Part 14 - Sochi Winter Olympics 2014 - A Modern Classic of Greek Tragedy

Series Links: Sochi Winter Olympics 2014

* Note: Find links to relevant clips and to the Official streaming video of the ceremonies on the Series Links page above.

During the opening segment of the closing ceremony featured in Part 13, the emphasis is upon the activity that culminates in the appearance of the 5th ring, toward which anticipation had been deliberately built since the opening ceremony. The opening of the 5th ring represents the incarnation of Apollo in the earth, as laid out in Part 1. The love affair between the fallen angel sons of god and the earthly daughters of men is played in this segment of the ceremony like a comedic clown led fishing expedition, but the theatrical production in the Olympic Stadium is far more of a Greek tragedy than a Greek comedy. While the people-fish enact the ritual of the 5th ring, here's what was offered by the commentators.

“People around the globe watching the closing ceremonies from Sochi. Well, they had a mishap in Vancouver in the opening ceremony and they poked fun at it in the closing ceremony and the same thing happened here. The producers have a sense of humor. - They certainly do. Laughing at yourself is important.”

Clowns are in the boat and more clowns are calling the play-by-play. Really, the producers are having a huge laugh at our expense! Knowing what I know about the show, I cannot watch the video without getting choked up and tears coming to my eyes. What I see is not at all funny. It's so utterly tragic. Judgement has been pronounced against this and all such activity, which is done under that very universal label of Babylon, the great harlot, the great city.

21 Then a strong angel took up a stone like a great millstone and threw it into the sea, saying, “So will Babylon, the great city, be thrown down with violence, and will not be found any longer. 22 And the sound of harpists and musicians and flute-players and trumpeters will not be heard in you any longer; and no craftsman of any craft will be found in you any longer; and the sound of a mill will not be heard in you any longer; 23 and the light of a lamp will not shine in you any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. 24 And in her was found the blood of prophets and of saints and of all who have been slain on the earth.” ~ Revelation 18:21-24

The blood of the prophets and of saints has already been spilled, and is being spilled today, but many more will yet be slain on the earth before that prophesied end comes when Babylon is thrown down with violence. Few connect that entity with the spectacle that appears so wondrous in our world. Oh, the deceitfulness of sin.

With more symbolic elements to be put on exhibit from this public ritual and Occult messaging vehicle, we continue from Part 13. The cadre of white robed and flashlight shining angels that joined the star sailors in the sky had already been seen in the stadium, in another form, when fireworks fell into the stadium. The fireworks pictured shooting stars, falling stars, and stars are angels in biblical metaphor. The meaning of the shooting stars falling among the light rods is that of the angels falling from the heavens to the earth, transiting the celestial stargate. (See Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats)

While the stars were still falling the Jester Captain Apollo was waving the net around in the air above the boat, not below where fish would be swimming.

What sense does that make? Was he just clowning around, fishing for butterflies? No, he was miming the catching of angels as the fireworks fell like stars from the sky.

A commentator offered a hypnotic NLP suggestion, exclaiming: “I'll tell you the first time I saw this sea I was standing up and I could feel myself wobbling just a little bit. [laughing] It's amazingly realistic.” What happens when you are standing up and you wobble too much? You fall down, of course.

When the 5th ring was formed, fireworks filled the stadium with explosions of light and sound.

The triumphant return of Apollo was being celebrated by the audience with enthusiastic cheering and applause. In that powerful ritual we may glean what is meant by fireworks, the starburst pyrotechnics that have become so much a part of Olympic celebrations. They represent the celestial luminaries, fallen angels, including and especially Apollo. (Revelation 9)

Apollo's return will be celebrated as modeled when the 5th ring opened in the Stadium. His reception will be celebrated wildly in the heavens and on earth. The official explanation for the logo's rings is that they represent the five continents of the world, united by Olympism. Olympism has everything to do with Apollo. The four rings were formed first and interlocked with one another, which is to say that the world will be fully prepared and in a state of readiness to receive what will complete them. This is achieved with that final ring, the 5th or Horus ring that signifies their Olympian champion, incarnate.

Look at those images. The illuminating angels are above. The obedient people-fish are below, acting as a collective with a hive mind. The cheering stadium crowd is oblivious but ecstatic, and universal in their approval. All, volunteers and sponsoring agents. What a spectacle! What a grand and potent magickal ritual for the harvesting of energy! What an offense to the Most High God! How do you feel about that, copper-top?

The numbering of the projectors responsible for the dimensional painting of the deep was announced to be 60 + 60, which reduces to a 66, the number to which the Occult assigns the meanings of the abyss and the shades of the dead, the Rephaim. That's the esoteric setting, right?

The 120 in total speaks to me of the famous warning pronounced 120 years in advance of the great flood of Noah's day, when the fountains of the great deep (abyss) burst open. I think we can and should connect the dots, especially because of where we are in this target Shemitah week that is interlocked with the millennial week. The alignments of the 120 year warning and the great flood loom dead ahead. The warning was given 1536 years from Adam, which maps to around the 1st or 2nd of April. We live in extraordinary times!

When the introductory countdown video began, the very first scene featured a falling angel and Silver Gate transit scene. Here's a screenshot.

Here's what I believe is being modeled.

This scene seems to be alluding to the meteor that fell to the earth in Chelyabinsk on February 15, 2013. That happened during the daytime, not at night. Note the subtle 33 - Code 33 - in the pillar of snow. Brilliant. Sneaky buggers. What followed after that scene in the video countdown was more scenes of dimensional transits!

The people-fish have transdimensional style clothing. Biblically, clothing is often witnessing on the esoteric level to different kinds of resurrection bodies. I've written about some of the allegorical prophetic verses, like Acts 12:8, where Peter was equipped to pass through the iron gate of the prison as out of this earthly realm in resurrection. (That's still one of my very favorite passages!) Such clothing or bodies are sometimes identified with metals. (Psalm 45:9) These people-fish performing in the stadium are costumed with shimmering silver sequin robes. They resemble fish with glistening scales, but more than that, they picture transhumans, those transformed to receive multidimensional metallic light bodies. Think of them as Nachash suits, shimmering serpentine bodies.

The red shoes signal that they were of Adam-kind, with “Adam” meaning “red.” They also signal their ability to traverse the dimensional barrier, to "go over the rainbow" and return like Dorothy in the Wizard of Oz with her coveted ruby slippers. These were for dimensional transit. The Wicked Witch of the West had her broom to fly. Glinda, the Good Witch of the North, had her bubble for transport. The Wicked Witch of the East was grounded by the house that fell from the sky, quite literally. She wore ruby slippers. Dorothy, who fell from the star named Kansas, meaning “People of the South Wind,” flew in on a whirlwind, becoming the Witch of the South. This observation illustrates the presence of all four elemental cardinal directions that provides for the necessary balance in witchcraft. The ruby slippers magically teleported from the feet of one witch to another, from the East to the South. Boots are made for walkin', and so are slippers. What did Dorothy do with the coveted magickal transport facilitators? First, she did a lot of walking, on the yellow brick road that was a picture of a stargate. Finally, she was instructed by the Witch of the North how to operate them properly. When Dorothy clicked her Ruby Slipper heels together and chanted the magical incantation, “There's no place like home,” she was transported back to the home star from which she had fallen, Kansas, escorted by Toto, her dog (star Sirius) psychopomp.

When the commentator describes the scene in the stadium, saying, “A cast of over 5000 volunteers, some below and now some above,” he's referencing a very important symbol number to spill some beans. As I wrote about the miracle of the feeding of the 5000, the number represents the entire population of the world. The description of the scene evokes the Hermetic Maxim, the quantum entangled principle being ritually operated during this magickal ceremony, and it symbolically connects the angels above with the people-fish below, who are connected, bound together, bridging both realms of the earthly and heavenly: The sons of god, joined with the daughters of men, descending and ascending together to merge on the ladders of DNA.

With the oh-so-appropriate triumphant music selected from Tiomkin's Hollywood enchantments playing in the background, the illuminated people-fish form a throbbing infinity and Ouroboros symbol - celebrating the achievement of immortal life in their eternal Zion. (Epic Fail!) They form an oval of serpentine bands, like collections of 33 - 33 - 33 for the expression of Code 33.

The commentary weaves in some more NLP:

“It's some pretty fabulous lifetime memories for those kids, huh? With this kid too!”

Kids are young goats. Contrast them with sheep, in biblical metaphor. Lifetime memories, imprinted in their DNA.

The “kids” below form a wavy star with 10 arms, then merge contrasting dark-light versions into one with 5 arms - Horus. This branched assembly weaves into the rings logo. We see the people forming the star, the global population becoming the star-angel. This is the pyramid body of the beast kingdom that will soon be pictured redundantly as the rings form. The wavy dynamic star is also signaling the anal vortex of the sodomite gateway. How do we know for sure?

On cue, we hear:

“I was in the bowels of the stadium for the opening ceremony and as the volunteers came off during their part, they would literally jump into each others' arms celebrating that they had accomplished what they had set out do and it was great to see that their Olympic moment was taking place on that stage. - Being part of one of the great shows on earth.”

He was in the bowels. That's graphic. Jumping into each others' arms. Connect that with what was then being enacted on stage. The line, “as the volunteers came off during their part” sexually references the sodomizing SRA handler's role, and the victims, too, as they are brought to dissociation and illumination through trauma and with demonic installation. The illumination of ritual sodomy is celebrated, and it is that action that facilitates the coming of Apollo. He will be welcomed into this world that has long been prepared through that perverse mechanism of binding the sons of god with the daughters of men. This scheme has been the focus of thousands of years, and of thousands of hours of effort on this blog as I've brought myriad dark symbolic examples into the light.

What do you suppose is really happening in the bowels of the stadium? Have you considered what's on exhibit here? Decoding Taylor Swift's "22" and the BMA Ritual Exposing the Theater of Witchcraft. Before, during and after, rituals are performed in private that support what happens during mass public ritual. These may take place on-site, or off-site, or both. Like how the saints gather to pray about events, covering them with prayer, those in the Enemy's camp covertly engage in their ceremonial sex magick and blood sacrifice, casting various kinds of spells for the raising and harvesting and channeling of demonic energy toward various ends. A huge focus is on the incarnation of their champion, but intermediary objectives must also be met. Have you read Ezekiel 8 lately? Backstage worship of the sun god is not new.

I invite you to watch the clip of this Time Travel segment again, and seek the Lord about what you're really looking at, until He opens it to you. It's horrific. This is what Zeus worship looks like.