Several of the recent films and TV shows we've seen recently seem worthy of a video series exposing the symbolic meanings of each, but my attention is still largely consumed with the video series on the Great Pyramid, and Aaron's on producing the studies on The Open Scroll as videos, so that's probably not going to happen. The trending themes in these films do have a lot of cross-over with our pyramid studies, especially regarding the exercise of control over time in the context of multidimensional warfare. I watched, Arrival, starring Amy Adams, when it first came out on DVD, then was inspired a few nights ago to do so again. This is thoughtful and entertaining science fiction, compelling on several levels, but what is makes it noteworthy is what it has to reveal about Bible history/prophecy and the reality of our present season.
To get familiar with Arrival, you can watch the whole movie, or just a trailer, or read descriptions on sites like wikipedia, IMDB and Rotten Tomatoes.
Spoiler alert. The film is about aliens who know the future. They visit Earth on a mission to engage the people of Earth in such a way as to secure help for themselves when the time finally arrives when they need it. It's about the interaction between aliens and humans and the role of a very special language. You may find it familiar in that comparisons can be made to, The Fountain, directed by Darren Aronofsky. The subject of knowing the future and being able to manipulate it is overt, even central to Arrival's plot, but it's the covert layers that expose it as an Occult and even very significant work. The decoding of Arrival highlight the agendas of the illumined and the schemes of the god of this age as the world falls further into antichrist delusion. It's Genesis 11 and the City and Tower of Babel, revisited.
Early in the film, we learn that 12 alien ships have positioned themselves around the world, with one in Montana. The US military has set up a base near the vessel and is recruiting civilian experts to help establish communication. Amy Adams plays Louise Banks, author and professor of linguistics. She has top secret military clearance from a previous contract, and she's being flown to Montana in a helicopter. With her is another civilian contractor, Ian Donnelly (actor Jeremy Renner), a pompous theoretical physicist from Los Alamos. His first conversation with Louise is his reading a passage to her from her book. “
Language is the foundation of civilization. It is the glue that holds the people together. It is the first weapon drawn in a conflict.” Ian asserts that she's wrong, that the cornerstone of civilization is science. The point I want to make is that this quote introduces a central point in the film, central to what is both overt and covert. Overtly, the plot is driven by tensions and constraining time frames revolving around the misunderstanding of the alien's intent that results when aggressive and protective nations rush to conclusions. The problem lies with the word, weapon, which is wrongly inferred, when tool, device, or implement, or even, means, would be more correct. When we hear that language is the first weapon drawn in a conflict, we're introduced to what unfolds through the course of the film in a way that is not uncommon to other films and stories told through novels. Yet, by observing the details it must be seen that this is also characteristic of NLP. Word-crafting magicians and witches perform their magic of mind control programming in this way. One truth of the matter is that the language is their weapon, as they speak lies that alter reality. This reality involves time and space, the perception of it and the exercise of control over it.
Near the end of the film, as Louise is being rushed during the mandated evacuation of the base, she explains to her military liaison, “
I know what it is. It's not a weapon. It's a gift. The weapon is their language. They gave it all to us. Do you understand what that means?” He clearly doesn't, responding, “
So we can learn heptapod - if we survive.” (@1.37.57 ) Louise continues her explanation. “
If you learn it, when you really learn it you begin to perceive time the way that they do. So- so you can see what's to come. Look, time - it isn't the same for them. It's not linear.” Louise knows this because she has been experiencing flash-forwards (vivid memories of what hasn't actually happened yet, in their present or in “real time”) These flash-forwards involve a daughter she will have. During one of these episodes we see her telling her daughter about her special name, Hannah. Louise tells her that it's a palindrome, the same forward and backward. This isn't explained as such, but the clever bit is a witness to the way the heptapods see time, and how those who receive their gift and learn the language learn to see time, as reversible, or all at once.
We'll explain the Occult signaling and meaning of this shortly, but here's what some more dialog reveals.
The plot is reaching its climax as the nations of the world are preparing to make war on the aliens, resulting from some of them having rushed to a wrong conclusion based on their misinterpretation of the use of a weapon. Louise seeks to have another conversation with the heptapods, desperately trying to avoid the impending war by asking them to communicate with the other 11 alien vessels. She's received into the alien ship and interacts very personally with one of the aliens. The alien understands Louise's voice and communicates with her in the ink blot circle symbol language. The alien message is captioned to the viewer in the terms Louise had learned, which at this point, still involves the term, weapon.
Louise has weapon
Use weapon
Louise:
I don't understand. What is your purpose here?
We help humanity
In three thousand years
we need humanity help
Louise:
How can you know the future? (She has another episode, experiencing another interaction with the young girl. The heptapod is perhaps telepathic, with the scene presenting into her mind as part of their discourse.)
I don't understand. Who is the child?
Louise sees future
Weapon opens time
Superficially, the audience is learning as Louise is learning, that the word, weapon, isn't what's meant. What Louise has is the ability to perceive future events. This is linked to the language, to learning the alien language. By, “Weapon opens time,” they mean that their language facilitates the ability to perceive outside the linearity of time. This ability is inherent in the use of the language that is being given to humanity. It's being given to help them now so that in 3000 more years humans can help the heptapods. While the alien's motivation isn't genuinely altruistic, it doesn't seem like a bad thing, right? But let's look a little deeper.
Some of the more obvious Occult signaling has to do with the heavy use of the primary time numbers, 7 and 12, and the number of the mastery of time, 13. These are used in connection with the overt references to time, and are sometimes even emphasized by synchronization with the media time signature, the elapsed time of the presentation.
The aliens are redundantly marked with 7 because of their form. They are called heptapods because they have seven pods of feet-like appendages. The end of each appendage opens like a 7 point star. Each alien has 7 pods with a seven-fold end or 49 points.
We're all familiar with the 7 day week. The Lord's calendar features more scales of sevens in Shemitah cycle and Yobel or Jubilee cycle, and the Omer count toward Shavuot. It also factors in as the number of the creation week and the fullness of this age known as the millennial week, spans we describe in a prophetic model based on Psalm 90:4 that include another 7 referred to there as watches in the night. The really special thing about the aliens has to do with their apparent mastery of time, so stamping them with 7s makes sense.
The heptapods use their 7-fold pods to communicate, spraying out inky mist to generate circular patterns that represent words and sentences. The circle itself is a time symbol, so with the 7x7 features shooting out circles, that's layering the symbolism for added potency.
Plus, the inky circles look like Rorschach Test images that resemble the Ouroboros, the serpent that has its own tail in its mouth. The Ouroboros represents time, as cycling over and over.
During the private conversation with Louise, the heptapod reveals that the help they want is for the distant future, in three thousand years. The number 3 is a special time number that is related to 7 because sets of 7 may be in 3 parts, 1-2-3, 4-5-6, then 7. This period of time is also signaling, resurrection, because 3 is a resurrection number, and making it 3000 expands it in application beyond the individual to the corporate level.
The number that dominates the film is 12, which signifies cycling time, like the circle and Ouroboros. It's the number of alien ships that visit earth, and a big point is made of the one in Montana being 1 of 12. In one scene, Louise and Ian, the theoretical physicist, are studying a screenshot of a special communication with the aliens. It's a huge collection of characters and @1:20:12-13 on the elapsed time counter of the media player we hear Ian saying, "It's going to take us years." Years, that's a time span, and we hear it at the counter time signaling time and its mastery. While we're watching Louise looking at the screen, we hear a girl's voice ask, "What's this term here?" It's their daughter's voice from the future, which is from a flash forward episode Louise is having. This is heard @1:20:21, which presents the combination of 12 and 21 that the Lord has used so many times to signal Aaron and I about time. When the episode passes, Louise asks Ian, “What time is it?” He replies with even more emphasis on time. “It's time to open that bottle you've been hiding.” Louise picks up on the celebratory cue. “You cracked something, didn't you?” Ian replies, “Yeah, come here. Take a look at this section. It seems to be talking about time. Their symbol for time is everywhere! So what is this, a symbol for faster-then-light travel?” End of minute 1.21. Major emphasis on time, synchronized with the elapsed time of the media. You can see this minute number as a mirroring like 12:21, but simply 121 forward and back, like the palindrome, HANNAH, that emphasizes the way the heptapods see time. What Ian wanted to celebrate was his decoding of the bigger picture, how the message, "One of Twelve," was encoded into the entire image based on proportion. We'll get to that shortly.
The number 13 is usually connected with the time number 12 in ritual contexts, and so it is in this film. The scene with the dialog about seeing the future is part of the extended sequence of the film's climax.
This happens on the elapsed time counter of the media player at the “mastery of time” numbering. At exactly 1:30:00, we read the caption, Louise has weapon. During this signal minute, the mastery of time is on exhibit, with the revelation that the heptapods are either from the future, or they just see the future. They are also able to share this ability to see the future, which they demonstrate effectively with an example for Louise. The scene of Louise and her daughter shows them on the shore, featuring rocks and water, more time symbols. See how it's being layered in the way of Occult symbolism? The minute ends with Louise asking, “
How can you know the future?” See, it's about the mastery of time. The scene continues, explaining what just happened. At 1:31:30, which is when 13 appears twice (at one and half hours plus one and a half minutes), the “mastery of time” signaling is repeated for impact. This is when the symbol appears that is then captioned over the next few seconds.
Louise sees future. This is on screen when the time signature is the repeating 13, both forward and backward, @1:31:31, again, like the palindromic girl's name, HANNAH, and like how the aliens perceive time. This kind of media time synchronization is evidence of an Occult ritual, a magical working. It's an expression of high level theurgy. If you have become familiar with the video we've produced in recent years, you've seen several other examples of this kind of embedding in films and in TV programming.
In another example of counter synchronization, in the film's 12th minute, Louise is being visited by Colonel Weber and is listening to a recording of the alien visitors communicating. The audio clip is punctuated with the loudest and most distinct sound @ 0:12:13. The Colonel says "NOW you've heard it." and the timer marks 0.12.21. Now, is a time word, of course. Time words at time numbers. Still In that 12th minute, Colonel Weber says, "assuming they were not speaking at the same TIME."
It's worth mentioning here, because of what we put on exhibit in the videos about the pairing of the themes of time travel and sodomy, that when the word, "assuming" is used in that context, the vulgar anatomical term is probably intended as a ritual identification of the sodomite gateway. On this same theme, the heptapod's appendages have to seen as picturing the ritual sodomy that the illumined are obsessed with, which also serves to provide a cover spell for ritual workings like this film production.
The cover of the book we see from the future is titled, Universal Language, by Dr. Louise Banks. The graphic suggests an eclipse or the black sun, which is sometimes used as a sodomite gateway symbol. Think about how remote viewing (which is what the ability conveyed by alien language compares to) is exploited to see the future, for profit and strategic military advantage - and how the ability is typically installed through ritual sodomy programming that opens the third eye.The book cover's black and white balancing dualistic design signals the knowledge of good and evil, which is associated with the Luciferian illumination, gnosis and enlightenment.
Another synchronization ritual is evident in the timing of the film's theatrical release. It was released in theaters across the United States and Canada on November 11, 2016. November is the 11th month, so the launch was stamped with 11:11. This numbering graphically pictures 2 pillars, and pillars are trigger code in Illuminati mind control for, Time Travel programming.
I believe the film's launch on 11:11 is also calling out the 11th chapter of Genesis, the book that launches the Bible and biblical history. This is the chapter where we find the account of the city and tower of Babel, and this is what seems to be the foundation of the film, what it resonates with.
1 Now the whole earth used the same language and the same words. 2 It came about as they journeyed east, that they found a plain in the land of Shinar and settled there. 3 They said to one another, “Come, let us make bricks and burn them thoroughly.” And they used brick for stone, and they used tar for mortar. 4 They said, “Come, let us build for ourselves a city, and a tower whose top will reach into heaven, and let us make for ourselves a name, otherwise we will be scattered abroad over the face of the whole earth.” 5 The Lord came down to see the city and the tower which the sons of men had built. 6 The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. 7 Come, let Us go down and there confuse their language, so that they will not understand one another’s speech.” 8 So the Lord scattered them abroad from there over the face of the whole earth; and they stopped building the city. 9 Therefore its name was called Babel, because there the Lord confused the language of the whole earth; and from there the Lord scattered them abroad over the face of the whole earth. ~ Genesis 11:1-9
These are the first 9 verses of the 11th chapter of Genesis, and of the Bible because it's the first book. Some might see a 9-11 in this, and that's probably justified. The entire meme comes from somewhere. The film's Occult message can be seen as a warning and a threat. This thought will be developed further, but the relevance of this passage should be established first. Notice how the Babel project represents a legitimate and incredibly significant threat and that having the same language is the issue that the Lord addresses.
The book Louise writes about this supernaturally facilitating gift from the aliens is titled, The Universal Language. According to verse 1, “Now the whole earth used the same language and the same words.” The Universal Language.
(One could and really should see Louise playing the role of the goddess in that scene, who rallies the whole world together)
After Ian decodes the spacial embedding of the complex alien message, he and Louise take a printout to mission command.
Louise explains, “What they're saying right here is that, this is 1 of 12. We are part of a larger whole.” (Esoteric: special emphasis on the 12--ness - TIME - and the concept of being united)
She's met with resistance, as another consultant chimes in, “Or we're one of 12 contestants for the prize.” (Esoteric: special emphasis on the contest, war and spoils of war [a TIME war!])
Louise: “Why do I have to talk to him?” (Esoteric: calling attention to direct communication [talk to] and to the need for unity, single-mindedness and teamwork)
Colonel Weber: “We're all working together here.” (Esoteric: a profession of unity and single-mindedness and teamwork)
Louise: “We need to talk to the other sites. We need to help them with what they've gotten from the other heptapods.” (Esoteric: The necessity of communication and all parties working together)
Consultant: “In case you don't remember, we're blacked out. China just threatened to destroy their shell. We're on our own.” (Esoteric: Calling attention to division and isolation and the threat of destruction - Gen. 11:4)
Louise: “But it says that all the pieces fit together.”
Consultant: “And I'm telling you that no one else cares. Two hours ago we pulled this audio off a secure channel in Russia. Someone on the science team there was broadcasting wide.” (Esoteric: 2 hours is 2*60 or 120 minutes, an amplified 12)
Russian science team member: “In their final session, the aliens said, 'There is no time. Many become one.' I feel we have all been receiving weapons. If anyone is receiving this, please-” [* interrupted by machine gun fire - then silence]
Louise: “Well, I mean, there are a lot of ways you can interpret what he said-” ("There is no time" i.e. "There is no time remaining because the limit we set is passing" or is it rather, "What you perceive as time does not exist"? )
Consultant, interrupting: “I don't need an interpreter to know what it means. Russia just executed one of their own experts to keep their secrets. (He is focused on what's important to him [personal and national defense or safety] in his myopic view)
Louise: "Many become one" could just be their way of saying, 'some assembly required'.” (Esoteric: assembly required - because the city and tower of Babel was a construction project.)
Consultant: “Why hand it out to us in pieces? Why not just give it all over?”
Louise: "Well, what better way to force us to work together, for once. ”
Think about the account of the city and tower of Babel. This is not the only way it's being acting out or suggested in NLP, but this scene is probably the most obvious and extensive!
The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. ~ Genesis 11:6
Former US president Ronald Reagan famously spoke of how a global threat posed by aliens could unite the world. It's been repeated publicly by Bill Clinton, too. Some see this alien threat as the dynamic that will unite people together to back a single leader of the entire planet. The one world order. The antichrist Beast. We perceive antichrist symbolism, for example with the AC in "Alien Crisis," which appears in the film.
One might well ask whether "aliens" helped with the building project of Babel? Researchers like Tom Horn believe Nimrod was responsible for the effort at Babel and that he became a demigod. It seems likely. So, let's interpret what, Arrival, is showing us. By aliens, you should know that the heptapods are better identified as fallen angels. Instead of coming from the future, they should be recognized as coming from another dimension, a supernatural or spiritual domain or domains. The fallen operate on the basis of lies, deceiving those of us who are not well grounded in the revelation of biblical truth. The fallen inspired and sponsored the construction project at Babel and the work continues in, Arrival, one in a long list of ritual media presentations, directed toward the end of supplanting the Creator.
While the movie plays it up like as if the word, weapon, isn't really the proper interpretation of what the aliens mean, it definitely is intended on the esoteric level. The purpose of this language is to partner human and fallen angel agencies and abilities and subsequently exploit time as a weapon in multidimensional warfare. 'There is no time. Many become one.' That's the message reported by the frightened Russian Science Team member. The message speaks to me of Revelation 19:19, when the armies of the world unite and face off against the Lord and His armies.
Is this film really about a time war? An example appears (@1:19:40) when a Chinese news report pictures the time onscreen, 13:07. This is given in what we call, Military Time, format, and their Navy war ships are pictured, the most significant weapons of war on water as time. 13:07 - the mastery of time.
But, here's the obvious sign! Consider the name of the heroine, Louise Banks. Louise, means, “famous warrior.” Banks, refers to, banks of the river - of time! Banks are also financial institutions, and time is implicated because, “time is money.” To give the linguistics professor who is their champion a name suggesting, famous time warrior, is fitting. “It (Language) is the first weapon drawn in a conflict.” When the following messages are conveyed to Louise, we see her wearing military fatigues: “Louise has weapon - Use weapon” / “Louise sees future - Weapon opens time” After that scene, during a flash-forward episode (@1:35:00), she is conversing with her daughter on the time-signaling shore. Hannah asks her Mom, “Are you unstoppable?” Louise replies, “Yeah.” Meanwhile, since she collapsed while having this episode, she's being held up by Ian, who wears military fatigues, like Louise, and they are still on a temporary but secure military base and surrounded by military personnel and equipment - while the world is rushing to battle.
The language that opens time is her weapon, acquired through the universal language that is received from the aliens/demons.
In Genesis 6 and Enoch 8 and 9, the fallen angels shared secrets of heaven with men. It didn't go well for mankind.
1) And Azazel taught men to make swords, and daggers, and shields, and breastplates. And he showed them the things after these, and the art of making them; bracelets, and ornaments, and the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes. And the world was changed.
2) And there was great impiety, and much fornication, and they went astray, and all their ways became corrupt.
3) Amezarak taught all those who cast spells and cut roots, Armaros the release of spells, and Baraqiel astrologers, and Kokabiel portents, and Tamiel taught astrology, and Asradel taught the path of the Moon.
4) And at the destruction of men they cried out; and their voices reached Heaven. ~ Enoch 8
6) See then what Azazel has done; how he has taught all iniquity on the earth and revealed the eternal secrets that are made in Heaven.
7) And Semyaza has made known spells, he to whom you gave authority to rule over those who are with him.
8) And they went into the daughters of men together, lay with those women, became unclean, and revealed to them these sins.
9) And the women bore giants, and thereby the whole Earth has been filled with blood and iniquity. ~ Enoch 9:6-9
The Creator intervened, as later at Babel.
Then God said to Noah, “The end of all flesh has come before Me; for the earth is filled with violence because of them; and behold, I am about to destroy them with the earth. ~ Genesis 6:13
The fallen are still bitter about those setbacks, including such as occurred at Sodom and Gomorrah, and innocent seeming works like, Arrival, work toward avenging for their losses and perceived injustices. Primarily, Arrival, focuses on Babel because the universal language is the key.
Like I mentioned earlier, there's a lot of cross-over with what I've been immersed in while studying about the Great Pyramid. It's a time weapon. When the film makes a big deal emphasizing the “1 of 12,” this really speaks so loudly to me. I would say that the 1 resonates with the 12, as the 1/12th part. A few days after I knew I would be dropping everything I had been doing to return my attention to the Great Pyramid's function and role, the Lord dropped an early morning waking up insight on me about David and Goliath. I was contemplating David's armament, a sling and the 5 stones he took from the brook. The stones and the brook have to do with time. David slew Goliath with one of the five stones. Why choose five when only one was needed? Some suggest that the others were intended for Goliath's 4 brothers, but here's what I came to understand. There were five because it made the one that killed Goliath one of five, 1/5, which is to say that the one resonated with the five. Over the next few days, and weeks, really, the Lord added insight through many means, as Aaron can affirm. The 5 and 12 are connected, the association of 5 with damping in acoustic resonance, insight into why the key military installation we call the Pentagon has that design, about the pentagram leveraged for dimensional portaling, the dodecahedron shape of the universe and of DNA architecture, and so on. With, Arrival's 1 of 12, it made perfect sense to me. Time weapon. Their shells or ships were like smooth stones from a brook. One resonates with the 12. Each is the 12th part. They are a single unit, or measure. They are resonant with time. David's stone from the brook was resonant with time as a damping element. Applied to Goliath's forehead, that stone that resonated with the 5 damped his oscillating pineal gland, his illumination and connection with the life of his god. David put out his light.
I'll close now with a few more pertinent observations.
We're regularly informed about the setting of the alien ship and military camp being in Montana. Montana, means, mountain, and mountain is a metaphor for a kingdom or realm. Think Mt. Zion and Mt Sinai. The abbreviation for, Montana, is MT. MT Sinai. MT Zion. The MT of Transfiguration, which was probably MT Hermon. Joseph P. Farrell's reading of some ancient documents has the gods being described as waging war in the sky in association with mountains, which he claims can be a metaphor for, pyramids. Montana. A place where humans and gods interact, and where war is waged, linked to pyramids.
If one understands about runes and magickal glyphs, the alien language may well be said to be runic. The concept behind this may be related to the mysterious Twilight language, as used by
Crowley and other Occultists, and by such as the SRA multiples with the kinds of alters who identify as Babalon Working Babies.
About the heptapods, they seem to have been modeled on cephalopods like squid and octopus, which shoot ink when they are threatened. When they are not threatened, they don't shoot ink, so, it's very subtle, but a threatening situation is implied in every instance of the expression of this language, their weapon. If you're familiar with the Cthulhu mythos and H. P. Lovecraft, it's no stretch to see the heptapod surrounded by mist as a related form of that monster. One can't really assign the Cthulhu mythos to mere fiction because it has been legitimatized by practicing Occult magicians, like Alan Moore. He's an occultist, ceremonial magician, and anarchist, who is responsible for comics like Watchmen and media productions like, Promethea, From Hell, and V for Vendetta. He has publicly performed and distributed audio recordings of "avant-garde" spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels.
One more observation about the alien form is yet one more sodomite connection. When the heptapod mimics Louise's gesture the star-ended appendage is seen against the transparent wall. What comes to mind is, chocolate starfish, the crude term for the anus. The star is also a metaphor for an angel. These heptapods are actually sodomite fallen angels.
Because of the scene where Louise was personally interacting with the heptapod and her flash forward episodes were part of the communication, the alien must have been projecting these into her mind. This is an ability that multiples have due to Theta programming, to one degree or another. This is how some stage magicians perform some of their stunts. This mental projection of a "reality" outside our "here and now" speaks very loudly to me about, "The Great Hoax." Very, very loudly!
The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)
Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax
When the matter of the zero sum game is brought up in, Arrival, we should understand it on a deeper level. "In game theory and economic theory, a zero-sum game is a mathematical representation of a situation in which each participant's gain or loss of utility is exactly balanced by the losses or gains of the utility of the other participants." In the Devil's economy, this balance of value is sometimes referred to as the Latin expression, quid pro quo. Deals made with the Devil, however, always have a hidden cost. Ultimately, it's a lose-lose - of epic proportion. Following the facing-off the armies in Revelation 19:19 is the balance of the chapter. That's where all the momentum carried on by, Arrival, is really going. Opt out of all that and side with the One Who has told it like it is, right up front, that rider on the White Horse out of whose mouth comes the sword, with armies who ride in victory!
One of the ways the Lord provides for us is through the media we watch, and I have an example to share. Honestly, we have no idea what we're doing here, but the Lord does, and He is a steadfast guide. I have a DVR and cable, and I have several shows being recorded. Many of these I never end up watching, but at least the option is there for those I do need to watch. I've been recording the latest season of Dr Who. I'm way behind on the series, and while it makes sense to watch them in order, when it came time to watch some shows or videos a few nights ago, I just picked the most current episode. I had just spent the day reworking some of the Great Pyramid video scripting for and had made fresh observations, and this was all about to be validated. Doctor Who - Season 10 Episode 7: The Pyramid At The End Of The World. The show checked so many boxes for what was all quite fresh in mind. I had to pause it and call Aaron, not because this situation was rare or outstanding, but because this is how the Lord leads us to engage together, because we're a team like a pair of horses or oxen harnessed together. Aaron watched it a little later and then we compared notes. God is so good to us. I don't know how to say it better than that. He is just so good to us! 
HD
The couple's backs are shown, not so much for modesty but for the presentation of the back-as-butt. (See, Hot Tub Time Machine - The Obvious and the Not so Obvious - 
Esoteric elements are often layered in when the couple is overlooking the beach, with the water-as-time and sand-as-time metaphors in play. 
The number 88 signals Ra (Atomic number of radium [Ra] is 88). Because the two tubs would be identified as “His and Hers,” there's a redundancy to the double-H and 88 symbolism. The 88 is famously linked to time travel in the Back to the Future franchise, and in many other instances more or less overtly.
This is a sodomite image because the ash is a metaphor for the arse, as leveraged in, The Goonies (1985) - 
Arabella is holding apples, one of which has been bitten. The apple, especially one that has a bite out of it, is a common symbol of what happened in the Garden of Eden. 
Nowhere does the biblical text suggest that the fruit was an apple, but this is a traditional view that is still being taught to children. Arabella is picturing Eve, who is eating the apple. Her little brother, Joseph, is playing the role of Adam, who seems to be inspecting the apple to see if it's fit to eat. Jared is playing the crafty serpent, the Nachash. 
The color of excrement is being leveraged to extend the potency of the Occult symbol. When the image is reflected or inverted the act of defecation is more easily recognized, and the picture brings to mind the term, turtlehead. 
When I study the title it's evident that it is far more clever than just highlighting how the Tainted Heroes AIN'T really Heroes. Because of what the symbols mean in the context, the use of the term, Tainted, must be recognized as NLP, neuro-linguistic programming. Taint, is crude slang for the perineum, a very relevant part of the anatomy. 
There are some other Occult signals present. The Goddess is evoked and redundantly signaled, in the title (T and O are aligned for an XO union) and in the graphic (crossing circles as the head is passed through the tire - and crossing circles as the hands are curled around the tire). 
HEROES, signaling the alternate, RA, but they sacrificed that benefit to add another symbol. 
The documentary title's placement of the leading T over H may be intended as a shout out to the brotherhood of Freemasons. We see the alignment of E and E, and the mirror of EE is 33. Code 33 we call it, which involves ritual sodomy and the highest degree of Scottish Rite Freemasonry. Consider also the Triple Tau of the IHS symbol, of the Romish church and Jesuits. Are they implicated by the stacking of the T and H in the title? 
It seems likely to us, because Illumined Freemasons and Jesuits have a history of manipulating governments and institutions (like the documentary's example of the ANC) and of engaging in the practices of mind-control. The Triple Tau featuring Christogram is A SUN (anagram: ANUS) and when this is upside down the spelling out of the vulgar word for, excrement, becomes more evident, with the cross providing the final letter, t. 
This version of the IHS is compared to an eye, so you can see it as the Eye of Horus. 
See it aligned vertically to get a more familiar view. This logo presents an image of the birthing of twins. One being flipped or the opposite of the other. Think, Eve, bringing forth Cain and Abel, of two contrasting fathers and natures. Because of the Isis+Osiris=Horus layer, think of Zeus/Satan's wife Leto giving birth on the isle of Delos to Artemis and then Apollo. Apollo = Horus: antichrist identity. 
If you have never seen the works of Henry Darger, they feature pre-pubescent girls in battle scenes with soldiers, and composites of butterfly winged Pan. The girls are often naked and are pictured having penises. At least one features naked girls being crucified on crosses with many naked others being mutilated and even disemboweled. If pizzagate comes to mind and names like Tony and John Podesta and Marina Abramavic and James Alefantis, you've got the picture. The artist that so inspired OXO's founder went to Mass 5 times a day.