Part 16 - Rango - More Evidence of Trauma-based Mind Control Programming

Here's yet another post in the series exposing the trauma-based mind-controlled slave layer of the animated feature titled Rango.

Again, due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

In the last post I wrote about the Rango movie's water ritual line dancers as picturing an army of mind controlled slaves. The activation trigger was the bell of the clock tower as it chimed the Noon hour on Wednesday. Many clocks are featured in Rango, so many and so frequently it becomes obvious that there is some meaning intended. Both clocks and bells are used by handlers to trigger Monarch slaves to switch alters and thereby access targeted programming. One programming technique involves subjecting a slave to ritual abuse at the same time every day.

The following observation comes from what was noted about survivor Kim Noble's in The Art of Dissociation - PseudOccult Media Blog "'Hickory Dickory Dock', her programming related to this is that something [ritual abuse] occurred at six (as it says 'what happens when the clock strikes 6'). "

There's an example of the Noon clock trigger in Paramore's “Brick by Boring Brick” (See Paramore’s “Brick by Boring Brick”: A Song about Mind Control by the VC.) Consider the line: "But it was a trick - And the clock struck 12."

When you become informed about the use of clocks as programming tools, the meaning of the Paramore song and video and of the following conversation between Rango becomes painfully obvious. This is heard while they are marching out of Dirt to the holy spigot for the water ceremony.

Rango: This is a heck of a hoedown you got goin'. Still workin' out those steps. So, is this considered normal civic behavior?
Priscilla: Mmm-hmm. Every Wednesday. Just like clock-work.

Just like clock-work! Dissociation, as with the traumatizing abuse, right on schedule.

The clock-works particularly references an element of Frank L. Baum's Oz series that has been in use by programmers for a long time.

pg. 56 Book 3 Ozma of Oz, “DIRECTIONS FOR USING
For THINKING: --Wind the Clock-work Man under his left arm, (marked No. 1)
For SPEAKING: --Wind the Clock-work Man under his right arm, (marked No. 2)
For WALKING: --Wind Clock-work in the -middle of his back, (marked No. 3)

"N.B.--This Mechanism is guaranteed to work perfectly for a thousand years.” These instructions were used to build Dr. Green’s (Mengele’s) boxes and the robots."

From: The Illuminati ... Slave by Fritz Springmeier and Cisco Wheeler
SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT -- THE USE OF FICTION

Alice in Wonderland is another popular work of fiction used in trauma-based programming. The White Rabbit was obsessed with time. "I'm late, I'm late. For a very important date!" White Rabbit is a basic code for "master."

"The stroke of midnight" is referenced in code words for Cinderella Programming.

Clocks and bells are common tools in Satan's toolbox. I wrote about these at length in the writing, Bells - Supernatural Enchantment and a Biblical Perspective. There is an aspect of this I'm really looking forward to exploring in another post, Lord willing, but it's in support of the trauma-based mind control layer that clocks appear in many of Rango's scenes.

"Monarch slaves have many clocks built into their systems. They have internal clock makers and internal clock keepers. In the movie [Labyrinth], clocks pop up everywhere just like in a Monarch’s mind. "

"The Illuminati ... Slave" - by Springmeier and Wheeler

As in Labyrinth, clocks seem to pop up everywhere in Rango, "just like in a Monarch’s mind."

There's one more observation I want to point out about the clocks. One scene in particular stood out for me. Beans, the character who is in perhaps the most obvious Monarch slave role, is seated in the Bank Manager's office. She's seeking credit and she is at the mercy of the banker. A grandfather clock appears in the office. If this seems familiar, you have probably connected some dots. Did the popular image of Yale's Skull and Bones Class of 1947 came to mind?



Let's see. Grandfather clock? Check. Bankers? * Check. Secret society practicing sadistic/Satanic ritual abuse with handlers and slaves? Check. Connect the dots.

* Skull and Bones Class of 1947: George H. W. Bush is the guy just to the left of the clock. A few Bonesmen bankers you may have heard about are:

• Austan Goolsbee - current Chairperson of the Council of Economic Advisers
• William Donaldson (Class of 1953) - appointed by Bonesman G. W. Bush as head of Securities and Exchange Commission in 2003
• Harold Stanley - co-founder of Morgan Stanley
• Stephen A. Schwarzman - Chairman, CEO & Co-Founder of Blackstone

Beyond the clock imagery allusions, Rango contains references to other Monarch programs like Carousel Programming. Yes, Rango is richly layered! It is a wicked tool! During the water ritual's line dance, the critters dancing form two lines. When they start dancing, they alternately move up and down in a trance with frozen expressions - just exactly like horses and such on a carousel (merry-go-round)!

"The Carousel in real life is used as a device to teach dissociation, and how the alters are to go up and down in trance. Sometimes you will see parents who seem to be so loving having their children ride for long periods on a carousel. They might actually be programming them in dissociation. An internal carousel is built into an internal system. Mirrors and shadows are placed around and perhaps in it. The carousel spins and moves up and down repeatedly. In the center of the carousel, the Programmers often place something or someone important."

"The Illuminati ... Slave" - by Springmeier and Wheeler

Reference is made to Camelot and Shakespeare Programming in the opening scene as the chameleon play-acted such a role. Later in the movie, Rango, after "autographing" a Bible, flippantly gives advice to the little guy, saying, "Burn everything but Shakespeare." (Shakespeare - whose works are believed by many to have been ghost-written by Sir Francis Bacon, occultist. See Secret Mysteries of America's Beginnings, Volume I: The New Atlantis)

Springmeier and Wheeler write: "The programmers like to have alters
identify themselves as “nobody”." After Rango has been run out of town, he says to himself. "Who am I? I'm nobody." He's not having an existential crisis. He's a Monarch slave. He is identifying himself to us as he is programmed to do!

Another standard programming system is called an umbrella. An umbrella was featured in the umbrella drink Rango enjoyed while in his terrarium. After sliding to a stop on a piece of shattered terrarium glass, he's flat on his back, dazed, looking up into the sky. The umbrella from the drink floats slowly down in a surreal scene, to land on the rim of the glass he still gripped in his hand, balancing momentarily before it topples to the pavement.

"U. Umbrella. - This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program. One Umbrella system had 7 gates to it."
...
"Delta models are slaves whose sole purpose is assassination. Delta alters are alters within an Illuminati alter system which are programmed to be assassins. These alters are often some of the deepest in a system and in a Genie bottle or with Umbrella programming."

As you may recall from a previous post, Rango was assessed by Rattlesnake Jake for his killer instinct. Rango killed the hawk and was apparently ready and able to kill Jake. He had a Delta program alter, protected with an umbrella system.

Marionette Programming was featured with Rango as a handler and as a handler/slave.

"The painful rape of a child with its legs held in a butterfly configuration is used to get butterfly alters. To get a puppet, the body is given a drug which paralyzes the child. Then electro-shock is applied to certain muscles upon the command of the programmer. The effect is that the child has no control over his body, and the programmer can make the child’s body parts jerk and move by electro-shocking the muscles. The child actually becomes the puppet of the programmer. This is a very powerful program.

One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent."

"The Illuminati ... Slave" - by Springmeier and Wheeler

While Rango was play-acting in his terrarium, after being critisized by "Victor" about his character being undefined, he asks "Who am I? Why - I could be anyone." He responds in an affected voice, "I...I could be the sea captain returning from a mighty voyage, to reclaim his mechanical arm!" We hear a ratcheting sound as he repeatedly hits himself in the head with his arm that he's pretending is mechanical. Comical, yes, until we grasp that this is actually the ritual abuse of a Monarch victim on exhibit! He is helpless, a puppet that is controlled by another.

We see another example of marionette programming following that scene. It involves the doll that looks like a Barbie doll torso, naked and one-armed. In the Shakespearean production she played the stock role of damsel in distress.

Rango: It is I! The much anticipated hero returning to rescue his emotionally unstable maiden. Unhand her you jailers of virtue or taste the bitter sting of my vengeance!

If you follow the Vigilant Citizen's blog at all, you'll notice how frequently mannikins, dolls and stuffed animals are used in trauma-based mind control programming media. These props are used to identify the victims with them, who are unable to move on their own, helpless and entirely subject to those who manipulate them. Dolls and mannikins are used in connection with sexual abuse. This is what is pictured in Rango as he assumes the role of a handler. He play-acts the role of a Don Juan, a Latin lover, making the moves on the doll. She has no legs and can't get away. She has only one arm and can't fight him off. She has no head and can't resist with her own will. She is the "emotionally unstable maiden" who needs rescuing by a returning hero. She can't move her arm, so Rango, the handler, makes it move. He's in control. He expresses the sexual nature of the interaction by acting the "Don Juan" and looking at the bare breasts, asking with obvious interest, "Are those real?"

To the uninformed, this all "flies under the radar" and goes without notice, of course. When you are familiar with what is done to the chosen ones and why, you can't help but see it, and it is offensive. The devil is bad.

Broken mirrors are common images in mind-control signaling. These represent the fractured life of the multiple, the many separated fragmented identities. In Rango, we see the chameleon's life that is represented by his terrarium being shattered. His "family" speeds off into the distance leaving Rango alone. We see him sliding out of control down the road on a piece of the broken reflective glass. When we see him framed in the saloon mirror, the mirror is cracked. When Rango is in the vending machine trying to hide from the red-tailed hawk, the hawk taps the glass with his beak and cracks it, causing a fractured area to appear in front of Rango, who is traumatized in his licorice box "coffin."

Handlers are often slaves themselves. The abused become abusers. When Rango slides on the broken glass of his terrarium down the road, when he comes to a stop he finds himself having slid right alongside the doll torso. Her arm is around him. They are two of a kind. Helpless. Her arm is now a left arm, where earlier, her one arm was her right. Accidental, like a typical movie scene continuity issue? I doubt it. Not in Rango. I think the handler/slave "shoe" was now on the other "foot," or arm... right? Rango, who had just entered "his own story" was about to live out his slave programming.

There is a good reason to know about this. For some, this is very personal. For others, it may be FYI so you can make sense of what the Lord may be revealing about the world around you, as folks are taken in by this wicked scheme on the threshold of the Beast's soon revelation and the coming mark.

Lord, I thank you for preparing us for all that is here and what is coming. In Y'shua's holy name I pray.

Part 15 - Rango - Activation of the Mind-Controlled Army in a Black Awakening

Before I launch into this next episode in the stranger-than-fiction Rango series, here's a couple items of note. This year's Clinton Global Initiative just concluded. This annual event is a huge deal. It's promoted as a brilliant humanitarian thing, but it is rather Antichrist. Watch and see.

On the current theme of Rango-as-Monarch-programming-tool, I offer these two links that provide some excellent insight featuring the testimony and paintings of a SRA/DID survivor named Kim Nobel.

The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas (The Vigilant Citizen - 9/22/11)

The Art of Dissociation (PseudOccult Media - 12/1/2009)

What I've presented showing Beans and Rango as Monarch slaves and Rattlesnake Jake as Dr. Josef Mengele should leave little doubt that Rango is a canvas broadly painted upon with vivid attributes of MK-ULTRA styled trauma-based mind control programming. The striking feature length animation has more to reveal that some need to know, so I continue.

The last sentence from Part 14: "The reasonable conclusion is that Rango, the animated feature, is a Monarch tool, a device used to leverage Satan's Horus plan and bring the Beast and the mark of the Beast to reality through a remotely triggered mind-controlled army of zombie super-soldiers!" Zombie super-soldiers? Well, yes. Let's play Connect the Dots. Dance Alters. Assassin Alters. Universal triggers for joint missions. There's three categories of dots.

Russ Dizdar wrote about what he calls a black awakening, referring to when an army of sleeper agents will be activated to engage in battle. He has been documenting evidence of this plan for many years. Rango adds a corroborating witness in ways that are subtle yet convincing! I already presented Rango the chameleon as having an assassin alter, but beyond the individual we are shown a collective of chosen ones as an army.

The water ritual line dance I described in Part 5 as a dramatization of DNA transformation can also be seen as a collective of sleeper agents triggered to engage in battle. To merely illustrate the genetic assembly of DNA ladder rungs (the AT and CG base pairs), the two opposing rails could have been joined by less violent means, say, by the lines of dancers joining hands, but the connection made was by those on one side slapping those opposite in the face. Why the violence? It supports the Monarch programming layer. The chosen ones may use force to overcome their opponents. Rango, after being slapped, responds by knocking out the frail looking "gal" who slapped him. Assassin alters are serious, using even deadly force. Rango knocked her out then stole her water container, representing her life.

The mind-controlled slave army pictured as line dancers were called into battle array and subsequently into the engagement with a universal trigger, at the ringing of the bell as the clock struck Noon on Wednesday. As the bell chimed out the Noon hour, the Dirt dwellers went into a trance as mind-controlled Manchurian Candidates, a zombie army. This scene presents what might be called a black awakening, a collective activation (like Star Trek's Borg) for a common mission. The chosen ones are programmed with alters for individual missions and for collective missions. Triggers are in place that provide for mass activation.

In recent years, a cultural phenomenon related to mass activation has come to be very significant - the flash mob. These are typically planned events carried out by volunteers for entertainment purposes but are also for political (High-Spirited Flashmob Invades S.F. Financial District, Shuts Down Bank) and criminal objectives. If you Web search "zombie flash mob" you'll find plenty of results. There is power in this activity beyond what even the number of individuals directly involved suggests! There will be multiplied effectual power in the mass activation of sleeper agents programmed as a zombie slave army that is even now equipped with psychic weaponry to wield supernatural influence over many others. I hope to explain more about psychic weaponry in another post.

I'm well aware that this seems like science fiction, but based upon my personal experience and history plus years of faithfully watching according to the Lord's direction to watch, what I've learned from the Sovereign Lord opening up Bible prophecy and exposing the devil's plans has made it apparent that there are times appointed for slave army activation. The sovereign Lord's own agenda will ultimately be served by this, but the devil will score victories of sorts. In today's flash mobs, participants volunteer, but the chosen ones (presently estimated to number upwards of 100 million) are programmed and demonized slaves, carrying out their current missions but yet awaiting mass activation at the appointed times. There are crux moves scheduled on the Lord's "moadim" play book and His agents will be met with appropriate resistance from the forces of the rebel. This makes logical sense, and it is true.

After Rango steals the "lady's" water bottle, he joins the column that is already marching two by two out of town to the place where the "holy water spigot" ceremony is held. While Rango engages a couple of townsfolk in conversation, a character featured in the background is obviously a soldier, identified by the Civil War era hat he wears. This soldier is rather special, with an arrow through his head piercing his right eye that identifies him as enlightened via phallic Eye of Horus.

This soldier is highlighted in the following scene. Rango is equipping folks for a military style mission by passing out torches, and he comes to one with an arrow shot through his eye.

Rango: Whoah! Are you sure you're fit for duty there, soldier?
Sergeant Turley: What?
Rango: Well, you got a little somethin' in your eye there.
Sergeant Turley: Oh, that! [pointing to his left eye that has no arrow through it] That there is conjunctivitis, sir. It's hereditary.
Rango: Oh! Well...I'm glad to hear it's not contagious.

The arrow is a phallic symbol, as you can see from this collage of Valentine's Day images.

See the series of posts beginning here for many more examples: Part 23 - See, it's the "i" of Horus! The Incredibles, Swirl Eyes and Valentines By the way, I do hope to resume that series, at the Lord's provision.

The arrow through the eye is a phallic Horus Eye image that should be very familiar to those of you who have followed this blog for a while. It indicates that Sergeant Turley is enlightened, his third eye is activated. When Rango refers to something in Sergeant Turley's eye, the soldier points to his left eye that has no arrow through it, which, while it seems to be nothing more than a silly joke, provides insight for the wise. The soldier can see well out of the arrow-pierced eye, but the other has the problem, darker, as signaling Harmerty, Horus "who rules with two eyes."

In the screenshot presented here, Sergeant Turley's Eye of Horus is emphasized to assure we can identify it. Behind him is a scene framed like an eye. The light illuminating the scene floods in through the windows as dimensional portals. The horizontal divider present us with the Hermetic Maxim, "As Above, So Below." We get it.

Sergeant Turley says the condition is hereditary. It's a fact that the genetic transfer of programmed super-soldier skills is why the name of the Monarch butterfly labels this programming.

In this character we find a definite link between the trauma-based mind control layer and the Horus/Beast and mark of the beast layer. In the scene where we see him marching after having been triggered by the clock chiming, Sergeant Turley appears activated, marching in a column in the ranks of mind-controlled chosen ones. He has Horus Eye illumination and is later pictured being equipped by the Horus/Beast Rango with the ability to illuminate others.

Let's turn our attention to the featured dance routine. When the army was triggered at the chiming of Wednesday Noon and went into a trance, they danced. The dissociation triggered for warfare relates to dance. There are some dots to connect here.

If you watch SuckerPunch (“Sucker Punch” or How to Make Monarch Mind Control Sexy) you will see the focal character "Baby Doll" having a dance routine that is a dissociated alter state during abuse and is also coincident with a military mission. See also The Black Swan. Mind control programming and dance. (The Occult Interpretation of the Movie “Black Swan” and Its Message on Show Business) Dance music video is famously saturated with mind-control programming! Have you seen Joss Whedon's movie based on the cult favorite Firefly series titled Serenity? The girl named River Tam is a dancing mind-controlled psychic super-soldier. If you watch The Men Who Stare at Goats (2004) you will see early super-soldier training in dance. There's a reason for that. The First Earth Battalion (pictured in that movie as the New Earth Army) is legit.

The goddess worship trend advanced significantly by Starhawk's "Spiral Dance" does involve dancing as ritual (and ultimately DNA activation of the Eye of Horus). See Reclaiming Presents The 32nd Annual SPIRAL DANCE Saturday, October 29, 2011. This is warfare as through deception intending to bring submission of adversaries, comparing to First Earth Battalion methodology.

While you're connecting dots, the lyrics of the music video featured in the Vigilant Citizen's Blog post titled Jessie J’s “Price Tag”: It’s Not About Money, It’s About Mind Control are very telling. "It ain't about the money. We just wanna make the world dance. Forget about the price tag." Interpreting the hidden message is not difficult when we understand about the dance. The dance is the dance of a Monarch alter, with marionette programming, serving as a slave soldier in the army subject to Horus. This Horus is the Beast whose mark will seal the dancers, the one who will manifest in the power of the dragon Bob Dylan refers to as the commander in chief. The price tag is your soul, and they would have you forget about that. But, don't! Another line of the lyrics refers us back to Genesis chapter six and the days of Noah. "We need to kick it back in time when music made us all unite." What is the uniting but the hybridization resulting from the mating of the sons of god with the daughters of men? What is the music but that of the mating dance, bioacoustic signals bringing DNA transformation? There's more to follow from Rango on that theme, Lord willing!

When you can connect the dots you become aware of how the bizarre line dance scene that takes place in the main street of Dirt is a witness to the activation of an army of mind controlled slaves who serve the antichrist Horus agenda. This activity is appointed to counter the Lord's key activities. Yet, the Lord's preparation is fit. His agents will succeed in their appointed missions! Satan's counter will succeed in accomplishing only what has been appointed in the Sovereign Lord's plan, but many will fall by it, as it must be.

In conclusion, Rob Skiba has been sharing an interesting interpretation of the name, Y'shua. Hebrew letters have a number of meanings associated with them, and the letters spelling Y'shua can be interpreted in the following way. "The hand that destroys the establishment or the activity of the eye." You can identify the referenced EYE, right? Y'shua will prevail. His agents are being prepared. If you know this, praise the Lord!

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SF students without vaccinations barred from class (San Francisco Chronicle - 9/16/11) "Some 2,000 San Francisco students who still lacked proof of a whooping cough vaccination one month into the school year were barred from class Thursday and told not to return until they got the shot." -- So, Govt. schools require shots in yet another sign of motion towards the mark of the Beast.

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Part 14 - Rango - Beans as a SRA/DID multiple

I'm continuing to expose the trauma-based mind-controlled slave layer of the animated feature titled Rango. This is one of Satan's devices that supports the work of the other layer evident in Rango, the Horus or Antichrist Beast scheme.

Again, due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

In Part 13 I presented Rattlesnake Jake as Dr. Green, Josef Mengele's Monarch programming identity, featuring a scene where he was abusing Beans. Once you come to recognize Jake as a handler, perceive Beans as a Monarch slave. Then, you can begin to understand the quirk for which Beans is known. She freezes. This happens when dissociating, which has been observed in some SRA/MK-ULTRA/Monarch victims. This freezing has been called catatonia but has also come to be referred to by therapists as tonic immobility.

"Tonic immobility is a basic defense strategy which has not been studied in depth in humans. Data suggest(sp) that it may be a relatively frequent phenomenon in victims of rape and sexual abuse, but its occurrence has not been systematically explored in other types of trauma." (Traumatic Events and Tonic Immobility)

One victim left the following testimony on a forum for PTSD (Post-Traumatic Stress Disorder). "I was eventually driven into a state of catatonia but my abusers. It was part of mind control programming. Catatonia was the 'tabla rassa' or empty minded state they wanted to try implant behaviors and directions. This is not a successful method of mind control." (PTDS Forum - post by Mercy on 8/24/11)

Certainly, the mind-control programming was not completely successful with Beans because she was the one who was suspicious of the Mayor, suspecting he was responsible for the town's water shortage. She was personally investigating the matter and agressively challenging the official story.

Clues scattered throughout the script suggest that Beans is suffering from tonic immobility resulting from trauma-based mind-control programming.

The first time Rango sees Beans freeze they are alone in the desert. As she unfreezes she finds Rango standing with his arm around her.

Beans: What?
Rango: What are you doing?
Beans: What...what are you doin'?
Rango: What am I doin?
Beans: You're...
Rango: What...do
Beans: You're cuddlin' me.
Rango: You were frozen.
Beans: No, I wasn't.
Rango: Yes, you were. You stopped talking.
Beans: Well, uh...it's...it's a defense mechanism. Actually, lots of lizards have it.
Rango: You're making that up!


"It's a defense mechanism," she says. Interpreted, what happens is that she dissociates in response to some trigger and this manifests in tonic immobility. This scene where Rango is "cuddlin'" Beans is less an attempt by the folks responsible to be cute than it is an allusion to the sexual abuse linked to tonic immobility. Victims are helpless to defend themselves against their abusers.

In another scene, the following exchange is heard after Beans freezes.

Rango: Why does she do that?
Furgus: It's a survival reflex.
Doc: Her switch is just broken.
Rango: Well, that's an inconvenience.

The SRA/DID multiple switches from one alter to another, like throwing a switch. Dissociating is a survival reflex. Bean's switch is broken. Her programming needs adjustment, maintenance, a season of reprogramming.

In another scene, allusion is made to two famous Monarch tools, "going through the looking glass," from Alice in Wonderland (..."some place wonderful") and, what is referred to as "going over the rainbow," from The Wizard of Oz. When a multiple is being programmed, the dissociation is encouraged by directing a slave to go to such a safe happy place when the trauma is being induced through severe abuse. Consider the following dialogue in this regard.


Rango: You ever feel like those things are lookin' at you? [referring to the cactus behind him]
Beans: That's a Spanish Dagger. But around here we just call 'em the Walkin' Cactus.
Rango: Walkin'?
Beans: There's an old legend they actually walk across the desert to find water. When I was a little girl I'd stay up late watchin' them to see if they move. I thought if I could follow them, they'd lead me to some place wonderful. Some place with enough water for everyone. Night after night I watched 'em. I never saw 'em move.
Rango: But you're still watching.
Beans: Who didn't wanna find some place wonderful?
Rango: We'll find the water, Beans. I promise you.


The following paragraphs are excerpted from the VC's "Origins and Techniques of Monarch Mind Control" article.

"Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children."

"In each case, the slave is given a particular interpretation of the movie’s storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies."

It's common for the trauma inducing activity that creates Monarch-SRA/DID slaves to include confinement in boxes, cages or coffins. This was Monarch slave Rango's situation when the film opened and we see him in his terrarium, confined, restricted to that small box that defined the lonely world where he lived in solitude. This is the context for understanding the following scene.

[A wolf is heard howling in the night.]
Beans: That's such a lonely sound. You ever get lonely?
Rango: Sometimes.
Beans: I can't imagine it. You're such a charmer and everyone likes you so much. I never made friends easily like that.
Rango: No?
Beans: No. We're pretty isolated out there on the ranch. Sorta of like being sealed up in a little box. Don't really see uh...a lot of folks.
Rango: I wouldn't know what that's like.

Beans describes what Rango knew quite well, isolation in an environment provided by a handler as "sealed up in a little box." When Rango is pictured in a vending machine inside a box of licorice it is as though he is trapped in a coffin, helpless, doomed. References to Monarch programming really do appear throughout this animated feature!

I'm going to close this post with one more observation, one that involves the opening sequence when the chameleon was presented in his "little box" terrarium, playing out his fantasy role as a Shakespearean actor. The names of two of the characters Rango shares the stage with reveal the Monarch programming relationships.

Rango: People, we've talked about this! Acting is reacting.
[Turning to address the palm tree]
Rango: Victor, you were wooden! There, I said it.
[Turning to address the wind-up plastic fish in the pool]
Rango: Mister Tims, you were good. Perhaps a little too good! What's that, Victor?
[Turning again to address the palm tree]
Rango: My character's undefined? That's absurd! I know who I am. I'm theeee....I'm the guy! The protagonist, the hero! Every story needs a hero! I mean, who else is better qualified to bask in the adulation of his numerous companions!

The character represented by the palm tree is the one who has the insight and the role as Rango's critic, a role with authority. His name is Victor, as one who has victory over an opponent, the conqueror. The fish is a plastic wind-up fish, mechanical, walleyed, with a blank look. The plastic fish is named Mr. Tims. Victor - Mr. Tims. What's Mr. Tims' first name? Vic? Vic Tims? Victor - Vic Tims, victims? Right. Victor - the Monarch handler. The critic, whose judgment matters because he is the conqueror. Mr. Tims is the Monarch slave, the victim, mechanical, controlled, rigidly programmed, emotionally - a blank.

Am I reaching here? No, this is in keeping with everything else in view. The reasonable conclusion is that Rango, the animated feature, is a Monarch tool, a device used to leverage Satan's Horus plan and bring the Beast and the mark of the Beast to reality through a remotely triggered mind-controlled army of zombie super-soldiers!

Predictive Programming, Subliminal Subversion, Microchipping, Transhumanism, etc. Links of interest

Click the link to watch the embedded video on Vimeo: Predictive Programming and the Human Microchipping Agenda from John Smith

[video] Watchman Video Broadcast 08-28-11, Subliminal Subversion

The Hospital Gestapo: You May Never See Home Again

Transhumanism, PsyWar and B.E.P.’s “Imma Be” By LVB - VC collaborator

"Last month, Visa announced new policies that will give U.S. banks a reason to issue smart cards and stores several reasons to accept them, starting in 2015. Eric Schindewolf, product manager for smart cards at Wells Fargo & Co., says Visa's announcement is a "watershed" moment." (US gets chance to catch up on credit card security)

Part 13 - Rango - Rattlesnake Jake as Dr. Josef Mengele

Due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

Trauma-based programming leverages intense fear. Victims are terrorized to create trauma, which causes them to dissociate. Many animated features and other movies targeted for children have terrifying sequences that makes them useful as vehicles for programming. I remember how scenes from The Wizard of Oz terrified me as a child, the scenes in the Wicked Witch of the West's castle and, most particularly, scenes with the flying monkeys! I was traumatized! The Wizard of Oz is commonly used in Monarch programming. Rango, which has already been shown to contain mind-control elements, has the signature traumatizing sequences featuring Rattlesnake Jake.

"One thing discovered by research into the genetic transmission of learned knowledge by humans to their children was that people are born with certain fears. Snakes, blood, seeing internal body parts, and spiders are all things that people are born fearing. The phobias toward these things are passed down genetically from one generation to another. In searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work “wonderful” to split the mind." (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

"By now, we should all be hip to the notion that animation isn’t just for children, but parents drawn in by Rango’s cutesy poster art may find themselves up late with a traumatized tween. A villainous rattlesnake’s dripping fangs and machine-gun tail are enough to give grown-ups nightmares." (Film review titled: Rio versus Rango)

Those responsible for such lure the families by presenting an attractive front. Unsuspecting parents bring their children to the theater and the kids are traumatized, and, if not, for some, it's because they are already dissociating.

I mentioned earlier in this series how Rattlesnake Jake's biblical identity was ambiguous, but I believe his identity on the Monarch programming layer is that of master programmer "Dr. Green," Josef Mengele. Lending some support to my supposition is the observation of how those responsible for Rango gave nods to Clint Eastwood in a pseudo-cameo as the Spirit of the West, presenting a Monarch handler role.

Frequent allusion was made in Rango to Clint's movies like "High Noon" and others where he played characters like "the man with no name." In such films referenced, he played a fearsome and largely compassionless gunslinger who left scores of dead in his wake. The Spirit of the West is featured as one of Rango's Monarch handlers. ("Don't know that you got a choice, son," he says, drawing Rango inside a frame.) Jake is similarly featured, and for others besides Rango.

Here's some relevant background on Mengele.

"The Germans and Italians under the Nazi and Fascist governments began to do serious scientific research into trauma-based mind control. Under the auspices of the Kaiser Wilhelm Medical Institute in Berlin, Joseph Mengele conducted mind-control research on thousands of twins, and thousands of other hapless victims. Himmler supervised genetic research. The Nazi research records were confiscated by the Allies and are still classified."
. . .
"When the Monarch Programming started, the top men were Illuminati. Originally, Joseph Mengele was the lead programmer. He had already achieved the rank of Grand Master (later Ipssimus) within the Illuminati. He had become skilled in music, in Kabbalistic Magic, in dancing, in abortions, and in torture (by the way, Mengele had a sadistic mother) and programming children. Many of the concentration camp children that Mengele programmed still survive and still love him to this day as “Daddy”. Mengele disappeared from Auschwitz in Jan. 1945, several months before the final chaos began in the Third Reich. He disappeared so the Illuminati could smuggle him to the U.S., so that his exceptional knowledge of programming--honed and fined tuned on thousands of concentration camp child victims could be put to use on a grande scale in the U.S. He traveled worldwide but especially in western U.S. doing his programming accompanied by his pair of two black servants. "
. . .
"Mengele was known by people in the camps by his victims as the Angel of Death, Vater (father), Vaterchen (daddy) and Schoner Joseph (beautiful Joseph). Monarch mindcontrolled slave victims who were programmed by him know him by names such as Doctor Green, Papa, David and Fairchild. Monarch slaves remember the cadence of his shiny black boots as he marched back and forth while programming them." (The Illuminati Formula...)

I see many kinds of clues to Mengele's presence scattered about Rango.

Dr. Mengele carried a violin, which was used during programming. The mariachi band of owls that provides the occasional narrative for the movie featured a violin playing owl. That narrative continually mentions Rango's impending death - but he does not die. Mengele would famously bring a victim near to death and revive them in the last moments possible. Shortly, I'll present a scene where Jake does just that very thing!

Mengele was always attentive to his well-groomed appearance and Jake sports a thin moustache of a sort that requires meticulous grooming.

Mengele was known as the Angel of Death and Rattlesnake Jake was called the Grim Reaper, the storied angel of death.

Mayor: Our new Sheriff has been playing the hero for so long, he's actually starting to believe it. Call in Rattlesnake Jake.
Bad Bill: Uh...Jake's the Grim Reaper. He never leaves without takin' a blimin' soul.

Jake, as though he were the Angel of Death, threatens to take a soul straight down to hell.

Rattlesnake Jake: Listen close you pathetic fraud. This is my town now. If I ever see you again, I will take your soul straight down to hell!

I assembled a popular image of the grim reaper together with one of Mengele and a Totenkopf. Mengele was frequently seen wearing the hat you see him wearing in this collage as a member of the SS-Totenkopfverbände (SS-TV), the Death's-Head Unit. The Totenkopf is a skull and crossed bones. The Totenkopf in this image is what appears on Mengele's hat, enlarged here so you can see it more clearly. Mengele frequently wielded a scalpel, an instrument he used to bring death to many. The Angel of Death as the Grim Reaper?

Notice how Jake said "This is my town now." Remember, Dirt is located in the desert outside Las Vegas. Mengele spent time programming in the western U.S. as you may recall reading from the earlier excerpts from "The Illuminati Formula..." ("He travelled worldwide but especially in western U.S. doing his programming"). According to Ron Patton, one of the major programming sites was in or by Las Vegas!

"Other places recognized as major programming sites are Langley Research Center, Los Alamos National Laboratories, Tavistock Institute and areas in or by Mt. Shasta, CA, Lampe, MO and Las Vegas, NV." (Project Monarch by Ron Patton)

Jake's claimed town of Dirt suggests Mengele's "town," the programming facility in or by Las Vegas where he probably terrorized victims in just the way Jake does!

Earlier, I mentioned a scene where Jake, in the manner of Mengele, brings a victim near to death and revives them. He does this to Beans.

[Holding Beans in a death grip like a constrictor.]
Rattlesnake Jake: You do what he says, or by all the fires of the black pit I'll squeeze them pretty brown eyes out of your skull!
Mayor John: Now hold on Jake! That don't mea-
[Jake turns to threaten and terrorize Mayor John.]
Rattlesnake Jake: Let me do my job! You brought me in, now we're going to play this thing out to the end.
[Jake turns his attention back to Beans]
Rattlesnake Jake: Sign the damn paper, woman!
Beans: Go to hell!
Rattlesnake Jake: Where do you think I come from? Look into my eyes. I wanna see you die.

At that point, Beans shudders as Jake's grip tightens even further - and her eyes close as in death. Rango has now returned to town and is out in the street. As he calls Jake's name, Jake loosens his grip on Beans and she revives. Bringing victims to the brink of death and reviving them is a programming technique that was refined by Mengele. When Jake says that he'll "squeeze them pretty brown eyes out of your skull," is he doing a little NLP (Neuro-linguistic programming) to reference Mengele's Totenkopf?

Wouldn't this traumatize a child? Look at the images. Consider the script. What effect does viewing and listening to this abuse potentially have upon trauma-based mind-control victims? It supports their programming.

As the film audience, we have consented to being shown "people" being viciously abused. Handlers force their slaves to watch others being abused and killed. We may be desensitized to being shown such abuse in movies, but to SRA/DID multiples, trauma-based programming victims, this is powerful.

Dr. Lecter 's list of Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control includes three features of this scene, and an important fourth.

11. Hung in painful positions or upside down
19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust.
20. Near-death experiences; commonly asphyxiation by choking or drowning, with immediate resuscitation.

Here's item 22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives. That's where we, the audience, come in.

If you think such scenes are really of no consequence, there are some videos I recommend watching that feature a mentalist at work and illustrate how influential subtle cues can be when used with skill.

[video] Derren Brown - How To Be Invisible

[video] Derren Brown - How To Freeze People

[video] Derren Brown - How To Hypnotize People Through Phone Booths

[video] Derren Brown - How To Master NLP

The movies we watch, the commercials, ads, logos, all are designed to program you and I. Supernaturally, a spell is cast.

So, Rango's Rattlesnake Jake is a Monarch or SRA handler. Have you noticed how his hat closely resembles the Spirit of the West's? Perhaps they are alike so we associate them together in the context of both playing handler roles.

Rango is a programming tool. Let this speak to you about the time we live in, and the urgency of staying awake and watching according to the Lord's command in Mark 13:37.

Part 12 - Rango - Mind-Control supports the Horus Scheme

As introduced in the last post, Rango, the Nickelodeon Films Paramount Pictures animated feature from 2011 is a mind-control programming tool. I've presented some of the features illustrating how Rango is a Monarch slave and expect to present a few more. But, before I do, let's reflect on the point of this exercise.

"Project MONARCH could be best described as a form of structured dissociation and occultic integration, in order to compartmentalize the mind into multiple personalities within a systematic framework. During this process, a Satanic ritual, usually including Cabalistic mysticism, is performed with the purpose of attaching a particular demon or group of demons to the corresponding alter(s). Of course, most skeptics would view this as simply a means to enhance trauma within the victim, negating any irrational belief that demonic possession actually occurs."

Project Monarch: Nazi Mind Control by Ron Patton

Of course, demonic possession does actually occur, and demonic influence is involved from beginning to end. It is the devil who initiates the mind-control programming work. He is the sponsor and patron, and he directs the work. The demonization of a Monarch slave is the means to an end.

That end is ultimately going to fulfill the Sovereign God's purposes because He is, after all, sovereign. The Devil is permitted, yes, and yet actually ordained to carry out these evil plans. Why? My God will have a worthy people, some of whom will yet emerge from this present age, tried and tested in the furnace of fire that is a fit crucible. An antichrist army is being prepared for certain engagements, pivotal conflicts that the sovereign God has revealed to Lucifer so that he understands what he needs to carry out the plan. The slaves and all those who join with them are already many in number and are presently carring out a wide variety of support missions.

Throughout history there have always been crucial pivitol engagements involving a small number of people. What a Bride remnant will do in the near future is a fulcrum of history because the Lord's Kingdom pivots upon it. There is a counter to that mission being prepared. The Devil is not stupid. His evil genius should be obvious from the complexity of the layered elements in Rango. He's also not blind to what things my Lord has not kept hidden from him. He knows strategy. He prepares his forces for the key engagements as he must, and my Lord prepares his.

By default, the world, this age is Satan's. If you don't know it yet, you haven't been paying attention. It's his for yet a brief season, and redemption and restitution is coming. The Lord has a plan, and it is working! If you see what is being presented about Rango and can accept it, with the Lord attesting by his spirit with the opening of your eyes and ears, you may rejoice with me in that we have been called to such a time as this!

What I'm exposing through this movie titled Rango is that two layers of a plan exist, woven together. They are, both of them, antichrist. The Horus/Apollo/Nimrod/lawless-one work is supported by the mind-controlled slave work. It has become apparent to me that there are some among us who need to understand these things, to see and hear with the Lord's own eyes and ears by the spirit of the Lord, freed from the blindness of unbelief and ignorance caused by the sin and curses of our former rebellion that bound us in darkness. I write this for many of you, who read this now. This is no mere intellectual or academic excercise. This is life! Press in to what the Lord has for you now. This is urgent and necessary. It's not for everyone. It's not popular fare. But, it may be for you.

Johnny Depp, who voiced the Rango character, starred in the recent Alice in Wonderland movie. This story and its dramatizations are common programming tools. (See the Three Dead Words blog for a series of posts on this recent movie as such a tool) I can only think those behind the programming are leveraging that influence to great effect in casting his voice for Rango. I'm not going to comment here on the Pirates of the Caribbean series beyond the mention of it here as another in kind.

Depp also starred in The Ninth Gate, an unpopular but yet very important film that was directed, produced, and co-written by Roman Polanski. The Ninth Gate appears to be intended, to a large degree, for those initiated into high levels of the Illuminati occult. Polanski was the director of Rosemary's Baby, an iconic film from 1968 about the birth of the Beast through Satanic ritual and ritual abuse. Depp's character in The Ninth Gate, Corso, is the chosen one who attains to open the ninth gate. Just like in Rosemary's Baby, this movie presented the bringing forth of the antichrist. Not unlike Rango.

Opening the ninth gate was presented as how the devil could be summoned. Giving this some thought, kowing what I know of what is shortly to come to pass, the devil himself will be summoned as a portal is opened that enables the dragon to manifest in the bringing forth of the beast. (2 Thessalonians 2) It was fairly subtle, how this was dramatized in the movie, but the only reasonable interpretation of the ending is that that Corso became the Beast when the ninth gate opened. He had been ridden by the same woman in the same setting as what was featured in a secret document obtained near the end of his quest, an old picture of the Revelation 17:3 scene. (So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.)

It should be apparent that the nine gates references what the holy grail references, the mystery of the 9, the DNA transformation that is first manifested in the Beast of Revelation 13:1. Nine is the single digit number signaling the "666" DNA transformation and mark of the beast.

What Johnny Depp brings to Rango is all the depth of his varied antichrist and Monarch/Mengele handler and slave roles.

The Ninth Gate was released in 1999, a special year for such content because of the number 9, which also saw the release of The Iron Giant. Rango's release date was March 4, 2011. 3/4/11 >> 3+4+1+1 = 9

Rango's release date also happens to be the only day of the year that may be heard as a command. March fourth, or forth. The command is given to MARCH FORTH! Rango was released to come forth on that day, introduced into theaters. This is a prophetic parable, a preview.

Rango, the character, has been shown in this blog series to model the lawless one, the Beast. The movie title graphic lends its own witness with the stylized letter R being an evident Eye of Horus. I believe the intent for this release date is two-fold. It previews the coming event when, in "the power of 9," Horus will be brought forth into his appointed global theater of operation. Rango - MARCH FORTH! He will, given authority by the dragon (Revelation 13:4) be enslaved to the will of his master, a liar from the beginning. I believe the command further applies to an army that will be called to MARCH FORTH into theaters of war, battle ready. This is the Monarch slave army, the SRA/DID multiples with assassin alters, demonized. They will come forth equipped with skills including psychic projection to bring influnce to bear upon the minds and actions of the softened and preconditioned masses with great delusion. They are and will be skilled astral travelers and remote viewers. They will see things and get around. They have jobs to do as individuals, and together. Coming soon, to a theater near you.

26) “Therefore do not fear them, for there is nothing concealed that will not be revealed, or hidden that will not be known.
27) What I tell you in the darkness, speak in the light; and what you hear whispered in your ear, proclaim upon the housetops.
28) Do not fear those who kill the body but are unable to kill the soul; but rather fear Him who is able to destroy both soul and body in hell.
29) Are not two sparrows sold for a cent? And yet not one of them will fall to the ground apart from your Father.
30) But the very hairs of your head are all numbered.
31) So do not fear; you are more valuable than many sparrows.

If you are still skeptical about these things I write, you may take comfort in knowing you're in the company of multiplied millions. However, that comfort will be short-lived.

I'll close this post with some images of Johnny Depp and a few other celebrities signaling, including Rango and his gal Beans.

Rango is "doing the Harmerty" or signaling Hrous "who rules with two eyes." Monkey see, monkey do. Depp, who voices Rango, is doing the Harmerty and a 666 Horus Eye signal.

Beans is seen here signaling while saying "I've seen it with my own eyes!" She is pictured in the company of Lady Gaga, The Parlotones, Hayley (Paramore), Katy Perry, Ann Hathaway and Jessie J.

Part 11 - Rango - Trauma-based Mind Control, Remote Viewing and Psychoactive Drugs

Rango, the animated feature has been demonstrated to be what may be considered an Illuminati production. This vehicle is layered with trauma-based mind-control elements and testifies of the elite's plans to dominate the world. The agent who is really behind the scenes pulling the strings is the Illuminist known as Lucifer, light bearer. Yet, he and his servants can do no more or less than ordained by the sovereign Creator, father of my Lord Jesus Christ, Y'shua HaMashiach!

As in the previous post, I must provide a caveat. If reading here begins to make you uncomfortable, please stop immediately. You may have been subject to mind-control programming without realizing it. If you are already seeing a qualified therapist for DID and they approve this for you, congratulations! Please continue. If you have not found a qualified therapist, email me at gmail (theopenscroll) and I'll offer what help I can for direction.

In the last episode of this Rango exposé we saw the chameleon framed by squares that were drawn on glass to picture a trauma-based mind-control victim's life as it's rigidly defined by a handler. In this post I'll address one more scene where Rango appears in such a frame.

The scene of note begins as Rango has just sauntered into the Gas Can Saloon for the first time. He orders water at the bar and everyone in the saloon laughs. The bartender gives him a bottle of cactus juice. He drinks some and freezes, going catatonic for a few moments. Then, this conversation begins.

Spoons: Hey there, fruit cup? You're a long ways from home, ain't ya? Who exactly are you?
[Rango looks at himself in the mirror behind the bar]
Rango: [thinking to himself] Who am I? I could be anyone.
[He gazes at the cactus juice bottle, from which he'll derive the name "Rango" from "Durango."]
Spoons: What's the matter? You missing your mommy's mangos?
Rango: As a matter of fact, I am. But not as much as your daddy's cookin'!

"Who are you" is the question the slave cannot truly answer because this is the essential identity issue. Multiple dissociated identities are present, many alter personas. When Rango says to himself, "Who am I," he's looking at himself framed in the mirror. That's a clue.

"As one survivor explains, their parts obey out of “complete resignation”: For these parts, the only reality they know is the reality created by the abusers, by their violent, punitive training and by their lies. The abusers say, “You’re utterly alone, there’s nothing more to your life than these missions/jobs/horrors, and every fiber of your being belongs to us.” They believe this. They have no sense of sovereignty over their own existence. The abusers define their identity and value..." (Ritual Abuse and Torture-based Mind Control: Reducing and Preventing Re-contact with Abusers by Ellen P. Lacter, Ph.D.)

Rango's identity and purpose is so defined, and each part or alter has its triggers. He gazes at the writing on the bottle of cactus juice and becomes the Rango alter persona.

The ability to change and adapt for self-preservation is why a chameleon is cast in the lead role of an alter switching multiple!

Spoons calls the chameleon "fruit cup" (aka fruit cocktail). This presents Rango as a mix of diced fruit, an apt description of a SRA/DID multiple! The fruits are the programs, according to The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Springmeier and Wheeler.

When Spoons asks Rango if he's missing his mommy's mangos, it plays superficially like he's insulting him by calling him a baby. What this shows, however, is how mind-control programming targets young children, many even before they are weaned! The question also suggests an incestuous relationship between Rango and his mother, and incest is often practiced when ritually abusing a victim. When Rango replies with the silly come-back, he implies the close family ties that often exist between handlers and their victims.

Dr. Lacter wrote the following paragraph, excerpted from Relationships Between Mind Control Programming and Ritual Abuse.

"Installation of mind control programming relies on the capacity to dissociate, which permits the creation of new walled-off personalities to "hold" and "hide" programming. Already dissociative children are prime "candidates" for programming. Alternatively, very young children may be made dissociative by trauma-based programming. The extreme abuse inflicted on young children in intra-familial satanic and "black" witchcraft cults reliably causes dissociation. Children in these cults are programmed to the extent that the cult's leaders understand mind control programming. Organized and sophisticated abuser groups with world-power or organized crime agendas infiltrate these cults to gain access to these readily-programmable children. In exchange for the privilege of being allowed to install self-serving programs in these children, the organized abuser group provides the cult parent with a large fee (thousands of dollars), favor, or information, such as some of its programming secrets."

Psychoactive drugs are administered to victims to facilitate dissociation. In the featured saloon scene this is pictured in the drink Rango is given; cactus juice.

The bartender serves him the juice by sliding a cactus bottle that has needles sticking out down the bar. Rango grabs it and the needles go into his hand. A syringe is a needle. Handlers frequently administer psychoactive drugs to the chosen ones by injection.

This cactus juice is a reference to mescaline, derived from cactus like the peyote cactus. This interpretation is validated by the fly that drinks from the puddle of cactus juice Rango spills on the bar. After drinking some, the fly flips over and one eye pops out. This presents us with remote viewing, an occult practice facilitated by mescaline. If you saw Toy Story 3, Mrs. Potatohead had one eye popped out, and she was able to see things through the remote eye by which she was able to gain intelligence used by her "special team."

Mescaline was used by Joseph Mengele in developing his mind-control techniques. Do a Web search for mengele mescaline and another for mescaline remote viewing and you'll get plenty of relevant results. Some agents programmed under such as MK-ULTRA and Monarch are particularly adept at remote viewing, as under the CIA's Stargate Project. (See [video] remote viewing and premonition experiment stargate project)

Rango drinks the cactus juice after watching the fly drink. Shortly, a distinctly different personality from the one we had seen previously emerges. The psychoactive drug administered facilitated his dissociation. In this alter he really begins to act out "his own story," the one the programmers assigned.

CIA and military projects program chosen ones to carry out strategic covert missions. Those with remote viewing talent collect intel and monitor persons and situations of interest. Most or all have assassin alters. Rango becomes a killer. He first kills the feared red-tailed hawk, even though that played as accidental. During two engagements with Rattlesnake Jake, his killer instinct was assessed. At the first, it was lacking in Rango. In the second, it was present. Jake, as I may show in another post, is another handler.

Rango, the character is a Monarch slave. Rango, the movie, is a programming tool.

More to follow, Lord willing!

Part 10 - Rango - MK-ULTRA / Monarch Mind Control, SRA/DID Multiples and Trauma-based Programming

In the movie, when Rango says, "You might say I'm what Hell has already raised up," he's dropping a clue about his role as the Antichrist Beast, the lawless one. He's also alluding to a supporting scheme involving trauma-based mind-control. When you become even a little familiar with the subject of SRA/DID multiples and their relationship with their handlers and recognize the characteristic MK-ULTRA and Monarch features it is overwhelmingly apparent that Rango is a fit vehicle for it.

I must provide a caveat at the outset of this post. If reading here begins to make you uncomfortable, please stop immediately. You may have been subject to mind-control programming without even yet being aware of it. If you are already seeing a qualified therapist for DID and they approve this for you, congratulations! Please continue. If you have not found a qualified therapist, email me at gmail (theopenscroll) and I'll offer what help I can for direction.

Rango is heavily layered with mind-control programming elements. If you're familiar with The Vigilant Citizen blog you have seen the evidence of it in our pop culture. The VC doesn't blog about animated features like Rango, so I don't expect he'll get around to shining the light on it. I take up the task in this blog. I won't pretend to be an expert, but I know from experience that this matter the VC writes about is legit.

A month ago I wasn't qualified to share what I'm going to share with you. Since leaving for the Future Congress in Branson, MO there have been some significant developments. For one, I've acquired a dramatically heightened awareness of SRA/DID (Satanic Ritual Abuse / Dissociative Identity Disorder). When Russ Dizdar addresses these matters you should take it seriously. He considers the evidence and estimates that there are perhaps 100 million SRA/DID multiples globally.

I will offer an introduction, but if you're interested in learning more I recommend these excellent resources.

The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler

You can download a pdf of the book from the link above or read it online with some excellent interviews of the authors at this link.

Relationships Between Mind Control Programming and Ritual Abuse by Ellen P. Lacter, Ph.D.

SHATTER THE DARKNESS (Russ Dizdar's site)

Origins and Techniques of Monarch Mind Control (The VC's Secret Arcana site)

The concluding paragraph of the VC's "Origins and Techniques..." article states:

The research and funds invested in project Monarch do not however only apply to mind control slaves. Many of the programming techniques perfected in these experiments are applied on a mass scale through mass media. Mainstream news, movies, music videos, advertisements and television shows are conceived using the most advanced data on human behavior ever compiled. A lot of this comes from Monarch programming.

Rango is such a movie.

Monarch Programming is a trauma-based mind-control method that became the classified successor of MK-ULTRA, which was a program developed by the CIA during the 50s and 60s. It's a system of methodologies advanced significantly by Dr. Josef Mengele (aka "Doctor Green" or the "Angel of Death") during WWII and for many years following. With roots traced all the way back to ancient Egypt, these advanced programming techniques are used today by a variety of organizations for covert purposes.

A victim of trauma-based programming becomes a mind-controlled slave with no real independent will of their own. The victim is called a “slave” and the programmer is called a “handler.” The handler is perceived by the slave as their master and god. One reason for the programming is to create a covert “Manchurian Candidate” agent who can be triggered remotely by the programmers to carry out special missions. Another that should be noted here is that it feeds the Devil's lust for pain and suffering that attends the sacrifice of lives in his honor and worship.

The lead character Rango is sometimes pictured as the slave and sometimes as the handler. Beans and Rattlesnake Jake and the Spirit of the West are a few other characters whose interactions evidence trauma-based project programming methodologies.

The following paragraphs are excerpted from: Ritual Abuse and Torture-based Mind Control: Reducing and Preventing Re-contact with Abusers by Ellen P. Lacter, Ph.D.

Most definitions of the term “ritual abuse” refer to ceremonial practices that involve physical and sexual abuse of children and adults, and human sacrifice, to appease, win favor with, or empower deities whom the abusers believe demand abuse and sacrifice, such as Satan and other polytheistic gods and goddesses.

Torture-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or conditioning to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s volition, moral principles, and spiritual convictions.

Torture-based mind control is practiced by individuals and groups who seek to maximally control and exploit others, usually beginning in childhood. Included are practitioners of abusive religious rituals (e.g., Satanism and abusive witchcraft), organized crimes against children (child pornography, prostitution, and trafficking), and groups with political, military, and espionage agendas.

This is incredibly wicked. The devil is bad! This scheme that creates remote and sleeper agents with compartmentalized identities (called multiples or alters, and chosen ones) intends to accomplish a number of agendas in the Beast, mark of the Beast and "war against the Sovereign God" plan. Russ Dizdar refers to a black awakening, an event where the chosen ones are triggered for some great purpose. I believe he is right, that in addition to the missions being carried out today by individuals who are typically placed in key positions there is some greater purpose for which this army is being prepared. I don't believe it's permitted to elaborate on that at the present time, but it is appointed for a time not long hence.

We first see Rango as a Shakespearean actor on a stage, performing a play. We soon see that he's alone in a terrarium, an escapist who is living in a fantasy world. This represents his programming environment, where a Monarch slave is ritually abused, caused to dissociate and built into a kind of super soldier. This situation is introduced in the opening scene with the following narration provided by the mariachi owl band.

Señor Flan: We are gathered here today to immortalize in song, the life and untimely death of a great legend. So sit back, relax, and enjoy your low calorie popcorn and assorted confections, while we tell you the strange and bewildering tale of a hero who has yet to enter his own story.

Rango is the hero, which is to say a chosen one. We then see him in the terrarium that represents his programming environment, not yet having entered "his own story." By "his own story," what is meant is the slave's "destiny," the plan of actions to be carried out according to the mission objectives programmed into his alters by his handler. This is referenced later as a journey or quest by another character in a handler role, the armadillo named Roadkill. Rango's main handler is a character known as the Spirit of the West.

Consider this scene as between handler and slave.

Spirit of the West: Then be a hero.
Rango: Oh, no! No! No! You don't understand. I'm not even supposed to be here.
Spirit of the West: That's right. You came a long way to find somethin' that isn't out here. Don't you see? It's not about you. It's about them.
Rango: But I can't go back!
Spirit of the West: Don't know that you got a choice, son. No man can walk out on his own story.

The mysterious man called the Spirit of the West received prayer during the movie. He is driving the mythic alabaster carriage with golden guardians to protect him. He's a god. The handler is god to the slave. He is the master, and so we hear him tell Rango, "Don't know that you got a choice, son." He has no choice, being a chosen one, a mind-controlled slave. We then see the Spirit of the West drawing a square on the windshield of his vehicle, though which we see Rango, very small. "No man can walk out on his own story." Once again, "his own story" is the destiny defined by the programming of the handler. Rango is powerless to do otherwise.

The Spirit of the West drew the box containing Rango. He leaves his fingerprint on the glass, stamping Rango and everything in that box with his mark because he owns it. He defines the domain, sets the parameters; the "story" is what he says it is.

This box drawing hearkens back to when Rango was in the terrarium, drawing the square in the same way around his own face. The sad blank expression shows Rango's core identity recognizing the reality that he is trapped, powerless within his master's assigned domain.

More to come, Lord willing!

Part 9 - Rango - What Hell Raised Up, Blending Species and Cannibalism

In Part 8 of this series on Rango as Antichrist the plot to hybridize mankind was featured. This movie is one in a long line of examples where Hollywood spills the beans about the god served by the industry and his plans for our future. One of Rango's lines is point blank: "You might say I'm what Hell has already raised up." I won't disagree. In this post I'll introduce more genetic transformation signs plus a few supporting elements, including references to the Watcher angel-human hybrid nephilim giants and to the cannibalism that characterizes their behavior.

Here's some dialogue from the movie, an exchange that takes place in the saloon.

Rango: I'm from the West, out there beyond the horizon, past the sunset. The far west. Yeah that's right, hombre. The place I come from we'd kill a man before breakfast just to work up an appetite, then we salt him and we pepper him, then we braise him in clarified butter - and then we'd eat him.
Jedidiah: You'd eat him?
Rango: That's what I said! Hell I seen things make a grown man lose control of his glandular function. You spend three days in a horse carcase living off your own juices. It'll change a man. Oh yeah. So, my hirsute little rodent friend. I am not from around these parts. You might say I'm from everywhere there's trouble brewin' and Hell waitin' to be raised. You might say I'm what Hell has already raised up. Name's . . . Rango!

The Rango character represents one that Hell has already raised up, and is returning. You may recognize this as a reference to the one popularly worshiped as Horus or Apollo. He's coming back as the Beast, the lawless one. Trouble is brewing and Hell is waiting to be raised, with further reference to the long anticipated release of those who have been bound in the earth for 70 generations, those specifically responsible for the flood of Noah's day.

In that scene, the chameleon reveals two key themes, cannibalism and DNA transformation. I'll return to explain this scene but before I do, here's a few others of like kind.

Here, Rango is addressing a discouraged near-vigilante mob.

Rango: But without law and order. Ruminate on that. Oh Yeah. Starts out slow, like a fungus. Somebody says a cross word. Accusations start flying. Neighbor turns on neighbor. Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations.

"Eatin' our children." HELLO! Of all the ways to express going over those things in the mind, the word used, ruminate, is one that introduces the eating of food. It means "to chew again what has been chewed slightly and swallowed, as to chew the cud." Again, cannibalism and DNA transformation. I'll return to explain this, too. Rango's comedic non sequitur lines are not at all random or absurd when you perceive the underlying themes, and far from funny!

Consider the following scene's dialogue, which takes place around a campfire.

Waffles: Marshmallows remind me of goin' campin' with my daddy. I could eat 'em all night long. Of course, he did make me cough 'em back up again for breakfast.
Buford: This one time, I coughed up an entire dalmatian.
Elgin: That ain't nothin'. I coughed up a whole tribe of Pygmies. They started lookin' at me weird.
Furgus: I remember them. They was quite friendly.
Spoons: I found a human spinal column in my fecal matter once.
Sergeant Turley: You might wanna get that looked at.

A human spinal column in one's fecal matter gets there only by having eaten a human. These campfire boasts are testimonies of eating people. Pygmies are people. The Congo Pygmies have been popularly reported as being preyed upon by neighboring cannibals, and any reference to Pygmies brings that association to mind for many of us. When a critter named Spoons talks about eating, since that's what spoons are for, we should pay close attention. Especially when the conversation is started by Waffles. This brings a distinct focus of attention upon eating people, cannibalism.

You might think what's in view here isn't really cannibalism because these animated characters are just animals but, no, they're really not. They're like animals but they talk and act like humans. Are they humanized animals, or, are they "animalized" humans? Here's something to consider: They are blends, hybrids, beasts!

We have all become very familiar with animated movies, cartoons, comics and literature where animals act like humans. We might be tempted to dismiss this as meaningless anthropomorphism but, should we? This blending has intent behind it, truly sinister intent. If the pervasive witness of movies and logos and literature and music was not so obviously demonstrating that we are being preyed upon and targeted for conversion into beasts, I would be eager to dismiss such anthropomorphism as harmless, but I know too much. There is the most devious design behind it and Rango is a prime example of the result of it, illustrated by seeing these critters in this context as hybrid beasts.

You may recall from some blogging I did a while back (Part 9 - Rochester, NY and the gateway to High Falls) that six Nephilim were pictured from an exhibit called The Council in an airport terminal roundabout. Read what is engraved in the marble ledge and give some thought to the subtle intent behind the blending and connecting of humans and animals there, in literature and with imagery.

This matter of animal-human blending has been embedded deep in our consciousness, referencing the blended gods of the past and moving us towards uniting with the gods, blending with them. The intent really is to bring us to accept the Beast and subsequently the mark of the Beast.

Now, there's another reference to cannibalism I noted in that Rango was pictured in the vending machine inside a package of candy. Candy is for eating, and on the bottom of the box of red licorice that signals human DNA we read: "It's a circus in your mouth." A three ring (triple helix) circus perhaps, with human and animal performers?

The fallen angels, their Nephilim offspring, the Canaanites and those who worship the ancient gods were and are cannibals, eating human flesh and that of their own kind. As presented in Who is Cain's Father? Part Three, the practice will continue until the curse pronounced upon the serpent in, "Dust you will eat," is fulfilled - and Adam is dust. (Genesis 3:14,19)

This practice has not faded into history - far from it! Yet, Rango's references really highlight not so much what has been as what's soon to come. The practice feeds Satan's blood lust. If you're not already educated about the matter of cannibalism, here's a few links for further study.

British royalty dined on human flesh (but don't worry it was 300 years ago) (Daily Mail - 5/21/11) Bob's note: Actually, there's no evidence to suggest there has been a discontinuation of such practices.

Results of search for cannibalism on SteveQuayle.com

Genesis 6 Giants (Steve Quayle)

Here's an mp3 of Steve Quayle on the Omega Man Radio show (8/18/11) where he talks about a Zombie Apocalypse. I hope to explain more about my take on this matter in the near future, but the books and movies that have made zombies and the idea of a zombie apocalypse familiar are not without a basis in truth. A zombie eats flesh, so there's the cannibal connection. Two other features are that they are undead and mind controlled slaves, an apt description of those who will take the mark of the Beast.

Let's revisit those scenes where cannibalism was addressed to focus on the genetic transformation aspect.

Rango: The place I come from we'd kill a man before breakfast just to work up an appetite, then we salt him and we pepper him, then we braise him in clarified butter - and then we'd eat him.
Jedidiah: You'd eat him?
Rango: That's what I said! Hell I seen things make a grown man lose control of his glandular function. You spend three days in a horse carcase living off your own juices. It'll change a man. Oh yeah.

"It'll change a man." Into what? Into a cannibal. This change, reading the clue relates to losing control of glandular function. Notice, this is not about bladder control because the urinary bladder is not a gland. If a man's not in control of his glandular function, who is? "Horse" is a near homonym to "Horus." A carcase is a dead body. Three days is a resurrection number, referencing a new kind of life beyond the mortal life in this flesh. Is this plain enough?

Rango is identifying himself with the Lord Jesus Christ, who laid in the tomb, dead, and was raised to new life on the third day. Rango represents the counterfeit, the Antichrist Beast. He's also referencing the gods of old and those of the serpent's seed who feast on the flesh of man and beast. He's alluding to those who will be brought forth after his kind, changed through glandular function not of their own or former control.

Here's the other scene I wanted to elaborate upon.

Rango: But without law and order. Ruminate on that. Oh Yeah. Starts out slow, like a fungus. Somebody says a cross word. Accusations start flying. Neighbor turns on neighbor. Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations. So, you want something to believe in Spoons. Believe in me. Believe in that there sign. For as long as it hangs there we got hope.

Rango says "Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations." I believe people will be eating their children because they will be starved on purpose, and I am further convinced it will be because that's what zombies do, what those of serpent-kind have been declared must do since the cursing in the Garden of Eden. I believe, like Rango said, pretty soon there will be a getting together to create all sorts of unnatural mutant aberrations, but it won't be dogs and cats. I believe the species blending is going to be in accordance with the other witnesses in Rango and so many other media. I believe converting Adamic man into an unnatural mutant aberration is the main part of Satan's plan. I read it in the Bible. I see it everywhere I look. "It starts out slow, like a fungus," Rango says. "Pretty soon."

I'll close with some commentary about two images that appear in the scene above.

Rango says, "So, you want something to believe in Spoons. Believe in me." The scene cuts to show this pitchfork next to a blazing torch against a fiery red sky. Isn't this the classic devil's pitchfork and fiery Hell imagery? How is that subtle?

Then Rango points and says, "Believe in that there sign. For as long as it hangs there we got hope." Here's the sign, with a pentacle on top. Star = Angel

The Pentacle under the arch represents sorcery bringing the Fallen Angel and through the portal into this realm.

That's not what and who my hope is in! More to follow - Lord willing!

Some items of interest:

Excerpts from Raw Meet: Fred Ritchin Redefines Digital Photography (Wired Magazine - Raw File - 9/3/11)

"Fred Ritchin says that we are obsessed with ourselves and images of the unreal. That we are escaping from very real photos of destruction into visions of idyllic fantasies, and that this escapism is being branded by governments and corporations for their own ends. We are being sold products and social scenarios that appeal to our fantasies but ultimately fail us."

"In his books ... he has argued that images today are manipulable and as such are political territories for governments and corporations."

BBC to bring 2012 London Olympics into the third dimension - "The network will also try out an experimental post-HD technology for the big event"