Part 75 - The Sodomite Gateway - Umbrella (Orange Version)

The umbrella and the rain are two very widely leveraged Occult symbols. I first wrote about them in 2008 while studying the Beijing Olympics. You can read what I wrote about them in a series I wrote for my main website at theopenscroll.com called, Olympic Ceremony Symbolism.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

In 2008, I had not yet learned about ritual sodomy and the role it plays. I had received some valuable insight into rain as the esoteric symbol representing God's seminal fluid, writing thus about the Bible's account of the flood of Noah's day: “As the waters of the flood come upon the earth, the ark is sent forth with God's seed and the whole sphere of the earth is covered as an egg with sperm, being fertilized for the purpose of repopulating the earth in another season of harvest!” The devil has leveraged that natural symbol of reproductive fluid in his counterfeiting operations, adding the umbrella to symbolize the phallus, which I detailed in that expose in 2008.

Here's a picture of the scene you may recall from Beijing's closing ceremony. Brits with brollies, dramatizing an ejaculation sequence as the bus arrives.

Some folks make reference to the condom as a raincoat, and some even call it an umbrella. That usage identifies the rain as semen metaphor and connects the umbrella to the phallus, but the condom doesn't really factor into the Occult messaging here.

Remember Rango? This screenshot says plenty.

Now that I've learned how the Adversary uses the umbrella to represent the anus in his sodomite gateway scheme, there's much more to be gleaned! Thank you Lord!

Rihanna's music video heavily features the umbrella and rain while layering in a few other key symbols of ritual sodomy programming. Note that this video is titled “Orange Version,” so the sodomite orange symbol is layered right onto the package's label! The redundant layering of symbols in programming vehicles like this helps with the keys to interpretation like the Rosetta Stone that unlocked the Egyptian hieroglyphics.

Rihanna - Umbrella (Orange Version) ft. JAY-Z



We see in this image of a backlit Rihanna the formation of three triangles as she sits on her butt. This sets the scene for anal triangle illumination and a 9 (angles and sides) transformation. We're given a sultry “Harmerty” one eye look, aided by the hat, to tip us off to the hidden eye of Horus enlightenment theme. Her hand on top of her leg-triangle suggests that her handler is on top of her triangle.

We hear Jay-Z rapping about her initiation, “good girl gone bad.” He then appears on scene as her handler and sodomizer.

He's standing in the rain, flanked by six girls. In this scene they signal a tripled 666. They stand with their legs apart and their bare legs are highlighted. Flip the scene as reflected in the water and you have the Hebrew letter vav signaled by each girl. vav=6, so three of them is a 666 signal, and there's two sets of them. The third 666 is signaled by first identifying Jay-Z as a man and substituting the number for “man,” 6. Count the highlighted legs of the women. On the left, 6. On the right, 6. Together with Jay-Z, 666.

When Jay-Z says, “Take 3. Action.” the video cuts to three girls with their hands in their pockets. Hidden hands - the “hidden hand” of secret societies means their actions are covert. Emphasis or de-emphasis put on the hands calls them to attention and signals, handler.

Jay-Z refers to himself as the rain man, using the “seminal fluid as rain” metaphor to identify himself as the sodomizer.

We see the rain as sparks, like fireworks and stars in the night, falling from the heavens. In this ritual magick, there's a supernaturalism involved, a demonic fallen angel component that may be perceived as Luciferian light. According to Marion Knox, “Basically, Satan cannot sodomize someone on his own, but he can influence somebody to sodomize someone else and then it’s like having Satan sodomize them and put the sodomy power within them.”

In the sequence where Rihanna appears in a white dress, she's the good girl beginning to go bad, picking up the cue from Jay-Z's rap. As she's being initiated she resists, appearing to dodge and deflect the splashing water. When her face appears framed by the water, that speaks to me of her reaching the point where she dissociates. She then signals acceptance and stops resisting. “You can stand under my umbrella,” she sings.

When there's sunshine we'll shine Together
Told you I'll be here forever
Said I'll always be your friend
Took an oath I'mma stick it out 'till the end

Now that it's raining more than ever
Know that we still have each other
You can stand under my umbrella
You can stand under my umbrella

Jay-Z had referred to her as his sunshine girl. He's really talking about the black sun, that place “where the sun don't shine.” This is what the blood oath is about. NLP “stick it” ... “the end.” They cannot tell about this relationship because it is a most highly guarded secret.

As she sings she keeps repeating “ella” and “A,” which I have to think is alluding further to her A**, reading her body language.

Then we see her wearing black. The changed clothes signals dissociation has happened and she has escaped the trauma, switching to an alter identity. We see her beginning to dance with a focus on her wearing ballet shoes, pointing her feet and standing on her toes like a ballerina. We see her dipping down as if she's going on her knees, with a figure right behind her, all in black. Jay-Z, the handler-sodomizer. She's accepted being sodomized.

If you understand about how high heel shoes symbolize the bottom of a sodomite pair you get the ballerina bit. The heel is at the rear end of the foot. When it is raised up, the rear end is raised and exposed. A function of high heel shoes is popularly understood as serving to lift the derriere. These are still fairly common, and it should be said that being common does nothing to discount the symbolic meaning.

Here's a picture of Lady Gaga's famous penis shoes. There's a little obfuscation of the sodomy metaphor, and I suppose that makes them useful as sex toys. Note the crimped black bottoms of the model's pants that layers on the sodomite gateway symbolism.

Next up in the Umbrella video we see the umbrella as phallus metaphor, with her doing squats while on her toes. She looks back at us over her shoulder, and we know her backside is towards us, so we take the hint. She'll make lots of moves that suggest this is really all about her backside.

We briefly see her holding on to a trapeze swing. The swing is a popular prop on the slave programming set. She finally opens the black umbrella to present the signal anus, validating further what kind of sex the trapeze is facilitating.

In Part 73 I wrote, “In Rihanna's “Umbrella” video, she is creatively “not telling” us how her black umbrella represents her sodomite gateway, against a wall that has many panels. Each panel represents an alter in her system.” In this sequence we see her in yet another outfit. Another alter. The umbrella is collapsed. Held behind her back, the phallus is behind her. Her fish-net stockings present another grid and slice of the alter system being programmed in by her sodomizing handler. Here, she's wearing high heels.

Watch her put the handle against her butt and bend over backwards. Keep that in mind, I'll be referencing it in another post, Lord willing.

She sings lines that really only make sense in context of this SRA ritual. “You're part of my entity - Here for Infinity”

In the next sequence that gets woven in, we're shown a collection of scenes where Rihanna adopts artful postures in stark sets wearing only a covering of metallic paint. She's not really human anymore. The metallic skin illustrates the light body transformation as into a goddess. Sodomite sex magick does transform the DNA and it does advance one towards what will be completed in the mark of the Beast.

Isis is the goddess of magick who mates with Osiris to bring forth Horus. Rihanna now sports the identifying magickal Isis-Horus Behedeti tattoo on her solar plexus. It's more than a fashion accessory.

The metallic Rihanna images flip back and forth in the video between positive and negative images that invert the lighting. Light-dark flashing. There's frequent doubling of the subject and repeated scenes. It's the mirroring alter systems and angel-demons being programmed in. This happens while being traumatically sodomized, as revealed by her symbolic postures.

One of the first in the sequence pictures Rihanna with her hands in a prayer posture, which might be taken as an homage to pop goddess Madonna's classic, “Like a Prayer.” That “prayer” on her knees signaled the religious experience of being ritually sodomized while on her knees. Rihanna is doubled, mirrored, split in two, dissociated.

Some panels feature her inside a triangle. In one, she's on her knees and divides the one into three. That's the 9 and an equivalent to the Masonic Royal Arch degree's “three times three” ritual. Do you see a hint of the horned Baphomet?

She is seen here forming a triangle with her arm, while touching her palm to her forehead, the third eye illumination.

In another clever posture, she forms more triangles, making the Kundalini gland connection for us. She touches her backside at the point of one triangle. She touches her forehead with another. With her legs, a sodomy signaling plus sign is formed by crossing a vertical with a horizontal. Finally, the raised rear end of her foot is identified with the rear end that is the focus of all this attention. Evil genius.

The essential binding feature of ritual sodomy has not been neglected in this Illuminati vehicle. We see her on the left wearing a metallic tie around her neck. Her vest-like halter top is tied in the back with a black bow.

“It's Pouring rain, it's Pouring rain
Come into Me, come into Me”

There's the equation. Do the math. She's inviting the sodomizer's semen, and welcoming the installation of the demonic Legion.

Here's the VC's interesting take on Rihanna's Umbrella video.

While you and I may not be soaking in this evil on the club scene or feeding on it by watching lots of music videos, many of those around us are. You may not really have a grasp of this yet, but really, this kind of thing isn't a recent phenomenon. Stay tuned for a remarkable example. Before the music video, there was “the musical.” Like Captain Kangaroo and Bimbo's Initiation, this stealth weaponry has been part of the Devil's arsenal for a long time. We have been raised under a spell of deception. Praise the Lord for setting us free!

The Fringe Series is History

The last episode of the sci-fi series Fringe has just aired, ending the fifth and final season. It might be one of the higher level Illuminati programming vehicles on TV. The final episode spilled some beans about the revealing of the lawless one as baptized by the false prophet, even correctly identifying the year. As usual, it was delivered in a convoluted fashion, ever concealing from the ignorant while revealing to those who are familiar with the script and symbol language. I just posted about Code Orange, which featured an obfuscation of the appointed day of the year. The time is known, and there's only a little more than 2 years remaining.

The Lord has opened such a flood of insight to Aaron and I over the past week or so that it's a tough call what might be most pertinent for the blog. Thanks so much for your prayers!

Fringe has leveraged the bell in several episodes as a dimensional portal device, as I've blogged in the past. I've also featured the Fringe Division logo as a match to the Pope's heraldry, a sodomite portal. The black umbrella signal for ritual sodomy is leveraged heavily in at least two recent Fringe episodes, in “Black Blotter” and “The Boy Must Live.” I'll address these in upcoming posts, Lord willing, but I want to establish the foundation for the umbrella symbol first with a variety of examples. All this is exposing the mind-control programming mechanisms and schemes towards bringing forth the hybrid Beast and his mark, and this ministering is preparing a remnant people in advance of that crucial season!

Before even that, I wanted to share another insight that I'm hoping will really speak to you. Those who produce Fringe know things. The devil and his crew are not stupid. They lie, and their knowledge is restricted, but there are coded communications passed into our world that conceal and reveal important messages that are some very prized secrets of the Illuminated Luciferians. Fringe uses a simple substitution cipher to present one word messages during the commercial breaks, one letter at a time. The glyph for the letter E is one of four that features the apple, cut in half. Inside, instead of seeds we see 2 human embryos. It's a womb bearing twins.

If you understand what happened in the Garden of Eden you can interpret this as a symbol of Eve's womb, with Cain and Able as the two seeds, having “eaten the apple”! Many years ago, the Lord Y'shua revealed to me how that Adam was sodomized in the Garden. I understood the orgy scene, and that Eve would later bear twins. She was impregnated by the Nachash, and then later by her husband in the way of heteropaternal superfecundation or superfetation. (See Who is Cain's Father?) This is the secret of the apple glyphs!

The father of Cain still gloats about his victory, and he has been using Fringe in his craft as one of the vehicles for advancing yet another seed scheme. (Johnny Appleseed is a legend and a parable of the seed lines branched from the Garden and from Genesis 6, and 9, until the prophetic declaration of Genesis 3:15 is ultimately fulfilled.)

Blessings in Y'shua!

Part 74 - The Sodomite Gateway - Code Orange Underground Revival

A reader recently pointed out a video on the orange theme (Thanks Andrew) that really has some vital testimony for us. It speaks of ritual sodomy, yes, but let it speak to you about the role the mainstream evangelical church plays in the advancement of the antichrist agenda towards the Beast and his mark. I'm going to explain how the baptism of the lawless one of 2 Thessalonians 2 is concealed in the promo, even the very day of his revealing! This is what Code Orange portends and advances, even the mark of the Beast!

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Here's the video: Code Orange Underground Revival

If you've been paying attention to this series and have made the orange-sodomy connection, the imagery opening and closing the promo should be pretty obvious. Zooming the camera into and out of a manhole: man hole = anus. Port of access to sewage pipe. Framing the video with this symbolic imagery illustrates the functional mechanism of programming, how sodomy begins, “orange” happens, then sodomy ends. Ritual sodomy programming. Familiar right? Code Orange and Code Orange Underground; mainstream evangelical activity. The video and Code Orange is associated with the Elevation Church in Charlotte, NC.

“Steven Furtick and his Elevation Church kicked off 2012 with a bang. The Code Orange Revival was twelve nights of celebrity preachers, loud worship music and subsequent emotional highs. Speakers ran from across the spectrum of professing Christianity—from New Calvinist Matt Chandler and his gospel-centered message to Word Faith preacher T.D. Jakes with his typical performance and prosperity theatrics. Last year’s event also featured Elephant Room Curator James MacDonald, Hillsong darling Christine Caine, seeming prosperity preachers Jentezen Franklin and Stovall Weems, Furtick’s personal pastor, Craig Groeschel, Joel Osteen’s worship leader, Israel Houghton, and seeker-driven favorites Perry Noble, Kevin Gerald and Ed Young, Jr. Scripture was twisted, hands were raised, and every night of the event was broadcast live online for the entire world to view.” (Steven Furtick Takes the Code Orange Revival Underground)

The daughters of Babylon, Mystery Babylon the Great, Matthew 24's oikodespotes; the woman John saw riding the crimson beast. The video derives from Code Orange Revival - 2012 to promote the activities planned for 2013. Here's a decoding of their esoteric documentary.

The video begins with an image of descending into a manhole. We're going underground, descending into the underworld, and we hear voices of preachers as if heard coming out of the pit. Here is metaphor for the ritual sodomy that creates the condition for programming.

Words appear on the screen as if a fluorescent light with a failing ballast is flickering on, and the buzzing noise we expect is the appropriate soundtrack. These lights used to be placed inside boxes with translucent panels to make signs that light up. Hello! This is a sign!

Here is the illumination of the underworld, and the gnosis is manifesting in the appearance of words. Tilted. The slave, disoriented, experiences things going kind of sideways. The program is being installed. “WE STARTED 2012 WITH A 12 NIGHT REVIVAL” NLP: 12 Night. The Midnight hour, ritual time for many. Following on the tail of the 12 NIGHTs of Christmas, we might reflect on the recent Pagan ceremonial countdown. Link 12 night to 2012. This is 2013, so a 13th is suggested. Thirteen is the familiar number of the rebel lord Beast, so right away his approach is signaled and we infer it is nigh at hand.

Another tilted pane appears flickering on like a retro orange sign. “IN 2013 WE'RE TAKING IT TO ANOTHER LEVEL” The words stack like a pyramid. We're taking it to another level. Following their direction, we add another level, the capstone. The gradient lighting is brighter at the top. The capstone is going to be the brightest orange. Who's that? Out of the noisy din we hear the fiery preacher declaring “the lord is in this place”! We know the place, at the top of the pyramid. Which lord? Mine? No way! It's the 13th suggested by the previous panel, the rebel lord Beast! Their 13th beyond the 12 is like a witches coven, patterned on my Lord with his 12 disciples but with a twist. It was Judas who was truly different from the other 12.

Malachi 3 testifies of their lord. Mine is the Lord of Hosts who gives the revelation, and the one who will have the offerings in righteousness. Their underground and underworld lord is appointed to clear the way before my Lord. They will be smelted like the sons of Levi.

1 “Behold, I am going to send My messenger, and he will clear the way before Me. And the Lord, whom you seek, will suddenly come to His temple; and the messenger of the covenant, in whom you delight, behold, He is coming,” says the Lord of hosts. 2 “But who can endure the day of His coming? And who can stand when He appears? For He is like a refiner’s fire and like fullers’ soap. 3 He will sit as a smelter and purifier of silver, and He will purify the sons of Levi and refine them like gold and silver, so that they may present to the Lord offerings in righteousness. 4 Then the offering of Judah and Jerusalem will be pleasing to the Lord as in the days of old and as in former years. ~ Malachi 3:1-4

The flickering image goes orange. Oranges are round. This one is squared. Cognitive Dissonance. Squared circle alchemy.

Scenes of the event begin. Since the Beast has, in ceremonial magick, just been elevated (by the Elevation Church) to his throne atop the pyramid as the head of his body (counterfeit Messiah), what follows is the ceremonial receiving of the mark of the Beast. We see in a fleeting image what I captured in this screenshot of the right hand mark stamping.

And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads: ~ Revelation 13:16

The attendants were programmed in this ritual, and the intent is to program us, the viewers, casting a spell of pharmakeia. This is a similitude of being programmed as during ritual sodomy by our handlers. Notice the orange tint, the purple accent, the watch, the signal dark and light checkered tie (that binds).

Inside the club, uh, church, there's a pretty common club scene, with loud music, a stage and dance floor. Flashing beams of light shine into the dim orange hue of the sanctuary, streaming rays of light that allude to a sunrise. The sun god Horus is in the house, worshiped in his alias as Apollo just as the imagery on the podium suggests. The setting is fit for the gods and programming their worshipers with lots of triangle structures and “T”s (anal triangles and Lucis Trust Triangles) and grids of panels. We see the lawless one ceremonially received by the lawless hoards.

The logo on the podium identifies the hosts, Elevation Church. It resembles the letter A of the title in the famous poster for Kubrick's controversial film, A Clockwork Orange. That's not an inappropriate match, being that they are actually of the same kind. This logo should be interpreted as the sodomite gateway, orange, and the alchemical triangle in circle. It's the pyramid and capstone together, cleverly appearing with the top at the bottom, as superimposed. The capstone is hidden in plain sight because of a simple obfuscation, and a powerful cover spell. If we allow that the Elevation church symbol is a simple up pointing arrow, we must identify it as the symbolic phallus of Apollo in the simple but powerful sodomite sex magick symbol. The Elevation Church intends to elevate or ascend men and women, and indeed they are achieving their goals.

The purple dot grid speaks to me of an array of sodomite portals, nodes in the Beast network.

A woman is pictured at the podium, presented with a transient flash of triangle eye imagery. Women pray without covering their heads, speak in church and take authority over men by teaching, and the men not only tolerate but sponsor it. Not that long ago, Bible believing saints would have been aghast to see this. Hmmm. Actually, they still are.

Dancers with orange hair entertain. It looks like Saturday Night Fever in Sodom. They are clothed in purple.

4 The woman was clothed in purple and scarlet, and adorned with gold and precious stones and pearls, having in her hand a gold cup full of abominations and of the unclean things of her immorality, 5 and on her forehead a name was written, a mystery, “BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH.” ~ Revelation 17:4-5

At the conclusion of the event footage and as the raucous noise of the party fades away, we find ourselves leaving the underworld, backing out of the sodomite portal as the camera zooms out of the manhole. The dissociated state switches from the sodomy alter to one that is conscious of the present. We hear the electric buzz of the fluorescent light and see another image. This remains after the sodomy, programmed in and retained. Code Orange Underground. Z. It's the mark of Zeus, his trademark weapon, the lightning bolt. Zeus, aka Satan. His son, Apollo. Ancient god of the sun, and returning Beast.

One final image remains. “Coming Soon” Buzz, buzz. Fade. I get it. I hope you do too. These people are not your friends, at least not if you truly love my Lord and aspire to be found worthy to be selected as His Bride.

14 Then he brought me to the door of the gate of the Lord's house which was toward the north; and, behold, there sat women weeping for Tammuz. 15 Then said he unto me, Hast thou seen this, O son of man? turn thee yet again, and thou shalt see greater abominations than these. 16 And he brought me into the inner court of the Lord's house, and, behold, at the door of the temple of the Lord, between the porch and the altar, were about five and twenty men, with their backs toward the temple of the Lord, and their faces toward the east; and they worshipped the sun toward the east. 17 Then he said unto me, Hast thou seen this, O son of man? Is it a light thing to the house of Judah that they commit the abominations which they commit here? for they have filled the land with violence, and have returned to provoke me to anger: and, lo, they put the branch to their nose. 18 Therefore will I also deal in fury: mine eye shall not spare, neither will I have pity: and though they cry in mine ears with a loud voice, yet will I not hear them. ~ Ezekiel 8:14-18

Code Orange is billed as a revival. Do you understand how they are being quite literal with this label? The intent is to generate enthusiasm at their lawless club's pep rally to “Elevate” the energy by ceremonial magick to facilitate the revival or resurrection of the ancient gods. This is the end of ritual sodomy, which works directly with the individuals involved and through the demonized agents who are hijacked and controlled thereby to dominate and control those who resist the spirit of antichrist.

I found this promotion image on a Code Orange Underground website, which declares, “THE REVIVAL CONTINUES, THE KINGDOM ADVANCES. A TOTAL OF 8 ENCOUNTERS THROUGHOUT 2013 WITH LEADERS FROM AROUND THE WORLD.” You can interpret that now, right?

The last image from the video I want to address is one that speaks the loudest to me, personally. I've written at length about the biblical pattern of the revealing of the lawless one, the Beast John saw rising out of the sea. A particular date on the calendar is embedded redundantly in those accounts. As I've attended diligently to watching over the past 30 years I've seen this pattern manifesting, repeating in the heptadic Shemittah cycles. The following studies may be of interest, with the second being most particularly relevant.

• The Sign for the Bride - 1 of 3
• When Will the Lawless One be Revealed? - The Sign for the Bride - 2 of 3
• The Number Thirteen - The Sign for the Bride - 3 of 3

I believe some will know when the Lord comes and that there's a significant benefit for those who will know. I believe it has been appointed for some among the Lord's people to know about certain of the events and their appointed times, and that our Adversary is also well acquainted with some of that. There are tares in the church, as appointed. The following screenshot from the video bears witness.

January 13 is the thirteenth day of the first month. Granted, it's on the Pagan calendar and not the Lord's, but there's always a twist. Always. This is the day modeled in the Bible, over and over again. It's the one day on the annual calendar, and I'm talking about that one on the Lord's calendar, which I consider THE annual watch day. I know what to watch for, and when to watch for it. I can recognize shadowy models, and this video is just that.

There was a one in 12 chance that this specific date would be featured, but this video isn't random and the odds don't really factor in. Why would they present the image at all? Occult signaling is done on some level for our benefit, for those of us who watch obediently according to the Lord's explicit commands. We need what He shows us.

If the Lord is really lighting this up for you, you may want to get familiar with what's written here, especially what I write about the oikodespotes. Will No One Know the Day?

Code Orange is secret code for advancing the kingdom of the Beast. It is a work of ritual sodomy, a work begun in the Garden that continues for yet a short season.

13 And the Lord saith: Because drawn near hath this people, with its mouth, And with its lips they have honoured Me, And its heart it hath put far off from Me, And their fear of Me is -- A precept of men is taught! 14 Therefore, lo, I am adding to do wonderfully with this people, A wonder, and a marvel, And perished hath the wisdom of its wise ones, And the understanding of its intelligent ones hideth itself.'15 Wo [to] those going deep from Jehovah to hide counsel, And whose works have been in darkness. And they say, `Who is seeing us? And who is knowing us?' ~ Isaiah 29:13-15 (YLT)

1 Wherefore from the Mighty One Times have not been hidden, And those knowing Him have not seen His days.
13 They have been among rebellious ones of light, They have not discerned His ways, Nor abode in His paths. 14 At the light doth the murderer rise, He doth slay the poor and needy, And in the night he is as a thief. 15 And the eye of an adulterer Hath observed the twilight, Saying, `No eye doth behold me.' And he putteth the face in secret. 16 He hath dug in the darkness -- houses; By day they shut themselves up, They have not known light. 17 When together, morning [is] to them death shade, When he discerneth the terrors of death shade. ~ Job 24:1, 13-17 (YLT)

Part 73 - The Sodomite Gateway - Programming Structures: Rooms, Doors, Panels and Panes

Here are some examples of Occult imagery picturing the doors-in-doors kind of mind-control programming structures described in the previous post.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

In Rihanna's “Umbrella” video, she is creatively “not telling” us how her black umbrella represents her sodomite gateway, against a wall that has many panels. Each panel represents an alter in her system.

The Dave Matthews Band's latest album is titled, “Away From The World.” The title describes the condition pictured on the cover. When the mind-controlled slave is ritually traumatized and sodomized, they withdraw “away from the world,” into an alter identity. This is technically called dissociating, and this is intended for the purpose of organizing the fractured mind into many compartments. The disturbing looking occupants pictured are each isolated in their cells, symbols of the dissociated identities. This album cover pictures a snapshot of a slice of the 3D matrix.

The opening song on the album is titled, “Broken Things.” The lyrics are very typical of pop songs today, telling the story of a mind-controlled slave.

Lyrics of “Broken Things”	Commentary
Sometimes the road is crystal and sometimes I feel like I'm losing my mind Tell me what it is what you think you're missing and I will see what I can find	Setting context: "my mind" - not being in control of the mind. For multiples, when they switch alters, blocks of time appear lost to them, unable to be accounted for.
You want to be so sure of every step you take You can't always know what's coming You can't always trust the twist of fate	Nothing is dependable or reliable because they are not in control.
Oh, my love, my heart is set on you, set on you Oh, my love, my heart is set on you, set on you	The heart shaped butt, set upon the member of the sodomizing handler. The “love” is actually referring to the abusive treatment
Stars shine down from the black and we're picking though this broken glass Well how could we know that our lives would be so full of beautifully broken things	The appearance of the white flashes of light in the brain. Also, Star = Angel. The broken glass is a metaphor for the shattered mind, the dissociative condition and the maze of the alter system. Beautifully (truly UGLY) broken things, the handlers and slaves and their lives revolving around Satanic ritual engagements at the appointed times.
Oh, my love, my heart is set on you, set on you Oh, my love, my heart is set on you, set on you
War is the most vulgar madness and winters can be so cruel You can't always change the way things are like I can't change the way I think of you	War? Yes, the Black Awakening, ultimately, and yet now it is descriptive of their current assignments. They are enemies who pose as friends, secret agents who bring destruction. There is no warmth inside them but cruel and bitter cold in their souls. They will change the way things are, that's the point, and you won't stop them - individuals, maybe, but their goal will be achieved. They can't change the way they think of you. Hatred is burned inside them with the installation of demons.

Again, this is so typical of popular music lyrics. The celebrities are programmed and their songs and videos are programming support vehicles that also deliver programming for the spellbound masses.

There are nine panels on the album cover of “Away From the World,” the single digit number of the mark of the Beast transformation. This transformation of the world and of the individuals in it are what the sodomite gateway is being leveraged to bring about. The center panel features a very pregnant woman. The plan is coming to full term and will soon be birthed.

The classic TV game show Hollywood Squares is a similar allegory. The celebrities are stars (angels) set into a 9 paneled grid. They answer questions, enlightening the panelists who make a play of attempting to discern the truth amidst the clever fabrications that are usually lies intended to deceive. Based upon the game, tic-tac-toe, they use language like “X gets the square,” to reward the contestant for a successful call. They also say, “Circle gets the square,” referencing the alchemical squaring of the circle! In the picture I present here, the sodomite signaling plus sign is highlighted. The scoring alignments of rows and columns mock up a magick square, a tool of the kind of Enochian magick practiced by Dr. John Dee. Holly wood has long been used to make magick wands, not for stage tricks but for ritual use. Their magick is real, and many of the show biz celebrities are Illumined Occultists and SRA handlers/slaves; practiced deceivers who prey upon the ignorant with their ceremonial magick.

If you're familiar with a show called The Lost Room, the experience of the guy using the special key to motel room 10 (10 ~ IO ~ Helios ~ Apollo ~ Horus) to navigate the world illustrates the world of a MK-ULTRA slave. I watched episode 1 for the first time the night before starting this post. A movie titled Cube (1997) and its sequel are similar allegories that come to mind.

The Illuminati songstress Jessie J models the doll house metaphor in her music video, “Price Tag.” She is herself a doll house, with many compartmentalized alters. What you see here is an equivalent to the Captain Kangaroo door, with many windows opening to rooms in the door. Jessie J's bare legs present us with the form of a pyramid, and the hands conceal and reveal how the handlers are at the top, in control. The triangle formed also signals the anal triangle or sodomite gateway as the means of producing this condition. The dormers signal us with sodomite plus signs.

A TV show called Dollhouse (2009) featured mind-control programmed slaves who run special missions in a secret project. An entire blog could be dedicated to this show for what it conceals and reveals! (Like Fringe, which airs its final show tonight.) The dolls are the agents, programmed by the handlers with Beta sex kitten and Delta assassin alters. Dolls are unable to determine their own actions, you see.

Some of the marketing imagery shows them with mannequins, interpreting for us what you see in music video and fashion magazines. In the TV series, the identities are programmed into the dolls for individual missions and is wiped afterward. This is not mere entertainment with science fiction, although they sanitized the programming process. Mind controlled slaves are like a hard drive with an operating system installed. Apps are then installed and uninstalled on the system.

Calling the project and facility “Dollhouse” is certainly valid, but the metaphor applies to the organized programming structure of the individual doll, like Jessie J modeled in “Price Tag.” This explains what you see in some of the imagery below.

On the DVD art, which itself appears as the signal anus, the lead doll's arms are crossed over the hole in the middle, a plus sign as kind of an “x marks the spot.” The dozens of Polaroids are all of her in different roles, and they represent her many alters. See the title? Understand from this that she is the dollhouse.

The inverted illuminated five pointed star figure is the signature image of the show, used like the power button for “Revolution.” It is a stylized picture of the sleeping quarters for the 5 starring dolls, presenting what I believe is a veiled testimony about the programmed sleeper agents in our midst, who have a global (number 5) mission. Although there are different people who sleep in each compartment, it represents a single slave as a Dollhouse, with a star set of 5 alters. The black hole star is the sodomite gateway, of course. Star = angel, right?

Latticed panes of glass in windows represent the grid of alters that is the slave's compartmentalized structure, the dollhouse. Those you see here also feature divisions that form simple plus signs, the symbol of the ritual sodomy that binds them together.

Dollhouse was created by writer and director, Joss Whedon, under Mutant Enemy Productions, and it was aired on the FOX network. Mutant Enemy. FOX=666. Connecting some dots?

On the cover of “Room for Squares,” a slightly obfuscated 9x9 grid presents John Mayer as a multiple. The lyrics to Not Myself validate that impression and interpret to us what is meant by the album title. Heartbreak Warfare (from a previous album) conceals and reveals insight into the Black Awakening.

I introduced an old cartoon called Bimbo's Initiation here: Illuminati mind control - "Bimbo's Initiation" - MK-ULTRA - Monarch mind control. Notice the rooms, doors, fake doors, convoluted passageways and the confusing array of ways to move between them. It's the diagramming of a sample programming structure. On one level it models the switching from alter to alter.



Alice in Wonderland, one of the standards for producing trauma based mind control programming systems, presents a very clear example in what's referred to as the hall of doors. Alice follows a white rabbit down a rabbit hole and finds herself in this place that is unlike the real world in many ways.

When Alice tumbles down the rabbit hole into what is known to us as Wonderland, it fantasy literature's defining metaphor for ritual sodomy and the trauma that introduces the slave into a very crazy world where nothing makes sense.

Alice finds herself trapped in a hall with many locked doors. She discovers one that is hidden and eventually discovers and uses a combination of things to exit into another world. The system is what's pictured in The Lost Room. Passing in and out of the lost room and the hall of doors is the alter switching, the activation of the alter of that compartment's program. The switching is the triggering of the resident demons, giving access to the demon's powers.

Wikipedia informs us that Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel written by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. A pedophile society is named for the author. Knowing what I have come to learn, it seems highly unlikely that Dodgson was not himself an illuminated slave, handler and programmer.

The last example is the music video by Jessie J - Nobody's Perfect. The dollhouse and rooms metaphor of her “Price Tag” video appear here in the hall of doors metaphor. “Nobody's Perfect” borrows heavily from Alice in Wonderland, alternating scenes from the tea party (the Mad Hatter) with scenes from the hall of doors and a clock room.

In this image you see Jessie J in the hall, pressing her fists to her head like in a vice. Pressure on the brain = ritual trauma. This forces the dissociation.

Jessie J wears her trademark Cleopatra hair style. This is a sodomy signal of itself because the flat bangs contrasts the very round top of her head to square the circle. The style connects to the magick performed by the ancient royals of Egypt who honored Isis, the goddess of magick who mated with Osiris and brought forth Horus.

At the tea party banquet, pink doors with panels with purple accents appear at one end. The message seems to be that they are her alters, every character.

I count six characters on each side of the table, plus Jessie J at the head. She is the High Priestess of the Coven, during one of the ceremonial days on the calendar.

The scale of redundant testimony about this covert activity is HUGE! The covering spell cast over it is a thick cloak. Are you catching on to what's really going on? Do you see the evidence of it manifest in your real world engagements?

Our Status and an Encouraging Word

Soon, an army of enhanced agents will engage in an operation on a much larger scale that will transition this present order into the one in which the lawless one will appear. As knots being tied in a net that will ensnare you and I, the actions of those in authority are well advanced towards the end of control, and captivity.

What Tom Horn and Chris Putnam have been bringing forward about the activities and expectation of the Vatican is one witness to this. The testimony has come from the mouths of the agents of chaos themselves, as attested to by Russ Dizdar (The Black Awakening) and others. There are other kinds of witnesses that are very public, and their declarations are very forthright, howbeit encoded.

This post brings the tally on this blog up to 650. The vast majority of these are exposing the plans, ways and means of the enemy (our Adversary) in the context of the unfolding plan of my Sovereign God. As I look back and recall the seasons when these were being researched and written and reflect upon what was going on in the background, I'm both humbled and thrilled at the kindness and generosity of our Lord Y'shua and the vastness of His mercy and grace!

Friends, as the evil generation rises to overtake us as a flood, remember well the miracles that have brought you to this place in time, and cling to the love and might of the One who brought you thus far, who will fulfill every word of promise to you.

Part 72 - The Sodomite Gateway - Vintage Programming: Captain Kangaroo

When I called attention to how the familiar children's TV show Sesame Street (Part 60) promotes ritual sodomy, some of you may have found yourselves thinking how glad you were that your generation was spared all that. Yet, we were not actually spared much, if anything, of that evil influence. I remember growing up in the early 60s with Captain Kangaroo. I thought it was generally dull so I didn't watch much. The show came to mind as I was doing some esoteric letter combo math studies. What I found may surprise you!

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

I had been studying imagery with letter combos signaling the number 33. C=3 and K=11, so CK and KC = 3*11 = 33. Captain Kangaroo ~ CK = 33. In the Part 25 - The Sodomite Gateway - Rosetta Stones Yielding the Secret of the Masonic 33, I demonstrate how the number signals Freemasonry and ritual sodomy. Was Captain Kangaroo (Bob Keeshan) a sodomite Freemason? I don't know, but I can tell you the opening sequence and the name both bear witness to the show being a mass mind-control programming tool.

Here's a video of the opening sequence.

Captain Kangaroo - opening sequence



The opening of doors within the door is a mind-control programming metaphor. Trauma-based mind-control programming splits the mind into compartments. Those who are programmed are referred to as multiples because they have multiple alters, distinct identities. The programmed system is highly complex and highly ordered. The behavior of a mind-controlled slave depends upon what the identity is programmed for, and the behavior changes as switching takes between the alters. The multiple is kind of like an apartment building, like a three dimensional grid. Each programmed alter is accessed like rooms with doors and keys. There are rooms nested within rooms within rooms, and vaults and safes. It's constructed like a labyrinth or sets of them. It's designed for security, to protect the integrity of their slave, their secrets and assets.

“Programming is layered in. Layer after layer of programming is put in. Each alter or alter fragment is used as if it were a component of a large system. The result is that no alter or fragment is the whole, only a cog in a great machine. Can a single cog rebel against the whole machine? It is very difficult for a single component of thousands of components to rebel against its abusers, when it doesn’t even have the ability to realize they are abusers and not the alter’s natural order giver. Besides programs, items are placed into the mind too. Examples include vaults, safes and doors which need combinations & keys. The Illuminati Programmers see the layering in of programming as demonic. They feel the scripts, and movies are more “fronts” than the actual layering mechanism. They believe, as one ex-Programmer said, “This programming involves an organization system, established by horrendous trauma, for the alter personalities involving internal mental imagery, which is driven by demons, who provide the power.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

You will notice in the opening sequence how Captain Kangaroo has to perform a ritual before he can get the door open. He opens and closes each door in sequence. Then, he opens them all, finally reaching through one of them to access the doorknob on the outside. In this way, he opens the main door. Why the complex ritual? Is there no way to just open the door from the inside? What is being modeled to us is mind-control programming ritual with Captain Kangaroo as a handler.

Children watched Captain Kangaroo over and over again as a daily routine, and a ritual. The habitual repeating door ritual seems innocent until you perceive in it the ritual programming of the alter system, repeated until the programmer and handlers are satisfied with the result. Even the hypnotic music has a role. I believe the show supported the programming of chosen ones and multiples who were typically ritually initiated around the age of 3.

I believe there would have been spell casting with the goal of achieving mass programming objectives. According to the Wikipedia entry for Captain Kangaroo, “The show was conceived and the title character played by Bob Keeshan, who based the show on "the warm relationship between grandparents and children.” I believe those behind the show intended to prepare children to be easy targets for predatory pedophiles, breaking down their natural defenses. Hey, nice grandpa. “Piece of candy, help me with my puppy - go for a ride?” SRA handlers recruit slaves from orphanages and foster homes and from their own families, but they also kidnap, especially those acquired for ritual sacrifice.

I'm learning what the folks responsible for media programming vehicles do behind the scenes, performing powerfully effectual ritual magick. Many folks have spilled the beans over a lot of years. The artifacts plastered all around us in plain sight bear continual witness as the public evidence of their private activity!

A Kangaroo is native to Australia, which widely known as the land down under. References to Austrailia are esoteric metaphors for the anatomical nether region and the ritual sodomy that gains for them what they so passionately crave. Captain Kangaroo compares to the Wizard of Oz, with Oz being another label for Australia. This metaphor is leveraged by the sodomite Elton John in his classic, Goodbye Yellow Brick Road. ([Part 19]) Another sodomite metaphor for the land down under appears in the animated feature, Puss in Boots, where the cat wears the trademark Aussie bush hat that has one side of the brim turned up. Captain Kangaroo, Captain of the Land Down Under. CK=33. SRA DID sodomite handler and slave.

I wonder if Captain Kangaroo himself might have been a 32 degree Mason, if the count of white dots (ping pong balls?) on his stylized name was meant to convey something personal.

In the Captain Kangaroo opening sequence you can see the set included a grandfather clock, which suggests the master switching mechanisms on programming constructs like the Carousel. Clocks and timers are an essential programming element.

One of the main characters on the show was Mr. Greenjeans. It seems to me that identifying Mr. Greenjeans with a certain Dr Green is intended, the alias used by the infamous Nazi programmer Dr Josef Mengele! In the picture you see here, Mr. Greenjeans is framed against the dimensional portal. Alice, Neo, follow the white rabbit? The trip to Wonderland is a metaphor for dissociating, where the conciousness switches into another alter while being abused, and especially while being sodomized.

There's a Frank Zappa song called Mr. Green Genes, which seems to me like a valid take on the character's name when connected with the world of the Freemasons, who are all about Osiris, the green-skinned god magickly mated with Isis to sire Horus. Osiris and Horus: Mr. Green Genes.

On the Captain's desk you will see a symbol of the sodomite gateway in each panel of lattice; a superimposed plus sign combining to make a rayed star anus. The hutch is a Royal Arch style squared circle. Some of the doors within the front door are too.

Another character featured was Mr. Moose. The moose, like a stag, represents Cernunnos, the horned god who is invoked by many witches during ritual magick. (December 21 Celebrates the Birth of CERNunnos) The most familiar comedy routine on the show involved Mr. Moose as a prankster, who was always setting up the Captain with little word plays with a goal of showering him with ping pong balls.

There's a video clip here. Is Mr. Moose wearing antlers that signal an orange 3 and a mirrored copy, or 33?

Captain Kangaroo and Mr. Moose - Ping Pong Balls

There is another programming metaphor in that, one I've seen in several Illuminati music videos. For example, in Rihanna's Umbrella (Orange Version) ft. JAY-Z, (yeah, orange, right?) what the ping pong balls represent is pictured as sparks falling like rain. A slave who is being programmed with ritual sodomy experiences white flashes of light in the brain.

“Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain. They do this on a regular basis -- sort of maintenance program to keep everything intact.” (The Master Plan of the Illuminated Rothschilds - Marion Knox interviewed by Ron Patton)

The illuminated rain of the music video is a two-fold symbol, representing both the semen of the handler who is sodomizing the slave and the flashes of light witnessed. Captain Kangaroo always played up the routine as though he hated being the target of the ping pong ball drop. Mr. Moose was acting out the role of the SRA handler, ritually traumatizing CK=33 with abuse that made the white drop like rain on his head.

BTW, the Moose Lodge is a “family” fraternal order that presents itself as focused on charity work. I may present more about that soon, Lord willing, and Rihanna's Umbrella too.

If you watch the video clip of the CK routine You'll notice the goose on the shelf that appears by CK's head. Have you ever been goosed? Hello! Did you notice in this later opening sequence the big Horus sun-anus? (at 0:30) Did you notice how CK operates the Ferris Wheel with the other characters positioned around it? (0:50) That's CK as the handler in another programming structure metaphor! See the reversing alternating 3 figures positioned around the rim of the wheel? It's another sodomite portal!

The CK ping pong ball gag must have worked well because it was carried into Nickelodeon for another generation of Illuminati programming in a colored slime metaphor. This clip demonstrates the illumination of Rothschild sodomy by way of slime poured on their heads that is in the colors of the rainbow, which combine into white light.

Nickelodeon - You Can't Do That On TV - Rainbow Slime



Sealing the deal for us, the clip ends with a metaphor for the mental fracturing that takes place during ritual abuse as the image of the man's head breaks into numerous puzzle pieces. His head literally shatters.

What they can't do on TV is the actual trauma abuse and ritual sodomy being dramatized. I suppose they had special rooms for that off stage. Did you notice the (anal) triangles in the background with lights, and the star anus-star junction of the pyramid matrix that is akin to what CK had in the lattice panels?

The trigger for getting "slimed" is when someone says, "I don't know." The solution for that is enlightening them, and ritual sodomy is implicit as the mechanism. The standard slime is green, which is the color of ectoplasm. This green sliming is a metaphor for the installation of demons during sodomy. This is also pictured in the movie Ghostbusters during the classic scene when Bill Murray's character is slimed by a demon. Here is a clip:

Ghostbusters Slime Scene - Venkman gets slimed

This Ghostbuster's inspired "Hi-C Ecto Cooler" product combines the orange of ritual sodomy and the green demonic slime metaphor. The "Hi-C" is signaling "H" for "Horus," the "i" for the "eye," and the "C" for "see." It's a Horus-eye, see? Also worth noting is the fact that the "i" is dotted with a five-pointed star/angel calling further attention to the eye-of-Horus signaling.

I believe all the childrens shows target youth with mind-control programming. It's not just the brainwashing commercials pumping commercial propaganda. It's not just a matter of mysterious “who knows what” with nebulous subliminal no-see-ums. The symbols are there in plain sight. Read them for yourself. Seek the Lord for it. Practice discernment. It will matter plenty whether you have developed an eye to see what's really going on in the world, the ear to hear the Lord's voice.