Elizabeth. And this, for no reason? I doubt that. John the Baptist was an Aaronite as required according to law, who was made the legitimate High Priest of Israel (Aaronic/Levitical and Melchizedek) under sanction of the Most High God. I've written about this, presenting it on The Open Scroll. The High Priest alone can access Gods presence. Fringe presents Peter Bishop as that High Priest with that access, who uses it to make intercession for his people. No, really.
When Olivia's participation is required for Peter to access the machine, we see her at the top of the portable stairs next to Peter in the machine. Dr. Bell calls Olivia by the name Olive. She is Olive, on the mount, adjacent to the High Priest as he accesses the Holy of Holies in an allusion to the Mount of Olives, adjacent to the Temple in Jerusalem. Yeah, it's complicated. Fringe might even exceed Rango on the cryptographic-clever-o-meter, if that could be possible.
I mentioned that the bell-pomegranate hem fringe had a tie in with the stone theme and it does, even beyond Peter as the petras-stone himself. The High Priest modeled by Peter wore stones when he accessed the Holy of Holies. Two stones were on his shoulders that bore the names of the tribes of Israel, 6 names per stone. These stones were onyx. If you want to know what onyx looks like, just look at the black stone in Doda's Bad Girls video. Look at the black stones in the movie Knowing. Right. Onyx. Stones were further set into the High Priest's breastplate of judgment. Gem stones were set in gold into a grid of four rows and three stones per row, each engraved with the name of one of the tribes. The stones are linked to people, biological entities with DNA. This grid of 12 unique stones had a very specific configuration, and this grid had a specific relation to the stone on one shoulder that bore the names of six tribes, and to the complementary one on his other shoulder. You are aware that these things were all made after a pattern, according to what was in heaven, right? These are a witness to some heavenly reality. There is a quantum linking, if you will.
A quantum entangled petras. The gates of the “alt-verse” will not prevail against it.
Sorry. I should have given you advance notice about using an extra wrap of duct tape to keep your tin-foil helmet from blowing off. The Fringe folks know things. They spill the beans. Movies and other media bear continual witness to the supernatural. When the Lord opens your eyes, you see whatever He wants to show you. Go get your helmet and this time secure it with an extra wrap of duct tape. Ready? OK.
The High Priest had his array of stones and musical golden bells adorning his garments, his covering. This equipped him for access into the Most Holy Place. Ezekiel described a being who had a similar covering, apparently for a similar purpose.
My buddy Aaron speculated that this might be how Satan "walked to and fro and up and down" upon the earth. I think so, probably giving a view of how he got around Eden. After sinning with Eve and Adam he may have been stripped of a garment, as the man and woman came to see themselves as naked. Did they all lose a garment? The serpent was cursed and somehow changed according to Genesis 3:14. When “the anointed cherub that covereth” had 9 gem stones and was perhaps as some kind of musical instrument, there may have been a complex dynamic facilitating his dimensional access that involved EMR and non-EM resonance. After the curse, was there something like a casting out of heaven involved, stripping him of something like a "wedding garment" so that he fell to a lower realm? He can still get around, but he seems to be handicapped.
I think he's enlisted the physicists at CERN's LHC to help him get his mojo working. He's upped the contracts to cover overtime on the fringe science to get the black stone hook-up. He's just about got Petrus Romanus online, apparently.
OK. You can remove the tinfoil helmet. :) Until next time, Lord willing.
The following is from the scene where Peter is studying some of the components of the bridging device. His observation is correct in that it was designed just for him.
Peter: "The parameters are human...a reflection of the human genome. The spectrum isn't random. In fact, the specificity of the configuration would seem to suggest that the object would only respond to a subset of people. And a narrow subset at that. A subset of one. Me." Fringe - Episode 2.23, "Over There, Part 2" |
This device is so large Peter has to climb up stairs to access it. In the upper of these two images you see him in the machine while Olivia stands on a portable staircase. When Peter is in the machine it responds to him, enabling him to bridge heaven and earth, as it were. Having ascended into the machine, Peter becomes the bridge between heaven and earth, petra, a stone, the unique biological agent with the essential genetics! In the lower image you see him as with a blue light body, appearing as an ascended god in the apotheosis of Peter Bishop.
Notice how the episode referenced is numbered 2.23. The "other" universe tried to drive the transdimensional machine with DNA derived from Peter's child. It didn't work well, having only his genetic contribution as a father. With Peter himself in the machine, all 46 or 2·23 chromosomes were present, and it worked perfectly. The Fringe folks are clever.
This drawing was handed to Peter after he had examined the components and discovered that they responded to him. It shows the device with a picture of him and what we imagine is his personal genome sequence.
If I was expecting to do a series on Fringe I'd already be moving on to the next black stone item, but since I'm not, I'm going to expand a little on the role of Peter Bishop. My buddy Aaron and I were discussing it some time back and it occurred to us that he was the Pope, the False Prophet. According to Roman Catholic doctrine, the Pope is the bishop of Rome, successor of St. Peter, chief of the whole Church, and the Vicar of Christ on earth. Peter, as in St. Peter - Bishop as the Bishop of Rome. This petras stone is the false prophet, the Petrus Romanus, the last Pope in St. Malachy's twelfth-century prophetic sequence.
The False Prophet will be a Pope, the Beast John saw coming up out of the earth. Notice how the drawing of Peter has fiery smoke rolling up out of his eyes, subtly forming two horns like a lamb. Notice how the machine has extensions of Peter's arms that resemble dragon wings, or fangs.
11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who dwell in it to worship the first beast, whose fatal wound was healed. 13 He performs great signs, so that he even makes fire come down out of heaven to the earth in the presence of men. 14 And he deceives those who dwell on the earth because of the signs which it was given him to perform in the presence of the beast, telling those who dwell on the earth to make an image to the beast who had the wound of the sword and has come to life. 15 And it was given to him to give breath to the image of the beast, so that the image of the beast would even speak and cause as many as do not worship the image of the beast to be killed. 16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six.
Revelation 13:11-18And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone.
Revelation 19:20The False Prophet is like the first Beast, a therion, which to say he is of a similar kind, genetically special, hybridized. Since he will fulfill the role of High Priest and baptizer to the other Beast, it seems a reasonable inference that, as John the Baptist preceded Y'shua with a 6 month advance, the papal False Prophet will begin a ministry in advance of the revealing of the lawless one. But I digress.
But, hey, while I'm digressing, I want to at least lightly touch on the symbolism of the winged machine. Things with wings usually fly, right? As a biblical symbol, things that have wings can traverse dimensional boundaries. The visual designer of this Fringe device understands. The person he inspired to draw it up might understand, too. ;)
20 The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat. 21 You shall put the mercy seat on top of the ark, and in the ark you shall put the testimony which I will give to you. 22 There I will meet with you; and from above the mercy seat, from between the two cherubim which are upon the ark of the testimony, I will speak to you about all that I will give you in commandment for the sons of Israel.
Exodus 25:20-22Olivia is the lead character of the show, who can cross over without technological aid; and there's Walter, who crossed over to get Peter; and Dr. Bell, who crossed over; and Peter, who, with the necessary help of Olivia, not only crosses over but controls the breech created by Walter. These characters all had wings, in a figurative sense, but Peter had them visibly, in the device he was biologically connected with.
The main plot device of Fringe involves the relationship between the two universes, which are ultimately symbolic of heaven and earth. Control over the boundary linking the two and thereby the status of both is the MacGuffin. The dimensional boundary, the border, that's the fringe that's the real focus of attention, beyond the “fringe science” aspect played up more superficially. With regard to control over the dimensional fringe, here's a key connection that will tie in with the stone theme.
31 You shall make the robe of the ephod all of blue. 32 There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33 You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34 a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35 It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.
Exodus 28:31-35The Fringe is the hem of the ephod with alternating bells and pomegranates all around. This dynamic of this feature perhaps most particularly enables the High Priest to access the most holy place to enter into the presence of the Lord without dying. He meets the Lord, as we noted earlier from Exodus 25, who speaks to him from between the cherubim, whose wings are spread upward.
I see Peter Bishop in the winged transdimensional device modeling St. Peter, Bishop of Rome, Petrus Romanus, the papal False Prophet. The False Prophet is modeled on both Elijah and John the Baptist. Luke 1:5 reveals the name of John the Baptist's mother: Elizabeth. Peter Bishop's mother's name was Elizabeth. And this, for no reason? I doubt that. John the Baptist was an Aaronite as required according to law, who was made the legitimate High Priest of Israel (Aaronic/Levitical and Melchizedek) under sanction of the Most High God. I've written about this, presenting it on The Open Scroll. The High Priest alone can access Gods presence. Fringe presents Peter Bishop as that High Priest with that access, who uses it to make intercession for his people. No, really.
When Olivia's participation is required for Peter to access the machine, we see her at the top of the portable stairs next to Peter in the machine. Dr. Bell calls Olivia by the name Olive. She is Olive, on the mount, adjacent to the High Priest as he accesses the Holy of Holies in an allusion to the Mount of Olives, adjacent to the Temple in Jerusalem. Yeah, it's complicated. Fringe might even exceed Rango on the cryptographic-clever-o-meter, if that could be possible.
I mentioned that the bell-pomegranate hem fringe had a tie in with the stone theme and it does, even beyond Peter as the petras-stone himself. The High Priest modeled by Peter wore stones when he accessed the Holy of Holies. Two stones were on his shoulders that bore the names of the tribes of Israel, 6 names per stone. These stones were onyx. If you want to know what onyx looks like, just look at the black stone in Doda's Bad Girls video. Look at the black stones in the movie Knowing. Right. Onyx. Stones were further set into the High Priest's breastplate of judgment. Gem stones were set in gold into a grid of four rows and three stones per row, each engraved with the name of one of the tribes. The stones are linked to people, biological entities with DNA. This grid of 12 unique stones had a very specific configuration, and this grid had a specific relation to the stone on one shoulder that bore the names of six tribes, and to the complementary one on his other shoulder. You are aware that these things were all made after a pattern, according to what was in heaven, right? These are a witness to some heavenly reality. There is a quantum linking, if you will.
18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven.
Matthew 16:18-19A quantum entangled petras. The gates of the “alt-verse” will not prevail against it.
Sorry. I should have given you advance notice about using an extra wrap of duct tape to keep your tin-foil helmet from blowing off. The Fringe folks know things. They spill the beans. Movies and other media bear continual witness to the supernatural. When the Lord opens your eyes, you see whatever He wants to show you. Go get your helmet and this time secure it with an extra wrap of duct tape. Ready? OK.
The High Priest had his array of stones and musical golden bells adorning his garments, his covering. This equipped him for access into the Most Holy Place. Ezekiel described a being who had a similar covering, apparently for a similar purpose.
13 Thou hast been in Eden the garden of God; every precious stone was thy covering, thesardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. 14 Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire. 15 Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee.
Ezekiel 28:13-15My buddy Aaron speculated that this might be how Satan "walked to and fro and up and down" upon the earth. I think so, probably giving a view of how he got around Eden. After sinning with Eve and Adam he may have been stripped of a garment, as the man and woman came to see themselves as naked. Did they all lose a garment? The serpent was cursed and somehow changed according to Genesis 3:14. When “the anointed cherub that covereth” had 9 gem stones and was perhaps as some kind of musical instrument, there may have been a complex dynamic facilitating his dimensional access that involved EMR and non-EM resonance. After the curse, was there something like a casting out of heaven involved, stripping him of something like a "wedding garment" so that he fell to a lower realm? He can still get around, but he seems to be handicapped.
Now there was a day when the sons of God came to present themselves before the LORD, and Satan also came among them. 7 The LORD said to Satan, “From where do you come?” Then Satan answered the LORD and said, “From roaming about on the earth and walking around on it.”
Job 1:6I think he's enlisted the physicists at CERN's LHC to help him get his mojo working. He's upped the contracts to cover overtime on the fringe science to get the black stone hook-up. He's just about got Petrus Romanus online, apparently.
OK. You can remove the tinfoil helmet. :) Until next time, Lord willing.
Thursday, April 26, 2012
Part 54 - Rango - Unobtanuim, the Black Stone Body
I believe the black stone as pictured in Rango's terrarium gravel also symbolizes the DNA of the Beast that will be the genetic-supernatural/hyperdimensional binding of the heavenly sons of god and the earthly daughters of men. This black stone body will be their reward, the “immortal” “light” body promised to those who worship him by choosing to join themselves with him, becoming one. They will become a chip off the ol' block, his black stone heritage.
DNA is a crystalline structure, a gem stone, if you will. (DNA Learning Center - Use of X-ray crystallography to prove that DNA is crystalline, Maurice Wilkins) It is the scroll of the book of life and a stone, as previously illustrated in this series.
When we see a black stone being presented as ascending or hovering it is the DNA transformation that ascends man to godhood, as appearing between heaven and earth, the hybrid man as the bridge. I'll illustrate this with a variety of examples.
A hovering black stone was pictured in Avatar (2009), in a display sample of the MacGuffin of the film. This mineral that was mined from the moon, Pandora, was so valuable to the industry sponsoring the operation that they were willing to exterminate the indigenous population to acquire it. James Cameron's obsession with Avatar science goes way beyond what you might think is reasonable for a movie, probably exceeding even Carl Sagan's science of Contact, his own novel and movie projects. You have to know there's some really important meaning concealed in this. I see it this way. This black rock was called unobtanium, a name that can be traced back to aerospace engineering in the late 50s that is usually spelled, unobtainium. It's a play on "obtain," expressing how the thing either can't be had or how it's nearly impossible to acquire. If your read and understood The Avatar Stratagem you can associate the avatar body with the unobtanium that was mined. That's the big key. Equate the two. The avatar represented the merging of the two kinds. That's the “nearly impossible to acquire” MacGuffin that the Serpent has pursued since discovering Eve in the Garden of Eden. The Cain gambit nearly succeeded, but the “final solution” is the unobtanium, the black rock that hovers between heaven and earth. (The avatar-as-unobtanium equality is supported by a consideration of why the moon is called Pandora.)
In this collection of images you see two versions of the fictional element presented in a “scientific” manner. Those who mocked up the fake periodic chart imagery chose the symbol Ub to represent unobtanium, assigning the element numbers 120 and 121. We've only “discovered” elements up to number 118 to date, but, pending discovery, the name of element 120 will be Unbinilium, in symbol, Ubn. Element 121 will be called Unbiunium, Ubu. Those responsible for the mocked up images present the symbol Ub, which falls short of a legitimate three character symbol reference but certainly does present us with something of note. Ub ~ You Be. Get it? You Be a Black Stone. This is a subtle projection of your receipt of the mark of the Beast!
Some who watched Avatar became depressed and suicidal because the avatar body and life on Pandora could not be had; it was perceived as intended, as unobtanium. Folks just cannot wait for the black stone light body, the promised avatar experience. What they don't realize is that with the mark of the Beast they'll become the empty shell instead of the avatar driver.
'Avatar' driving us to suicide, say fans
Audiences experience 'Avatar' blues
What I just wrote about Avatar's symbolic unobtanium applies to another version of the floating black stone, one that appears in a music video by Doda titled Bad Girls. I wrote about that back in January. (Doda - Bad Girls - Poland's Pop Queen as the Mother of Harlots and Doda - Bad Girls - "Try Me" - Mercury Rising)
The stone bearing the devil girl's symbol is pictured as in the womb, gestating. At the end, after Doda (as a man-eating dragon-booted hair-braided rebel leader) ascends to the throne, the marked stone rises to hover in her hand. She says “Try me” and then the symbol from the stone is dramatically pictured as if in the heavens. I already addressed this in two posts and many more could be written, but, in brief, she is as Isis, bringing forth Horus as The Black Stone and, in the process, for those who accept her invitation to “try me,” ascending them as the hovering stone to the heavens as gods. The process begins with gestation because the Black Stone is reproductive, genetic. The end result is ascension as a god, shining as a light in the heavens. The problem with Doda's version is that Bad Girls get the counterfeit.
When I listened to the song backwards I was surprised to discover that, even though her first language is probably Polish, the reversal sounds typical of most English speaking folks. When she says, “Try me,” even though it's not the most easily recognized phrase, I hear, “Cain Marriage.” That's the Black Stone work.
There's a Hermes theme in this that's shared with Knowing (2009) and gives us an important witness about where this is really going. The floating black stone in Bad Girls bears the alchemical / astrological symbol of Mercury or Hermes. In Knowing, the white hare is the symbol for Hermes. Hermes is a psychopomp, the escort to the underworld. The boy and girl each hold a hare while they ascend from the earth, presenting to those who can interpret the symbol what is actually their descent into the underworld with Hermes as their escort. The “whisper people” who chose the children are dressed in black. Just before they ascend with the children, they shed their dark coverings to reveal their bodies of light. This scene where this takes place is very obviously covered with the black stones that had been given special attention throughout much of the movie. What all this is revealing is that the beings associated with the black stones were black stones themselves, that their light bodies clothed in black were what the symbols represented, just like how in Avatar the hovering black stone unobtanium was equivalent to the avatar body. When the alien ships that the children and light body beings ascend into blast off into space, the black stones on the ground ascend and float. Point taken.
When the children were dropped off on what we assume is some distant safe planet, we see a big tree, alluding to the Garden of Eden, with the boy and girl as a new Adam and Eve. The boy's name is Caleb, alluding to one of the two who came out of Egypt and entered into the promised land. The tree is also featured in Avatar and The Fountain. These are all “of a piece,” telling the same story. As Caleb is about to ascend he signals his Dad, signing, “You and me together forever.” If you've seen The Fountain, the tree and the emphasis on what Caleb signed should be familiar. Izzi: “Together we will live forever.” Again, in Doda's Bad Girls, this is roughly equivalent to, “Try me,” which she says as the floating stone appears as shining in the heavens.
To be continued... Lord willing!
DNA is a crystalline structure, a gem stone, if you will. (DNA Learning Center - Use of X-ray crystallography to prove that DNA is crystalline, Maurice Wilkins) It is the scroll of the book of life and a stone, as previously illustrated in this series.
When we see a black stone being presented as ascending or hovering it is the DNA transformation that ascends man to godhood, as appearing between heaven and earth, the hybrid man as the bridge. I'll illustrate this with a variety of examples.
A hovering black stone was pictured in Avatar (2009), in a display sample of the MacGuffin of the film. This mineral that was mined from the moon, Pandora, was so valuable to the industry sponsoring the operation that they were willing to exterminate the indigenous population to acquire it. James Cameron's obsession with Avatar science goes way beyond what you might think is reasonable for a movie, probably exceeding even Carl Sagan's science of Contact, his own novel and movie projects. You have to know there's some really important meaning concealed in this. I see it this way. This black rock was called unobtanium, a name that can be traced back to aerospace engineering in the late 50s that is usually spelled, unobtainium. It's a play on "obtain," expressing how the thing either can't be had or how it's nearly impossible to acquire. If your read and understood The Avatar Stratagem you can associate the avatar body with the unobtanium that was mined. That's the big key. Equate the two. The avatar represented the merging of the two kinds. That's the “nearly impossible to acquire” MacGuffin that the Serpent has pursued since discovering Eve in the Garden of Eden. The Cain gambit nearly succeeded, but the “final solution” is the unobtanium, the black rock that hovers between heaven and earth. (The avatar-as-unobtanium equality is supported by a consideration of why the moon is called Pandora.)
In this collection of images you see two versions of the fictional element presented in a “scientific” manner. Those who mocked up the fake periodic chart imagery chose the symbol Ub to represent unobtanium, assigning the element numbers 120 and 121. We've only “discovered” elements up to number 118 to date, but, pending discovery, the name of element 120 will be Unbinilium, in symbol, Ubn. Element 121 will be called Unbiunium, Ubu. Those responsible for the mocked up images present the symbol Ub, which falls short of a legitimate three character symbol reference but certainly does present us with something of note. Ub ~ You Be. Get it? You Be a Black Stone. This is a subtle projection of your receipt of the mark of the Beast!
Some who watched Avatar became depressed and suicidal because the avatar body and life on Pandora could not be had; it was perceived as intended, as unobtanium. Folks just cannot wait for the black stone light body, the promised avatar experience. What they don't realize is that with the mark of the Beast they'll become the empty shell instead of the avatar driver.
'Avatar' driving us to suicide, say fans
Audiences experience 'Avatar' blues
What I just wrote about Avatar's symbolic unobtanium applies to another version of the floating black stone, one that appears in a music video by Doda titled Bad Girls. I wrote about that back in January. (Doda - Bad Girls - Poland's Pop Queen as the Mother of Harlots and Doda - Bad Girls - "Try Me" - Mercury Rising)
The stone bearing the devil girl's symbol is pictured as in the womb, gestating. At the end, after Doda (as a man-eating dragon-booted hair-braided rebel leader) ascends to the throne, the marked stone rises to hover in her hand. She says “Try me” and then the symbol from the stone is dramatically pictured as if in the heavens. I already addressed this in two posts and many more could be written, but, in brief, she is as Isis, bringing forth Horus as The Black Stone and, in the process, for those who accept her invitation to “try me,” ascending them as the hovering stone to the heavens as gods. The process begins with gestation because the Black Stone is reproductive, genetic. The end result is ascension as a god, shining as a light in the heavens. The problem with Doda's version is that Bad Girls get the counterfeit.
When I listened to the song backwards I was surprised to discover that, even though her first language is probably Polish, the reversal sounds typical of most English speaking folks. When she says, “Try me,” even though it's not the most easily recognized phrase, I hear, “Cain Marriage.” That's the Black Stone work.
There's a Hermes theme in this that's shared with Knowing (2009) and gives us an important witness about where this is really going. The floating black stone in Bad Girls bears the alchemical / astrological symbol of Mercury or Hermes. In Knowing, the white hare is the symbol for Hermes. Hermes is a psychopomp, the escort to the underworld. The boy and girl each hold a hare while they ascend from the earth, presenting to those who can interpret the symbol what is actually their descent into the underworld with Hermes as their escort. The “whisper people” who chose the children are dressed in black. Just before they ascend with the children, they shed their dark coverings to reveal their bodies of light. This scene where this takes place is very obviously covered with the black stones that had been given special attention throughout much of the movie. What all this is revealing is that the beings associated with the black stones were black stones themselves, that their light bodies clothed in black were what the symbols represented, just like how in Avatar the hovering black stone unobtanium was equivalent to the avatar body. When the alien ships that the children and light body beings ascend into blast off into space, the black stones on the ground ascend and float. Point taken.
When the children were dropped off on what we assume is some distant safe planet, we see a big tree, alluding to the Garden of Eden, with the boy and girl as a new Adam and Eve. The boy's name is Caleb, alluding to one of the two who came out of Egypt and entered into the promised land. The tree is also featured in Avatar and The Fountain. These are all “of a piece,” telling the same story. As Caleb is about to ascend he signals his Dad, signing, “You and me together forever.” If you've seen The Fountain, the tree and the emphasis on what Caleb signed should be familiar. Izzi: “Together we will live forever.” Again, in Doda's Bad Girls, this is roughly equivalent to, “Try me,” which she says as the floating stone appears as shining in the heavens.
To be continued... Lord willing!
Wednesday, April 25, 2012
Part 53 - Rango - The Blackstone Influence
In coming to understand what is meant by Rango's floating gravel in the context of Rango's fall to earth, you have to see how black stones and rocks represent the Beast and mark of the Beast. I'm going to develop this further to expose how common the symbol is and to open a little more insight into the other meanings.
Dr John Dee and his assistant Edward Kelly famously used a special black stone for scrying. I just wrote about Dee, the subject of a Cultural Olympiad 2012 opera and musical album. Dee and Edwards practiced divination with the object. The stone mirror had a history of such use, having been acquired from the Aztecs in Mexico. It was already a “demonically charged” object that probably had been dedicated to the god known as Tezcatlipoca, the god of rulers, warriors and sorcerers whose name translates to 'Smoking Mirror'. “Mexica [Aztec] priests used mirrors for divination and conjuring up visions.” (The British Museum - Dr Dee's mirror) Another name for the "dimensional portal" device is “shew-stone.”
A similar object in popular culture is the fortune teller's crystal ball, as used in The Wizard of Oz by the wizard and the witch. The Magic 8-Ball “toy” by Mattel is modeled on this object, which is a shiny black ball, basically a black stone for pretend and real divination. Another familiar object in the class is the mirror in Alice through the Looking Glass, a device that was not only a window but a doorway through which she traveled.
The connection between black stones and magic has been established in the minds of many through a pair of famous magicians named Blackstone, father and son, Harry Blackstone Sr. (1885-1965) and Jr. (1934-1997). Harry Sr (born Harry Bouton) was known as The Great Blackstone. The Great Black Stone represents the Beast, which I established in previous posts. These men were stage magicians, performers who practiced tricks with special props to create the illusion of magic. Whether there was ever actual magick involved, I can't say, and I don't think divining was ever a big part of their acts. Yet, the matter of deceiving the audience into thinking they were seeing what wasn't really true is faithful to the black stone tradition of Dee, Edwards and the Aztec priests. The angelic/demonic entities who produced the visions in the black stone were only ever deceivers, agents of the father of lies who held their enchanted audience captive with supernatural delusion.
A firm that appears to do magic with your assets is The Blackstone Group, founded in 1985 as a mergers and acquisitions boutique. Now rebranded simply as Blackstone, it's an alternative asset management and financial services company that rightly claims to be among the world's leading investment and advisory firms. The founders, Peter G. Peterson and Stephen A. Schwarzman, claim to have named their firm Blackstone as a cryptogram derived from their names. Schwarz is German for black, and Peter, or Petra in Greek, means stone or rock. OK. Fair enough, but I think there's more to it than that. Peterson was Chairman of the Council on Foreign Relations until retiring in 2007. He's widely claimed to be a Mason and Illuminist. Schwarzman was Skull and Bones. I'd bet they're completely onboard with the Black Stone Antichrist Beast scheme.
Crossing over out of the financial sector into the intelligence community, something similar can be noted in The Bourne Identity (one of my favorite franchises), a fictional work based on Robert Ludlum's novel. The names of the two black-on-black ops running the CIA agent Jason Bourne and other assassins form the cryptogram “Blackstone” in a similar fashion to what was claimed by Schwarzman and Peterson. (Thanks Aaron!) When Operation Treadstone was closed down it was folded into Operation Blackbriar. Think about it. The missions Bourne was assigned involved assassinating people in such a way that they either looked like accidents or were done so others could be blamed. In these ways, the primary objective was attained with blame shifting to provide deceptive cover. Like magick.
If you extract the words “black” and “stone” from Treadstone and Blackbriar you have “tread” and “briar” remaining. This speaks to me of Genesis 3 and the curses given to the serpent and Adam.
I believe an allusion to Genesis 3 was planned and that Ludlum understood about the black stone. Note from the following how the intent was to create “a mythical assassin called Cain.”
Uh, HEY - Isn't there something in Genesis about the creation of a murderer named Cain, a story some people try to pass off as just a myth? Wasn't he the Black Stone prototype, a literal son of the serpent like the coming Beast will be? Blackbriar was Treadstone's successor. Think about how the Cain gambit ultimately failed, like Treadstone, an operation that was terminated when the flood purged the family line from the face of the earth. The successor, Blackbriar intends to succeed where Treadstone failed. Do you think Ludlum understood about the black stone? It seems plain enough to me. He certainly displayed an understanding of trauma-based mind-control techniques being used to create secret agents with superhuman abilities, which certainly factors heavily into the greater Black Stone Beast scheme.
With the esoteric community in mind, Bourne's girlfriend's name, Marie Helena Kreutz, suggests a reference to Christian Rosenkreutz and the Rosicrucian manifesto, The Chymical Wedding of Christian Rosenkreutz. While Jason Bourne and Maria Kreutz didn't actually become Bridegroom and Bride, they lived together as lovers until her death. The setting of the Rosicrucian manifesto's story is Chag HaMatzot, the Feast of Unleavened Bread, and it is apparent to me that it is a twisted version of when the lawless one (Black stone) will be revealed and the Bridegroom (White stone) will subsequently take His Bride. The invitation to the wedding of the manifesto includes the Monas Hieroglyphica associated with John Dee. Familiar, yes?
Ludlum's Bourne Trilogy is a tapestry of symbolic imagery. He knew things. His cryptic equation is very revealing. Treadstone + BlackBriar - tread briar = Black Stone
It should be getting pretty obvious that Black Stones are understood by the illumined because the themes are consistent. What I see suggests that the pharmakeia or sorceries of Mystery Babylon and the Beast she rides are represented in the black stone, an emblem that encompasses a broad spectrum of antichrist elements and that spirit's attendant delusion. When Rango's gravel is considered in light of these things, the surreal slow-motion scene set to the music of Ave Maria pictures in the floating gravel the magickal spell of antichrist delusion that attends the falling of this being to earth, the chameleon who brings salvation.
That's a Black Stone work.
Dr John Dee and his assistant Edward Kelly famously used a special black stone for scrying. I just wrote about Dee, the subject of a Cultural Olympiad 2012 opera and musical album. Dee and Edwards practiced divination with the object. The stone mirror had a history of such use, having been acquired from the Aztecs in Mexico. It was already a “demonically charged” object that probably had been dedicated to the god known as Tezcatlipoca, the god of rulers, warriors and sorcerers whose name translates to 'Smoking Mirror'. “Mexica [Aztec] priests used mirrors for divination and conjuring up visions.” (The British Museum - Dr Dee's mirror) Another name for the "dimensional portal" device is “shew-stone.”
A similar object in popular culture is the fortune teller's crystal ball, as used in The Wizard of Oz by the wizard and the witch. The Magic 8-Ball “toy” by Mattel is modeled on this object, which is a shiny black ball, basically a black stone for pretend and real divination. Another familiar object in the class is the mirror in Alice through the Looking Glass, a device that was not only a window but a doorway through which she traveled.
The connection between black stones and magic has been established in the minds of many through a pair of famous magicians named Blackstone, father and son, Harry Blackstone Sr. (1885-1965) and Jr. (1934-1997). Harry Sr (born Harry Bouton) was known as The Great Blackstone. The Great Black Stone represents the Beast, which I established in previous posts. These men were stage magicians, performers who practiced tricks with special props to create the illusion of magic. Whether there was ever actual magick involved, I can't say, and I don't think divining was ever a big part of their acts. Yet, the matter of deceiving the audience into thinking they were seeing what wasn't really true is faithful to the black stone tradition of Dee, Edwards and the Aztec priests. The angelic/demonic entities who produced the visions in the black stone were only ever deceivers, agents of the father of lies who held their enchanted audience captive with supernatural delusion.
A firm that appears to do magic with your assets is The Blackstone Group, founded in 1985 as a mergers and acquisitions boutique. Now rebranded simply as Blackstone, it's an alternative asset management and financial services company that rightly claims to be among the world's leading investment and advisory firms. The founders, Peter G. Peterson and Stephen A. Schwarzman, claim to have named their firm Blackstone as a cryptogram derived from their names. Schwarz is German for black, and Peter, or Petra in Greek, means stone or rock. OK. Fair enough, but I think there's more to it than that. Peterson was Chairman of the Council on Foreign Relations until retiring in 2007. He's widely claimed to be a Mason and Illuminist. Schwarzman was Skull and Bones. I'd bet they're completely onboard with the Black Stone Antichrist Beast scheme.
Crossing over out of the financial sector into the intelligence community, something similar can be noted in The Bourne Identity (one of my favorite franchises), a fictional work based on Robert Ludlum's novel. The names of the two black-on-black ops running the CIA agent Jason Bourne and other assassins form the cryptogram “Blackstone” in a similar fashion to what was claimed by Schwarzman and Peterson. (Thanks Aaron!) When Operation Treadstone was closed down it was folded into Operation Blackbriar. Think about it. The missions Bourne was assigned involved assassinating people in such a way that they either looked like accidents or were done so others could be blamed. In these ways, the primary objective was attained with blame shifting to provide deceptive cover. Like magick.
If you extract the words “black” and “stone” from Treadstone and Blackbriar you have “tread” and “briar” remaining. This speaks to me of Genesis 3 and the curses given to the serpent and Adam.
14 And the LORD God said unto the serpent, Because thou hast done this, thou art cursed above all cattle, and above every beast of the field; upon thy belly shalt thou go, and dust shalt thou eat all the days of thy life: 15 And I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.
...
17 And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life; 18 Thorns also and thistles shall it bring forth to thee; and thou shalt eat the herb of the field;
Genesis 3...
17 And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life; 18 Thorns also and thistles shall it bring forth to thee; and thou shalt eat the herb of the field;
I believe an allusion to Genesis 3 was planned and that Ludlum understood about the black stone. Note from the following how the intent was to create “a mythical assassin called Cain.”
“Treadstone is so top-secret that several Deputy Directors of the CIA have no idea that it even exists. In the books, Treadstone headquarters is located in New York City and looks simply like a dilapidated house but is in reality a fortress, having bullet resistant glass and multiple security systems. It is, in this context, a top secret operation to trap the international assassin, Carlos, by creating a mythical assassin called Cain.”
Operation Treadstone - bourne.wikia
Operation Treadstone - bourne.wikia
Uh, HEY - Isn't there something in Genesis about the creation of a murderer named Cain, a story some people try to pass off as just a myth? Wasn't he the Black Stone prototype, a literal son of the serpent like the coming Beast will be? Blackbriar was Treadstone's successor. Think about how the Cain gambit ultimately failed, like Treadstone, an operation that was terminated when the flood purged the family line from the face of the earth. The successor, Blackbriar intends to succeed where Treadstone failed. Do you think Ludlum understood about the black stone? It seems plain enough to me. He certainly displayed an understanding of trauma-based mind-control techniques being used to create secret agents with superhuman abilities, which certainly factors heavily into the greater Black Stone Beast scheme.
With the esoteric community in mind, Bourne's girlfriend's name, Marie Helena Kreutz, suggests a reference to Christian Rosenkreutz and the Rosicrucian manifesto, The Chymical Wedding of Christian Rosenkreutz. While Jason Bourne and Maria Kreutz didn't actually become Bridegroom and Bride, they lived together as lovers until her death. The setting of the Rosicrucian manifesto's story is Chag HaMatzot, the Feast of Unleavened Bread, and it is apparent to me that it is a twisted version of when the lawless one (Black stone) will be revealed and the Bridegroom (White stone) will subsequently take His Bride. The invitation to the wedding of the manifesto includes the Monas Hieroglyphica associated with John Dee. Familiar, yes?
Ludlum's Bourne Trilogy is a tapestry of symbolic imagery. He knew things. His cryptic equation is very revealing. Treadstone + BlackBriar - tread briar = Black Stone
It should be getting pretty obvious that Black Stones are understood by the illumined because the themes are consistent. What I see suggests that the pharmakeia or sorceries of Mystery Babylon and the Beast she rides are represented in the black stone, an emblem that encompasses a broad spectrum of antichrist elements and that spirit's attendant delusion. When Rango's gravel is considered in light of these things, the surreal slow-motion scene set to the music of Ave Maria pictures in the floating gravel the magickal spell of antichrist delusion that attends the falling of this being to earth, the chameleon who brings salvation.
8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness.
2 Thessalonians 2:8-11That's a Black Stone work.
Tuesday, April 24, 2012
Part 14 - 2012 London Olympics - Crow, Reporting from the Garden
The Cultural Olympiad events present an array of enchantments leading up to and supporting the ceremonial rituals of the London Olympics. One of those in the Theatre & Performance category (18 Jun 2012 - 7 Jul 2012) is a puppet show based upon Crow, a collection of themed poems by Ted Hughes.
If that name sounds familiar to those of you who have been exploring this blog, Ted was the author of the 1968 novel "The Iron Man," the basis for the movie from 1999 titled “The Iron Giant”. That movie was featured for 17 posts in a series where I exposed many of the occult themes embedded into that subtle promotion of the Antichrist Beast. I can only think the upcoming production of the Crow will compare favorably in manner and effect.
Hughes considered Crow (1970) his masterpiece, and many agree that it is perhaps his most significant work. Given that he was the British Poet Laureate from 1984 until 1998 and that he's “recognised as one of the English language's finest 20th century poets” (Crow - Handspring UK), that's saying plenty. Hughes was heavily influenced by William Blake, who wrote the poem, “Jerusalem”, which I presented in the previous post, Part 13. “In a 1971 interview with London Magazine, Hughes cited his main influences as including Blake, Donne, Hopkins and Eliot. He mentioned also Schopenhauer, Robert Graves' book The White Goddess and The Tibetan Book of the Dead.” (Ted Hughes - Wikipedia)
Obviously, Crow isn't going to be exalting the God and Father of the Lord Jesus Christ, the God of Abraham Isaac and Jacob, but what is it about? According to the copy on the promo page: “Crow witnesses God's creation in the Garden of Eden and adds his own dry trickery to the events. Droll, lonely, adaptable, laughing, watching, instinctive and curious, Crow is in all of us, and in these poems Hughes presents the songs he would sing.” (Crow - Handspring UK)
Why a crow? Why not a dove or sparrow? This will become obvious shortly. The Bible doesn't explicitly identify the bird we call a crow, although it's obviously in the class of unclean birds because carrion is in its diet. Birds are sometimes a metaphor for demons. This is the case in Matthew 13's parable of the sower, where it's even interpreted to us.
The metaphor continues in another of that chapter's parables.
The birds of the air nesting in the tree illustrates most particularly the state of the church and His people called Jews today, referencing Daniel 4 and Babylon (“And the birds of the sky dwelt in its branches”) .
Here's another illustration from Ecclesiastes that is immediately relevant.
A bird of the heavens carries a report as a witness. This is the kind of demonic reporting done by Hughes' Crow, from the Garden of Eden. The serpent, the devil, the CROW himself (and eagle/phoenix of Amaruca) was in the Garden of Eden, was he not? The NLP language of the Cultural Olympiad's promo page says “Crow is in all of us.” Literally, that seed has been dispersed into the world but there's another option that remains viable!
So, what does that Crow have to report? Here's one of the poems from the collection titled, Apple Tragedy.
If you understand about Cain's paternity and the adult version of what really happened in the Garden, no further explanation is necessary. This promotion of Crow today illustrates a point I make fairly regularly, that having insight into what really happened in the Garden provides a foundation for a deeper understanding of what has happened since then, even until this age draws to its appointed end.
While it must be said that the Crow's report has something to reveal of the truth, it's offensive, even blasphemous. This is what gets honored and exalted in modern literature and theatrical arts, and promoted in association with the Olympics.
The following offers a little more perspective on the present promotion of Hughes' work.
I believe anyone who considers what is being done in association with the London Olympics must come to see evidence suggesting there is a vast conspiracy to bring forth a new messiah in some Jerusalem through ritual magick. The Olympic objective appears to be to establish on some level a Zion of Zeus in the Olympic Park this year, perhaps manifesting also in the greater UK and in what that symbolically represents, the entirety of the inhabited earth. To what degree they might meet their goals, we shall see. I'm betting there's a zero chance of bringing forth the Beast before 2015, but I see many steps being taken to advance that agenda - and the London Olympics as one giant step toward that end!
If that name sounds familiar to those of you who have been exploring this blog, Ted was the author of the 1968 novel "The Iron Man," the basis for the movie from 1999 titled “The Iron Giant”. That movie was featured for 17 posts in a series where I exposed many of the occult themes embedded into that subtle promotion of the Antichrist Beast. I can only think the upcoming production of the Crow will compare favorably in manner and effect.
Hughes considered Crow (1970) his masterpiece, and many agree that it is perhaps his most significant work. Given that he was the British Poet Laureate from 1984 until 1998 and that he's “recognised as one of the English language's finest 20th century poets” (Crow - Handspring UK), that's saying plenty. Hughes was heavily influenced by William Blake, who wrote the poem, “Jerusalem”, which I presented in the previous post, Part 13. “In a 1971 interview with London Magazine, Hughes cited his main influences as including Blake, Donne, Hopkins and Eliot. He mentioned also Schopenhauer, Robert Graves' book The White Goddess and The Tibetan Book of the Dead.” (Ted Hughes - Wikipedia)
Obviously, Crow isn't going to be exalting the God and Father of the Lord Jesus Christ, the God of Abraham Isaac and Jacob, but what is it about? According to the copy on the promo page: “Crow witnesses God's creation in the Garden of Eden and adds his own dry trickery to the events. Droll, lonely, adaptable, laughing, watching, instinctive and curious, Crow is in all of us, and in these poems Hughes presents the songs he would sing.” (Crow - Handspring UK)
Why a crow? Why not a dove or sparrow? This will become obvious shortly. The Bible doesn't explicitly identify the bird we call a crow, although it's obviously in the class of unclean birds because carrion is in its diet. Birds are sometimes a metaphor for demons. This is the case in Matthew 13's parable of the sower, where it's even interpreted to us.
4 and as he sowed, some seeds fell beside the road, and the birds came and ate them up.
...
19 When anyone hears the word of the kingdom and does not understand it, the evil one comes and snatches away what has been sown in his heart. This is the one on whom seed was sown beside the road.
Matthew 13:4,19...
19 When anyone hears the word of the kingdom and does not understand it, the evil one comes and snatches away what has been sown in his heart. This is the one on whom seed was sown beside the road.
The metaphor continues in another of that chapter's parables.
31 He presented another parable to them, saying, “The kingdom of heaven is like a mustard seed, which a man took and sowed in his field; 32 and this is smaller than all other seeds, but when it is full grown, it is larger than the garden plants and becomes a tree, so that THE BIRDS OF THE AIR come and NEST IN ITS BRANCHES.”
Matthew 13:31-32The birds of the air nesting in the tree illustrates most particularly the state of the church and His people called Jews today, referencing Daniel 4 and Babylon (“And the birds of the sky dwelt in its branches”) .
Here's another illustration from Ecclesiastes that is immediately relevant.
Furthermore, in your bedchamber do not curse a king, and in your sleeping rooms do not curse a rich man, for a bird of the heavens will carry the sound and the winged creature will make the matter known.
Ecclesiastes 10:20A bird of the heavens carries a report as a witness. This is the kind of demonic reporting done by Hughes' Crow, from the Garden of Eden. The serpent, the devil, the CROW himself (and eagle/phoenix of Amaruca) was in the Garden of Eden, was he not? The NLP language of the Cultural Olympiad's promo page says “Crow is in all of us.” Literally, that seed has been dispersed into the world but there's another option that remains viable!
So, what does that Crow have to report? Here's one of the poems from the collection titled, Apple Tragedy.
So on the seventh day
The serpent rested,
God came up to him.
"I've invented a new game," he said.
The serpent stared in surprise
At this interloper.
But God said: "You see this apple?"
I squeeze it and look-cider."
The serpent had a good drink
And curled up into a question mark.
Adam drank and said: "Be my god."
Eve drank and opened her legs
And called to the cockeyed serpent
And gave him a wild time.
God ran and told Adam
Who in drunken rage tried to hang himself in the orchard.
The serpent tried to explain, crying "Stop"
But drink was splitting his syllable.
And Eve started screeching: "Rape! Rape!"
And stamping on his head.
Now whenever the snake appears she screeches
"Here it comes again! Help! O Help!"
Then Adam smashes a chair on his head,
And God says: "I am well pleased"
And everything goes to hell.
The serpent rested,
God came up to him.
"I've invented a new game," he said.
The serpent stared in surprise
At this interloper.
But God said: "You see this apple?"
I squeeze it and look-cider."
The serpent had a good drink
And curled up into a question mark.
Adam drank and said: "Be my god."
Eve drank and opened her legs
And called to the cockeyed serpent
And gave him a wild time.
God ran and told Adam
Who in drunken rage tried to hang himself in the orchard.
The serpent tried to explain, crying "Stop"
But drink was splitting his syllable.
And Eve started screeching: "Rape! Rape!"
And stamping on his head.
Now whenever the snake appears she screeches
"Here it comes again! Help! O Help!"
Then Adam smashes a chair on his head,
And God says: "I am well pleased"
And everything goes to hell.
If you understand about Cain's paternity and the adult version of what really happened in the Garden, no further explanation is necessary. This promotion of Crow today illustrates a point I make fairly regularly, that having insight into what really happened in the Garden provides a foundation for a deeper understanding of what has happened since then, even until this age draws to its appointed end.
While it must be said that the Crow's report has something to reveal of the truth, it's offensive, even blasphemous. This is what gets honored and exalted in modern literature and theatrical arts, and promoted in association with the Olympics.
The following offers a little more perspective on the present promotion of Hughes' work.
“Hughes worked for 10 years on a prose poem, "Gaudete", which he hoped to have made into a film. It tells the story of the vicar of an English village who is carried off by elemental spirits, and replaced in the village by his enantiodromic double, a changeling, fashioned from a log, who nevertheless has the same memories as the original vicar. The double is a force of nature who organises the women of the village into a "love coven" in order that he may father a new messiah. When the male members of the community discover what is going on, they murder him. The epilogue consists of a series of lyrics spoken by the restored priest in praise of a nature goddess, inspired by Robert Graves's White Goddess.”
Ted Hughes - Wikipedia
Ted Hughes - Wikipedia
I believe anyone who considers what is being done in association with the London Olympics must come to see evidence suggesting there is a vast conspiracy to bring forth a new messiah in some Jerusalem through ritual magick. The Olympic objective appears to be to establish on some level a Zion of Zeus in the Olympic Park this year, perhaps manifesting also in the greater UK and in what that symbolically represents, the entirety of the inhabited earth. To what degree they might meet their goals, we shall see. I'm betting there's a zero chance of bringing forth the Beast before 2015, but I see many steps being taken to advance that agenda - and the London Olympics as one giant step toward that end!
Sunday, April 22, 2012
Part 13 - 2012 London Olympics - Zion Control and Sorcery
In what must be seen as an extension of the magickal linkage between London and Zion, the Cultural Olympiad is featuring the opera of Damon Albarn titled Dr Dee. If you review the Cultural Olympiad's promo page you'll see this is an exaltation of Dr John Dee, renowned sorcerer and consultant to Queen Elizabeth 1.
One of the featured songs in the opera is titled, “The Marvelous Dream.” Here's the lyrics.
To interpret what's meant by the title you have to identify the context as that of pagan ritual and magickal spells, of witchcraft, pharmakeia. This was John Dee's world. The meaning of the word “marvelous” in this context is “miraculous; supernatural.” The “dream” is the state of being enchanted, bewitched. The album Dr Dee (2012) underscores this interpretation with other titles like “The Golden Dawn,” “9 Point Star” and “Oh Spirit Animate Us,” which seems lifted straight from the Olympic Hymn.
Give some thought to the meaning of the song. What do you suppose that “matter” is, which might cause one to empty the belly on awakening in it the next morning? Blood, feces, vomit, the desecrated remains of the sacrificed? Levitation is one of the actual demonstrations of demonic presence that sometimes attends ceremonial ritual. Why go swap your bed? Who is helpless but the victim, abused. If someone is “helpless innate,” they inherited it as a characteristic like the Monarch butterfly, signaling Monarch trauma-based mind-control programming. The... of your heart will prove that you are not quite dead.” The DID multiples are given this line as a necessary kind of anchor in their programming.
If these things aren't clear to you, I can say with confidence you haven't been reading this blog and paying attention. SRA or Satanic Ritual Abuse is not rare and this is no time to be ignorant about it. The role sodomy plays in ritual abuse is also something no saint should be ignorant about, and the torture and animal and human sacrifice that goes along with it.
Dr Dee understood sodomy, which is used in ritual to open the third eye and install demons for the purpose of creating a mind-controlled slave with supernatural abilities. The Cultural Olympiad promo page states that, “The show was inspired by his fascination with Dee and his lasting influence on English identity.” Shameful. For both Albarn and the English identity. Damon Albarn appears to share Dee's enlightened state. It couldn't be made more apparent that he's both a multiple and a handler if he were even to just come right out and admit it in the presence of witnesses.
This opera is scheduled for the London Coliseum, 25 Jun 2012 - 7 Jul 2012. Professional reviewers who saw it recently at the Manchester International Festival report it is “A thoroughly beguiling spectacle” and testify, “I was entranced.” You may take that as literal. If you think this kind of activity is inconsistent with the Olympics, I submit that you haven't really been paying very close attention.
Let's consider what might be meant by the first verse, where reference is made to London and Jerusalem. I believe it helps to have some familiarity with The Tempest, the pre-London Olympic theme, and beyond, given the inscription on the giant bell of Caliban.
Dr John Dee is generally accepted as being the inspiration for the character Prospero in The Tempest. The play is popularly attributed to William Shakespeare but evidence suggests all his works are rather of esoterist Sir Francis Bacon. The prose of Albarn's tribute to Dee relates to Bacon's contribution as the iconic playwright and his tribute to Dee. The storm being called to growl over London today is as the storm of The Tempest.
A tempest is a violent windstorm, a growling hurricane spitting tornado, as it were. In The Tempest, scene II, it's revealed how the titular storm was a magickal work of Prospero (Dr Dee). Albarn's prose declares this growling tempest brought some God fire to the stay, which is to say that a supernatural element has been conjured up by a magickal working. If the implication follows The Tempest, the ritual sex magick with blood sacrifice of the marvelous dream is intended to bring royalty passing by into captivity, under the sorcerer's local control, just as everyone else on the isle is subject to Prospero's manipulative enchantments.
Albarn's first verse continues.
If anything of this is to be taken seriously, and wisdom truly dictates that we must, it appears that Albarn and others taken with Dee's enchantments intend to bring Jerusalem under their control in a magical binding. Many royals will be passing by the British Isles for the London Olympics, according to the historical trend and reasonable expectation. Why does the IOC conceal ZION in their feature logos as they perform ever more extensive Satanic rituals in their global promotion of the ancient Zeus? Why is London's Olympic Park seemingly entangled in time with the establishment of the modern state of Israel, connected through the time-distance measure to the Temple Mount?
Recall the esoterist William Blake's “Jerusalem,” who waxed eloquent in his passion.
Let's put this into perspective.
There's a reason why heed was to be given, and why we should make note of this activity as being detestable to the Lord.
William Blake and Cecil Rhodes and Damon Albarn and those who dream and craft such dreams will be dismissed by the enchanted masses who throng to the temples of Olympism, who have no idea they are being held spellbound. Hitler's notions were dismissed, yet, astounding success was achieved under a vast enchantment, a great overspreading delusion. The Pope and the Vatican have legitimate claims on Jerusalem. The False Prophet will be manifesting prior to the Beast, as John the Baptist before the Lamb of God. This world has been given over to the enemies of God, but it must be said that those who now claim and exercise control will be driven from the land, and the Lord God will give it to others. This will not be done after the manner of witchcraft, nor by means of the arm of the flesh.
One of the featured songs in the opera is titled, “The Marvelous Dream.” Here's the lyrics.
Hurricane spitting tornado
Growl over London today
Brought some God fire to the stay.
Demons towards Jerusalem
The spirit comes upon a mighty way
Felt some God fire in its way
I call to the dance, now the party begun
Alcohol, holiday, I'm a drug... strong
Levitating you've jumped around May queen
A time for revival or maybe just the marvelous dream.
And the moon rises higher, can call me
The end of the cycle has come again
Oh, I am helpless innate.
Awake in the matter next morning
Empty your belly, I can't take my time on a
I am helpless, I'll ...
I call to the dance, now the party begun
Alcohol, holiday, I'm a drug... strong
..go swap your bed
The... of your heart will prove that you are not quite dead.
The Marvelous Dream
Growl over London today
Brought some God fire to the stay.
Demons towards Jerusalem
The spirit comes upon a mighty way
Felt some God fire in its way
I call to the dance, now the party begun
Alcohol, holiday, I'm a drug... strong
Levitating you've jumped around May queen
A time for revival or maybe just the marvelous dream.
And the moon rises higher, can call me
The end of the cycle has come again
Oh, I am helpless innate.
Awake in the matter next morning
Empty your belly, I can't take my time on a
I am helpless, I'll ...
I call to the dance, now the party begun
Alcohol, holiday, I'm a drug... strong
..go swap your bed
The... of your heart will prove that you are not quite dead.
The Marvelous Dream
To interpret what's meant by the title you have to identify the context as that of pagan ritual and magickal spells, of witchcraft, pharmakeia. This was John Dee's world. The meaning of the word “marvelous” in this context is “miraculous; supernatural.” The “dream” is the state of being enchanted, bewitched. The album Dr Dee (2012) underscores this interpretation with other titles like “The Golden Dawn,” “9 Point Star” and “Oh Spirit Animate Us,” which seems lifted straight from the Olympic Hymn.
Give some thought to the meaning of the song. What do you suppose that “matter” is, which might cause one to empty the belly on awakening in it the next morning? Blood, feces, vomit, the desecrated remains of the sacrificed? Levitation is one of the actual demonstrations of demonic presence that sometimes attends ceremonial ritual. Why go swap your bed? Who is helpless but the victim, abused. If someone is “helpless innate,” they inherited it as a characteristic like the Monarch butterfly, signaling Monarch trauma-based mind-control programming. The... of your heart will prove that you are not quite dead.” The DID multiples are given this line as a necessary kind of anchor in their programming.
If these things aren't clear to you, I can say with confidence you haven't been reading this blog and paying attention. SRA or Satanic Ritual Abuse is not rare and this is no time to be ignorant about it. The role sodomy plays in ritual abuse is also something no saint should be ignorant about, and the torture and animal and human sacrifice that goes along with it.
Dr Dee understood sodomy, which is used in ritual to open the third eye and install demons for the purpose of creating a mind-controlled slave with supernatural abilities. The Cultural Olympiad promo page states that, “The show was inspired by his fascination with Dee and his lasting influence on English identity.” Shameful. For both Albarn and the English identity. Damon Albarn appears to share Dee's enlightened state. It couldn't be made more apparent that he's both a multiple and a handler if he were even to just come right out and admit it in the presence of witnesses.
This opera is scheduled for the London Coliseum, 25 Jun 2012 - 7 Jul 2012. Professional reviewers who saw it recently at the Manchester International Festival report it is “A thoroughly beguiling spectacle” and testify, “I was entranced.” You may take that as literal. If you think this kind of activity is inconsistent with the Olympics, I submit that you haven't really been paying very close attention.
Let's consider what might be meant by the first verse, where reference is made to London and Jerusalem. I believe it helps to have some familiarity with The Tempest, the pre-London Olympic theme, and beyond, given the inscription on the giant bell of Caliban.
“Prospero functions as a god on the island, manipulating everyone within his reach. He is helpless against his enemies until they appear on a ship nearby; but when they are close enough, he can use his magic to create a storm and bring them under his control.”
Character Analysis - Prospero (Cliffs Notes)
Character Analysis - Prospero (Cliffs Notes)
Dr John Dee is generally accepted as being the inspiration for the character Prospero in The Tempest. The play is popularly attributed to William Shakespeare but evidence suggests all his works are rather of esoterist Sir Francis Bacon. The prose of Albarn's tribute to Dee relates to Bacon's contribution as the iconic playwright and his tribute to Dee. The storm being called to growl over London today is as the storm of The Tempest.
Hurricane spitting tornado
Growl over London today
Brought some God fire to the stay.
Growl over London today
Brought some God fire to the stay.
A tempest is a violent windstorm, a growling hurricane spitting tornado, as it were. In The Tempest, scene II, it's revealed how the titular storm was a magickal work of Prospero (Dr Dee). Albarn's prose declares this growling tempest brought some God fire to the stay, which is to say that a supernatural element has been conjured up by a magickal working. If the implication follows The Tempest, the ritual sex magick with blood sacrifice of the marvelous dream is intended to bring royalty passing by into captivity, under the sorcerer's local control, just as everyone else on the isle is subject to Prospero's manipulative enchantments.
Albarn's first verse continues.
Demons towards Jerusalem
The spirit comes upon a mighty way
Felt some God fire in its way
The spirit comes upon a mighty way
Felt some God fire in its way
If anything of this is to be taken seriously, and wisdom truly dictates that we must, it appears that Albarn and others taken with Dee's enchantments intend to bring Jerusalem under their control in a magical binding. Many royals will be passing by the British Isles for the London Olympics, according to the historical trend and reasonable expectation. Why does the IOC conceal ZION in their feature logos as they perform ever more extensive Satanic rituals in their global promotion of the ancient Zeus? Why is London's Olympic Park seemingly entangled in time with the establishment of the modern state of Israel, connected through the time-distance measure to the Temple Mount?
Recall the esoterist William Blake's “Jerusalem,” who waxed eloquent in his passion.
And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?
Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!
I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?
Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!
I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.
Let's put this into perspective.
9 “When you enter the land which the LORD your God gives you, you shall not learn to imitate the detestable things of those nations. 10 There shall not be found among you anyone who makes his son or his daughter pass through the fire, one who uses divination, one who practices witchcraft, or one who interprets omens, or a sorcerer, 11 or one who casts a spell, or a medium, or a spiritist, or one who calls up the dead. 12 For whoever does these things is detestable to the LORD; and because of these detestable things the LORD your God will drive them out before you. 13 You shall be blameless before the LORD your God. 14 For those nations, which you shall dispossess, listen to those who practice witchcraft and to diviners, but as for you, the LORD your God has not allowed you to do so.
Deuteronomy 18:9-14There's a reason why heed was to be given, and why we should make note of this activity as being detestable to the Lord.
William Blake and Cecil Rhodes and Damon Albarn and those who dream and craft such dreams will be dismissed by the enchanted masses who throng to the temples of Olympism, who have no idea they are being held spellbound. Hitler's notions were dismissed, yet, astounding success was achieved under a vast enchantment, a great overspreading delusion. The Pope and the Vatican have legitimate claims on Jerusalem. The False Prophet will be manifesting prior to the Beast, as John the Baptist before the Lamb of God. This world has been given over to the enemies of God, but it must be said that those who now claim and exercise control will be driven from the land, and the Lord God will give it to others. This will not be done after the manner of witchcraft, nor by means of the arm of the flesh.
1 Sing for joy in the LORD, O you righteous ones; Praise is becoming to the upright. 2 Give thanks to the LORD with the lyre; Sing praises to Him with a harp of ten strings. 3 Sing to Him a new song; Play skillfully with a shout of joy. 4 for the word of the LORD is upright, and all His work is done in faithfulness. 5 He loves righteousness and justice; The earth is full of the lovingkindness of the LORD. 6 By the word of the LORD the heavens were made, and by the breath of His mouth all their host. 7 He gathers the waters of the sea together as a heap; He lays up the deeps in storehouses. 8 Let all the earth fear the LORD; Let all the inhabitants of the world stand in awe of Him. 9 For He spoke, and it was done; He commanded, and it stood fast. 10 The LORD nullifies the counsel of the nations; He frustrates the plans of the peoples. 11 The counsel of the LORD stands forever, the plans of His heart from generation to generation. 12 Blessed is the nation whose God is the LORD, the people whom He has chosen for His own inheritance. 13 The LORD looks from heaven; He sees all the sons of men; 14 From His dwelling place He looks out on all the inhabitants of the earth, 15 He who fashions the hearts of them all, He who understands all their works. 16 The king is not saved by a mighty army; A warrior is not delivered by great strength. 17 A horse is a false hope for victory; Nor does it deliver anyone by its great strength. 18 Behold, the eye of the LORD is on those who fear Him, on those who hope for His lovingkindness, 19 to deliver their soul from death and to keep them alive in famine. 20 Our soul waits for the LORD; He is our help and our shield. 21 For our heart rejoices in Him, because we trust in His holy name. 22 Let Your lovingkindness, O LORD, be upon us, according as we have hoped in You.
Psalm 33
Friday, April 20, 2012
Part 12 - 2012 London Olympics - Death Rituals: A "Bell, Book and Candle" Mega-Ritual on the BBC
I believe the upcoming London Olympics is intended to be a Bell, Book and Candle ritual, a Satanic mega-ritual. I'll be expanding on what is meant by bell, book and candle, but briefly it's a ritual curse made using these three implements. This ritual's most familiar guise is the Roman Catholic priesthood's excommunication practice. This activity isn't merely symbolic, and I don't hesitate to say that, even though it's apparent to me that so many educated and intelligent people will immediately dismiss me as superstitious and ignorant, this matter should be taken very seriously.
Bell: The London Olympics will open with bell ringing all over the UK, including the ringing of the biggest ringing bell in Europe, a featured object that will be hung at the Olympic Stadium.
Book: The book is something I suspect will manifest on multiple levels, the most important of which is the human “book of life.” DNA has been featured heavily in Olympic ceremonies and in some of the associated art and architectures. The helical DNA “scroll” is written in genetic script that includes letters (A, C, G, and T nucleotide bases) and punctuation, in “stop DNA” or termination codons. The Olympic games that are “bookended” by the opening and closing ceremonies feature the entire scope of the “book,” competitors, support personnel and spectators from nearly every race and place.
Candle: The candle will be the Olympic Cauldron, truly a witch's cauldron, burning with the flame ritually lit from the sun on Mt. Olympus and dedicated to Apollo and Zeus, aka Satan.
Here's Wikipedia's current description of the excommunication ritual.
Practicing witches will immediately identify the bishop with 12 priests as a coven, and their reciting an oath on the altar as the ritual casting of a cursing spell. And so should we.
The activity planned for the London Olympics suggests that the IOC intends to enact a mega ritual modeled on the bell book and candle curse. They will begin by ringing a giant bell. They will hold the games for 2 weeks, marking the conclusion with a ceremonial declaration, closing the book. Finally, they will extinguish the flame, snuffing out the candle. Given the symbolism surrounding all that's being done leading up to the event, and, in the context of everything else going on at the present time, it seems apparent to me that a bell, book and candle spell will be cast and that all who participate on some level will be cursed thereby. Without the sovereign God's intervention, the impact of this supernatural offensive will be massive in scale.
I have to wonder if a precedent wasn't set in the not too distant past, during the "Nazi" Olympics. That happened in Berlin in 1936. Give some consideration to what followed. Serious consideration.
Those games featured a special iron bell that was dedicated by Nazi officials (SS) in a secret ceremony, hung at the stadium and rung to open the event. Those games concluded with a ceremony, and their cauldron flame was extinguished. That flame was the first in modern times to have been lit from the sun on Mount Olympus and conveyed to the stadium in a torch relay, the Olympischer Fackellauf.
[video] Hitler Nazi Olympics Opening Ceremony
The three implements featured in the curse are popular items in magick ritual.
Hollywood's Bell, Book and Candle (1958 - James Stewart, Kim Novak) features a witch who casts influential spells. I watched it a couple times fairly recently and it impressed me as having been made by folks who understood witchcraft. This movie was based on a popular Broadway play of the same title. These, along with the 1942 film, [video] I Married a Witch, inspired the popular TV series Bewitched (1964-1972 - Elizabeth Montgomery). The BB and C Broadway play was popular, and the movie was nominated for two Academy Awards and a Golden Globe, but the greater influence would come through the medium of TV, with Bewitched having a huge influence on our culture. The series was produced by Screen Gems, so each episode was attended by a version of the infamous "The S From Hell." The trauma induced aided in the systematic programming of generations of mind-controlled people like us. Unless you're breaking free, you're still under the spell. Really.
Here's some copy featured on the shopping site for the Bell Book & Candle Supply.
The bell, book and candle deal is definitely not a "Christian" thing, with nothing of obedience to Y'shua in any of it!
I think the network broadcasting the London Olympic games locally should be considered as a Bell, Book and Candle entity. Consider the acronym BBC (British Broadcasting Corporation) as the “Bell, Book and Candle.” They broadcast a signal that enchants and bewitches, and I'm being quite literal. See the Vigilant Citizen's presentation titled Mind Control Theories and Techniques used by Mass Media for some excellent insight from the mind-control perspective.
In this blog and on theopenscroll.com I've posted plenty about the meaning of bells, the DNA "book of life" and the Olympic flame "candle light." If you dismiss my concerns as being without a substantial basis, I can only suggest that you've failed to do your homework adequately.
The London Olympics, a mass death ritual?
I want to close here by calling attention to some of the features that suggest this upcoming London Olympic “Bell, Book and Candle” event is intended as a mass death ritual. BTW, I'm not the only one who sees evidence pointing to that conclusion. How it might manifest, I don't know, on a physical level. Spiritually (which will manifest in the physical), I do see this as a milestone in advancing the population towards receiving the Beast and his mark, which will assure a season in the lake of fire. According to the words of the ritual, those cursed will be “damned, with the Devil and his angels and all the reprobate, to eternal fire.” Also, with the result of “the target's soul being extinguished and removed from the light of God.” That's mark of the beast and lake of fire language, right?
According to the excommunication ritual, “The bishop would ring a bell to evoke a death toll.” The bell intended for the Olympic Stadium will be inscribed with a line from Shakespeare's “The Tempest.” “Be not afeard, the isle is full of noises.” Why this? Is there something that should be feared, if it were known? Here's a few related things to noodle. The London Olympics will of course be held in the British Isles, and the theme of the opening ceremony is taken from “The Tempest,” "Isles of Wonder." Caliban, who speaks that line, was a murderous and conspiratorial hybrid monster, born of a human mother and the devil himself. The setting of The Tempest is an enchanted isle, starring a king who, by sorcery, controls the minds of those on the island. Hmmmm.
The bell was originally declared to be 27 tonnes in weight. This giant bell will be the centerpiece of the ceremony opening the Olympics on July 27, a ceremony budgeted at £27 million. Have you ever heard of the 27 Club? Also known as the Curse of 27, it's a death club meme whose membership includes Robert Johnson (at the crossroads, he famously sold his soul to the devil), Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse. Right. Hmmmmm. The music for that ceremony is the responsibility of Underworld. No, really. It's also a fact that Satan himself was something of a “worship leader”, a musician and quite probably an instrument in a literal sense. Is the musical peal of the bell going to come as a death peal, calling worshipers into the underworld?
And, this just in. Dated yesterday. Team GB will win 27 gold medals at London 2012, research predicts. That's 27. Thinking of joining the Team GB Gold Medal 27 Club?
On the morning of the 27th, before the offficial ceremony scheduled for that evening, bells will be rung all over the UK. This activity is referred to as 'Work No.1197' and the plan is that all the bells in a country will be rung as quickly and as loudly as possible for three minutes. Three minutes. A minute is 60 seconds, so 3 minutes represents 60+60+60, which equates to 666. That's the number that represents the beast and his mark, the one assuring the lake of fire. There it is. Three minutes spans 180 seconds, and 1+8+0 = 9, the single digit transformation number, relating to the Beast and his mark, and 666. “The bishop would ring a bell to evoke a death toll.” Hmmmmm.
Opening day, July 27th, is known as the Grand Climax on the SRA (Satanic Ritual Abuse) calendar. Having observed how Freemasons and Jesters coordinate their activites on this calendar, when the Oympics schedule their Satanic rituals on such an “unholy day,” I pay attention. This day of the Grand Climax will bring with it perverse rituals, performed around the world with human sacrifice (female) and gross sexual abuse. Will there be a coordinated global sex and sacrificial death ritual headlined in the Olympic Park? (Maybe the Queen and some of the royals will wear their Order of the Garter apparel?)
In view of all these things, the word “ominous” falls pretty far short of describing how this looks. Some folks have grave concerns about what might come on December 21, 2012. I think it's reasonable to have serious concerns that are rather more near-term. Whether trouble comes on a grand scale in July, August or December, I can't say. In the midst of this, there's all the US Presidential election nonsense. Trouble is coming, and my recommendation is to heed the ominous warning signs that swarm all around us. There is a refuge. In Him, there is peace.
Bell: The London Olympics will open with bell ringing all over the UK, including the ringing of the biggest ringing bell in Europe, a featured object that will be hung at the Olympic Stadium.
Book: The book is something I suspect will manifest on multiple levels, the most important of which is the human “book of life.” DNA has been featured heavily in Olympic ceremonies and in some of the associated art and architectures. The helical DNA “scroll” is written in genetic script that includes letters (A, C, G, and T nucleotide bases) and punctuation, in “stop DNA” or termination codons. The Olympic games that are “bookended” by the opening and closing ceremonies feature the entire scope of the “book,” competitors, support personnel and spectators from nearly every race and place.
Candle: The candle will be the Olympic Cauldron, truly a witch's cauldron, burning with the flame ritually lit from the sun on Mt. Olympus and dedicated to Apollo and Zeus, aka Satan.
Here's Wikipedia's current description of the excommunication ritual.
“The phrase "bell, book, and candle" refers to a method of excommunication for one who had committed a particularly grievous sin. Apparently introduced around the late 9th century, the practice was once used by the Catholic Church; in modern times, a simple pronouncement is made. This ceremony involved a bishop, with 12 priests, reciting an oath on the altar:”
“After reciting this the priests would respond "So be it!" The bishop would ring a bell to evoke a death toll, close a holy book to symbolize the ex-communicant's separation from the church, and snuff out a candle or candles, knocking them to the floor to represent the target's soul being extinguished and removed from the light of God.”
Bell, book, and candle
“We separate him, together with his accomplices and abettors, from the precious body and blood of the Lord and from the society of all Christians; we exclude him from our Holy Mother, the Church in Heaven, and on earth; we declare him excommunicate and anathema; we judge him damned, with the Devil and his angels and all the reprobate, to eternal fire until he shall recover himself from the toils of the devil and return to amendment and to penitence.”
“After reciting this the priests would respond "So be it!" The bishop would ring a bell to evoke a death toll, close a holy book to symbolize the ex-communicant's separation from the church, and snuff out a candle or candles, knocking them to the floor to represent the target's soul being extinguished and removed from the light of God.”
Bell, book, and candle
Practicing witches will immediately identify the bishop with 12 priests as a coven, and their reciting an oath on the altar as the ritual casting of a cursing spell. And so should we.
The activity planned for the London Olympics suggests that the IOC intends to enact a mega ritual modeled on the bell book and candle curse. They will begin by ringing a giant bell. They will hold the games for 2 weeks, marking the conclusion with a ceremonial declaration, closing the book. Finally, they will extinguish the flame, snuffing out the candle. Given the symbolism surrounding all that's being done leading up to the event, and, in the context of everything else going on at the present time, it seems apparent to me that a bell, book and candle spell will be cast and that all who participate on some level will be cursed thereby. Without the sovereign God's intervention, the impact of this supernatural offensive will be massive in scale.
I have to wonder if a precedent wasn't set in the not too distant past, during the "Nazi" Olympics. That happened in Berlin in 1936. Give some consideration to what followed. Serious consideration.
Those games featured a special iron bell that was dedicated by Nazi officials (SS) in a secret ceremony, hung at the stadium and rung to open the event. Those games concluded with a ceremony, and their cauldron flame was extinguished. That flame was the first in modern times to have been lit from the sun on Mount Olympus and conveyed to the stadium in a torch relay, the Olympischer Fackellauf.
[video] Hitler Nazi Olympics Opening Ceremony
The three implements featured in the curse are popular items in magick ritual.
Hollywood's Bell, Book and Candle (1958 - James Stewart, Kim Novak) features a witch who casts influential spells. I watched it a couple times fairly recently and it impressed me as having been made by folks who understood witchcraft. This movie was based on a popular Broadway play of the same title. These, along with the 1942 film, [video] I Married a Witch, inspired the popular TV series Bewitched (1964-1972 - Elizabeth Montgomery). The BB and C Broadway play was popular, and the movie was nominated for two Academy Awards and a Golden Globe, but the greater influence would come through the medium of TV, with Bewitched having a huge influence on our culture. The series was produced by Screen Gems, so each episode was attended by a version of the infamous "The S From Hell." The trauma induced aided in the systematic programming of generations of mind-controlled people like us. Unless you're breaking free, you're still under the spell. Really.
Here's some copy featured on the shopping site for the Bell Book & Candle Supply.
“Tools & Gifts For Your Spiritual Practice”
“Welcome to Bell Book & Candle Supply, your online source for metaphysical supplies, witchcraft supplies, wicca supplies, pagan supplies, shaman supplies, Kemetic, Egyptian, hoodoo, and all other needs for your own spiritual path, whatever that may be. Please ask if you're looking for something special. We're here to help you on your journey.”
“Do you need to update your Book of Shadows? Would you like an heirloom for your children, or a special book of shadows for your coven? Look at our wooden Book of Shadows. We also carry velvet journals by Jessica Galbreth. The cover designs on these popular velvet Book of shadows are exquisite and she really captures the magick in her fairy and sorceress artwork. We also have a number of other blank book journals for note-taking or spell-writing.”
“Welcome to Bell Book & Candle Supply, your online source for metaphysical supplies, witchcraft supplies, wicca supplies, pagan supplies, shaman supplies, Kemetic, Egyptian, hoodoo, and all other needs for your own spiritual path, whatever that may be. Please ask if you're looking for something special. We're here to help you on your journey.”
“Do you need to update your Book of Shadows? Would you like an heirloom for your children, or a special book of shadows for your coven? Look at our wooden Book of Shadows. We also carry velvet journals by Jessica Galbreth. The cover designs on these popular velvet Book of shadows are exquisite and she really captures the magick in her fairy and sorceress artwork. We also have a number of other blank book journals for note-taking or spell-writing.”
The bell, book and candle deal is definitely not a "Christian" thing, with nothing of obedience to Y'shua in any of it!
I think the network broadcasting the London Olympic games locally should be considered as a Bell, Book and Candle entity. Consider the acronym BBC (British Broadcasting Corporation) as the “Bell, Book and Candle.” They broadcast a signal that enchants and bewitches, and I'm being quite literal. See the Vigilant Citizen's presentation titled Mind Control Theories and Techniques used by Mass Media for some excellent insight from the mind-control perspective.
In this blog and on theopenscroll.com I've posted plenty about the meaning of bells, the DNA "book of life" and the Olympic flame "candle light." If you dismiss my concerns as being without a substantial basis, I can only suggest that you've failed to do your homework adequately.
The London Olympics, a mass death ritual?
I want to close here by calling attention to some of the features that suggest this upcoming London Olympic “Bell, Book and Candle” event is intended as a mass death ritual. BTW, I'm not the only one who sees evidence pointing to that conclusion. How it might manifest, I don't know, on a physical level. Spiritually (which will manifest in the physical), I do see this as a milestone in advancing the population towards receiving the Beast and his mark, which will assure a season in the lake of fire. According to the words of the ritual, those cursed will be “damned, with the Devil and his angels and all the reprobate, to eternal fire.” Also, with the result of “the target's soul being extinguished and removed from the light of God.” That's mark of the beast and lake of fire language, right?
According to the excommunication ritual, “The bishop would ring a bell to evoke a death toll.” The bell intended for the Olympic Stadium will be inscribed with a line from Shakespeare's “The Tempest.” “Be not afeard, the isle is full of noises.” Why this? Is there something that should be feared, if it were known? Here's a few related things to noodle. The London Olympics will of course be held in the British Isles, and the theme of the opening ceremony is taken from “The Tempest,” "Isles of Wonder." Caliban, who speaks that line, was a murderous and conspiratorial hybrid monster, born of a human mother and the devil himself. The setting of The Tempest is an enchanted isle, starring a king who, by sorcery, controls the minds of those on the island. Hmmmm.
The bell was originally declared to be 27 tonnes in weight. This giant bell will be the centerpiece of the ceremony opening the Olympics on July 27, a ceremony budgeted at £27 million. Have you ever heard of the 27 Club? Also known as the Curse of 27, it's a death club meme whose membership includes Robert Johnson (at the crossroads, he famously sold his soul to the devil), Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse. Right. Hmmmmm. The music for that ceremony is the responsibility of Underworld. No, really. It's also a fact that Satan himself was something of a “worship leader”, a musician and quite probably an instrument in a literal sense. Is the musical peal of the bell going to come as a death peal, calling worshipers into the underworld?
And, this just in. Dated yesterday. Team GB will win 27 gold medals at London 2012, research predicts. That's 27. Thinking of joining the Team GB Gold Medal 27 Club?
On the morning of the 27th, before the offficial ceremony scheduled for that evening, bells will be rung all over the UK. This activity is referred to as 'Work No.1197' and the plan is that all the bells in a country will be rung as quickly and as loudly as possible for three minutes. Three minutes. A minute is 60 seconds, so 3 minutes represents 60+60+60, which equates to 666. That's the number that represents the beast and his mark, the one assuring the lake of fire. There it is. Three minutes spans 180 seconds, and 1+8+0 = 9, the single digit transformation number, relating to the Beast and his mark, and 666. “The bishop would ring a bell to evoke a death toll.” Hmmmmm.
Opening day, July 27th, is known as the Grand Climax on the SRA (Satanic Ritual Abuse) calendar. Having observed how Freemasons and Jesters coordinate their activites on this calendar, when the Oympics schedule their Satanic rituals on such an “unholy day,” I pay attention. This day of the Grand Climax will bring with it perverse rituals, performed around the world with human sacrifice (female) and gross sexual abuse. Will there be a coordinated global sex and sacrificial death ritual headlined in the Olympic Park? (Maybe the Queen and some of the royals will wear their Order of the Garter apparel?)
In view of all these things, the word “ominous” falls pretty far short of describing how this looks. Some folks have grave concerns about what might come on December 21, 2012. I think it's reasonable to have serious concerns that are rather more near-term. Whether trouble comes on a grand scale in July, August or December, I can't say. In the midst of this, there's all the US Presidential election nonsense. Trouble is coming, and my recommendation is to heed the ominous warning signs that swarm all around us. There is a refuge. In Him, there is peace.
Thursday, April 19, 2012
Part 11 - 2012 London Olympics - The Cursed Flame that Forms Satan's Temple
There's only three weeks left until the London Olympic season "fires off" with the lighting of the flame. On the 10th of May, the flame will be lit (“weather” permitting) in a ceremony held near Athens at the Temple of Hera on Mt. Olympus. Women as priestesses will pray and sing and honor will be given to Zeus in this ritual as the sun's rays light the fire that will be paraded around Greece, then flown to the UK.
A big deal is made of this flame, and it really is a big deal because it's a ritual element that bears with it a curse. It has only ever been a devoted thing, an element of accursed idolatry, but this year many of us have a greatly heightened expectation for a magnified presence of evil as the spell it casts magickally forms the temple described in the Olympic Hymn.
English translation (free)
Immortal spirit of antiquity
Father of the true, beautiful and good
Descend, appear, shed over us thy light
Upon this ground and under this sky
Which has first witnessed thy unperishable fame
Give life and animation to these noble games!
Throw wreaths of fadeless flowers to the victors
In the race and in the strife
Create in our breasts, hearts of steel!
In thy light, plains, mountains and seas
Shine in a roseate hue and form a vast temple
To which all nations throng to adore thee
Oh immortal spirit of antiquity!
This year's prayer that will be recited by the high priestess as the flame is lit will resemble the one that was offered for the Vancouver Olympics.
"Apollo God of Sun and the idea of light send your rays and light the sacred torch for the hospitable city of Vancouver and you Zeus give peace to all peoples on earth and wreath the winners of the Sacred race."
Ritually, Apollo, God of Sun, answered their prayers. Given that Apollo and Zeus are gods, in truth (Revelation 2:12-13), and that there is real magic (Exodus 7:12, 8:7), the ritual activity surrounding the Olympic flame isn't the harmless fun many of the participants think it is. They are playing with fire - of the worst kind!
The following observations were made by Joseph Herrin.
A big deal is made of this flame, and it really is a big deal because it's a ritual element that bears with it a curse. It has only ever been a devoted thing, an element of accursed idolatry, but this year many of us have a greatly heightened expectation for a magnified presence of evil as the spell it casts magickally forms the temple described in the Olympic Hymn.
English translation (free)
Immortal spirit of antiquity
Father of the true, beautiful and good
Descend, appear, shed over us thy light
Upon this ground and under this sky
Which has first witnessed thy unperishable fame
Give life and animation to these noble games!
Throw wreaths of fadeless flowers to the victors
In the race and in the strife
Create in our breasts, hearts of steel!
In thy light, plains, mountains and seas
Shine in a roseate hue and form a vast temple
To which all nations throng to adore thee
Oh immortal spirit of antiquity!
This year's prayer that will be recited by the high priestess as the flame is lit will resemble the one that was offered for the Vancouver Olympics.
"Apollo God of Sun and the idea of light send your rays and light the sacred torch for the hospitable city of Vancouver and you Zeus give peace to all peoples on earth and wreath the winners of the Sacred race."
Ritually, Apollo, God of Sun, answered their prayers. Given that Apollo and Zeus are gods, in truth (Revelation 2:12-13), and that there is real magic (Exodus 7:12, 8:7), the ritual activity surrounding the Olympic flame isn't the harmless fun many of the participants think it is. They are playing with fire - of the worst kind!
“Running from 10–17 May, the 3,000km Relay will see the Olympic Flame pass through 34 cities and be carried by 500 people.”
“On 10 May, a ceremony will be held at the Temple of Hera in Ancient Olympia, where the Flame will be lit using the sun's rays. It will then begin its journey across Greece, travelling to the island of Crete before going to Piraeus, Thessalonica, Xanthi and Larissa among many other communities.”
“The Flame will arrive in the Panathenaic Stadium in Athens – site of the first modern Olympic Games in 1896 – on 17 May, where the Flame will be given to the London 2012 delegation.”
“When the Olympic Flame arrives in the UK on 18 May, it will travel on a 70-day journey around the country on its way to the Opening Ceremony of London 2012 on 27 July.”
First Olympic Torchbearer for Greek leg of Relay revealed
“On 10 May, a ceremony will be held at the Temple of Hera in Ancient Olympia, where the Flame will be lit using the sun's rays. It will then begin its journey across Greece, travelling to the island of Crete before going to Piraeus, Thessalonica, Xanthi and Larissa among many other communities.”
“The Flame will arrive in the Panathenaic Stadium in Athens – site of the first modern Olympic Games in 1896 – on 17 May, where the Flame will be given to the London 2012 delegation.”
“When the Olympic Flame arrives in the UK on 18 May, it will travel on a 70-day journey around the country on its way to the Opening Ceremony of London 2012 on 27 July.”
First Olympic Torchbearer for Greek leg of Relay revealed
The following observations were made by Joseph Herrin.
“The torch relay will arrive on 18 May 2012 from Greece. The relay will last 70 days, with 66 evening celebrations, six Island Visits with about 8,000 people carrying the torch 300 m (330 yd) each, starting from Land's End in Cornwall. The torch will have one day outside of the United Kingdom when it will visit Dublin on June 6.”
[Source: http://en.wikipedia.org/wiki/2012_Summer_Olympics]
“Note the preponderance of the number six in the torch ceremonies. The torch will arrive in the United Kingdom on the 18th day of May (6+6+6). There will be 66 evening celebrations, and 6 island visits (66 and 6). The torch will visit Dublin on June 6th (6th month, 6th day). Every detail of the Olympic events are planned with great care. They are impregnated with occult symbolism, and this Olympics stands to be the greatest occult celebration of the rising of Satan’s rule over the earth that has yet been seen.”
“Ticket sign-up, in Great Britain, was launched on 22 March 2010. This is the 3rd month and 22nd day (3-22). Those familiar with occult numbers will recognize these numbers. The Georgia Guidestones were dedicated on March 22nd, and they read as the ten commandments of the New World Order. See Link:”
http://parablesblog.blogspot.com/2008/10/deep-things-of-satan.html
“This number is also part of the symbol of the secret society known as Skull and Bones of which many prominent United States politicians and corporate leaders have been members, including both Presidents Bush and John Kerry.”
From Babylon Rising - Part Three: The XXX Olympiad
[Source: http://en.wikipedia.org/wiki/2012_Summer_Olympics]
“Note the preponderance of the number six in the torch ceremonies. The torch will arrive in the United Kingdom on the 18th day of May (6+6+6). There will be 66 evening celebrations, and 6 island visits (66 and 6). The torch will visit Dublin on June 6th (6th month, 6th day). Every detail of the Olympic events are planned with great care. They are impregnated with occult symbolism, and this Olympics stands to be the greatest occult celebration of the rising of Satan’s rule over the earth that has yet been seen.”
“Ticket sign-up, in Great Britain, was launched on 22 March 2010. This is the 3rd month and 22nd day (3-22). Those familiar with occult numbers will recognize these numbers. The Georgia Guidestones were dedicated on March 22nd, and they read as the ten commandments of the New World Order. See Link:”
http://parablesblog.blogspot.com/2008/10/deep-things-of-satan.html
“This number is also part of the symbol of the secret society known as Skull and Bones of which many prominent United States politicians and corporate leaders have been members, including both Presidents Bush and John Kerry.”
From Babylon Rising - Part Three: The XXX Olympiad
Wednesday, April 18, 2012
Part 52 - Rango - Rango as The Black Stone
There's more to Rango's floating gravel than what I wrote in the last post, which can perhaps be most simply summarized in this way: Black stones and rocks represent the Devil and his kind in contrast to the Rock of Israel, the God of Abraham, Isaac and Jacob, and His kind. Beyond appearing in Rango and Knowing (2009), black stones and rocks are used symbolically in many other movies and TV shows, and in various other ways that might surprise you. I'm going to explore some of these instances and feature some more scripture references to bring a little more of the depth and complexity of the symbol to light.
When I was writing about Rango's ice cube and cubes as hypercubes I covered the Kaaba, which translates to cube. When Muslims pray, they face the object called the Black Stone, located inside the Kaaba in the center of the Grand Mosque in Mecca, Saudi Arabia. Their rock is not My Rock. David Flynn, who recently “went on ahead” made a noteworthy observation about this stone in Temple at the Center of Time. On page 226, he wrote: “The distance between the Kab'ah stone in Mecca to the temple mount is 666 nautical miles, which is accurate to the foot. ”
The Black Stone (a cornerstone) is related to the temple mount with its foundation stone (that is not the one over which the Dome of the Rock is built) by 666. The "White" stone? The Black Stone in Mecca's Kaaba is linked by that numbering to the Beast and his mark, an object of worship which Islamic tradition purports to have fallen from Heaven to show Adam and Eve where to build an altar.
Hmmm. The Black Stone fell from heaven to earth? Doesn't this seem familiar? In Rango's scene where the chameleon falls to earth, we see floating gravel, which falls with him to the earth. Black stones, Rango and the gravel, both. As the Muslims worship the Black Stone in the Cube, didn't the chameleon who fell to earth with gravel come to be celebrated and even worshiped as a god, even the savior of the town, and didn't he live in a Kaaba, a terrarium? Rango is the Black Stone of Islam and also the Mahdi, the final Imam of Twelve, Muhammad al-Mahdi, by other names the Antichrist Beast, Horus, Apollo or Thor, as presented time and again in this series.
There's even more substance to this identification of the chameleon as the messianic Black Stone when you compare him to another messianic rock in a desert wilderness far removed from the fictional town of Dirt.
The people in the desert wilderness were thirsty. The residents of Rango's dusty little town of Dirt had the same critical issue in Nevada's Mojave Desert. Black Rock Rango solved the water problem!
I find it interesting that the Black Stone in the Kaaba, Mecca, and the rock of Horeb (Jebel al Lawz) are both in Saudi Arabia (See also Ron Wyatt and Jim and Penny Caldwell).
Back in the USA, many miles north of the Mohave Desert in the northwestern part of Nevada you'll find the Black Rock Desert, which is separated into two arms by the Black Rock Range. Each year, an event known as Burning Man takes place in the Black Rock Desert, during which time the temporary community of Black Rock City appears. This has roots in a pagan summer solstice bonfire ritual that seems to have begun in the mid 80s in San Francisco. In 1990 the event in Nevada began to generally be observed the week before Labor day. If you've ever seen The Wicker Man (1973) and understand that a bonfire is more literally a bone fire, you get that this entire business isn't really a good thing. The Druids of Gaul performed human sacrifices inside a wicker man. When I lived in Sacramento, which is not that far away and is on the major route there, on Labor day you'd see caravans of dust covered vehicles descending I-80 out of the Sierra Nevada range, usually overloaded with camping gear and sundry peculiar items of character. I used to work with people who attended every year. It's a pagan ritual gathering and a “clothing optional” celebration of all sorts of misbehavior and weirdness.
The Black Rock - not my Rock.
More to follow on this theme, Lord willing.
When I was writing about Rango's ice cube and cubes as hypercubes I covered the Kaaba, which translates to cube. When Muslims pray, they face the object called the Black Stone, located inside the Kaaba in the center of the Grand Mosque in Mecca, Saudi Arabia. Their rock is not My Rock. David Flynn, who recently “went on ahead” made a noteworthy observation about this stone in Temple at the Center of Time. On page 226, he wrote: “The distance between the Kab'ah stone in Mecca to the temple mount is 666 nautical miles, which is accurate to the foot. ”
16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six.
Revelation 13:16-18The Black Stone (a cornerstone) is related to the temple mount with its foundation stone (that is not the one over which the Dome of the Rock is built) by 666. The "White" stone? The Black Stone in Mecca's Kaaba is linked by that numbering to the Beast and his mark, an object of worship which Islamic tradition purports to have fallen from Heaven to show Adam and Eve where to build an altar.
Hmmm. The Black Stone fell from heaven to earth? Doesn't this seem familiar? In Rango's scene where the chameleon falls to earth, we see floating gravel, which falls with him to the earth. Black stones, Rango and the gravel, both. As the Muslims worship the Black Stone in the Cube, didn't the chameleon who fell to earth with gravel come to be celebrated and even worshiped as a god, even the savior of the town, and didn't he live in a Kaaba, a terrarium? Rango is the Black Stone of Islam and also the Mahdi, the final Imam of Twelve, Muhammad al-Mahdi, by other names the Antichrist Beast, Horus, Apollo or Thor, as presented time and again in this series.
There's even more substance to this identification of the chameleon as the messianic Black Stone when you compare him to another messianic rock in a desert wilderness far removed from the fictional town of Dirt.
5 Then the LORD said to Moses, “Pass before the people and take with you some of the elders of Israel; and take in your hand your staff with which you struck the Nile, and go. 6 Behold, I will stand before you there on the rock at Horeb; and you shall strike the rock, and water will come out of it, that the people may drink.” And Moses did so in the sight of the elders of Israel.
Exodus 17:5-6and all drank the same spiritual drink, for they were drinking from a spiritual rock which followed them; and the rock was Christ.
1 Corinthians 10:4The people in the desert wilderness were thirsty. The residents of Rango's dusty little town of Dirt had the same critical issue in Nevada's Mojave Desert. Black Rock Rango solved the water problem!
I find it interesting that the Black Stone in the Kaaba, Mecca, and the rock of Horeb (Jebel al Lawz) are both in Saudi Arabia (See also Ron Wyatt and Jim and Penny Caldwell).
Now this Hagar is Mount Sinai in Arabia and corresponds to the present Jerusalem, for she is in slavery with her children.
Galatians 4:25Back in the USA, many miles north of the Mohave Desert in the northwestern part of Nevada you'll find the Black Rock Desert, which is separated into two arms by the Black Rock Range. Each year, an event known as Burning Man takes place in the Black Rock Desert, during which time the temporary community of Black Rock City appears. This has roots in a pagan summer solstice bonfire ritual that seems to have begun in the mid 80s in San Francisco. In 1990 the event in Nevada began to generally be observed the week before Labor day. If you've ever seen The Wicker Man (1973) and understand that a bonfire is more literally a bone fire, you get that this entire business isn't really a good thing. The Druids of Gaul performed human sacrifices inside a wicker man. When I lived in Sacramento, which is not that far away and is on the major route there, on Labor day you'd see caravans of dust covered vehicles descending I-80 out of the Sierra Nevada range, usually overloaded with camping gear and sundry peculiar items of character. I used to work with people who attended every year. It's a pagan ritual gathering and a “clothing optional” celebration of all sorts of misbehavior and weirdness.
The Black Rock - not my Rock.
More to follow on this theme, Lord willing.
Tuesday, April 17, 2012
Will We Have Need of Anything to be Written to Us About Times and Epochs?
To underscore just how important it is to know about the times and the epochs, Paul wrote the following.
Most folk still read that passage in the same way I formerly did, in the dim light of a 20 watt bulb. We don't want to think destruction might come suddenly upon us, but most will find this very thing, even among those who now find themselves reading here! If you suppose the destruction of verse 3 comes upon those who simply aren't Christians, or perhaps upon some who fail to meet some criteria that has been imported into the passage from some other context, you will be in for a rude awakening. Under a brighter light, you can identify and accept the criteria provided right there in the context. Think about it. If you still read verse 2 and don't get that the Lord is the thief who comes in the night for His Bride, you're still in darkness.
When the Lord opened to me a stunning truth about how some will know the times, the meaning of this passage in 1 Thessalonians 5 became very clear! Noah confidently knew the time of the coming destruction in his day. According to that very example, others will know even the time of coming destruction when the Lord Y'shua comes as a Bridegroom to steal His Bride. When the Lord revealed how some would know, just like Noah had previously known in advance, it was HELLO 100 WATT BULB! Under the brighter light, I saw that the times and epochs the Lord had been opening to me for many years was confirmed as being every bit as special as I had perceived it was. What Paul wrote in 1 Thessalonians 5 makes a point very emphatically, that this knowledge is a dividing line, a primary factor in separating the Bride from those not found worthy. The barley will be ripe, and harvested, but the wheat remains in the field to mature for a later harvest. The knowledge that is so prized is beyond simply thinking that the Lord comes like a thief to surprise everyone. Those for whom he comes will not consider him a thief, but a Bridegroom, and they will not be surprised at his coming.
Knowing the time is a guard against being deceived. Seek the Lord for it as great treasure. It represents salvation and entrance into great reward.
It's not possible to lead the chosen astray. The verse further tells us what will distinguish the chosen from those who are not. See the delusion and deception as an effective filtering agency, one appointed to screen out all but a small number who will discern with the most acute perception with eyes that see as in the bright light of day. They will be sons of the day, not needing to be written to about times and epochs. They will have been proven trustworthy and made privy to the Lord's above top secret schedule of appointments.
To be able to be trusted with His schedule of appointments is HUGE! The Lord Himself extends invitations and qualifies you and I. His qualification is essential. Few will have true insight into the deeply hidden times and epochs and what it means. Will you obey Him even at the cost of your life? Are you sacrificing your life daily? If not, how can you be trusted? Do you really love Him?
To know about the times and epochs is a matter quite far beyond the merely superficial learning of a calendar date. What this knowledge involves is a confident understanding of what the events really mean. The when opens the what, who, how and why of it. This represents the development of an intimate relationship with the Revealer of secrets, one where a level of trust has been built of the kind that only exists between friends whose relationship has been tested and found to be true. I'm convinced that it's not enough for us, for those of you drawn here for this word, to seek one without the other. His secrets are learned as you seek and find the Revealer of secrets.
When I recently heard Tom Horn openly identifying 2012-2019 as the season of note, you might suppose I would rejoice, because he's right - and lots of folks are paying attention. Well, we can rejoice in it, not because he and Steve Quayle are going to be herding the masses through the narrow gate but because it's a witness to how near we are to when the Lord will have a people refined as pure gold. I'll explain shortly. There's a definite limit to how far Tom and Steve can go simply because they are popular voices. Bear with me, please. Some will think I'm being too critical, or jealous, perhaps, but it's absolutely required of us to be critical, discerning matters to the finest degree, according to the standards established by the Lord that we learn while abiding in His presence, seeing with His eyes, perceiving with His mind and His heart. I must say how much I respect and appreciate the work of a small number of men who have a large following, but yet I must also declare that a following of the way of the popular will ultimately result in being disqualified for the greatest prize.
I don't know how to express just how important I feel it is to grasp this dynamic I'm sharing now. Repeating what I wrote above: See the delusion and deception as an effective filtering agency, one appointed to screen out all but a small number who will discern with the most acute perception with eyes that see and ears that hear. The Adversary's screen must get finer and finer. The following appeared recently in the post titled Countdown - Pesah 2012 - “THREE”!.
“It must be said that, as the time draws ever nearer for the revealing of the lawless one and Bride Theft following eight days after, the enemy's schemes escalate, working to obscure the paramount truths and to blunt the sharp end of the spear by every means. The counterfeit must become more and more like the genuine. The brighter the flame of the Lord's activity, the brighter the counterfeit in appearance, and the more dense the obscuring smoke blown around it. The Lord's crux moves are of course the most critical, and the Adversary's counter to them must rise to meet them with effective challenges. It only makes sense. It has to be this way.”
When you understand how the Lord has appointed the work of Satan, of Mystery Babylon and even the spirit of antichrist and its agencies in the Beast and False Prophet agendas to accomplish His own purposes, to run the filter mechanism, if you will, you have attained to a mature perspective on what's really going on in the world. A love test is underway, a most rigorous qualifying of those who will rule and reign with the sovereign God. The matter of proving obedience even unto death then requires no further explanation. The worthy must be separated from the unworthy. Those who will qualify at the highest level are as a people tried in a furnace seven times, purified. Some among us will endure such a furnace for some seasons before “opting out,” yet some will endure to the end. The Lord will have a people refined as pure gold. They won't be deceived by any snare of the Adversary set to disqualify them by one means or another. Few are deceived by the obvious but many by the subtle. You've noticed how counterfeit $100 bills don't bear the face of Mickey Mouse, right? Those who will not be ensnared will be able to discern the finest detail of the genuine and thereby recognize the counterfeits.
So, as we approach near to the critical junctures, the Lord's own crux moves, the filtering screen gets really fine. Among those ministering to the saints, the “other offerings” must continue to improve to nearly match the genuine more and more closely, pacing it, approaching the essential qualifying truths yet ever falling just a little short. Are you following me here? It must be so.
You can dismiss what I'm about to write if it's not for you, but odds are, it is. If you're still entertaining rapture theories and celebrating pagan holidays and holding gender commands in low regard, you're not getting the point I've been making. If you're betting tomorrow will come and that it will be like today, you're missing the point.
I've got nothing to lose and everything to gain by being so bold. It is far better for you to hear it now from someone who loves you while there is still an opportunity to change. It may be known that I have many enemies within the church. I believe I'm in good company.
If you still need to be written to about times and epochs, don't fill your name in the blank for receipt of any of the good stuff coming - you're still in darkness. Cue the cold shower. Cue the ice water in the face. This season of our interaction is passing quickly. The Sound You Hear Is Not A Waltz I mean to tell you, the dance is over. This is not the only message coming from this blog, but it may well be the most vital at present.
Much of what I do on this blog is for revealing the nature of and condition of the world to those who will perceive it, and, as entertaining as some of it might be, it's not enough. The work of great value here is the preparing of a small people, in number and in their own assessment of themselves. It's a preparation for this season into which we now are entering, a season during which those who will not prepare are going to be exposed in their failure. Those who think they see but really don't are in grave danger. If you read where I link to Beyond the Veil studies and have found yourself in the habit of dismissing my strong recommendations to pursue what's there to get what the Lord might have for you, well, time is just about up. This window of opportunity the Lord has so graciously provided us is closing. Some need to know, some need to “stock up on provisions,” and that's why it's here! Whether this knowledge can be acquired in some other place from some other person, I don't know. I've wanted think so for a long time, but after all these years with no one else to point to for a second witness, I press on, undaunted.
I don't know everything but I know some things, enough, I'm assured.
Addenda: After I posted this, I read what my buddy Aaron had posted earlier today on his Revelation of Babylon blog. I'm compelled to include a link to it here, for a one-two punch in the enemy's gut. Good news, folks - our God reigns! Patient Endurance: Becoming Hardened and Battle-Ready
1 Now as to the times and the epochs, brethren, you have no need of anything to be written to you. 2 For you yourselves know full well that the day of the Lord will come just like a thief in the night. 3 While they are saying, “Peace and safety!” then destruction will come upon them suddenly like labor pains upon a woman with child, and they will not escape.
1 Thessalonians 5:1-3Most folk still read that passage in the same way I formerly did, in the dim light of a 20 watt bulb. We don't want to think destruction might come suddenly upon us, but most will find this very thing, even among those who now find themselves reading here! If you suppose the destruction of verse 3 comes upon those who simply aren't Christians, or perhaps upon some who fail to meet some criteria that has been imported into the passage from some other context, you will be in for a rude awakening. Under a brighter light, you can identify and accept the criteria provided right there in the context. Think about it. If you still read verse 2 and don't get that the Lord is the thief who comes in the night for His Bride, you're still in darkness.
But you, brethren, are not in darkness, that the day would overtake you like a thief;
1 Thessalonians 5: 4When the Lord opened to me a stunning truth about how some will know the times, the meaning of this passage in 1 Thessalonians 5 became very clear! Noah confidently knew the time of the coming destruction in his day. According to that very example, others will know even the time of coming destruction when the Lord Y'shua comes as a Bridegroom to steal His Bride. When the Lord revealed how some would know, just like Noah had previously known in advance, it was HELLO 100 WATT BULB! Under the brighter light, I saw that the times and epochs the Lord had been opening to me for many years was confirmed as being every bit as special as I had perceived it was. What Paul wrote in 1 Thessalonians 5 makes a point very emphatically, that this knowledge is a dividing line, a primary factor in separating the Bride from those not found worthy. The barley will be ripe, and harvested, but the wheat remains in the field to mature for a later harvest. The knowledge that is so prized is beyond simply thinking that the Lord comes like a thief to surprise everyone. Those for whom he comes will not consider him a thief, but a Bridegroom, and they will not be surprised at his coming.
Knowing the time is a guard against being deceived. Seek the Lord for it as great treasure. It represents salvation and entrance into great reward.
for there shall arise false Christs, and false prophets, and they shall give great signs and wonders, so as to lead astray, if possible, also the chosen.
Matthew 24:24It's not possible to lead the chosen astray. The verse further tells us what will distinguish the chosen from those who are not. See the delusion and deception as an effective filtering agency, one appointed to screen out all but a small number who will discern with the most acute perception with eyes that see as in the bright light of day. They will be sons of the day, not needing to be written to about times and epochs. They will have been proven trustworthy and made privy to the Lord's above top secret schedule of appointments.
To be able to be trusted with His schedule of appointments is HUGE! The Lord Himself extends invitations and qualifies you and I. His qualification is essential. Few will have true insight into the deeply hidden times and epochs and what it means. Will you obey Him even at the cost of your life? Are you sacrificing your life daily? If not, how can you be trusted? Do you really love Him?
To know about the times and epochs is a matter quite far beyond the merely superficial learning of a calendar date. What this knowledge involves is a confident understanding of what the events really mean. The when opens the what, who, how and why of it. This represents the development of an intimate relationship with the Revealer of secrets, one where a level of trust has been built of the kind that only exists between friends whose relationship has been tested and found to be true. I'm convinced that it's not enough for us, for those of you drawn here for this word, to seek one without the other. His secrets are learned as you seek and find the Revealer of secrets.
He who has My commandments and keeps them is the one who loves Me; and he who loves Me will be loved by My Father, and I will love him and will disclose Myself to him.
John 14:21When I recently heard Tom Horn openly identifying 2012-2019 as the season of note, you might suppose I would rejoice, because he's right - and lots of folks are paying attention. Well, we can rejoice in it, not because he and Steve Quayle are going to be herding the masses through the narrow gate but because it's a witness to how near we are to when the Lord will have a people refined as pure gold. I'll explain shortly. There's a definite limit to how far Tom and Steve can go simply because they are popular voices. Bear with me, please. Some will think I'm being too critical, or jealous, perhaps, but it's absolutely required of us to be critical, discerning matters to the finest degree, according to the standards established by the Lord that we learn while abiding in His presence, seeing with His eyes, perceiving with His mind and His heart. I must say how much I respect and appreciate the work of a small number of men who have a large following, but yet I must also declare that a following of the way of the popular will ultimately result in being disqualified for the greatest prize.
I don't know how to express just how important I feel it is to grasp this dynamic I'm sharing now. Repeating what I wrote above: See the delusion and deception as an effective filtering agency, one appointed to screen out all but a small number who will discern with the most acute perception with eyes that see and ears that hear. The Adversary's screen must get finer and finer. The following appeared recently in the post titled Countdown - Pesah 2012 - “THREE”!.
“It must be said that, as the time draws ever nearer for the revealing of the lawless one and Bride Theft following eight days after, the enemy's schemes escalate, working to obscure the paramount truths and to blunt the sharp end of the spear by every means. The counterfeit must become more and more like the genuine. The brighter the flame of the Lord's activity, the brighter the counterfeit in appearance, and the more dense the obscuring smoke blown around it. The Lord's crux moves are of course the most critical, and the Adversary's counter to them must rise to meet them with effective challenges. It only makes sense. It has to be this way.”
When you understand how the Lord has appointed the work of Satan, of Mystery Babylon and even the spirit of antichrist and its agencies in the Beast and False Prophet agendas to accomplish His own purposes, to run the filter mechanism, if you will, you have attained to a mature perspective on what's really going on in the world. A love test is underway, a most rigorous qualifying of those who will rule and reign with the sovereign God. The matter of proving obedience even unto death then requires no further explanation. The worthy must be separated from the unworthy. Those who will qualify at the highest level are as a people tried in a furnace seven times, purified. Some among us will endure such a furnace for some seasons before “opting out,” yet some will endure to the end. The Lord will have a people refined as pure gold. They won't be deceived by any snare of the Adversary set to disqualify them by one means or another. Few are deceived by the obvious but many by the subtle. You've noticed how counterfeit $100 bills don't bear the face of Mickey Mouse, right? Those who will not be ensnared will be able to discern the finest detail of the genuine and thereby recognize the counterfeits.
So, as we approach near to the critical junctures, the Lord's own crux moves, the filtering screen gets really fine. Among those ministering to the saints, the “other offerings” must continue to improve to nearly match the genuine more and more closely, pacing it, approaching the essential qualifying truths yet ever falling just a little short. Are you following me here? It must be so.
You can dismiss what I'm about to write if it's not for you, but odds are, it is. If you're still entertaining rapture theories and celebrating pagan holidays and holding gender commands in low regard, you're not getting the point I've been making. If you're betting tomorrow will come and that it will be like today, you're missing the point.
I've got nothing to lose and everything to gain by being so bold. It is far better for you to hear it now from someone who loves you while there is still an opportunity to change. It may be known that I have many enemies within the church. I believe I'm in good company.
If you still need to be written to about times and epochs, don't fill your name in the blank for receipt of any of the good stuff coming - you're still in darkness. Cue the cold shower. Cue the ice water in the face. This season of our interaction is passing quickly. The Sound You Hear Is Not A Waltz I mean to tell you, the dance is over. This is not the only message coming from this blog, but it may well be the most vital at present.
Much of what I do on this blog is for revealing the nature of and condition of the world to those who will perceive it, and, as entertaining as some of it might be, it's not enough. The work of great value here is the preparing of a small people, in number and in their own assessment of themselves. It's a preparation for this season into which we now are entering, a season during which those who will not prepare are going to be exposed in their failure. Those who think they see but really don't are in grave danger. If you read where I link to Beyond the Veil studies and have found yourself in the habit of dismissing my strong recommendations to pursue what's there to get what the Lord might have for you, well, time is just about up. This window of opportunity the Lord has so graciously provided us is closing. Some need to know, some need to “stock up on provisions,” and that's why it's here! Whether this knowledge can be acquired in some other place from some other person, I don't know. I've wanted think so for a long time, but after all these years with no one else to point to for a second witness, I press on, undaunted.
I don't know everything but I know some things, enough, I'm assured.
My sheep hear My voice, and I know them, and they follow Me
John 10:27Addenda: After I posted this, I read what my buddy Aaron had posted earlier today on his Revelation of Babylon blog. I'm compelled to include a link to it here, for a one-two punch in the enemy's gut. Good news, folks - our God reigns! Patient Endurance: Becoming Hardened and Battle-Ready
Monday, April 16, 2012
Part 51 - Rango - Black Stones Rising
Black and hovering stones have been the occasional subjects of this blog recently. Rango features the rising and hovering gravel of the chameleon's terrarium in the scene where he's catapulted out of the rear window of the family wagon. I began covering this scene in Part 42, exploring several facets that provide us with amazing insights into a fall to earth from a heavenly realm. I've addressed elements of the scene that spill the beans on dimensional portal technologies, making reference to Bible passages and to other movies that, like Rango, employ crystal, cube, and rainbow symbolism. This post continues that line as the meaning of the rising and hovering black stones is explored.
If this post is your first exposure to the Rango series you might already think I'm a lunatic. Let me encourage you to start at Part 1. You'll quickly catch on to the fact that Rango doesn't “do” random. Even the terrarium gravel is signaling something of significance!
You can watch the scene I'm describing and see the gravel float in this clip on YouTube, specifically at 5:10-5:20 in. [video] First 14 Minutes Of Rango If you're a Netflix subscriber, you can watch the entire Rango movie online now.
Black stones are featured heavily in Knowing (2009), starring Nicolas Cage. The movie is worthy of a series of posts for it's vast signaling of the Adversary's plan. The stones are given to certain special people by mysterious whispering beings. Many of the stones rise and hover in a key scene near the end of the movie while alien rockets ascend, transporting selected children, male and female, to planets symbolic of Eden. These stones are related to Rango's gravel. OK. I know what you're thinking. Why would Nicolas Cage star in a movie with esoteric symbols, right? :)
If you understand about the two trees in the Garden of Eden, how they represent two family trees that populate the earth, these can be seen also as messianic lines and as rocks or stones.
Daniel gave testimony about such a stone or rock, which falls on the feet of a body that will be carried away as chaff, interpreting Nebuchadnezzar's famous dream. This stone is the kingdom of the King of kings HaMashiach that will never be destroyed.
A stone or rock is HaMashiach, God, yet there are other rocks worshiped and another messianic rock.
On the Temple Mount in Jerusalem is what's called the foundation stone, an object considered holy by mainstream practitioners of each of the Abrahamic faiths. This is the stone over which the Dome of the Rock is built, the, Masjid Qubbat As-Sakhrah. The Zohar and other writings have much to say about a foundation stone at the Temple Mount. I believe David Flynn was right about his locating the center of time and space on the mount some distance from the Dome of the Rock. What is identified today as the foundation stone is an important symbol, but one that, to me, seems very likely to be connected with the Antichrist Beast. As it is written, “their rock is not like our Rock.”
Rango's gravel is rock or stone but instead of one big foundation stone it's a collection of small stones. Each stone is a “chip off the ol' block,” figuratively, of the same substance as their heritage rock, or messianic god. These black stones are dead stones in contrast to the living stones of the genuine.
The black stones are disobedient to the word, even appointed to stumble in disobedience. They aren't God's but the possession of another rock, and who will not receive mercy. As a collective, they form the temple represented in the stones of the ubiquitous pyramid, pictured with the hovering capstone with the eye illuminating with the dark light. (Luke 11:33-36) The hovering stones represent those who rise to a state between heaven and earth as demi-gods, hybrid god-men. The black stones are the dark star children, even including those who will take the mark of the Beast. Like the hovering illumined capstone head, so is the body, the collective members, living stones but with a zombie resurrection kind of life.
The stones ascend and hover in Rango during the scene where the chameleon falls to earth from heaven. The ice cube in the umbrella drink and the water that, with the ice, forms an arch witnesses to the stargate technology that facilitates the passage into our realm. The ascending and hovering gravel in the scene models those who are associated with the god who falls to earth, with their related ascension/decension through the dimensional portal in yet one more dramatization of things I've presented in the Rango series more than a time or two. If it doesn't seem familiar, you may want to give the series some review.
There's more here on the theme, and, Lord willing, more will follow!
If this post is your first exposure to the Rango series you might already think I'm a lunatic. Let me encourage you to start at Part 1. You'll quickly catch on to the fact that Rango doesn't “do” random. Even the terrarium gravel is signaling something of significance!
You can watch the scene I'm describing and see the gravel float in this clip on YouTube, specifically at 5:10-5:20 in. [video] First 14 Minutes Of Rango If you're a Netflix subscriber, you can watch the entire Rango movie online now.
Black stones are featured heavily in Knowing (2009), starring Nicolas Cage. The movie is worthy of a series of posts for it's vast signaling of the Adversary's plan. The stones are given to certain special people by mysterious whispering beings. Many of the stones rise and hover in a key scene near the end of the movie while alien rockets ascend, transporting selected children, male and female, to planets symbolic of Eden. These stones are related to Rango's gravel. OK. I know what you're thinking. Why would Nicolas Cage star in a movie with esoteric symbols, right? :)
If you understand about the two trees in the Garden of Eden, how they represent two family trees that populate the earth, these can be seen also as messianic lines and as rocks or stones.
The God of Israel said, the Rock of Israel spoke to me, ‘He who rules over men righteously, who rules in the fear of God,
2 Samuel 23:3 and all drank the same spiritual drink, for they were drinking from a spiritual rock which followed them; and the rock was Christ.
1 Corinthians 10:442 Jesus said to them, “Did you never read in the Scriptures, ‘THE STONE WHICH THE BUILDERS REJECTED, THIS BECAME THE CHIEF CORNER stone; THIS CAME ABOUT FROM THE LORD, AND IT IS MARVELOUS IN OUR EYES’? 43 Therefore I say to you, the kingdom of God will be taken away from you and given to a people, producing the fruit of it. 44 And he who falls on this stone will be broken to pieces; but on whomever it falls, it will scatter him like dust.”
Matthew 21:42-44Daniel gave testimony about such a stone or rock, which falls on the feet of a body that will be carried away as chaff, interpreting Nebuchadnezzar's famous dream. This stone is the kingdom of the King of kings HaMashiach that will never be destroyed.
31 You, O king, were looking and behold, there was a single great statue; that statue, which was large and of extraordinary splendor, was standing in front of you, and its appearance was awesome. 32 The head of that statue was made of fine gold, its breast and its arms of silver, its belly and its thighs of bronze, 33 its legs of iron, its feet partly of iron and partly of clay. 34 You continued looking until a stone was cut out without hands, and it struck the statue on its feet of iron and clay and crushed them. 35 Then the iron, the clay, the bronze, the silver and the gold were crushed all at the same time and became like chaff from the summer threshing floors; and the wind carried them away so that not a trace of them was found. But the stone that struck the statue became a great mountain and filled the whole earth.
...
44 In the days of those kings the God of heaven will set up a kingdom which will never be destroyed, and that kingdom will not be left for another people; it will crush and put an end to all these kingdoms, but it will itself endure forever. 45 Inasmuch as you saw that a stone was cut out of the mountain without hands and that it crushed the iron, the bronze, the clay, the silver and the gold, the great God has made known to the king what will take place in the future; so the dream is true and its interpretation is trustworthy
Daniel 2:31-35, 44-45...
44 In the days of those kings the God of heaven will set up a kingdom which will never be destroyed, and that kingdom will not be left for another people; it will crush and put an end to all these kingdoms, but it will itself endure forever. 45 Inasmuch as you saw that a stone was cut out of the mountain without hands and that it crushed the iron, the bronze, the clay, the silver and the gold, the great God has made known to the king what will take place in the future; so the dream is true and its interpretation is trustworthy
A stone or rock is HaMashiach, God, yet there are other rocks worshiped and another messianic rock.
30 How could one chase a thousand, and two put ten thousand to flight, unless their Rock had sold them, and the LORD had given them up? 31 “Indeed their rock is not like our Rock, even our enemies themselves judge this.
Deuteronomy 32:30-31On the Temple Mount in Jerusalem is what's called the foundation stone, an object considered holy by mainstream practitioners of each of the Abrahamic faiths. This is the stone over which the Dome of the Rock is built, the, Masjid Qubbat As-Sakhrah. The Zohar and other writings have much to say about a foundation stone at the Temple Mount. I believe David Flynn was right about his locating the center of time and space on the mount some distance from the Dome of the Rock. What is identified today as the foundation stone is an important symbol, but one that, to me, seems very likely to be connected with the Antichrist Beast. As it is written, “their rock is not like our Rock.”
Rango's gravel is rock or stone but instead of one big foundation stone it's a collection of small stones. Each stone is a “chip off the ol' block,” figuratively, of the same substance as their heritage rock, or messianic god. These black stones are dead stones in contrast to the living stones of the genuine.
4 And coming to Him as to a living stone which has been rejected by men, but is choice and precious in the sight of God, 5 you also, as living stones, are being built up as a spiritual house for a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ. 6 For this is contained in Scripture: “BEHOLD, I LAY IN ZION A CHOICE STONE, A PRECIOUS CORNER stone, AND HE WHO BELIEVES IN HIM WILL NOT BE DISAPPOINTED.” 7 This precious value, then, is for you who believe; but for those who disbelieve, “THE STONE WHICH THE BUILDERS REJECTED, THIS BECAME THE VERY CORNER stone,” 8 and, “A STONE OF STUMBLING AND A ROCK OF OFFENSE”; for they stumble because they are disobedient to the word, and to this [doom] they were also appointed. 9 But you are A CHOSEN RACE, A royal PRIESTHOOD, A HOLY NATION, A PEOPLE FOR God’s OWN POSSESSION, so that you may proclaim the excellencies of Him who has called you out of darkness into His marvelous light; 10 for you once were NOT A PEOPLE, but now you are THE PEOPLE OF GOD; you had NOT RECEIVED MERCY, but now you have RECEIVED MERCY.
1 Peter 2:4-10The black stones are disobedient to the word, even appointed to stumble in disobedience. They aren't God's but the possession of another rock, and who will not receive mercy. As a collective, they form the temple represented in the stones of the ubiquitous pyramid, pictured with the hovering capstone with the eye illuminating with the dark light. (Luke 11:33-36) The hovering stones represent those who rise to a state between heaven and earth as demi-gods, hybrid god-men. The black stones are the dark star children, even including those who will take the mark of the Beast. Like the hovering illumined capstone head, so is the body, the collective members, living stones but with a zombie resurrection kind of life.
The stones ascend and hover in Rango during the scene where the chameleon falls to earth from heaven. The ice cube in the umbrella drink and the water that, with the ice, forms an arch witnesses to the stargate technology that facilitates the passage into our realm. The ascending and hovering gravel in the scene models those who are associated with the god who falls to earth, with their related ascension/decension through the dimensional portal in yet one more dramatization of things I've presented in the Rango series more than a time or two. If it doesn't seem familiar, you may want to give the series some review.
There's more here on the theme, and, Lord willing, more will follow!