Part 5 - Decoding The Penitent Man (2010) - Jupiter's Temple and the Clothing Rack Stargate

Series Links: Decoding “The Penitent Man”

Sometimes, a rack of clothes is just a rack of clothes. But, then again, sometimes it's not. There's still more stargate transit imagery to be decoded at the set of the Pretty Parlor. I'm informing you about the art and craft of the messaging, but more than that, I want to impress upon you just how profound this casual appearing low budget film really is, so that, as I also interpret some of the dialog, you assign to it the same level of significance that is evident in the expertly layered media vehicle.

I decoded the vintage clothes on the rack and in the baskets set out in front of the Pretty Parlor as picturing different kinds of bodies. The clothes on the rack picture the angels in garment-bodies of angelic flesh as they transit the celestial Silver Gate. The rack is chrome, silver. In this screenshot, the end of the rack lines up to touch the word, open. That's the jump off place for the celestial garment-bodies as they transit the stargate into this realm.

All the garments are suspended in the air in a mechanism that rests upon the earth. The garments appear one after the other in a line, sequenced in an orderly array. The stargate construct is sometimes presented as a train because of the way the individual cars travel in such a fashion along a track. A description of what the clothing rack represents is given in the 2nd chapter of Joel.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

The phrase, “in his path,” is the Hebrew word, mecillah, the bridging viaduct or way of ascent and descent between the realms. See, The Kingdom Viaduct, for more explanation.

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

The clothes rack is a very clever symbol. It appears in this scene right in front of a window. There's nothing really very unusual or unexpected about any of these props in the scene, but that certainly doesn't mean they aren't significant.

What appears above the rack of clothes is supplemental. Just as Jason reaches the store, he raises his eyes and looks up. Recall the rainbow tutu and starry pink wings that are the special attire of the goddess of magick who attends the transit. Wings always indicate the ability to traverse the dimensional barrier. The rainbow coloring suggests a bridging of heaven and earth and heavenly vehicle (Ezekiel 1:28).

See Jason Pyatt, passing by the garments on the rack as if his body is among them, traversing the stargate, and at the same time, passsing by the fluffy rainbow tutu - with his head superimposed over that rainbow cloud!

I saw another strong angel coming down out of heaven, clothed with a cloud; and the rainbow was upon his head, and his face was like the sun, and his feet like pillars of fire;
~ Revelation 10:1

In that same screenshot, as a reminder, we're seeing the magic wand of the goddess stuck in the basket of vintage garments, right under the neon command, open.

9 He bowed the heavens also, and came down With thick darkness under His feet. 10 He rode upon a cherub and flew; And He sped upon the wings of the wind. 11 He made darkness His hiding place, His canopy around Him, Darkness of waters, thick clouds of the skies. 12 From the brightness before Him passed His thick clouds, Hailstones and coals of fire. ~ Psalm 18:9-12

“His canopy [sukkah] around Him”... Appearing above all these symbolic garments at the Pretty Parlor is an awning. An awning is such a canopy.

A Hebrew word that may be translated, awning, is, mekasseh. It is used in this very relevant passage from Isaiah, translated, “are your covering” in verse 11.

9 “Sheol from beneath is excited over you to meet you when you come;
It arouses for you the spirits of the dead, all the leaders of the earth;
It raises all the kings of the nations from their thrones.
10 “They will all respond and say to you,
‘Even you have been made weak as we,
You have become like us.
11 ‘Your pomp and the music of your harps
Have been brought down to Sheol;
Maggots are spread out as your bed beneath you
And worms are your covering.’
12 “How you have fallen from heaven,
O star of the morning, son of the dawn!
You have been cut down to the earth,
You who have weakened the nations!
13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’
15 “Nevertheless you will be thrust down to Sheol,
To the recesses of the pit. ~ Isaiah 14:9-14

The context is about the descending and ascending through dimensions. Read verse 11 again. Think, wormhole. Did you pay close attention to verse 9? This passage is a subtext of the featured scene at the Pretty Parlor. In the NASB, Strongs #4374 - mekasseh: a covering is translated as attire (1), awning (1), covering (2). Attire, that's what's on the rack, in the baskets, under the awning, and what appears on both ends of the awning reads, “Vintage Garments.” It's all covering, like a canopy-sukkah. Take another look at the picture of the awning. See the vertical stripes? I've decoded other scenes where vertical stripes and pleated draperies and scalloped columns and such picture the stargates. The celestial stargate transit imagery abounds!

For some bonus insight, see how mekasseh appears in Isaiah 23:18 and Ezekiel 27:7, in very relevant contexts! (Could Ezekiel's account be another reason why Gyeney wears the “vogue” fashion #27, as he descends and emerges from the elevator?)

Where are we again, in the setting of this scene? On Seattle's Capitol Hill. Capitol - look it up.

[Middle English Capitol, Jupiter's temple in Rome, from Old French capitole, from Latin Capitolium, after Capitolinus, Capitoline, the hill on which Jupiter's temple stood; perhaps akin to caput, capit-, head.] (The American Heritage® Dictionary of the English Language)

We're on Capitol Hill - Jupiter's temple - on Summit Ave! How high is that summit? Again...

13 “But you said in your heart,
‘I will ascend to heaven;
I will raise my throne above the stars of God,
And I will sit on the mount of assembly
In the recesses of the north.
14 ‘I will ascend above the heights of the clouds;
I will make myself like the Most High.’ ~ Isaiah 14:9-14

Are you getting this?

As a reminder, the shop is at the corner of Loretta, a name that means, Victory, the Roman goddess who is equivalent to the Greek Nike. In Italian, again, the name is linked to Loreta, where the holy house of the Virgin Mary is found. Minerva is worshiped on the Capitoline in Rome. And on the model on the summit of Capitol Hill in Washington DC as Freedom.

For some interesting features, I've noted, the address of the Pretty Parlor is 119 Summit Ave E. 119 ~ 911. Emergency Alert - raised to the heights. Vintage Clothing ~ VC. V=22 and C=3, so VC transforms to CV and 322 - Skull and Bones. In addition to the Masonic apron worn by the Florist and the filming done in the landmark Masonic home, there's brownstone buildings and masonry seen everywhere. Sure, sometimes masonry is just masonry - but not always.

Taking another look at this now familiar screenshot, I want you to see the mailbox and reflect upon how it is being used as a time-space bridging construct, just like in The Lake House (2006). See it now as it's lined up with the patio table and the baskets. Follow the line to see how it's also lined up with a white pedestal, then the clothing rack. Continuing on the other side of the rack (out of view in this shot but you can see it in the screenshot above), there's another white pedestal. Just like with the star-rose line seen in this view, all these elements align for the ritual stargate theurgy, which is enhanced by the aural tension created by the tock-ticking soundtrack. It's not “like magic” - it is magick!

As described above, the rack of clothes is the Silver Gate transit. It's flanked by 2 white pedestals lending redundancy - white-argent-silver - Gemini, the Twins, the Silver Gate. The patio chairs model the trace of the planet Venus and suggest the twisted reed gate posts that flank the way of the goddess Inanna. The baskets and table and the dimension bridging mailbox are in line, and in our direct sightline. The 2 baskets on the table are another Gemini and Silver Gate set, for even more redundancy!

To be continued, Lord willing.