Part 100 - The Sodomite Gateway - Hollywood is Still Singin' in the Rain

This post marks the triple digits in the series, and the seventh in the set featuring the classic musical. The Lord has had me camping on this musical scene for a while on this strange journey across the range of sodomite gateway symbols as something of a segue into some Fringe episodes, and as part of an exploration of the umbrella symbol. This fascinating and very fruitful endeavor has opened the way for me into the meaning of a few related symbols and, as during the seasons of persistent investigation into the meaning of such as Rango, The Iron Giant and Threshold, the Lord has steadfastly brought the plans, ways and means of the Adversary out of the shadows and into the light.

The practice of layering symbols is useful for the student of esoteric matters, which every one who seeks to understand the Bible must become because it is by nature an esoteric book. Because the symbolism layered into Occult imagery is so redundant, a comparison of individual elements and patterns of combination enables the collection to be complied into something of a book for breaking the code. That's a fair description of what much of the activity on this blog is about.

11 “Behold, days are coming,” declares the Lord God, “When I will send a famine on the land, Not a famine for bread or a thirst for water, But rather for hearing the words of the Lord. 12 “People will stagger from sea to sea And from the north even to the east; They will go to and fro to seek the word of the Lord, But they will not find it. 13 “In that day the beautiful virgins And the young men will faint from thirst. ~ Amos 8:11-13

The adventure continues as the Lord instructs us in preparation for the challenges of the coming season! Thank you Y'shua! A hearing ear will provide access to the Lord's provision, attained through the diligent practice of obedience.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway The first post about this film was Part 94. If you want a little more help understanding symbolism, I recommend starting here as a starting point and working your way through the blog, which develops pretty effectively as a course of instruction.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on.

The Illuminati programmers are getting plenty of mileage out of this title scene from the film. Sixty years on, a new generation is being imprinted with the same mind-control magick. We've got a steady flood of new material, but when the old stuff still works, they just keep working it. The Devil is not stupid. The industry has not let this mind-control classic be forgotten.

In 1994, in the film, “Léon: The Professional,” Natalie Portman entertained Jean Reno with an impersonation of Gene Kelly's routine from Singin' in the Rain. There is plenty of Lolita style appeal for pedophiles and programmers (Pseudoccultmedia Blog) as she also does impersonations of Madonna (Like a Virgin) and Marilyn Monroe singing “Happy Birthday Mr President.”

Last week, I watched this classic musical for probably the first time and recognized how Rango (a 55 part series) gave a nod to the film too. During “Make 'Em Laugh,” Cosmo pretends to flirt with a headless dummy, a routine picked up in Rango when the chameleon plays the lover on his terrarium stage and flirts with the headless doll. (headless dummy lover = dissociated slave being sexually abused)

In 2010, an episode of a popular TV show featured a performance of this scene merged with the one in the Rihanna ft. Jay-Z video, Umbrella (Orange Version). (Part 75) The cast of Glee with a special guest made a mashup of the original and Rihanna's tribute - to make another tribute, which served to direct this new generation of Glee fans back to the classic from 1952. “Singin' in the Rain” was presented as the drama teacher's favorite “feel better” movie, and who doesn't want to feel better, right?

Did this get anyone's attention? Yes, it did! One of the ways the industry promotes and demotes their productions is through the effective managing of perceived recognition. That's what the awards ceremonies are about. I believe it's all theater, staged. The elite own it, top to bottom. People who are interested in fashion and pop culture and theater media love this stuff. “In July 2011, Glee received twelve Emmy nominations and won two: Gwyneth Paltrow was named Outstanding Guest Actress in a Comedy Series for her portrayal of Holly Holliday...” (Wikipedia) The Emmy Awards are judged and awarded by industry insiders. (These are given out to TV series, movies and mini-series while Oscars are given out to feature films that play in theaters.) The episode that won the award for Gwyneth was Glee - The Substitute (Netflix Streaming). The industry promoted the episode of Glee (Season 2 11/2010 Episode 7) that featured the mashup production. Gwyneth herself performed in the mashup. Like I wrote before, the Illuminati programmers are getting plenty of mileage out of this title scene from the film.

The same Glee episode included another production as a tribute to “Singin' in the Rain,” featuring, “Make 'Em Laugh.” In the Fringe episode, “The Boy Must Live” which I'm planning to cover before very long, Lord willing, tribute is paid to those same two musical scenes from the classic, giving the references their customary cryptic twists. In doing so, they spill lots of beans!

I couldn't help but notice how the Glee branding embeds the 666, which I illustrate here. If you watch the episode “The Substitute,” you'll notice how they feature strong sodomy references throughout, most of them verbal and some implicit in the homosexual relationships. Notice the flair they add to the umbrella signaling in the mashup by opening and closing the black umbrella to present the phallus-anus-phallus-anus dynamic. The meaning of the classic and Rihanna's version wasn't lost on them.

While comparing Rihanna's number to Gene Kelly's, one particular pairing has a lot to say about the sodomite programming symbols. In these images, Gene has assumed the position, freezing momentarily to present his backside, with heels raised. Rihanna matches it with her butt raised, wearing her high heels. Below the horizontal sill mouldings are panels representing the alters in a multiple's programming system.

Rihanna connects her open umbrella with the lighting to signal her kundalini enlightenment in a slave pose. Her outfit provides a match to the short shorts worn by the Mahout girl in the Pharmacy display, black, with white trim. Gene is himself an illuminated slave, who is about to get busy as a handler. His phallic closed umbrella is extended out to be associated with the Mahout girls bottom, a link he'll exploit more precisely a few seconds later. His right hand is extended to connect to the Drug store sign, because this is the sex magick pharmakeia. He's also pointing up towards the window that has the squared circle form, a half umbrella, the Horus sun-anus and the dawn of the Aeon of Horus.

Another tribute of sorts was made to this scene by featuring one of the signal elements during the closing ceremony of the London Olympics. The set had news print covering London, the people, buildings, vehicles, everything. Here's what I wrote about the meaning of it in Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix: “London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction.”

That's the message sent about the man and woman on the street in California, in a little more subtle (and inexpensive) fashion. Newspaper covering their heads means they are mind-controlled by the mass media. The scene is about mind-control, in various forms. The Zeus-Lucifer worshiping Illuminists behind the Olympics were beating us over the heads with this stuff.

Uh, hey, isn't that a dress above the severed head with a bow like a butterfly? With an open umbrella against her backside, could that be something other than a signal of Monarch programming?

Are we catching on?