Project Files: Black Awakening: The Ritual Sacrifice - Ke$ha “Die Young” - ISIS - Madonna

Yesterday, I read the VC's take on Ke$ha's official video for the song, “Die Young.” The Illuminati Symbolism of Ke$ha's "Die Young" and How it Ridicules the Indoctrinated Masses. In the VC's address of the symbolism, he neglected to make the key Isis connection, so I'll establish that shortly. Rather than ridiculing, I'm convinced this bold video is a magick ritual that prepares mind-controlled youth for ritual sacrifice in the bringing of chaos, rolling out the bloody red carpet for the lawless one's grand entrance. The Black Awakening is coming, and the agents appointed for these missions will have their Beta (sex) and Delta (assassin) alters triggered to execute their coordinated programs. “Die Young” is on an album titled, “Warrior.” There's a clue.

A little while back I watched a “Die Young” video that was an unofficial version, noting that the song played on the suicide spirit, like the recent film, Looper. Here's the official version (not recommended viewing unless the Lord “green lights” it for you). This Pop queen, with the likes of Lady Gaga, Jessie J, Katie Perry, etc. are sold out members of the SRA supersoldier religion, the Osiris, Isis and Horus worshiping death cult. They walk in the footsteps of Madonna.

As the video begins, Ke$sha arrives in a horned black hearse that wears a badge: “Evil.” When the driver opens the hearse door to get out, a big skull and crossbones pops out in your face. Death has arrived. Ke$ha is in the back where the coffin and corpse would be carried. She's in a meditative pose, veiled in black with red accent. The magick is illustrated by the triangle panes that speak to me of the triangle view ports of remote viewers. I understand how this is now a pretty common psi power installed during trauma-based mind-control programming. The installation is done through the portal of the anal triangle in ritual sodomy. The video shows us a mission bell, signaling transdimensional travel. There are flashing triangles / pyramids against several backgrounds with clouds in the sky, the clouds without rain of Jude 1 that represent the fallen angelic beings and transdimensional transport. This is an invocation, symbolic and in reality. The pall bearer drone / eunuchs carry her inside like she is Virgin Mary in a parade.

It becomes evident that she's a magick sex goddess queen of death. She is a Madonna, because she's in a Mexican village, where the classical Romish mother goddess receives the nations worship. She should be more accurately named as Isis, the Goddess of Magick. Once inside the darkened building, she draws a magical symbol on the floor and the worshipers pour their anger into it by smashing furniture on it, projecting through the symbol as a curse upon whatever is represented. There's plenty of obvious magickal ritual with a stone circle, a pentacle adorning the alter in a sanctuary.

“Die Young” features an abundance of up and down and rotating triangles that are the male-female symbol pairing noted by the VC. Yet, there's the layer of the heavenly and earthly that really has to be emphasized, because signaling the union of the heavenly sons of god with the earthly daughters of men is a fuller expression of what is meant. Anal sex is strongly signaled, with anal triangle and triangle eye sodomy symbolism evident throughout. That this is actually the ritual sodomy that brings illumination is pretty evident, with white flashing lights so we don't miss the Rothschild sodomy message.

Many of the worshipers in the coven's orgy have a red line dividing their faces. Their minds are split. They have dissociated and are split into multiple alter identities through blood ritual.

We see animal sex pictured with wolves engaging in mating ritual, and bestiality imagery as she wears a fur suit in bed, writhing as though enjoying an invisible lover, feeding onlookers with energy vampirism. That fur looks like a sheep skin with a head, which says she is dramatizing the proverbial wolf in sheep's clothing. The chosen ones are infiltrators, and in the Good Shepherd's church. Ke$ha is on a dirty mattress on the dirt floor like a cheap whore in slavery. Tufts of grass appear in this setting like how rye grass grows; tares, like I pointed out when covering NBC's show Revolution! There's a ladder by the tares. They are at the bottom of the ladder, having descended, or fallen. The backdrop is masonry, the signature of Freemasonry. The dark archway portal behind the tares and ladder signals the sodomite gateway. This is not a pretty picture.

“Die(ing) Young” as an Illuminati sacrifice is being glorified. This video is ritual magick, preparing mind-controlled youth for ritual sacrifice. Gun symbols are seen, made with the hand signals and in a tattoo on a body as hidden under an arm. They are weaponized warriors. Again, this song is on the album titled, “Warrior.” If you don't see the plot, watch a few of Ke$ha's other videos to see redundant messaging.

I believe the super-abundance of variously aligned and rotating triangles has to be interpreted as the Triangle workings of Lucis Trust, invoking Lucifer through their GI tracts by pronouncing the Great Invocation. The Trust graphically represents their multiplied global network of Triangles as a mandala composed of rotated triangles, concentrically ordered. The video thus presents both the Luciferic invocation and the blood rituals Russ Dizdar recently mentioned as being supernaturally influential with regard to elections. That's certainly not all they are about. The rituals build equity in the power account, investing unto the day the lawless one is revealed.

Because Isis is such an important goddess and so widely signaled, I want to present the Pop queen Madonna as Isis, which will help identify Ke$ha and other divas who model the Goddess of Magick and help interpret the messages being transmitted through the symbols.

What I had written a while back about Madonna's latest album got quite widely circulated (MADONNA = M.D.N.A. + A.O.N -- Beast DNA and Kabbalah). One of the responses I received was an email from a woman who might be associated with Madonna in some way, although I can't say I know for certain. Her first email to me was brief and rather cryptic, but still informative. Subject line: MDNA

“You are correct. But we do not align.”

“The Father is the Giver of Life; but the Mother is the Giver of Death, because her womb is the gate of ingress to matter, and through her life is ensouled to form, and no form can be either infinite or eternal. Death is implicit in birth.”

I replied, asking if she was connected with Madonna's tour promotion, not really expecting much of an answer. I received the following in response.

“MDNA is of prime origin of the mother. It was passed to everyone from the very first instance of mother. Our Mother is here among us again.”

Hmmmm. “Our Mother is here among us again.” OK. Apparently, it is accepted that she has been summoned and incarnated. The hidden secret of Fatima, perhaps? If you read what I had written, this should all make some sense. It will make even more sense when you have traced the history of the Madonna identity back beyond the Romish cult to ancient Egypt, to Isis.

“Isis was called the Mother of Life, but she was also known as the Crone of Death. Her immense powers earned her the titles of "The Giver of Life" and "Goddess of Magic". Her best known story illustrates why she is simultaneously known as a creation goddess and a goddess of destruction.”
...
“She was worshipped throughout the Greco-Roman world. During the fourth century when Christianity was making its foothold in the Roman Empire, her worshippers founded the first Madonna cults in order to keep her influence alive. Some early Christians even called themselves Pastophori, meaning the shepherds or servants of Isis. . . which may be where the word "pastors" originated. The influence of Isis is still seen in the Christian ikons of the faithful wife and loving mother. Indeed, the ancient images of Isis nursing the infant Horus inspired the style of portraits of mother and child for centuries, including those of the "Madonna and Child" found in religious art. The power of the goddess Isis in the "public arena" was also profound. Her role as a guide to the Underworld, was often portrayed with winged arms outstretched in a protective position. The image of the wings of Isis was incorporated into the Egyptian throne on which the pharaohs would sit, the wings of Isis protecting them.”

(Isis, Egyptian Goddess of Magic and Giver of Life)

These images of Madonna are from the most recent Super Bowl half-time performance. The VC gave it fair coverage here, Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry, but he neglected to clearly identify the Isis identity there, too. The eye of Horus was featured. A version of the winged disk appeared, as if the disk painted in light were the third eye of the image of Madonna projected on the stage. Kicking off the show, a very dramatic entrance was made with Madonna as Isis on the winged throne chariot.

The very name “Isis” means, “throne.” She is the THRONE Goddess. Madonna is a name most associate with the Romish church and the Virgin Mary character, also referred to as the Queen of Heaven. She is identical to Isis. The Virgin Mary is claimed to be the mother of my Lord, but no. She is not that biblical character but literally an angelic pretender. Scroll up and look more closely at the Catholic icon in the parade. Yikes!

The set of images you see below (with ISIS in red) came from a posting on the conspirazzi site that makes the link pretty obvious. There's that Catholic icon again! Madonna-Isis! What is written there (Madonna’s Illuminati Superbowl and the Aeon of Horus) also connects the dots to the Aeon of Horus, Aliester Crowley's term that seems quite fitting for the age that is today now dawning.

Kudos to the VC for his insight in connecting this image of the tarot card called The Chariot and including a quote from Freemason author, Manly P. Hall. I found the quoted section on page 359 in my copy of “The Secret Teachings of All Ages.” “This card signifies the Exalted One who rides in the chariot of creation.” From what I can tell he's right about that. The version seen during the Super Bowl show was that of Isis as the goddess of creation and destruction. She was conveyed into the stadium as befitting a goddess, in a classic transdimensional vehicle. “The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe.” It was a UFO, in our SciFi culture lingo.

Whenever you see some figure with wings, a dragon, griffin, winged Isis or a sun disk, a falcon or eagle or hawk god, or some angelic being, these wings signify transdimensional capability. Hermes has a hat and sandals with wings. He's a psychopomp, with the ability to traverse the dimensional boundary freely as he escorts souls to the underworld. Demons biblically are metaphorical birds of the air.

Madonna's logo is a stylized M with a circle. The symbol is a very slightly obfuscated winged disk. The disk is a solar disk with the x in the circle as a cross-in-circle variant. Madonna is Isis, and this identification may well go beyond a stage impersonation with genuine supernaturalism.

I believe the Pop Queen Isis identities including Madonna and the MDNA / AON business facilitates the bringing forth of the son of Isis and Osiris, Horus - antichrist. I believe an awareness about the Isis death crone aspect and the Isis regenerative magick explains much of the Madonna MDNA show imagery. Understanding about Isis as the creation / destruction mother and death magick goddess affords us a little more insight into the sex and death imagery seen in Pop goddess Ke$ha's Die Young video. Ditto Beyoncé's Rule the World video. Ditto Lady Gaga's Born This Way video. Ditto Doda and the Bad Girls video. And so on...

Recent news like this, Madonna bares her bottom for Sandy victims, demonstrates Madonna's continued focus on her backside. Like a Prayer, a hit song and video was about ritual sodomy, experienced by an illuminated Illuminati slave. This how all the pop queens get their Isis charge.

The pop goddess Rihanna sports this winged Isis tattoo under her breasts. (She was featured singing with Coldplay during the London Paralympics closing ceremony.) That's not a casual thing to do. Isis means a lot to somebody who is responsible for Rihanna's body.

Pop diva Jessie J is onboard with the Isis magick too. Her Cleopatra hairstyle and eye makeup sets the context. Her finger jewelry forms Isis wings as she signs the common 666 eye “OK” sign and also signs a fancy double 666 heart-butt-eye, witnessing to how she got illuminated. (Jessie J - )In that video for the song, “Price Tag,” she sings, “We wanna make the world dance. Forget about the price tag. ” I believe this dance is code for the chaos brought. Baby Doll of the Illuminati vehicle SuckerPunch danced, and in that alter she was a weaponized Delta. At the movie's conclusion it's revealed that she was herself an Illuminati sacrifice alter.

If the orgy sex pictured in Ke$ha's Die Young seems really extra creepy, its all laced with a supernaturalism that defines SRA ritual. Another song on Ke$ha's Warrior album is called “Supernatural.”

When you take my body to the stars
I believe it
Boy this love is supernatural
Can you feel it?

stars = angels

Seem familiar? Have you seen “Rosemary's Baby”? Check these lyrics out for more of the same.

lyricstime.com/madonna-supernatural-lyrics.html
lyricstime.com/katy-perry-e-t-lyrics.html
lyricstime.com/florence-and-the-machine-breaking-down-lyrics.html

But as the days of Noah were, so shall also the coming of the Son of man be. ~ Matthew 24:37

4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of men, and they bore children to them. Those were the mighty men who were of old, men of renown. 5 Then the Lord saw that the wickedness of man was great on the earth, and that every intent of the thoughts of his heart was only evil continually. 6 The Lord was sorry that He had made man on the earth, and He was grieved in His heart. 7 The Lord said, “I will blot out man whom I have created from the face of the land, from man to animals to creeping things and to birds of the sky; for I am sorry that I have made them.” 8 But Noah found favor in the eyes of the Lord. ~ Genesis 6:4-8

In closing, for those generally outside the realm of Pop queen influence, movies like Looper stand in with the same message. The movie's dramatic conclusion resolves a crisis but leaves the audience reeling. We are left with the resonating imprint of a noble suicide. A looper is an assassin. The protagonist was a looper in a complicated time-travel plot where he had a face-off with - himself. Looper = switching alters. Hello! Multiple alter identity and Delta programming, right? The end scene was a willing sacrifice.

Yeah. There's a theme here!