Decoding: MindFlash

Mindflash? The graphic pictures a flash of light, and what's signaled is very, very familiar! Marion Knox, who has ministered to Illuminati slaves over many years, offered this insight in an interview with Ron Patton.

“Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain. They do this on a regular basis -- sort of maintenance program to keep everything intact.”
The Master Plan of the Illuminated Rothschilds: Ron Patton interviews Marion Knox

In a figure, the radiant graphic is the ASH hole (as exploited dramatically in, The Goonies). The designer was being "cheeky" with the tops of the letters a*s. Mindflash. Right. Very clever.

This symbolism is redundant, supported because we can see no dot over the presumed lower case letter, i. It's a "hidden eye," which is a reference to 3rd eye (count the rays), the Horus Eye, the anus, the sodomite gateway.

See more like this in this classic post, Part 16 - The Sodomite Gateway - What's In Her Trunk - The Black Hole Sun

The Goddess of VELO-LOVE and the Paris of Harper's Bazaar

Another Shabbat has come and gone. We've been working on a project intended to generate some income all last week, and with the Shabbat we took a day of rest from that endeavor. This post continues on the theme of the VELO LOVE Code 54.

A reader sent me a picture of this image a little while back. The vehicle the flag waving woman is riding in is labeled, Velo-Taxi. It's a bicycle taxi. This is from a Chanel photoshoot in Paris France, published in the April 2017 edition of Harper's Bazaar magazine. It's pretty much all about the exaltation of the goddess across a wide range of identities, with the addition of the VELO LOVE Code and the bicycle as a dimension-transiting vehicle. The featured model is Paris Jackson. Right. Paris, in Paris. She's the daughter of Michael Jackson, the pop music and dance legend.

The theme of the shoot is the Liberation of Paris, a military action that took place during World War II from August 19-25, 1944.

Paris had been occupied by the Nazis, and the liberation began when the military forces of the French Resistance staged an uprising against the German garrison, upon the approach of the US Third Army. This shot of Paris Jackson celebrating with soldiers with the Eiffel Tower in the background is a spin on this iconic image that was taken in 1944. It's typically captioned, “American soldiers look at the French tricolour flying from the Eiffel Tower.”

If you know the relevant history (which we mentioned in this video: Pizza Esoterica - Pizzagate or The Pizza Gate? Pizza Code in Media Part 7 - Katy Perry "This is How We Do" - Four Illuminati Calling Cards), you would see the incongruity of Chanel's celebration of the Liberation of Paris. And hypocrisy. Coco Chanel was in bed with the Nazis, literally. Coco was aligned with the Nazis in several ways, even as early as 1941. Her wartime lover was the high ranking spy, Baron Hans Günther von Dincklage. In 2011, based on the evidence of newly declassified period documents, Hal Vaughan published a book called, Sleeping with the Enemy: Coco Chanel's Secret War. It was revealed that she had indeed collaborated with the Nazis in intelligence activities during the war. This was widely suspected by the French people of the time. Chanel's recent corporate campaign illustrates the way of the elite, who paint history as it serves their fancy. Their marketing effort offends for selling a version that contrasts their founder's true legacy of betrayal. Worse than that, this photoshoot preys upon the ignorant in a supreme betrayal through the Occult exaltation of the goddess who brings all who are under her influence into bondage instead of liberating them.

Harper's Bazaar is actually celebrating history with this, the magazine's 150th Anniversary Collector's Edition.

It's the age-old love affair with the goddess.

It has been noted that Paris Jackson was made by Chanel to look like she was channeling the pop star, Madonna. Why? Because of her name: Madonna - the mother goddess with child. The virgin Mary and Jesus, Isis and Horus, etc. Being the daughter of Michael Jackson, she's a black Madonna, right? It's a good fit.

She is Paris, in Paris. Her namesake is the French city and its namesake, the man of the legend of the Judgment of Paris. This legend is connected with the Apple of Discord and the Trojan War. As the legend goes, there was a wedding and all the gods were in attendance. Paris of Troy was compelled to judge a beauty contest between three goddesses, Aphrodite, Hera, and Athena. He choose Aphrodite because he favored her bribe over that of the other two. He won Helen of Sparta as a prize, who subsequently became known as Helen of Troy. Yes, there was trouble and a long bloody war, instigated by Eris, goddess of discord.

Her other name, Jackson, supports the goddess identity because of the Occult gematria value. 44 = Isis, according to the esoteric interpretation of the 47th Problem of Euclid. The side of the Pythagorean triangle that is 4 units in length is identified with Isis. This proof of the Pythagorean theorem involves the area, which is 4 square, or 4x4, which is often signaled as 44. This finds support in the context with '44 being the year of the Liberation of Paris.

Because Paris Jackson is waving the flags of the liberating armies, she is the flag waving goddess, Liberty, Lady Liberty, Freedom and Columbia. With the soldiers flashing the popular two-fingered hand sign of the day, V for Victory, they are identifying her as Victoria, the Goddess of Victory. They're in a Vehicle. The goddess of travelers, voyagers and wanderers is Viatrix. V for Victoria and Viatrix. She is also known as the French national goddess, Marianne.

The flag waving Paris Jackson has to be seen in connection with that flag bearing goddess Marianne, who was memorialized by Eugène Delacroix in the famous painting from 1830 titled, La Liberté guidant le peuple, Liberty leading the people. She is liberating the French people, leaving a wake of death and destruction.

As we've noted previously, there's an esoteric signature in view. The image of a red rose has been painted into the flag. Liberty is the rose goddess, Venus. Delacroix, in a subtle way, also painted his own likeness into the scene as the man in the top hat. Being “under the rose,” he is literally, sub rosa, which means that some valuable secret is being held in confidence. His name, Delacroix, means, of the cross. Positioning himself near the hidden rose presents the signature of the Rosy cross or Rosicrucian. The Rosicrucians, like other secret societies, are typically involved in subversive schemes - and are worshipers of the ancient goddess.

Another subtle detail has been observed in the painting, that aside from the flag held by Liberty, a second, minute tricolore appears in the distance flying from the towers of Notre Dame. Notre Dame, the famous Catholic cathedral. Notre Dame, meaning, Our Lady, the goddess to whom their devotion is: the Virgin Mary, alias Marianne, Venus, Isis, Inanna - Our Lady of bloody rebellion, of death, destruction, and deceit.

That same kind of Occult promotion of the goddess is what flag bearing Paris Jackson is being exploited in. Like how Coco Chanel secretly betrayed her people, so likewise her legacy company, through this esoteric promotion of the goddess in Harper's Bazaar.

Here's the special cover. It's more than just a quirky romp. The goddess is flying the tricolor ribbon and the featured identity is the dancing bee, Ishtar or Inanna, in a fly by of the tower.

The skirt makes her look like a butterfly, which is a mind control thing (Monarch programming), but it recalls the expression, “Float like a butterfly, sting like a bee.” (Mohammed Ali)
That she's the dancing Bee is seen in her bent elbow pose and adorned wrists. The intention is revealed as the layout artist splits the double A of BAZAAR with the Eiffel Tower. The double A becomes the classic flanking owls. AWA. ABA. Part 7 - Hidden Signs of the Goddess - AWA / ABA This scene resembles one in The Matrix, with the bee goddess "buzzing the tower" with her “over the roof” aerial stunt.

The cover design is actually sex magick, with the tower as phallus. Our Lady of the Olympics in Paris, the goddess of love, with the tower as giant phallus. This is far from the first time the image of the Eiffel Tower has been exploited in this way, with the Queen of Heaven.

While the tower is a phallic symbol, a tower is also a pillar or column, a goddess symbol. The Eiffel Tower was created as a monument to the French Revolution, which had begun nearly a century earlier. The sponsor of revolution is the goddess - the rebel Lucifer, actually, in the guise of the rebel goddess.

“The design was exhibited at the Exhibition of Decorative Arts in the autumn of 1884, and on 30 March 1885 Eiffel read a paper on the project to the Société des Ingénieurs Civils. After discussing the technical problems and emphasising the practical uses of the tower, he finished his talk by saying that the tower would symbolise, "not only the art of the modern engineer, but also the century of Industry and Science in which we are living, and for which the way was prepared by the great scientific movement of the eighteenth century and by the Revolution of 1789, to which this monument will be built as an expression of France's gratitude."” (Wikipedia)

A few years prior to the Eiffel Tower, Gustave Eiffel built the Statue of Liberty (1886), teaming up with French sculptor Frédéric Auguste Bartholdi. That was based on the goddess named, Isis. One towering goddess tribute begat another.

Eiffel's Tower was a monument to the French Revolution, which involved war. Several, in fact. The location in Paris is a long park called the Champ de Mars. It's named after the Campus Martius ("Mars Field") in Rome, a tribute to the Latin name of the Roman God of war. Fitting, yes? The hand signs that the soldiers with Paris Jackson are flashing in the Jeep are what some would identify as peace signs. They are not.

The Eiffel Tower is practically on the bank of the Seine River. The name "Seine" comes from the Latin, Sequana, the Gallo-Roman goddess of the river. It's not unlike how the River Isis, aka Thames, runs through London.

Let's turn our attention back to the velo-taxi scene.

The river in the background is the Seine, invoking the Gallo-Roman goddess of the river, Sequana.

Paris is riding along the Quai de la Mégisserie, across the Seine from the Conciergerie. The facility began as part of the medieval royal palace complex but is perhaps most famous as a prison during the Revolution. Featuring a prison does make sense because of the theme of the Liberation of Paris. This photo was taken from the west end of the Théâtre du Châtelet. Parallel to their route, on the other side of the Théâtre runs Avenue Victoria. Nestled within the Théâtre is Victoria Cross, a bar, and the Hotel Victoria Châtelet. Victoria is the Roman goddess of Victory. They are riding east, and once they pass the Théâtre they will come to the Fontaine de la Victoire, built in 1806-1808. At the top of a 59 foot high column is a statue of Victory made of gilded bronze, carrying the laurels of victory. It's a monumental fountain, designed to provide fresh drinking water to the population of the neighborhood and to commemorate the victories of Napoleon Bonaparte. The location of the photoshoot is pretty much all about the goddess. The Velo-Love is related to the love for the goddess.

The bicycle represents a kind of vehicle that travels between space-time dimensions or realms. The Seine as the river of time.

We see the goddess Viatrix being honored, of travelers, voyagers, and wanderers, and jeeps, and leaps, and velo-taxis.

Velo-love and goddess love is a sodomite love, and so we see the driver bent over his bicycle looking fairly uncomfortable. Tires and spoked wheels are individually symbols of the anus. High heels signal sodomy as by the raising of the butt for presentation. The gesture Paris makes is a pointing of the sodomizing heel at the man's butt. Identify the windshield as one made of glass and you'll see that she's a kick-glASS goddess, waving the flags of famous revolutionary countries.

So much of what we published recently in this post (LoveLoveLo VeloVeloVe) is repeated in the Chanel photoshoot for Harper's Bazaar. It's this velo-love code 54 kind of thing that the goddess uses to maintain status quo, as Mystery Babylon. I'm reminded once more of the simple insight offered so long ago by Confucius. “Signs and symbols rule the world, not words nor laws.” We pay the price for the continued violation of the 2nd Commandment.

We count our blessings that the Sovereign God is rich in mercy as He invites us to draw near Him to find freedom that is freedom indeed, to be truly liberated and find enduring reward that is beyond comparison.

Signs of the Lord's Attentiveness

I'm just going to throw some stuff out here.

So, I just published some of the material I've compiled on the subject of VELO LOVE Code 54. Last night the thing was to watch some vids on YouTube. Jay Leno just put up a video, and check this out! The episode was about a #54 motorcycle. It's a motor bike ~ bicycle, right? VELO LOVE Code 54! Every Ducati Scrambler Cafe comes right from the factory with #54 on it. The CEO of Ducati North America explains the story behind the 54 to Jay, and well, it's a great story, but I think its a safe bet that the real story goes deeper. 2017 Ducati Scrambler Cafe Racer - Jay Leno's Garage (set to where the explanation begins)

Then I'm watching a video of somebody doing a pretty good job explaining the movie, They Live. (They Live | Based on a True Story (caveat - some crude language)) If you're not familiar with it, we highly recommend it. You might consider that we at The Open Scroll are in the business of distributing the special glasses featured in the campy flick. These allow folks to see how things really are.

Spoiler alert Toward the end, the protagonist discovers that there's a kind of cover spell being broadcast from Cable 54, the mass media whose building is secretly the base hiding the aliens and their control mechanism that allows them to rule over the earth. It presents a brilliant allegory. Again, highly recommended! So, Cable 54. Spilling more beans on the Love Code 54.

A little earlier in the day Aaron and I had exchanged some emails and quite notably the two previous nights of media were highlighted as being just as well coordinated. The Lord continues to demonstrate His leading to a remarkable degree. I have other things I need to be doing, but I have no peace until I share this, so here it is, most of our email thread. You will note the focus on the SSSS, and with what was highlighted to me while watching Harry Potter about the snake language, and then about the reptilian aliens in, They Live, with the Cable 54 signal. And Aaron had been compelled to bring up, The Signal. We plan none of this. We just watch the Lord's orchestration and marvel!

One take away is this, that the broadcasting of mind control through media is validated. Another is this, that the Code 54 and the sodomite love is operative in a similar fashion, on another level, and roughly parallel in effect.

I started this thread, sending this to Aaron.

Subject line: François Rabelais - pre-Crowley Thelema and the Law

François Rabelais - ~1483-1553 - French
pre-Crowley Thelema and the Law
Abbey of Thelema... Do what thou Wilt...

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Rabelais#Th.C3.A9l.C3.A8me
-----------------------------

I followed that sending this one to Aaron.

-----------------------------

http://www.thebeatlesneverexisted.com/botr/viewtopic.php?f=38&t=34

“Re: Laurel Canyon and the Birth of the Hippy Generation

by Silversong » Sun Sep 14, 2014 7:08 am

Editor's Note: This is an extremely timely and important essay. It
overviews a secret Pentagon psychotronics technology known as Silent
Sound Spread Spectrum (SSSS) that has been fully operational since the
early 1990s. I first found out about the use of this technology from
Al Bielek in a 1992 video he made with Vladimir Terziski. This
technology was used against battle-hardened Iraqi troops fortified in
deep underground bunkers in Kuwait and Iraq in the first Gulf War in
January of 1991.

The physical, emotional, and psychological effects of this technology
were so severe that hundreds of thousands of Iraqi troops surrendered
en masse without firing even a single shot against U.S. led coalition
forces. The numbers reported in the news were staggering: 75,000 and
then annother 125,000 (or more) Iraqi troops would come out of their
deep desert bunkers waving white flags and falling to their knees
before approaching U.S. troops and literally kiss their captor's boots
or hands if given the opportunity. Why would eight year veterans of
Middle Eastern warfare (with Iran 1980-1988) behave this way? Simple.
They were subjected to a technology that was so extreme and
incomprehensible that they were suddenly reduced to the level of
compliant children and felt grateful to still be alive in the wake of
their mind-wrenching experience.

This technology is about to be used, albeit in a more subtle fashion,
against American citizens in a highly classified and covert operation
to mind control and manipulate the entire population into 'compliance'
with our New World order overlords. The technology will utilize a
combination of HAARP transmitters, GWEN towers, microwave cell phone
towers, and the soon-to-be-mandatory High Definition DIGITAL TV that
will enter your home via A) Cable, B) Satellite, C) HD TVs, or D)
those oh-so-easy -to-obtain "Digital Converter boxes" that the
government is so anxious to help you obtain and underwrite most of the
cost on your behalf.”

-----------------------------

I want to make the point that Aleister Crowley's Abbey of Thelema and Thelema's Law is not entirely original. He claims direct inspiration and while some see the obvious signs of plagiarism, he may well have gotten it the same way François Rabelais did.

So, Aaron replied with the following.

-----------------------------
There is nothing new under the sun - Crowley carrying the torch.

The deal with the SSS - I absolutely believe it. That speaks to me as a physical component and manifestation of what is taking place in the spiritual realm. The enemy has all the bases covered and that seems like the initial artillery in preparation of the "great hoax" of 2 Thess 2 - and we know how that is going to go down after the reset.

It brings to mind a movie I saw a long time ago called "Signal." Anybody watching TV at a certain point was turned into a lunatic killer mind controlled zombie and went on violent rampages.

https://en.wikipedia.org/wiki/The_Signal_(2007_film)

“The Signal is an American horror film written and directed by independent filmmakers David Bruckner, Dan Bush and Jacob Gentry. It is told in three parts, in which all telecommunication and audiovisual devices transmit only a mysterious signal turning people mad and activating murderous behaviour in many of those affected.
The film's three interconnected chapters ("transmissions") are presented in a nonlinear narrative. Each of them manifests elements of (besides the overall genre of psychological horror), respectively, splatter film, black comedy, and a post-apocalyptic love story. The Signal was met with a mixed but largely positive critical reception.”
-----------------------------

I replied to Aaron.

-----------------------------
"Coincidentally," :) I watched iBoy on Netflix again last night. Similar theme, because with his mind he controlled electric and electronic devices. He "beamed" at people to kind of overload their circuits.

The SSSS is a big HISSS. Serpent Nachash. Its the reference I've heard occasionally and very distinctively in reverse speech analysis. The ENCHANTER.

On this same subject, again, "coincidentally," The night before that, I watched Harry Potter, the Chamber of Secrets. Harry spoke in the special snake tongue to communicate with the "hydra-ish" snake.
--------------------------

That's the end of the thread.


In closing here's one last item of note. Katy Perry. Illuminati slave. You've seen our PizzaGate videos, right?

Aaron emailed this:

--------------------------
This seems legit - it appears she is about to say she wants to be her "alter" when the video cuts out

https://www.instagram.com/p/BVK3Q8TlfVH/?hl=en
--------------------------

I concur. It seems legit, and that "alter" certainly fits the dialog.

We're certainly not without compassion for Katy and those like her. Far from it. We long for the day when the Lord has appointed a fix for the sad, sad, evil control mechanisms of the Luciferian illumined.

LoveLoveLo VeloVeloVe

Bicycles. We love bicycles. These vehicles are widely celebrated for being fun and for their recreational utility, for their mobility, for fitness, economy and even their aesthetic. But sometimes, the imagery of the ubiquitous bicycle is leveraged as an occult symbol. We've already done a few posts on the symbolism of the bicycle, but here's another insight that should demystify a lot of what you've seen.

These 3 are from September, 2014.
The Bicycle as an Occult Symbol
Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators
Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

We've had this in the queue for a while, and nearly ready for posting. Finally, here it is - at least in part.

Velo, is the French word for, bicycle. This word is a fairly obvious anagram of, love, (thus, this post's odd title) and this connection is actually very familiar to some folks who love their bicycles.

When you see a bicycle in an ad, logo, TV show or movie, it's probably being exploited (by intent or perhaps even incidentally, due to the practical reality of the 2nd commandment) as a symbol of love, transforming through the anagram, velo. So what's wrong with that? While normal people see love as a good thing, and see no reason why anyone would want to hide a reference to it, the reality is such that the Occultist's version is an evil and perverse counterfeit. They conceal or obfuscate it to exploit the image in their practice of symbol magick and ritual.

BICYCLE = VELO = LOVE

Aleister Crowley, the infamous warlock, produced a widely practiced system called, Thelema. It's an Illuminati religion. The foundation has to do with the words, Thelema and Agape, which are translated, will and love, respectively. This has to do with, “The Law.” In short, “The Law,” is expressed in this way: "Do what thou wilt shall be the whole of the Law. Love is the law. Love under Will." They use familiar words but their meanings are vastly different. The Illuminated Occultist's kind of love is a Luciferian and sodomite perversion, associated with the god and goddess of love who are false gods, fallen angels. I note that, by substitution, “Love is the law,” becomes,“VELO is the Law.” Velo love or bicycle love can be seen as a reference to, the Law.

When we consider VELO as code for LOVE we should consider some related codes.

Code 54 is a love code that regular readers and viewers of our videos are already familiar with. Being an anagram of LOVE, VELO has the same letters and therefore the same gematria value. LOVE Code 54 is VELO or Bicycle code 54.

The value of the Thelema words for will (Thelema) and love (Agape) are both 93, according to Crowley's accounting. According to Thelemapedia, “Using the Greek technique of isopsephy, which applies a numerical value to letters, the letters of both of these words when added together equal 93.” The simple Occult gematria for love produces 54, and the isopsephy gematria for the “love” word, Agape, produces 93. Thelemites use the number 93 to secretly refer to “the Law,” using it as a shorthand salutation. It may be that the “love” code 54 compares to 93 as another shorthand salutation. As noted earlier, “Love is the law,” becomes,“VELO is the Law.” Code 54 or Velo love or bicycle love can perhaps be seen as a reference to, the Law.

In addition to LOVE and VELO being anagrams, there's another connection through the Atbash language. Atbash is a simple code that's even used in the Bible. Instead of the letter A, substitute the letter Z, and instead of B, substitute, Y, and so on. It's kind of a mirror or inversion code. In Atbash, LOVE, becomes, VELO. (See the image above, from the Occult Code (Gematria) Calculator App) Being both anagrams and Atbash pairs, the relationship between LOVE and VELO must be very potent in the realm of magick.

That probably explains this.

And this, RIDE54 | Fresno's Premier Indoor Cycling & Strength Training Studio.

And this, Studio 54 Cycling.

Ride 54 is a studio, and so is Studio 54 Cycling. There was the famous Studio 54 in NYC, of course, and the disco that extends its legacy at the MGM Grand in Sin City. Why Studio 54? It's the love code, and that's what the night clubs are about. Of note here is that MGM is Code 33! MGM = 13+7+13 = 33. Also of note, STUDIO, the word, breaks out to, STUD IO. IO is Greek for, Helio, the sun, of the sun god Helios, aka Apollo, and Horus. The Stud Helios ~ STUDIO. The sun god is the stud, the legendary lover - of Studio 54.

The velo-bicycle Code 54 explains the name of the band called 54 Bicycles. Suitably esoteric artwork is associated with their events. (https://www.facebook.com/54Bicycles/)

We've gave the Bicycle brand of playing cards some attention in 2014. The VELO-LOVE code is evident in their bicycle riding Cupid, aka Eros, who appears on their iconic Rider Back and Cupid Back decks.


The playing card decks are occult. The calendar of 52 weeks divided into quarters of 13 each are represented in the 52 card decks. The Bicycle brand adds 2 Jokers, which brings the playing card total up to - you got it - 54! Now, why do you suppose that might be? Yeah. You may wonder why the spade is specially adorned and not the heart. As above, so below. Flip it. It is a heart, but obfuscated. (sodomy!)

The subtle connection between love and the velo-bicycle is well established in our culture. When I was in grade school, we used to sing this traditional song called, Daisy Bell, about a bicycle built for two - and a marriage proposal!

Daisy Bell (A Bicycle Built For Two)

Chorus:
Daisy, Daisy,
Give me your answer do!
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle built for two.

This song was a hit from when it was first heard, being written in 1892. What I find remarkable is how this song has been persistently featured in so many milestones of advancing technology. (See Wikipedia) This speaks to me as a sign of the VELO/LOVE resonance and also of the kinds of people responsible for the technological milestones.
Have you heard the song by Queen, called, Bicycle Race? The lyrics express a passion or infatuation with riding the bicycle, and this example really deserves some extra attention.

'Cause all I want to do is
Bicycle bicycle bicycle
I want to ride my bicycle, bicycle (c'mon), bicycle
I want to ride my bicycle
I want to ride my bike
I want to ride my bicycle
I want to ride it where I like

Without naming it directly, this song is about VELO LOVE. He wants to ride it where he likes. This is an expression of Thelema's law. "Do what thou wilt shall be the whole of the Law. Love is the law. Love under Will." The song's controversial music video makes it more evident, and some of the other facts betray the nature of its appeal.

“Bicycle Race" is a single by the British rock band Queen. It was released on their 1978 album Jazz and written by Queen's frontman Freddie Mercury. It was released as a double A-side single together with the song "Fat Bottomed Girls". The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries. The song was written by Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux where the band were recording Jazz in the Mountain Studios.”
(Wikipedia)

What sense did it make to sex up the video with beautiful women models riding naked? Plenty, if you're catching on to the VELO LOVE. In a sense, Freddie Mercury was riffing off the designs of the Bicycle brand of playing cards and their iconic bike riding Cupid/Eros. The Bicycle brand very overtly exalts the goddess on most of their designs, and the Bicycle Race video definitely exalted the love goddess, Our Lady of the Bicycle. Freddie's band is, Queen, right? It's secretly a tribute to and exaltation of the Queen of Heaven! Skeptical?

If you check the release date for the song, it's October 13. Many events known as Marian Apparitions have marked that day in history, which we've documented. The number of naked bicycle riding women (love goddesses) in the controversial Queen video is given as 65. Why 65? The song was released on the 65th anniversary of the appearance of Our Lady of Fatima. The song by Queen, with the video that followed, appears to have been released as a special tribute marking the 65th anniversary! Beyond that, I note that, 6+5=11, which signals the fertile womb of the goddess. Queen, of Heaven. Our Lady of the Bicycle.

Why choose Wimbledon as the venue for the Bicycle Race video? A race in a stadium points back to the classical stadium of Athens, Greece, where the Olympians performed naked. The victors were awarded wreaths by the goddess Nike, a tradition that continues to be associated with the modern Olympics as memorialized on every medal.

The image of Nike pictures the winged goddess traveling from the stadium of ancient Athens into the modern era's Olympic venue. (This is a dimensional transiting, so compare her to the winged Cupid on the Bicycle cards.)

Wimbledon Stadium was an important venue for racing in the London area. Nearby, the Wembley Stadium was another, which was actually the primary one used for the 1948 Summer Olympics. (Venues of the 1948 Summer Olympics) There's history there, and with the goddess! (Our Lady of the Olympics) I wonder if Wembley might have been the preferred location for filming Bicycle Race, but regardless, the space-time transiting goddess is certainly invoked in the sports stadium that Queen used for the video, as well as in the featured action. Ritual magick is in view, inspired by and in service to the goddess.

With all that said, there's still more going on with this VELO/LOVE song that should really be brought into the light. There's another number involved in the account of Freddie Mercury's inspiration. “The song was written by Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux where the band were recording Jazz in the Mountain Studios.” (Wikipedia) In the gematria shared by LOVE and VELO, the number 54 is doubled, and so is the number 18, in the reduction versions. With the extent of the Occult connections here, the mention of the 18th stage of the most famous bicycle race probably has an role in the extension of the ritual.

If you accept that the bicycle is leveraged as a symbol of a dimension transiting vehicle and understand the implicit role of the psychopomp, you will see the name of Queen's frontman as a more than just ironic. Farrokh Bulsara, by birth, he took on the name of Freddie Mercury. Mercury, the god who transits dimensions.

Freddie was a flamboyant homosexual. Think - Hermaphrodite. Mercury. More than a little light in the loafers.

It seems that the VELO/LOVE bicycle resonated with Freddie Mercury, and the identification is strong.

It should be noted that the sodomite love aspect runs all through this VELO/LOVE Code 54 imagery. There's a reason why Queen's, Bicycle Race, is linked to, Fat Bottomed Girls.If you're familiar with the video series we did on the pairing of the subjects of time travel/dimension transiting and sodomy, you'll see this as another witness to the pairing. Review the collection of images in this post and see the supporting role played by the hearts, which are butts in symbol. See the spoked sun wheels as the familar sun-anus symbol.

The anus is known in Occult circles as the Eye of Horus. An ancient symbol of the Horus Eye is, Rx. This is commonly recognized as a symbol of prescription medicine, but it derives from ancient times when the healing potions were sought from the gods. Here's a connection of note. Rx is 93 like how IC is 93, but when Z is 1 instead of when A is 1.

93: RX ~ IC
IC with the RX.
EYE SEE with the EYE of HORUS.
Code 93 ~ Code 54.

VELO/LOVE imagery is typically so innocent looking, but with all that has been brought into the light, there's dark and powerful magick in play.

Thanks! An Update and a Token - Billboards

Hi Everybody. Thanks for the show of support. The love of this blessed extended family of ours is so evident!

Special request. Is there anybody involved with patents who might help us with a project?

About the sign I mentioned in the previous post to this blog, when I received the 1/5 sign and recognized it for what it was, I knew that the Lord did that to send that message. He set it up that way so I would know for certain, and even if you wanted to, you were not going to be donating then because that would have negated the sign. The next day after the target and limit I was led to set, I received another check in the mail, and also some PayPal donations, and then more the day after that. It is apparent that the reason this is happening this way is so the Lord could bear witness of His work to all of us, to be witnesses together of His mighty hand in our midst, intervening. He is manifesting His love and presence! We really do need to have confidence in knowing that this situation where I'm making a transition from full time ministry, which is certainly not what I would choose for myself, is more than just a loss and a reason for the Enemy to gloat over us in victory. It's part of the Sovereign Lord's winning strategy, and this peculiar season's management of our resources and giving and receiving is a token of that ultimate victory. Really, you have to see that as an awesome thing!

Some of you shared how you were also experiencing financial struggles, and some of you even donated anyway. The Lord sees the sacrificial act and assures that we are compensated accordingly. Luke 6:38. I know some of us are pretty tough and resilient, but many of us have only survived some of the extreme trials by actually breaking and then being recovered miraculously, as the Lord mends and remakes us. The experience certainly can build character, the good kind and also the bad. These experiences can also generate bitterness and anger, and depression. Let's pray for each other, for the Lord's mind and heart to be made known to bring each of us though the struggle to Him, to find true refreshment and rest securely in Him. This is not a light thing, perhaps especially in this season.

We're not caught up, financially, but we have enough funds at the moment to be able to work on a strategy for generating income without being pressed by an immediate emergency. I had a toothache for a while that was a huge distraction, but that has mostly subsided. My eyesight has continued to fade, but I'm still able to be fairly productive, so no major issue there or extra medical bill. Next week, estimated quarterly tax payments are due for self-employment, and with Aaron's help, we'll cover them. If you can keep us in mind and make regular donations, this will sure go a long way.

I wanted to include an effort in token of our intent to carry on here as we're able. Here's a billboard I saw on my walk through the neighborhood a few days ago. It's all about Code 33.

G+R+8 = 7+18+8 = 33
33 | 33 - 2 of them side by side

The phone number - side by side and overlapping
(8+8+8) + (2+6+1) = 33
(2+6+1) + (8+1+7+8) = 33

Overlapping, but another form of 33 | 33

Because of the repeating 33, those 2 instances may be considered Code 66. There's also a mirroring, with the reflection signaling, As Above, So Below.

The way they positioned the words, Newhaven Court, groups the highlighted C under the E and W. Each of those letters can be accounted as a 3, presenting 3 pairs of 33.

IntegraCare is the business entity, and IC is Code 93, the Thelema (Aleister Crowley) shorthand salutation of, "The Law." Is this really an Illuminati organization? Here's their logo. IC. Eye See. This is a pretty obvious form of the "i" of Horus, the all C-ing "i" or all-seeing eye. Illuminated Freemasonry? Without looking into the "Senior Living Community" company's history (which I have no interest in whatsoever), this is the message that's being sent in the symbol language.

The language is familiar, so familiar, and so is the message. Code 33. Code 66. As Above, So Below. IC - Code 93 - Eye of Horus ... Crossing Circles (goddess and mark of the beast) ... OOO~ 15-15-15 ~ 666 ~ MOB

Pennsylvania is filled with Freemasons. When I visit Aaron, shortly after I leave my house I see a billboard featuring John 3:3. On my way back home, shortly after leaving Aaron's house I see another billboard for John 3:3.

Jesus answered and said to him, “Truly, truly, I say to you, unless one is born again he cannot see the kingdom of God.” ~ John 3:3

When I was more naive I was content to simply enjoy it for the Bible verse it is, with great truth, and see it as a bold evangelical proclamation. Now, while I can still appreciate that, I know the Code 33, and how it has to do with antichrist and the sodomite initiation into the Luciferian illumination, which the Illumined identify as their "born again" experience. Ignorance isn't bliss, it's just ignorance, and that typically makes us a hapless pawn in the Adversary's schemes whereby we're hijacked, deceived into actual service to him. We believe that it's better to be informed and aware of what's going on around us, and to serve the Most High with the fullness of our lives to gain the ultimate freedom and reward.

Blessings in Y'shua!

Bob (and Aaron)

The Battle is Lost (but yet, it's strategic)

I recently asked for help paying my bills. Based on the response, and since web traffic and funding have both dropped significantly in recent months, the message is received. The season of full time ministry has passed. It's been a good run, but honestly, I have felt defeated. Battle fatigued. Spent. Aaron, likewise. The fight to keep this little outpost manned is lost but the war is not over. The response to my plea had another message in it, so please read on. We're not selling sunshine and rainbows, but there is a bright ray of hope beaming through.

Most of my life I "paid my own way," because that has been the Lord's provision, and I always supported other ministries and people. In 2011, I left the work force with a meager savings, moving to Pittsburgh at the end of October to be near Aaron (who was and still is struggling with a disability) and minister full time. The cost of living is much lower here than in California, but at the end of my lease in 2012, my savings were nearly used up. Aaron's family was very kind to take me in. Shortly before the time came for me to move out, a patron showed up. Thanks Susan! She carried the burden until recently, and what a blessing it has been! While many others have been very supportive, no other patron has come forward. Aaron is partly subsidized by his Dad and has a meager income through disability, and he's once again, by far, my biggest patron. But we can't cover the cost of living, and so ends this season. The practical reality is that there's a minimum level of health and wealth that has to be maintained to do what I do here.

We have paid up the web hosting and domain name "theopenscroll.com" for a while, and the blog and YouTube channel costs nothing to leave in place, so the legacy work remains. We still intend to continue, Lord willing, according to His provision, until this season's appointed end.

I want to express my gratitude to those of you who are invested in this work of The Open Scroll, and in us workers, Aaron and myself. For those of you who pray, who give sacrificially or even just casually, regularly or even a single time - thank you. We could not have done what we have without your help. We know that, when the day finally arrives when time is reset into the past, the Lord's accounting of everything in this "extension" season will remain on record. His promises do not fail, ever. The Lord has certainly continued to encourage us through all the struggle with validation of what remarkable things He's been showing us, and we also continue to be encouraged with the evident fruit of this ministering in the testimonies of those of you who share your touching stories with us. We grieve with you in your sorrows and rejoice with you at the Lord's favor!

Please pray for us as we turn our attention to making up the difference between what the Lord is providing through the collective "you" and what my living expenses and financial obligations actually are. We've got a strategy and we've begun exploring some options. Any funds received will help us continue the fight. I have some longer term obligations with an apartment lease and Comcast contract to cover, and possibly moving expenses, if that's going to be required.

The response to my plea on May 31 resulted in a single donation, which arrived via a check in the mail. (Thanks Pam!) I had been led to set a clear target, as a sign so I would know how to proceed. Falling short of the goal, which had to do with a time limit and specific amount, it was apparent that the season of full time ministry had ended. Last night, I had finished watching another remarkably relevant film and, after a brief email exchange with Aaron, who had watched it the day before, I was reflecting on what I had seen and it occurred to me that the amount I received in that single donation was exactly 1/5 of the target amount. In this was a message that really spoke to me and put a spring in my step!

I haven't published much about the 1/5, because it's for the Great Pyramid video I keep mentioning. Here's what I did share, in a post from Tuesday, May 23 (Arrival (2016), The Universal Language and the Tower of Babel)

“A few days after I knew I would be dropping everything I had been doing to return my attention to the Great Pyramid's function and role, the Lord dropped an early morning waking up insight on me about David and Goliath. I was contemplating David's armament, a sling and the 5 stones he took from the brook. The stones and the brook have to do with time. David slew Goliath with one of the five stones. Why choose five when only one was needed? Some suggest that the others were intended for Goliath's 4 brothers, but here's what I came to understand. There were five because it made the one that killed Goliath one of five, 1/5, which is to say that the one resonated with the five. Over the next few days, and weeks, really, the Lord added insight through many means, as Aaron can affirm. The 5 and 12 are connected, the association of 5 with damping in acoustic resonance, insight into why the key military installation we call the Pentagon has that design, about the pentagram leveraged for dimensional portaling, the dodecahedron shape of the universe and of DNA architecture, and so on. With, Arrival's 1 of 12, it made perfect sense to me. Time weapon. Their shells or ships were like smooth stones from a brook. One resonates with the 12. Each is the 12th part. They are a single unit, or measure. They are resonant with time. David's stone from the brook was resonant with time as a damping element. Applied to Goliath's forehead, that stone that resonated with the 5 damped his oscillating pineal gland, his illumination and connection with the life of his god. David put out his light. ”

So what about this sign of the 1/5 donation? While the battle was lost in failing to keep this outpost manned, I understand now that this is a strategic maneuver. The Lord of Hosts has a plan and He's working it to perfection. It's the long game. You may note that the subject of time is central. David pulled the 5 stones from the brook. Water as time, and the stones, like in Joshua 3-4. The 5 is related to 12 in the context of time and resonance. The 1/5 sign had to do with money, and, “time is money,” which is to say, money represents time.

One of the peculiar elements in all this has to do with our names, Schlenker and Hermann. Hermann: Army man. I was told by a Schlenker I met in 1981 that he had done some researching of the family name, and this man, who was a military officer, told me that a schlenker was a soldier who fought on the front lines in feudal Teutonic armies of the middle ages. A schlenker's weapon was the sling. The David vs Goliath battle is rather personal to me, for reasons that should be obvious, and the 1/5 sign speaks to me loudly. This is certainly reminiscent of the dream I had about fighting the green snake, after I lost some fingers in an accident about 18 years ago.

One of the scriptures that has been a source of strength in this season of uncertainty in direction has been the following.

Therefore, my beloved brethren, be steadfast, immovable, always abounding in the work of the Lord, knowing that your toil is not in vain in the Lord. ~ 1 Corinthians 15:58

And so we carry on in this direction that is new again.

Blessings in Y'shua!

Bob (and Aaron)