* Note: Official video of the ceremonies is now online. Find links on the Series Links page above.
In Part 11 the closing segment called Mirror World was presented with attention given to the symbolic meaning of the hare as the escort to and from the underworld and mirrors as dimensional view ports and portals for transit. The Mirror World is the underworld realm where the spirits of antichrist dwell. You may note that the MW of their segment name presents a familiar “Code 33” signal, as both the M and W rotate to make a 3.
This morning, after being led to mention the Dalai Lama in that post as an example of a current and relevant use of the looking glass for divination, I find this item in the news that emphasizes his relevance. Dalai Lama to lead US Senate prayers.
As I write, that should be just happening. Following that, he's expected to meet leaders of both the Senate and House of Representatives. The House represents an influential “HORUS” as you should know. Tomorrow, on Friday, the Dalai Lama is expected to address a maximum-capacity crowd at the Washington National Cathedral. To honor the Dalai Lama as a spiritual leader of America is to openly exalt the god whose agents communicate through the looking glass to a man in a trance state. This national sponsorship of gross idolatry is not new but the sin of America is being judged. The news of the day is now filled with the evidence.
Part 4 - Signs of Horus Worship - Ringing Bells at the DC Cathedral and the Rise of Ancient Curses
Part 10 - Signs of Horus Worship - DC and HORUS Whores in the Capital
Part 11 - Signs of Horus Worship - The HOR, US Composed of 435 Members, and the Phallic Sundial
Back to the symbolic meaning of the Sochi Olympics closing ceremony. When it began, we saw a video countdown segment with scenes of traveling from the recent past into the present.
When the live performance was introduced we heard these words. “The sky or the sea - The concept: Time travel through Russian music, literature and art.” We had just witnessed it in the video sequence as three children jumped through a mirror. When we see them again in the live action sequence we connect the scenes to understand how the two are bound together by this theme of time travel. The crossing of dimensional boundaries is a major theme that supports the focus on what will be happening in the time of the revealing of the lawless one. The segment of the ceremony I'm featuring in this post provides more supplemental imagery and commentary. It should be pretty obvious to anyone who has watched a few Olympic ceremonies that a host country's creation mythology is often used in structuring the show. That's usually done for the opening but in Sochi it was done in both shows bookending the Games - but from what was broadcast by NBC I suspect very few people noticed. Here's a snippet of commentary from the opener's Rite of Spring-Medieval Russia segment, when the performers formed a whale in the sea under the toroidal sun of the “troika,” which I described as the quadriga of Apollo.
Meredith Vieira: “And they are forming the shape of a whale and you rack your brain to figure out the meaning of that, David. Did you come up with anything?”
David Remnick: “Well it's part of a creation myth and fairy tales. The world being born of an enormous whale.”
The whale is the only animal species named in the creation account of the familiar King James version of the Bible.
20 And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven. 21 And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good. Genesis 1:20-21 KJV ~
The Bible version is neither myth nor fairy tale, of course, and the Illumined sorcerers behind the production know this very well. Lucifer has an agenda with this ritual.
When are told in the closer that the concept is “Time travel through Russian music, literature and art,” we're not coached to see this as an reenactment of the Creation, but that's what it is, in part. The obvious interpretation of what's meant by the expression of the concept is that we're going to see a dramatized progression along the time line of history, and this is what we actually see, starting “In the beginning.” This segment will conclude with the ritual of the 5th ring, which is when Apollo is received by the world. His featured role is depicted as making a mockery of the Creator throughout history. The fallen angels are seen in their role of illuminating mankind with the knowledge of good and evil.
When the live performance began, the darkened stadium's floor became a sea. Some performers ran about with bird props held up that made them look like sea birds flying above the waves.
1 In the beginning God created the heavens and the earth. 2 The earth was formless and void, and darkness was over the surface of the deep, and the Spirit of God was moving over the surface of the waters. ~ Genesis 1:1-2
The birds represented the Spirit of God. But there's a twist. Really, everything here is twisted, turning the biblical story that will become known as a faithful account into lies of a hurtful kind. This version put forth in the Olympics closer is creation myth and fairy tales, and probably a kind of preview of the streaming content coming in the great hoax.
There's a lot of symbolism to decode in this set, awaiting another day and post, Lord willing.
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