Part 4 - The London 2012 Olympics: Revisited

Again, the segment of interest can be found from 8:25 to about 12 minutes in: The Official Video: London 2012 Olympic Games Opening Ceremony

The most obvious reference to time made in the Journey along the Thames film has to be when we come to pause near Big Ben. Big Ben is named by the commentator in the NLP language part of this ritual segment, along with the year of its casting in the nearby Whitechapel Bell Foundry. The bell is a distinct element in this time manipulation ritual, which is positioned on the bank of the river between the stadium's bell of Caliban and the standing stone at the source of the flow of water-as-time. Our attention is drawn to the hands as they spin rapidly around the dials. The clock spinning seems to be in keeping with the pace of the flight, but we really can't discount the importance of that display of accelerated time. Regarding this ritual element, our progress eastward on the journey slows while we witness how time is accelerated. I recall from the bean-spilling film, The Penitent Man, the man who time traveled from the future claimed that the physics had to do with harnessing wormholes and the speeding up of one end while slowing down the other. When we come to Big Ben we hear the chiming of the bell called Big Ben. It's being struck repeatedly in the marking off of the hours. The bell is a percussion instrument, not unlike the tuned particle colliders like the LHC, which are cryptically but heavily referenced in, The Penitent Man. The bell is rung, as you may recall, for the facilitation of space-time transit.

Leaving the scene of the iconic clock and bell tower, we're engaged in a game of cricket where the boys are wearing garments like out of the past. In context, garments represent bodies that are suited to a particular dimensional domain. We were shown the past, as having traveled into the past.

Suddenly we're back on our journey. A modern helicopter cuts abruptly through our airspace, crossing over to the right bank toward the Battersea Power Station before veering off. A large pink pig balloon is tethered to the smokestacks. Researching the history of this scenario leads us on a trail where we discover the featuring of the god, Pan. And, through that connection, we discover evidence of the ritual binding being established between the region of this river of time in “England's green and pleasant land” to the river of time known as the Jordan.

When we then see the inflated pig tethered to the Art Deco-styled Battersea Power Station (time travel through the pillars), it's a reference to the band, Pink Floyd, and a stunt they did for the promotion of their 1977 album, Animals. They were doing a photo shoot. “The 30-foot (9-metre)-long pig was tethered between two of the power station's southern chimneys. During the shoot, it broke loose from its moorings and, to the astonishment of the pilots of approaching planes, rose into the flight path of Heathrow Airport. ” (Wikipedia) That explains why the pig balloon was there in our flight path and why we were joined by the veering helicopter. Pink Floyd. When visiting Big Ben on the way, a clip of their classic song, Time, was heard (from 1973's hugely popular album, Dark Side of the Moon).

These weren't the only references to Pink Floyd's material. Each of the last three Pink Floyd studio albums had portions recorded on the Thames-Isis near Hampton, Middlesex, which we passed right through. Not in some studio on the bank of the river, but in a boat that is actually moored on the Thames. David Gilmour, the band's guitarist, bought a special vintage 1911 houseboat in 1986 and converted it into a floating recording studio-houseboat christened the Astoria. The albums, A Momentary Lapse of Reason (1987), The Division Bell (1994), and The Endless River (2014), had tracks recorded there, as did David's solo album, On an Island (2006). Note the time theme. Momentary Lapse. Bell - Glocke - Clock. Endless. (river of time) Island. (surrounded by water as time - like a space-time ark)

There was at least one more reference made to Pink Floyd, to their first album, and this one is most significant. It came in connection with the animated characters seen near the beginning of the journey. They are Rat, Mole, and Toad From the children's classic, The Wind in the Willows, by Kenneth Grahame. It was first published in 1908. That first edition's cover featured an illustration of the god Pan. In the 7th chapter of the book, Piper at the Gates of Dawn, they are drawn by his irresistible musical enchantments to worship the Piper, Pan. They experience an intersection with a heavenly domain in a divine presence at the Gates of Dawn. In their enchanted journey along the Thames, they are magically transported through space-time into the presence of this woodland god.

He's the same god Jack Parsons (of JPL) dedicated each rocket launch to by invoking Aleister Crowley's, Hymn to Pan. “But I say that that perfect image in the heart of man is patterned by the awful lust in space-time that shapes all women, the insatiable and eternal lust of Pan that is BABALON.” -J.W. Parsons



“The first album by psychedelic rock group Pink Floyd, The Piper at the Gates of Dawn (1967), was named by former member Syd Barrett after chapter 7 of The Wind in the Willows.” (Wikipedia) Syd apparently identified with Pan. Lyrics from the songs on that album were what you call psychedelic, to be sure. They are esoteric, Occult and illuminated. The summer of the year 1967 was the famed Summer of Love that centered around San Francisco's Haight-Ashbury district. It was in that same year that The Rolling Stones produced, Their Satanic Majesties Request, an album with a song that was featured in MIB3's dimensional transit scene after Will Smith as Agent J leaped off the Art Deco Chrysler Building into 1969. The year 1967 was also when The Beatles produced, Sgt. Pepper's Lonely Hearts Club Band, with cover art that honored warlock Aleister Crowley. This segment of the Olympic ritual Journey along the Thames hearkens back to that era when hallucinogenic and entheogenic induced excursions into the adjacent dimensions opened the way of shamans and mystics to the masses. It honors the fantasy literature of escape from this realm to enter into the presence of the ancient god Pan.

When you recognize Mole, Rat, and Toad and cross-reference them with the repeated references to Pink Floyd, the god Pan does emerge as an important character. There is no denying that the magical character, pipe playing Peter PAN, is honored later in the Ceremonies, of the classic fantasy tales told by British author J.M. Barrie. (His special off-dimension domain was called Neverland, which is time language, of course. He's a boy who doesn't age. The Lost Boys live in Neverland with him. LOST ~ 12+15+19+20 = 66. The Abyss. Think about the TV series, Lost, as being about the Abyss.) When you put all this together with the emphasis put on the goal expressed in William Blake's passionate poem, the working of this space-time manipulation ritual becomes more clear.

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land

Again, the ritual elements I've been pointing out in this series form a resonant structure of magickal energy (engaging demonic authorities) along the Thames-Isis, which plays as a river of time. Between the inscribed bell of Caliban and the inscribed stone marker at the source of the river, a standing wave of time appears to have been activated, harmonically resonant with such as Big Ben, and Glastonbury Tor. I introduced my observation that they ritually bound the Thames-Isis and the Jordan together. Greenwich and Mount Zion are linked as centers of time, and the river systems have also been engaged and linked. The reference to the worship of Pan is established early on the Journey along the Thames, shortly after leaving the headwaters, and so it is that the main temple dedicated to the worship of Pan from ancient times is located very near to the headwaters of the Jordan.

Here's what I wrote recently in another series of posts. (Part 2 - Israel's Wandering - Crossing a River of Time with the Time Ark)

“The Jordan, that symbolic river of life and river of time, originates and flows down from where the rebel angels descended. Their “stream” polluted man entirely, morally and genetically, and those Watchers have been held accountable for making necessary the great purging flood of Noah's day. Water-time wars. The headwaters have long been and still are linked to idolatry. Consider the testimony recorded in Matthew 16 about that area. ”

13 Now when Jesus came into the district of Caesarea Philippi, He was asking His disciples, “Who do people say that the Son of Man is?” 14 And they said, “Some say John the Baptist; and others, Elijah; but still others, Jeremiah, or one of the prophets.” 15 He *said to them, “But who do you say that I am?” 16 Simon Peter answered, “You are the Christ, the Son of the living God.” 17 And Jesus said to him, “Blessed are you, Simon Barjona, because flesh and blood did not reveal this to you, but My Father who is in heaven. 18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven.” 20 Then He warned the disciples that they should tell no one that He was the Christ. ~ Matthew 16:13-20

“Peter, little stone. (Note: stone, rock, and water.) The gates of Hades are connected to the flow of water at Banias, or, Paneas in the district of Caesarea Philippi, near the headwaters that flow also into Philia Lake (Berekhat Ram or Lake Ram) at a higher elevation. The Temple of Pan is at Paneas or Pania, which was central to his worship. Pan is one of many alias identities of the Devil.”

The observations I've made about the ritual elements don't mean much independently but when taken as a collection the intent of the ritual seems obvious enough. The binding of the Thames and Jordan fits other aspects of binding with Israel, like the construction of the 2012 Olympic Park right across the Thames from Greenwich and right where the Temple at the Center of Time arcs sweep through. The binding was surely enhanced through the connections made with the London Olympics held in 1948. Those time arcs sweep through very near to the stadium itself, where the bell hung and was rung. The brand imagery for the 1948 Games featured Big Ben, on the bank of the Thames. Clock - Bell - Tower - Time. Those Games were celebrated in the Journey Along the Thames film, with boats leaving wakes on the river of time, riders on horses, and an Island of waving medal wearing athletes.

If you factor in other elements of the countdown ritual, like the London Eye (All-Seeing Eye of Horus / Tolkien's Eye of Sauron), there is only just more support for such a conclusion. The Eye of Sauron was magically connected to the ring Sauron crafted. After a little while after publishing Part 3, another insight came to me about the Lord of the Rings, the One Ring to Rule Them All. The ring conferred invisibility upon its wearer, and, the ring also would disappear. They would exist in a shadow realm.

I describe the Olympic Rings logo as implying a 6th ring. The 6th ring is hidden. The one ring, invisible, existing in the shadow realm. Magick is not imaginary. We shouldn't confuse reality with what is imagined, and neither should we be ignorant about Satan's devices.

A close examination of the countdown portion of the Opening Ceremony exposes evidence of a mass Occult ritual, the details of which reveal it as intending space-time manipulation. On a very important level, a supernatural binding of the Thames-Isis to the Jordan River is exposed. We think the illumined who worship and serve the ancient gods have targeted and acquired the source of the flow of time relative to Zion's Temple Mount, the Ark of the Covenant, the Foundation Stone, or some combination of the three. Activity that includes this ritual has influenced time itself, producing a variety of effects in our present experience of reality. Most significantly, the schedule of key events that have been prophesied in the Bible has been skewed.

We know there's a time reset coming. Why would such a thing be necessary? Because the continuum has begun to be broken and it needs to be fixed. If you know this is so, take stock of what it means. Press in to know how the Lord Y'shua would have you respond. This season is going to be repeated, but what we do and become, in the Lord, still matters plenty.