Friday, May 26, 2017

The Fall Tradition of the Kushner-Trump Family

If a picture is worth a thousand words, this one speaks volumes about the Fall Tradition of the Kushner-Trump family. Ivanka Trump (2nd child of and assistant to President Donald Trump) posted this to her social media in September. It's her husband (Jared Kushner, Senior White House Advisor), and two of their children in an orchard, picking apples. To most it looks completely innocent, but we're not so naive. The brother who sent this image to me had learned what really happened in the Garden of Eden and was shocked to see this.

Arabella is holding apples, one of which has been bitten. The apple, especially one that has a bite out of it, is a common symbol of what happened in the Garden of Eden.

1 Now the serpent was more crafty than any beast of the field which the Lord God had made. And he said to the woman, “Indeed, has God said, ‘You shall not eat from any tree of the garden’?” 2 The woman said to the serpent, “From the fruit of the trees of the garden we may eat; 3 but from the fruit of the tree which is in the middle of the garden, God has said, ‘You shall not eat from it or touch it, or you will die.’” 4 The serpent said to the woman, “You surely will not die! 5 For God knows that in the day you eat from it your eyes will be opened, and you will be like God, knowing good and evil.” 6 When the woman saw that the tree was good for food, and that it was a delight to the eyes, and that the tree was desirable to make one wise, she took from its fruit and ate; and she gave also to her husband with her, and he ate. 7 Then the eyes of both of them were opened, and they knew that they were naked; and they sewed fig leaves together and made themselves loin coverings. ~ Genesis 3:1-7

Nowhere does the biblical text suggest that the fruit was an apple, but this is a traditional view that is still being taught to children. Arabella is picturing Eve, who is eating the apple. Her little brother, Joseph, is playing the role of Adam, who seems to be inspecting the apple to see if it's fit to eat. Jared is playing the crafty serpent, the Nachash.

If you understand the figurative language used in the biblical account (See Who is Cain's Father?), what really happened was sexual. Eve had sex with the Nachash and became pregnant with Cain. She had sex with Adam and became pregnant with Abel. The way their eyes were opened is still practiced today. The third eye is opened through kundalini-pineal activation. This is also called, ritual sodomy. If this is new to you, we recommend this series, The Sodomite Gateway.

This explains why Jared is holding Arabella that way, why the scene is arranged like that, including the placement of the apple with the bite out of it. The act is suggested by Joseph as he points the phallic finger toward the apple-butt.

The tree Adam and Eve "ate the fruit" from is known as the tree of knowledge of good and evil. Jared's shirt signals the knowledge of good and evil because of the light (good) and dark (evil) stripes.

And, here's the clincher. Where is this orchard? It's in New Jersey. That's the Garden State. It's the GARDEN of Eden!

This is one of their favorite fall traditions. It's a ritual celebration of the traditional Fall of Man, as it's called. The family identifies as Orthodox Jews. Although Jared doesn't wear a kippah and they travel on the Shabbat, they know about the creation story, and Rabbinic tradition. They are elites, and probably Luciferian Illumined elites. The sodomite tradition has been going on since the Garden of Eden. It's a "Fall of Man" Tradition and people continue to fall by this means, especially children, because that's when the special abilities that result are best developed.

I can't say how much of this scene was intended by the Kushner-Trump family and how much might have been incidental, but I can tell you this. The Lord revealed to me what happened in the Garden when Adam was engaged by the Nachash, and then later how this led to his and Eve's illumined condition - and this social media post is one of a large number of items that bear witness to it.

Thursday, May 25, 2017

The Fall Tradition and the Trumps in the Mid-East

Here's what Ivanka Trump posted to her social media in September. It's her husband (and Senior White House Advisor), Jared Kushner, and the two older of their three children, Arabella and Joseph.

Soooooooooooo. What's going on here? We'll give you an opportunity to consider what you're looking at before we weigh in with our insights. Folks send us the most interesting stuff! And special thanks, to all of you who support our efforts!

Jared is in the news as letter-agency smoke continues to be blown about interactions with Russia. (Jared Kushner Now Under FBI Scrutiny in Russia Probe, Say Officials)

Meanwhile, the Trump family is in the news while visiting the Middle East.

Trump and the glowing orb.

The Donald prays at the Wailing Wall in Jerusalem, and so does Melania. Melania receives a rosary "blessed" by Pope Francis, and worships the Goddess at a Childrens Hospital in Rome, on property overseen by the Vatican. She will be the first Catholic to live in the White House since JFK.

Melania and Ivanka follow the tradition of wearing black and wearing head coverings while visiting the Pope, and that's actually caused some controversy. (If only the saints knew what was really behind the practice. Headcovering)

Tuesday, May 23, 2017

Arrival (2016), The Universal Language and the Tower of Babel

Several of the recent films and TV shows we've seen recently seem worthy of a video series exposing the symbolic meanings of each, but my attention is still largely consumed with the video series on the Great Pyramid, and Aaron's on producing the studies on The Open Scroll as videos, so that's probably not going to happen. The trending themes in these films do have a lot of cross-over with our pyramid studies, especially regarding the exercise of control over time in the context of multidimensional warfare. I watched, Arrival, starring Amy Adams, when it first came out on DVD, then was inspired a few nights ago to do so again. This is thoughtful and entertaining science fiction, compelling on several levels, but what is makes it noteworthy is what it has to reveal about Bible history/prophecy and the reality of our present season.

To get familiar with Arrival, you can watch the whole movie, or just a trailer, or read descriptions on sites like wikipedia, IMDB and Rotten Tomatoes.

Spoiler alert. The film is about aliens who know the future. They visit Earth on a mission to engage the people of Earth in such a way as to secure help for themselves when the time finally arrives when they need it. It's about the interaction between aliens and humans and the role of a very special language. You may find it familiar in that comparisons can be made to, The Fountain, directed by Darren Aronofsky. The subject of knowing the future and being able to manipulate it is overt, even central to Arrival's plot, but it's the covert layers that expose it as an Occult and even very significant work. The decoding of Arrival highlight the agendas of the illumined and the schemes of the god of this age as the world falls further into antichrist delusion. It's Genesis 11 and the City and Tower of Babel, revisited.

Early in the film, we learn that 12 alien ships have positioned themselves around the world, with one in Montana. The US military has set up a base near the vessel and is recruiting civilian experts to help establish communication. Amy Adams plays Louise Banks, author and professor of linguistics. She has top secret military clearance from a previous contract, and she's being flown to Montana in a helicopter. With her is another civilian contractor, Ian Donnelly (actor Jeremy Renner), a pompous theoretical physicist from Los Alamos. His first conversation with Louise is his reading a passage to her from her book. “Language is the foundation of civilization. It is the glue that holds the people together. It is the first weapon drawn in a conflict.” Ian asserts that she's wrong, that the cornerstone of civilization is science. The point I want to make is that this quote introduces a central point in the film, central to what is both overt and covert. Overtly, the plot is driven by tensions and constraining time frames revolving around the misunderstanding of the alien's intent that results when aggressive and protective nations rush to conclusions. The problem lies with the word, weapon, which is wrongly inferred, when tool, device, or implement, or even, means, would be more correct. When we hear that language is the first weapon drawn in a conflict, we're introduced to what unfolds through the course of the film in a way that is not uncommon to other films and stories told through novels. Yet, by observing the details it must be seen that this is also characteristic of NLP. Word-crafting magicians and witches perform their magic of mind control programming in this way. One truth of the matter is that the language is their weapon, as they speak lies that alter reality. This reality involves time and space, the perception of it and the exercise of control over it.

Near the end of the film, as Louise is being rushed during the mandated evacuation of the base, she explains to her military liaison, “I know what it is. It's not a weapon. It's a gift. The weapon is their language. They gave it all to us. Do you understand what that means?” He clearly doesn't, responding, “So we can learn heptapod - if we survive.” (@1.37.57 ) Louise continues her explanation. “If you learn it, when you really learn it you begin to perceive time the way that they do. So- so you can see what's to come. Look, time - it isn't the same for them. It's not linear.” Louise knows this because she has been experiencing flash-forwards (vivid memories of what hasn't actually happened yet, in their present or in “real time”) These flash-forwards involve a daughter she will have. During one of these episodes we see her telling her daughter about her special name, Hannah. Louise tells her that it's a palindrome, the same forward and backward. This isn't explained as such, but the clever bit is a witness to the way the heptapods see time, and how those who receive their gift and learn the language learn to see time, as reversible, or all at once.

We'll explain the Occult signaling and meaning of this shortly, but here's what some more dialog reveals.

The plot is reaching its climax as the nations of the world are preparing to make war on the aliens, resulting from some of them having rushed to a wrong conclusion based on their misinterpretation of the use of a weapon. Louise seeks to have another conversation with the heptapods, desperately trying to avoid the impending war by asking them to communicate with the other 11 alien vessels. She's received into the alien ship and interacts very personally with one of the aliens. The alien understands Louise's voice and communicates with her in the ink blot circle symbol language. The alien message is captioned to the viewer in the terms Louise had learned, which at this point, still involves the term, weapon.

Louise has weapon
Use weapon
Louise: I don't understand. What is your purpose here?
We help humanity
In three thousand years
we need humanity help
Louise: How can you know the future? (She has another episode, experiencing another interaction with the young girl. The heptapod is perhaps telepathic, with the scene presenting into her mind as part of their discourse.) I don't understand. Who is the child?
Louise sees future
Weapon opens time

Superficially, the audience is learning as Louise is learning, that the word, weapon, isn't what's meant. What Louise has is the ability to perceive future events. This is linked to the language, to learning the alien language. By, “Weapon opens time,” they mean that their language facilitates the ability to perceive outside the linearity of time. This ability is inherent in the use of the language that is being given to humanity. It's being given to help them now so that in 3000 more years humans can help the heptapods. While the alien's motivation isn't genuinely altruistic, it doesn't seem like a bad thing, right? But let's look a little deeper.

Some of the more obvious Occult signaling has to do with the heavy use of the primary time numbers, 7 and 12, and the number of the mastery of time, 13. These are used in connection with the overt references to time, and are sometimes even emphasized by synchronization with the media time signature, the elapsed time of the presentation.

The aliens are redundantly marked with 7 because of their form. They are called heptapods because they have seven pods of feet-like appendages. The end of each appendage opens like a 7 point star. Each alien has 7 pods with a seven-fold end or 49 points. We're all familiar with the 7 day week. The Lord's calendar features more scales of sevens in Shemitah cycle and Yobel or Jubilee cycle, and the Omer count toward Shavuot. It also factors in as the number of the creation week and the fullness of this age known as the millennial week, spans we describe in a prophetic model based on Psalm 90:4 that include another 7 referred to there as watches in the night. The really special thing about the aliens has to do with their apparent mastery of time, so stamping them with 7s makes sense.

The heptapods use their 7-fold pods to communicate, spraying out inky mist to generate circular patterns that represent words and sentences. The circle itself is a time symbol, so with the 7x7 features shooting out circles, that's layering the symbolism for added potency. Plus, the inky circles look like Rorschach Test images that resemble the Ouroboros, the serpent that has its own tail in its mouth. The Ouroboros represents time, as cycling over and over.

During the private conversation with Louise, the heptapod reveals that the help they want is for the distant future, in three thousand years. The number 3 is a special time number that is related to 7 because sets of 7 may be in 3 parts, 1-2-3, 4-5-6, then 7. This period of time is also signaling, resurrection, because 3 is a resurrection number, and making it 3000 expands it in application beyond the individual to the corporate level.

The number that dominates the film is 12, which signifies cycling time, like the circle and Ouroboros. It's the number of alien ships that visit earth, and a big point is made of the one in Montana being 1 of 12. In one scene, Louise and Ian, the theoretical physicist, are studying a screenshot of a special communication with the aliens. It's a huge collection of characters and @1:20:12-13 on the elapsed time counter of the media player we hear Ian saying, "It's going to take us years." Years, that's a time span, and we hear it at the counter time signaling time and its mastery. While we're watching Louise looking at the screen, we hear a girl's voice ask, "What's this term here?" It's their daughter's voice from the future, which is from a flash forward episode Louise is having. This is heard @1:20:21, which presents the combination of 12 and 21 that the Lord has used so many times to signal Aaron and I about time. When the episode passes, Louise asks Ian, “What time is it?” He replies with even more emphasis on time. “It's time to open that bottle you've been hiding.” Louise picks up on the celebratory cue. “You cracked something, didn't you?” Ian replies, “Yeah, come here. Take a look at this section. It seems to be talking about time. Their symbol for time is everywhere! So what is this, a symbol for faster-then-light travel?” End of minute 1.21. Major emphasis on time, synchronized with the elapsed time of the media. You can see this minute number as a mirroring like 12:21, but simply 121 forward and back, like the palindrome, HANNAH, that emphasizes the way the heptapods see time. What Ian wanted to celebrate was his decoding of the bigger picture, how the message, "One of Twelve," was encoded into the entire image based on proportion. We'll get to that shortly.

The number 13 is usually connected with the time number 12 in ritual contexts, and so it is in this film. The scene with the dialog about seeing the future is part of the extended sequence of the film's climax. This happens on the elapsed time counter of the media player at the “mastery of time” numbering. At exactly 1:30:00, we read the caption, Louise has weapon. During this signal minute, the mastery of time is on exhibit, with the revelation that the heptapods are either from the future, or they just see the future. They are also able to share this ability to see the future, which they demonstrate effectively with an example for Louise. The scene of Louise and her daughter shows them on the shore, featuring rocks and water, more time symbols. See how it's being layered in the way of Occult symbolism? The minute ends with Louise asking, “How can you know the future?” See, it's about the mastery of time. The scene continues, explaining what just happened. At 1:31:30, which is when 13 appears twice (at one and half hours plus one and a half minutes), the “mastery of time” signaling is repeated for impact. This is when the symbol appears that is then captioned over the next few seconds. Louise sees future. This is on screen when the time signature is the repeating 13, both forward and backward, @1:31:31, again, like the palindromic girl's name, HANNAH, and like how the aliens perceive time. This kind of media time synchronization is evidence of an Occult ritual, a magical working. It's an expression of high level theurgy. If you have become familiar with the video we've produced in recent years, you've seen several other examples of this kind of embedding in films and in TV programming.

In another example of counter synchronization, in the film's 12th minute, Louise is being visited by Colonel Weber and is listening to a recording of the alien visitors communicating. The audio clip is punctuated with the loudest and most distinct sound @ 0:12:13. The Colonel says "NOW you've heard it." and the timer marks 0.12.21. Now, is a time word, of course. Time words at time numbers. Still In that 12th minute, Colonel Weber says, "assuming they were not speaking at the same TIME."

It's worth mentioning here, because of what we put on exhibit in the videos about the pairing of the themes of time travel and sodomy, that when the word, "assuming" is used in that context, the vulgar anatomical term is probably intended as a ritual identification of the sodomite gateway. On this same theme, the heptapod's appendages have to seen as picturing the ritual sodomy that the illumined are obsessed with, which also serves to provide a cover spell for ritual workings like this film production. The cover of the book we see from the future is titled, Universal Language, by Dr. Louise Banks. The graphic suggests an eclipse or the black sun, which is sometimes used as a sodomite gateway symbol. Think about how remote viewing (which is what the ability conveyed by alien language compares to) is exploited to see the future, for profit and strategic military advantage - and how the ability is typically installed through ritual sodomy programming that opens the third eye.The book cover's black and white balancing dualistic design signals the knowledge of good and evil, which is associated with the Luciferian illumination, gnosis and enlightenment.

Another synchronization ritual is evident in the timing of the film's theatrical release. It was released in theaters across the United States and Canada on November 11, 2016. November is the 11th month, so the launch was stamped with 11:11. This numbering graphically pictures 2 pillars, and pillars are trigger code in Illuminati mind control for, Time Travel programming.

I believe the film's launch on 11:11 is also calling out the 11th chapter of Genesis, the book that launches the Bible and biblical history. This is the chapter where we find the account of the city and tower of Babel, and this is what seems to be the foundation of the film, what it resonates with.

1 Now the whole earth used the same language and the same words. 2 It came about as they journeyed east, that they found a plain in the land of Shinar and settled there. 3 They said to one another, “Come, let us make bricks and burn them thoroughly.” And they used brick for stone, and they used tar for mortar. 4 They said, “Come, let us build for ourselves a city, and a tower whose top will reach into heaven, and let us make for ourselves a name, otherwise we will be scattered abroad over the face of the whole earth.” 5 The Lord came down to see the city and the tower which the sons of men had built. 6 The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. 7 Come, let Us go down and there confuse their language, so that they will not understand one another’s speech.” 8 So the Lord scattered them abroad from there over the face of the whole earth; and they stopped building the city. 9 Therefore its name was called Babel, because there the Lord confused the language of the whole earth; and from there the Lord scattered them abroad over the face of the whole earth. ~ Genesis 11:1-9

These are the first 9 verses of the 11th chapter of Genesis, and of the Bible because it's the first book. Some might see a 9-11 in this, and that's probably justified. The entire meme comes from somewhere. The film's Occult message can be seen as a warning and a threat. This thought will be developed further, but the relevance of this passage should be established first. Notice how the Babel project represents a legitimate and incredibly significant threat and that having the same language is the issue that the Lord addresses. The book Louise writes about this supernaturally facilitating gift from the aliens is titled, The Universal Language. According to verse 1, “Now the whole earth used the same language and the same words.” The Universal Language.

(One could and really should see Louise playing the role of the goddess in that scene, who rallies the whole world together)

After Ian decodes the spacial embedding of the complex alien message, he and Louise take a printout to mission command.

Louise explains, “What they're saying right here is that, this is 1 of 12. We are part of a larger whole.” (Esoteric: special emphasis on the 12--ness - TIME - and the concept of being united)
She's met with resistance, as another consultant chimes in, “Or we're one of 12 contestants for the prize.” (Esoteric: special emphasis on the contest, war and spoils of war [a TIME war!])
Louise: “Why do I have to talk to him?” (Esoteric: calling attention to direct communication [talk to] and to the need for unity, single-mindedness and teamwork)
Colonel Weber: “We're all working together here.” (Esoteric: a profession of unity and single-mindedness and teamwork)
Louise: “We need to talk to the other sites. We need to help them with what they've gotten from the other heptapods.” (Esoteric: The necessity of communication and all parties working together)
Consultant: “In case you don't remember, we're blacked out. China just threatened to destroy their shell. We're on our own.” (Esoteric: Calling attention to division and isolation and the threat of destruction - Gen. 11:4)
Louise: “But it says that all the pieces fit together.”
Consultant: “And I'm telling you that no one else cares. Two hours ago we pulled this audio off a secure channel in Russia. Someone on the science team there was broadcasting wide.” (Esoteric: 2 hours is 2*60 or 120 minutes, an amplified 12)
Russian science team member: “In their final session, the aliens said, 'There is no time. Many become one.' I feel we have all been receiving weapons. If anyone is receiving this, please-” [* interrupted by machine gun fire - then silence]
Louise: “Well, I mean, there are a lot of ways you can interpret what he said-” ("There is no time" i.e. "There is no time remaining because the limit we set is passing" or is it rather, "What you perceive as time does not exist"? )
Consultant, interrupting: “I don't need an interpreter to know what it means. Russia just executed one of their own experts to keep their secrets. (He is focused on what's important to him [personal and national defense or safety] in his myopic view)
Louise: "Many become one" could just be their way of saying, 'some assembly required'.” (Esoteric: assembly required - because the city and tower of Babel was a construction project.)
Consultant: “Why hand it out to us in pieces? Why not just give it all over?”
Louise: "Well, what better way to force us to work together, for once. ”

Think about the account of the city and tower of Babel. This is not the only way it's being acting out or suggested in NLP, but this scene is probably the most obvious and extensive!

The Lord said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. ~ Genesis 11:6

Former US president Ronald Reagan famously spoke of how a global threat posed by aliens could unite the world. It's been repeated publicly by Bill Clinton, too. Some see this alien threat as the dynamic that will unite people together to back a single leader of the entire planet. The one world order. The antichrist Beast. We perceive antichrist symbolism, for example with the AC in "Alien Crisis," which appears in the film.

One might well ask whether "aliens" helped with the building project of Babel? Researchers like Tom Horn believe Nimrod was responsible for the effort at Babel and that he became a demigod. It seems likely. So, let's interpret what, Arrival, is showing us. By aliens, you should know that the heptapods are better identified as fallen angels. Instead of coming from the future, they should be recognized as coming from another dimension, a supernatural or spiritual domain or domains. The fallen operate on the basis of lies, deceiving those of us who are not well grounded in the revelation of biblical truth. The fallen inspired and sponsored the construction project at Babel and the work continues in, Arrival, one in a long list of ritual media presentations, directed toward the end of supplanting the Creator.

While the movie plays it up like as if the word, weapon, isn't really the proper interpretation of what the aliens mean, it definitely is intended on the esoteric level. The purpose of this language is to partner human and fallen angel agencies and abilities and subsequently exploit time as a weapon in multidimensional warfare. 'There is no time. Many become one.' That's the message reported by the frightened Russian Science Team member. The message speaks to me of Revelation 19:19, when the armies of the world unite and face off against the Lord and His armies.

Is this film really about a time war? An example appears (@1:19:40) when a Chinese news report pictures the time onscreen, 13:07. This is given in what we call, Military Time, format, and their Navy war ships are pictured, the most significant weapons of war on water as time. 13:07 - the mastery of time.

But, here's the obvious sign! Consider the name of the heroine, Louise Banks. Louise, means, “famous warrior.” Banks, refers to, banks of the river - of time! Banks are also financial institutions, and time is implicated because, “time is money.” To give the linguistics professor who is their champion a name suggesting, famous time warrior, is fitting. “It (Language) is the first weapon drawn in a conflict.” When the following messages are conveyed to Louise, we see her wearing military fatigues: “Louise has weapon - Use weapon” / “Louise sees future - Weapon opens time” After that scene, during a flash-forward episode (@1:35:00), she is conversing with her daughter on the time-signaling shore. Hannah asks her Mom, “Are you unstoppable?” Louise replies, “Yeah.” Meanwhile, since she collapsed while having this episode, she's being held up by Ian, who wears military fatigues, like Louise, and they are still on a temporary but secure military base and surrounded by military personnel and equipment - while the world is rushing to battle.

The language that opens time is her weapon, acquired through the universal language that is received from the aliens/demons.

In Genesis 6 and Enoch 8 and 9, the fallen angels shared secrets of heaven with men. It didn't go well for mankind.

1) And Azazel taught men to make swords, and daggers, and shields, and breastplates. And he showed them the things after these, and the art of making them; bracelets, and ornaments, and the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes. And the world was changed.
2) And there was great impiety, and much fornication, and they went astray, and all their ways became corrupt.
3) Amezarak taught all those who cast spells and cut roots, Armaros the release of spells, and Baraqiel astrologers, and Kokabiel portents, and Tamiel taught astrology, and Asradel taught the path of the Moon.
4) And at the destruction of men they cried out; and their voices reached Heaven.
~ Enoch 8

6) See then what Azazel has done; how he has taught all iniquity on the earth and revealed the eternal secrets that are made in Heaven.
7) And Semyaza has made known spells, he to whom you gave authority to rule over those who are with him.
8) And they went into the daughters of men together, lay with those women, became unclean, and revealed to them these sins.
9) And the women bore giants, and thereby the whole Earth has been filled with blood and iniquity.
~ Enoch 9:6-9

The Creator intervened, as later at Babel.

Then God said to Noah, “The end of all flesh has come before Me; for the earth is filled with violence because of them; and behold, I am about to destroy them with the earth. ~ Genesis 6:13

The fallen are still bitter about those setbacks, including such as occurred at Sodom and Gomorrah, and innocent seeming works like, Arrival, work toward avenging for their losses and perceived injustices. Primarily, Arrival, focuses on Babel because the universal language is the key.

Like I mentioned earlier, there's a lot of cross-over with what I've been immersed in while studying about the Great Pyramid. It's a time weapon. When the film makes a big deal emphasizing the “1 of 12,” this really speaks so loudly to me. I would say that the 1 resonates with the 12, as the 1/12th part. A few days after I knew I would be dropping everything I had been doing to return my attention to the Great Pyramid's function and role, the Lord dropped an early morning waking up insight on me about David and Goliath. I was contemplating David's armament, a sling and the 5 stones he took from the brook. The stones and the brook have to do with time. David slew Goliath with one of the five stones. Why choose five when only one was needed? Some suggest that the others were intended for Goliath's 4 brothers, but here's what I came to understand. There were five because it made the one that killed Goliath one of five, 1/5, which is to say that the one resonated with the five. Over the next few days, and weeks, really, the Lord added insight through many means, as Aaron can affirm. The 5 and 12 are connected, the association of 5 with damping in acoustic resonance, insight into why the key military installation we call the Pentagon has that design, about the pentagram leveraged for dimensional portaling, the dodecahedron shape of the universe and of DNA architecture, and so on. With, Arrival's 1 of 12, it made perfect sense to me. Time weapon. Their shells or ships were like smooth stones from a brook. One resonates with the 12. Each is the 12th part. They are a single unit, or measure. They are resonant with time. David's stone from the brook was resonant with time as a damping element. Applied to Goliath's forehead, that stone that resonated with the 5 damped his oscillating pineal gland, his illumination and connection with the life of his god. David put out his light.

I'll close now with a few more pertinent observations.

We're regularly informed about the setting of the alien ship and military camp being in Montana. Montana, means, mountain, and mountain is a metaphor for a kingdom or realm. Think Mt. Zion and Mt Sinai. The abbreviation for, Montana, is MT. MT Sinai. MT Zion. The MT of Transfiguration, which was probably MT Hermon. Joseph P. Farrell's reading of some ancient documents has the gods being described as waging war in the sky in association with mountains, which he claims can be a metaphor for, pyramids. Montana. A place where humans and gods interact, and where war is waged, linked to pyramids.

If one understands about runes and magickal glyphs, the alien language may well be said to be runic. The concept behind this may be related to the mysterious Twilight language, as used by Crowley and other Occultists, and by such as the SRA multiples with the kinds of alters who identify as Babalon Working Babies.

About the heptapods, they seem to have been modeled on cephalopods like squid and octopus, which shoot ink when they are threatened. When they are not threatened, they don't shoot ink, so, it's very subtle, but a threatening situation is implied in every instance of the expression of this language, their weapon. If you're familiar with the Cthulhu mythos and H. P. Lovecraft, it's no stretch to see the heptapod surrounded by mist as a related form of that monster. One can't really assign the Cthulhu mythos to mere fiction because it has been legitimatized by practicing Occult magicians, like Alan Moore. He's an occultist, ceremonial magician, and anarchist, who is responsible for comics like Watchmen and media productions like, Promethea, From Hell, and V for Vendetta. He has publicly performed and distributed audio recordings of "avant-garde" spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels. One more observation about the alien form is yet one more sodomite connection. When the heptapod mimics Louise's gesture the star-ended appendage is seen against the transparent wall. What comes to mind is, chocolate starfish, the crude term for the anus. The star is also a metaphor for an angel. These heptapods are actually sodomite fallen angels.

Because of the scene where Louise was personally interacting with the heptapod and her flash forward episodes were part of the communication, the alien must have been projecting these into her mind. This is an ability that multiples have due to Theta programming, to one degree or another. This is how some stage magicians perform some of their stunts. This mental projection of a "reality" outside our "here and now" speaks very loudly to me about, "The Great Hoax." Very, very loudly!

The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)
Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax

When the matter of the zero sum game is brought up in, Arrival, we should understand it on a deeper level. "In game theory and economic theory, a zero-sum game is a mathematical representation of a situation in which each participant's gain or loss of utility is exactly balanced by the losses or gains of the utility of the other participants." In the Devil's economy, this balance of value is sometimes referred to as the Latin expression, quid pro quo. Deals made with the Devil, however, always have a hidden cost. Ultimately, it's a lose-lose - of epic proportion. Following the facing-off the armies in Revelation 19:19 is the balance of the chapter. That's where all the momentum carried on by, Arrival, is really going. Opt out of all that and side with the One Who has told it like it is, right up front, that rider on the White Horse out of whose mouth comes the sword, with armies who ride in victory!

Thursday, May 18, 2017

Soundgarden Frontman Chris Cornell (Black Hole Sun) dies at age 52

Soundgarden singer Chris Cornell dies at age 52 in a bathroom at the MGM Grand hotel in Detroit. Police said that his death is being investigated as a possible suicide.

Cornell said that he wrote the band's signature tune, "Black Hole Sun," in about 15 minutes. He was clearly inspired. What you'll find in this post from 2012 should shed some light on the matter.

Part 16 - The Sodomite Gateway - What's In Her Trunk - The Black Hole Sun

UPDATE: "According to a source familiar with the investigation, Cornell went back to his room at the MGM after the Soundgarden show; and, shortly after midnight, his wife called a band member and asked if he would check on Cornell. The band member, along with MGM security, broke into the locked room and found Cornell dead with a belt around his neck." (

Wednesday, May 17, 2017

Tainted Heroes, Promo Signals Controlled Opposition

There's a documentary about the untold history of the ANC called, Tainted Heroes. Tainted heroes synopsis: "The film explains how the ANC successfully implemented a predetermined programme of violence, fear and propaganda to eliminate political rivals and establish itself as the sole representative of black aspirations in South Africa. It illuminates how the ANC’s armed struggle was more a struggle against black rival organisations than against the apartheid system."

Exposing hidden agendas seems to be a good thing - yet, the promotional imagery isn't good at all because of the Occult symbolism employed, which reveals further hidden agendas.

While most people just see an emotionally charged image of an angry man they don't realize that the promoters of the documentary are exploiting him for another kind of abuse. He's modeling defecation and sodomy, and presenting us with a sign of controlled opposition.

The tire has become a very familiar symbol of the sodomite gateway. A head poking through a tire represents the glans penis penetrating the anus. While some might view the use of a black man in the model as an expression of racism and take offense, what it really indicates offends for a different reason. The color of excrement is being leveraged to extend the potency of the Occult symbol. When the image is reflected or inverted the act of defecation is more easily recognized, and the picture brings to mind the term, turtlehead.

Because ritual sodomy is vital to the suppression, oppression and total control of the mind of those enslaved by their programmers and handlers, the hands on the tire speak of the handler who is asserting their will.

When I study the title it's evident that it is far more clever than just highlighting how the Tainted Heroes AIN'T really Heroes. Because of what the symbols mean in the context, the use of the term, Tainted, must be recognized as NLP, neuro-linguistic programming. Taint, is crude slang for the perineum, a very relevant part of the anatomy.

There are some other Occult signals present. The Goddess is evoked and redundantly signaled, in the title (T and O are aligned for an XO union) and in the graphic (crossing circles as the head is passed through the tire - and crossing circles as the hands are curled around the tire).

The "ER" in, hERoes, inverts to RE, which identifies the sun god in an identity worshiped openly in ancient Egypt. With the letter, I, appearing right over the R and E, it is the image of the “I” or EYE of RE, or, Eye of Horus, which certainly resonates with the tire, anatomically. This instance of the naming of RE could have been emphasized if the designer had chosen to shift the, A, in, TAINTED, over into close proximity with the, R, of, HEROES, signaling the alternate, RA, but they sacrificed that benefit to add another symbol.

By aligning the T over the H, what's called the Triple Tau is generated, because the H is used to represent double Tau. Consider the Royal Arch Mason emblem, which I frequently refer to as the Royal Arse, because that's the hidden meaning. The documentary title's placement of the leading T over H may be intended as a shout out to the brotherhood of Freemasons. We see the alignment of E and E, and the mirror of EE is 33. Code 33 we call it, which involves ritual sodomy and the highest degree of Scottish Rite Freemasonry. Consider also the Triple Tau of the IHS symbol, of the Romish church and Jesuits. Are they implicated by the stacking of the T and H in the title? It seems likely to us, because Illumined Freemasons and Jesuits have a history of manipulating governments and institutions (like the documentary's example of the ANC) and of engaging in the practices of mind-control. The Triple Tau featuring Christogram is A SUN (anagram: ANUS) and when this is upside down the spelling out of the vulgar word for, excrement, becomes more evident, with the cross providing the final letter, t. This version of the IHS is compared to an eye, so you can see it as the Eye of Horus.

If the documentary is good, why is the promo bad? Does this Occult symbolism reflect the hidden nature of the documentary it represents? We don't know enough to say, in this specific case, but we're not as naive as we used to be. Lenin said: “The best way to control opposition is to lead it ourselves.” As we look around and see what goes on, there are examples that appear in all kinds of ways. Are you familiar with the dynamics of manipulation through tension management, where terms like thesis - antithesis - synthesis, or, problem - reaction - solution, describe the stages? So much of what looks like conflict is better understood as staged, theater, scripted, according to the agenda of and for the benefit of some unseen player or a conspiring collection of players. We can't say we have any special insight about this documentary, but we present this decoding of the Occult symbolism of the promo to show you how things are in the world, to engage you in deeper thought about the mechanisms of control. We are easily disarmed by emotionally engaging matters and it's easy to get conned. Not everything is a con, of course, but when we learn to spot the red flags this can serve us well.

Lenin knew the way of manipulating the masses. He was not wrong. Here's some more insightful quotes.

“The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum....” Noam Chomsky

“None are more hopelessly enslaved than those who falsely believe they are free.” Johann Wolfgang Von Goethe

“The more we do to you, the less you seem to believe we are doing it.” Josef Mengele

“If you tell a big enough lie and tell it frequently enough, it will be believed.” Adolf Hitler

“Signs and symbols rule the world, not words nor laws.” Confucius

“He who controls the past controls the future. He who controls the present controls the past.” George Orwell - “1984”

Many others from George Orwell's classic come to mind, and many familiar biblical expressions.

If you want to be free of those who manipulate and exploit others for selfish gain, you should seek to be free indeed.

So if the Son makes you free, you will be free indeed. ~ John 8:36

Only in the gaining of His freedom can you truly help others, in His selfless and enduring love.

Monday, May 15, 2017

Decoding: OXO

The Pope must surely like the OXO brand because the Goddess is exalted. There is also the presence of the ancient ritual sex magick that intends to bring forth Horus into this dimensional realm, which the Pope sponsors in no small way. The ancient symbol of the mark of the beast is also represented, redundantly, and with the agent of the Vatican being appointed to fulfill the role of the False Prophet beast of Revelation, this has got to resonate strongly with the Pope.

Let's break down the Occult symbolism of the logo.

The oval shape is the feminine form, symbolic of the divine feminine in iconography and a simple variant of the feminine womb shape of the circle. The color red signifies the goddess. The OXO logo resembles the head of an owl, with big staring round eyes, and the owl is identified with Minerva. With the X inside the oval, and being flanked by the pair of O's, the Goddess who grants all desires is invoked.

As the influential Occultist, Kenneth Grant, noted in his book, "Aleister Crowley and The Hidden God":

“There is a legend known to Initiates concerning the secret abode of the Goddess: The Spirit of Nodens - God of the Great Deep - flashed forth as lightning from the depths and formed a throne in celestial realms - a seat of stone - whereon the Goddess was established. She ruled from the throne of stone which Nodens had fashioned, and about her the temple of Nu-Isis grew into being…

The Heart of the Sigil of Nodens is identical with the Mark of the Beast: (X), the fusion of O and X which produces the lightning flash. Nodens is the God of the Great Deep or Abyss, microcosmically identical with subconsciousness. He reigns over the Abyss and controls and harnesses its lightnings. "Flashed forth as lightning from the depths" describes the act involved in the establishing of the Scat. The Seat of Stone is lsis, and upon this foundation the Goddess is established and rules the heavens, the earth and the deeps beneath the earth. In other words, the Goddess who grants all desires is invoked by the union of the X and the O (the Phallus and the Kteis), the Scat being the vehicle of her power.

Isis is therefore her vehicle, for Isis bears the fire of Nodens within her womb, and her vehicle in the macrocosm is the transplutonic planet known to occult tradition also as Isis.”

Pope Francis, as Pope Benedict and Pope John Paul, etc., have dedicated themselves to the Goddess, and frequently dedicate the world to the Goddess. They love and exalt the Goddess, Our Lady of OXO.

In simple Occult gematria, O+X+O = 15+24+15 = 54, so OXO is signaling Code 54, the Love Code, which we learned from our study of the incredibly deep Occult film, The Lake House. (The Lake House - Embedded Codes 33, 54 and the Ark of the Covenant (6/4/16) (Abridged version on YT) The screenshots below illustrate two places where the elapsed time of the movie that is showing on the media player presents 54. Perfectly synchronized with that, the XO motif appears. On the left, the ceiling tile grid supplies the crossing form of the X while the convex mirror forms the O. On the right, the XO is presented as both characters clasp their hands together, crossing their curved (arcs) fingers to signal the crossing of circles, or, the repeating XO of kisses and hugs. That's the scene where Alex is saying, "I love San Francisco."

Being represented in the OXO brand with the popular kiss and hug symbols of X and O, this layering is actually very potent, supernaturally. It's not just romance that's in view, its the romancing of the god and goddess, which is really, Lucifer, to the Illumined magicians who cast their spells in the promotion of this kind of symbolism.

The sex magick of Isis and Osiris is implicit in the union of the X and O. This image appears In OXO's logo with X as the male member is seen within the blood red oval as a graphic of sexual union during the menstrual flow, an unclean act, biblically. See it aligned vertically to get a more familiar view. This logo presents an image of the birthing of twins. One being flipped or the opposite of the other. Think, Eve, bringing forth Cain and Abel, of two contrasting fathers and natures. Because of the Isis+Osiris=Horus layer, think of Zeus/Satan's wife Leto giving birth on the isle of Delos to Artemis and then Apollo. Apollo = Horus: antichrist identity.

When the pair of letters O are interpreted as eyes, the X between them marks the spot that identifies the third eye, which is also called the Eye of Horus.

As typical of Horus Eye signaling, the practice of ritual sodomy is implicit in the encoding of the squaring of the circle. The oval is the flattened circle, which is squared by being quartered by the central X.

The magick circle cast by witches is called the squared circle, which is divided into the 4 quadrants by the cardinal directions and watchtower guardians identified with the four elements. The OXO logo is a magickal sigil. This bubble of the cast circle contains and intersects heaven and earth and this OXO logo is very much a space/time symbol because the X signifies space in connection with the time signaling O.

The signaling of the mark of the beast appears in the X fused with the O, as already mentioned, and also in the gematria of OXO. Applying the simple reduction, the value of O reduces to 6 because O=15 and 1+5=6. The value of X also reduces to 6, as X=24 and 2+4=6. OXO thus resolves to 666, which is linked to the mark of the beast in Revelation 13:18.

16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six. ~ Revelation 13:16-18

We understand the mark of the beast to involve the genetic transformation of the recipient as they accept the beast's DNA. This is pictured in the OXO logo in the coloring of red and white, with red signaling Adam (which means red, as red and earth) and the white signaling divinity. Man is made divine by being grafted into that antichrist god+man lineage.

Having this insight into the Occult meaning of the logo gives insight into its context. The OXO company was acquired in 2013 by, Helen of Troy Limited. If you understand about Helen of Troy, the Goddess connection could hardly be more evident. According to the legend known as the Judgment of Paris, during a banquet held by Zeus, Zeus deferred the judgement in a beauty contest to the Trojan mortal, Paris. Between the three goddesses, Hera, Athena and Aphrodite, Paris chose Aphrodite because she bribed him with the offer of the object of his affections, Helen of Sparta, who later became known as Helen of Troy. Is OXO really about the Goddess of Love, and code 54? Yes, it is!

Sam Farber started OXO with his son, John. Sam's father, Louis Farber, established Farber Brothers, which sold serving ware. His uncle, Simon Farber, founded Farberware, which manufactures kitchen appliances and cookware. Prior to founding OXO, Sam founded Copco, which manufactured enamel-coated, cast iron cookware. The Farbers were a family of wealthy merchants and Sam was definitely in the family business. Sam was Harvard educated, Ivy League, elite.

If he was a member of a secret society, it's a secret that Google searches are not designed to give up easily. What is easily discovered, however, is that Sam was a major collector of outsider art, Art Brut, including works by Henry Darger. (Inside The Dark And Twisted Alternate Universe Of Outsider Artist Henry Darger) If you have never seen the works of Henry Darger, they feature pre-pubescent girls in battle scenes with soldiers, and composites of butterfly winged Pan. The girls are often naked and are pictured having penises. At least one features naked girls being crucified on crosses with many naked others being mutilated and even disemboweled. If pizzagate comes to mind and names like Tony and John Podesta and Marina Abramavic and James Alefantis, you've got the picture. The artist that so inspired OXO's founder went to Mass 5 times a day. He would have repeated the Hail Mary prayer and prayed the rosary many times in worshiping "Our Lady of OXO." If Henry Darger weren't molested by a priest in his youth, I'd be very, very surpised, because he fits the altar boy profile. What does the collection of works by Darger reveal about the co-founder of OXO? The love of the goddess coded into his logo resonates with his taste in art. Would the Pope appreciate the OXO brand? No doubt.

Sunday, May 14, 2017

Former Illuminati Insider Financier Interviewed

On the lines of PizzaGate, this video is a recommended watch. I mirrored it on my YT channel a few weeks ago. This man shares an important testimony, including how and why the details are limited. He says he was tortured until his "handlers" were confident that he could do them no real harm - by naming names or leaking details that would identify them specifically. They let him go free. S.R.A. trauma+sodomy programming.

Illuminati Insider Financier Interviewed (Dutch with English Subtitles)

This has been picked up by InfoWars, so it's getting some visibility.

Ex-banker Claims he was Invited to Take Part in Child Sacrifice Rituals

Saturday, May 13, 2017

Pop Quiz - Decode the OXO Logo

There's a popular brand called OXO, with a range of products including kitchen gadgets.

I suspect that the Pope really likes their simple logo. Do you know why?

Update: Decoded here!

Friday, May 12, 2017

Signs and Updates

Hi Everybody! I just got back from visiting family in Upstate NY, helping my Dad settle in after wintering in FL. The activity involved more time signs, which continues the trend. This time it was about water-as time (flooding Lake Ontario and the bays, and some more plumbing. And also there was a focus of attention on vehicles-as-ministries and also cell-phones-as-communications.

Aaron and I have caught up with the effort transitioning from the "Beyond the Veil" retitling, and we continue to produce and publish more video and audio in that series.

I want to thank those of you who pray for and fund the work and us workers. We depend on you as you depend on us. The Lord is attentive and watchful over His beloved saints as we persist in this season of increasing strangeness and struggles.

The Pope is in Portugal for the 100th anniversary of the Fatima phenomenon. Pope Francis in Fatima: arrival ceremony

With regard to the Pope's visit to Cairo, Egypt, and the promotional imagery combining the crescent moon and cross, I note the following insight offered by the 33rd degree Freemason author, Albert Pike, from Morals and Dogma: “All the planets known to the Ancients were distinguished by the Mystic Cross, in conjunction with the solar or lunar symbols; Saturn by a cross over a crescent, Jupiter by a cross under a crescent, Mars by a cross resting obliquely on a circle, Venus by a cross under a circle, and Mercury by a cross surmounted by a circle and that by a crescent.”

Also of relevant interest: New research into third Fatima secret

Saturday, April 29, 2017

Bye Bye, "Beyond the Veil"

No, It's not the Mandela Effect. Our legacy collection known as, Beyond the Veil, has just been retitled to, When Cometh That Thief in the Night.

What prompted the update is our being recently contacted about trademark infringement. Somebody trademarked it last year and threatened our YouTube account over it because of the videos we've been publishing in that series. So, we complied with their demands, and, in the process, went through the website and made substantial updates to reflect the change. We'll modify and re-upload the videos to YouTube. They'll still feature the pages bearing the legacy title, but the headers will reflect the change. The mp3 files in the series will also be modified somewhat in the intro and the filenames. Updating that content and those links that will have new targets will take us a while to complete.

Thursday, April 20, 2017

The Dramatic Hag haMatzot OUTATIME Signs

In the previous post I mentioned a pair of time signs that came on the first day of Hag haMatzot, indicating that I planned to give special attention to the last day of the feast to see if it, too, would be specially marked. It was! This is really exciting, even though the nature of the sign certainly tempers the excitement, from a practical perspective.

The first and last days of the feast are the high holy days. The last day, on the 21st day of the 1st month, is an anniversary of the Bride Theft, which is very much at the center of our hope! This year, the high days of the 15th and 21st fell on April 13th and 19th, beginning at sunset on the days before. Here's how the signs appeared, and what they mean to us.

On the first day of the feast I had my car in the shop. While the work was being done, I took the opportunity to go for a walk around the neighborhood. On my way back, not far from the shop I saw this car with the licence plate from the time machine in Back to the Future. OUTATIME. In Pennsylvania, only one licence plate is required, on the back, so you can do whatever you want with the front. I took this picture because, hey, who knows - it might be important to log the event.

I usually walk around my own neighborhood in the afternoon, and with that productive season of the day where I worked on video production already spent, I went for a second walk. I usually walk down the alley past the Warp Zone and return the same way, because that's how to get to the steep inclines nearby, an important part of my regular "fresh air and exercise" routine. On the alley sometimes dogs are outside, which bark like crazy, and being the case on my way out, my return was via the sidewalk on the next street over. As I neared the corner I was passed by a car hauler, which made the turn, and as I rounded the corner I could see it had pulled up in front of the Warp Zone. This was either the same truck I wrote about in another post (SIGNS: Warp Zone + Past 2 Present) with a few small changes, or one from the same fleet. Past2Present. Parked in front of the Warp Zone, where the motto reads, "Where Past Meets Present." So, I took this picture, knowing that, at this point, here was another set of time signs. Right - on returning from two walks and spotting two vehicles marked with 2 significant labels. When I understood that a post to the blog was called for, it was with the insight that it happened on the 1st day of the Feast.

Another time sign came on the last day of the Feast, but I didn't recognize it until this morning, a day later. A familiar metaphor was involved, one that I've been very focused on in my work on the Great Pyramid video series and also in my responsibility as a US citizen. Time is Money. Money is time, metaphorically. Income tax payments were due on April 18, and we just managed to cover it, but not without some sacrifice. In the bigger picture, we're actually at a deficit and the funds to cover the other bills coming due - well - we're out of money, which to say, OUTATIME. It's apparent to us that this is a time sign that marked the last day of the Feast, and beyond the strong impression in the spirit, here's some of the reasons why.

As usual, none of this was planned or thought out with regard to the schedule, it's just how things happen. The mail comes late to my apartment, so on the 19th, I waited until dinner time to see if a check might arrive, or if a sizable donation would come through PayPal. Nothing. So I called Aaron to pray about the situation, which we did. He had perceived a head's up in advance and therefore had some reserve funds, so he was going to put a check in the mail this morning, which will hopefully arrive in time for me to deposit enough to offset when rent is automatically debited. He called me this morning to let me know that the Lord engaged him again on the matter when he woke up, so he was changing the amount accordingly. He said that the familiar way he was engaged was notable, with the time showing on the clock when he was engaged being highlighted. On the phone, I shared with him how, while I was getting up and around, the Lord had been indicating to me that being out of money was a time sign, and that it marked the close of the Feast, bracketing it together with the OUTATIME sign.

I note that, in Back to the Future, when we first see the iconic Delorean with its California vanity plate, OUTATIME, it's on a car hauler. The signs of the first day of the Feast are obviously connected. Given the context, so is the sign of the last day. Vehicles sometimes represent ministries, in dreams and signs.

Here's some other points of special interest that have to do with context. After some time out in previous weeks dedicated to preparing and filing my 2016 tax returns, my attention returned more fully to the Great Pyramid video series. In this next installment, I'm sharing some insight the Lord gave me about the pyramid on the Great Seal of the US, which appears on the one dollar bill. The main insight has to do with how the pyramid is actually presented there as a time weapon of the gods, and one of the supporting layers leverages the metaphor of money-as-time. In showing how the god of the Federal Reserve and Federal government is specifically identified in its classical iconography as Jupiter, I expand a little on the context to emphasize the fact that the foundation of this country was not done in compliance with the direction given to believers in Romans 13. As part of my process, I had the first 7 verses of the chapter pasted into my document, and this block of text had been considered and shuffled around for days, up until late in the day yesterday when I finally got to the point where I integrated the relevant part into the script.

Render to all what is due them: tax to whom tax is due; custom to whom custom; fear to whom fear; honor to whom honor. ~ Romans 13:7

Relevant? It could hardly be more relevant, because it was in the paying of tax to whom tax was due on time that we are OUTAMONEY.

So, the Feast was marked with these rather dramatic time signs, and I have to say that the most dramatic sign marked the last day, the anniversary of the Bride Theft. What do we make of it? First, I have to say that being unfunded is not what I would choose, whether it's a sign or not a sign, and I must also confess that neither Aaron nor myself would have the sense to choose anything that's truly good. But the Lord is good, truly good, and everything depends on Him, not me or Aaron. We can all take great comfort in that. We rejoice in knowing that the Lord continues to engage us in this work, prospering it in ways that are pleasing to Him and that we know will produce a maximum yield in His Harvest Field - to His glory!

Me: “But Lord, is this kind of drama really necessary?”
Him: “Yes.”
Me: “Really? Okay.”

Very recently, The Bride Theft, was the subject of another video in the series Aaron and I have been producing and publishing, with mp3 of the soundtrack. It just happened to be uploaded on the 1st day of the 1st month of this new year on the Lord's calendar. With the marking of the anniversary of the Bride Theft with OUTAMONEY, matching to OUTATIME, a statement appears to be made about time having run out. Because of our hope of being found worthy of inclusion in the Bride company, and our knowledge that the Bride's time in this body of flesh will end in that resurrection/transformation event, we take this season's timely time signs as real encouragement! Without more insight, we have nothing to add to that observation, no conclusion to offer about any further interpretation. With the Lord's help, we'll keep watching until we're done. We know there's a reset of time coming, and this is constantly being emphasized to us with time signs like this distinctive "Back to the Future" (which depends upon first returning back to the past) sign, but when it will be, well, we just know that we don't know.

In closing, some commentary is called for. If the Lord is tugging on your holy spirit and you're not just responding to learning of our need with what amounts to your natural compassion, and there is a big difference, please pray about the Lord's intended provision for us and for everyone who supports us with prayer and encouragement and funding. If the Lord does so inspire, pray also for our health and strength to endure and for the protection of all we have been given the responsibility to steward. We do so appreciate our supporters, who support this work and us, the workers, and we know that the Lord blesses what is truly done in obedience to Him, which is the sincere expression of love for Him.

Blessings in Y'shua!

Bob (and Aaron)

Sunday, April 16, 2017

"Easter"? "Resurrection Sunday"? No. Wavesheaf Day! Omer 1

Today is "Wavesheaf Day" on the Lord's calendar, the first count in the Omer toward Shavuot. You may have noticed how we didn't announce the beginning of Aviv (March 30), or, of the Hag haMatzot (April 13), for that matter. In this season, when we know the prophetic timeline has been very substantially skewed, our manner of watching is less focused on the calendar. Even still, I did receive a related pair of time signs on Thursday, which was the first day of Hag haMatzot, so I do plan to give special attention to the last day of the feast (Wednesday the 19th) to see if it too is specially marked. That's an anniversary of the day appointed for the Bride Theft!

For many years we gave special attention to the annual watch day that is the 13th day of the first month (April 11), but not this year. Over many years of watching, knowing both what to watch for and when to watch for it, we saw what was necessary for us to have the confidence we needed. The Lawless One will be revealed on schedule. The Lord will come for His Bride on schedule. His amazing plan is working out just as it must. We marvel at the Lord's attentiveness to us, of His loving care and provision for us. This is an extraordinary season for salvation and the Lord of the Harvest continues to watch so beautifully over His beloved.

Thursday, April 06, 2017

Pope Francis' Journey to Egypt - Decoding the Official Imagery

In this season where we're so focused on what the Lord is revealing about the function and role of the Great Pyramid and its supplemental technologies, the Pope is going there on an "apostolic journey." The trip is planned for April 28 and 29. The official logo, as typical of such, is revealing.

Official logo for Pope Francis' visit to Egypt

When you read, “Pope of Peace in Egypt of Peace,” you should understand that this must be interpreted in connection with the imagery, which is Occult. This is an evocation of Isis and we believe it has to do with time magic and warfare.

On the SRA Satanic liturgical calendar, which is always taken into account by pagan priesthoods, the Pope will conduct this journey in the season of the Blood Sacrifice to the Beast, which begins with fire sacrifice on April 19 and lasts for 13 days, extending through May 2. More specifically, the visit is scheduled during the Grand Climax, which runs from April 26 through May 1. These are High Days to Pagans. The Pope will presumably return to the Vatican in time for the greatest Witches Sabbat, Walpurgisnacht, followed by May Day, Walpurgis and Beltane.

Let's decode this official image and expose the magick ritual beginning with the dove, which is the ancient symbol of the goddess Aphrodite. Call her the Virgin Mary, or Our Lady of Peace, or by one of her many other names. In Egypt, she is known as Isis, but also as Hathor, Heqet, Bastet, and so on. Its no secret that Pope Francis is devoted to the goddess, and that he's devoted the entire world to her.

The crescent moon and cross supports this by uniting the X and O, which establishes the throne of stone, the celestial throne of the goddess, as Kenneth Grant of the OTO has revealed. This potent form places the intersection on the circumference of the circle. Associated with the union of the X and O is a flashing of lightning from the Abyss, which appears as the jagged yellow streak that is central to the image.

The X and O presents a form of the quartered or squared circle known as a magic circle, with the cardinal directions symbolizing this space-time domain.

One of the symbolic layers of the cross is that it echos the form of the pyramid.

Sex magick is evident because the X is male and the O is female, and this is featured as Isis magically impregnates herself and raises her dead husband, Osiris, into Horus. As the legend goes, Set killed Osiris, chopped him into 14 pieces and scattered them in the Nile. Isis collected 13 but had to make a replacement for the missing phallus, which had been eaten by a fish. The Pope, as Osiris-Horus, is pictured rising out of the waters of the Nile, raised by Isis. He is the steward and representative of the phallus of Osiris, which sits in the center of St. Peter's Square at the Vatican. That obelisk formerly stood in Heliopolis, which is on the outskirts of Cairo opposite the Giza Plateau.

Every true obelisk has a pyramid (ben ben) as its capstone. The picture of the dove over the pyramid suggests this ancient image of the sex magick resurrection ritual. See the dove over the pyramid (glans penis of phallic obelisk) as Isis hovering over the erect phallus of Osiris (Pope Francis).

Extending the sex magick into the powerful realm of sodomy, we all know what statues look like when they have been outdoors for a while. They get a coating of bird dung. The Sphinx is such a statue, and it is specifically associated with the sphincter, for an obvious connection with dung. In the imagery of the Papal journey, the dove flies overhead - so look out below! There would also be dung on the pyramid or capstone of the obelisk and phallus. Making this symbolism redundant, the moon is a butt symbol. We're being mooned, right there. The stylized version of the cross suggests the phallic form at each end. Two ends penetrate the moon, so acts of sodomy are pictured.

While we're on the subject of the moon and the cross, the official story goes like this. “The Cross and Crescent Moon at the center of the logo represent the coexistence between the various components of the Egyptian people.” Well, there's the components of the phallus and butt, of course, yet, we see in this the union of the Vatican's sun cross, that has signified the sun god from ancient times, with the crescent moon, that has signified the moon god and goddess. The official story offers more insight into the moon and cross symbolism by identifying the "Abrahamic" religions. “A white dove signifies peace, which is both the highest gift to which every human being can aspire and the greeting of monotheistic religions.” This imagery and coded language is an expression of syncretism and ecumenism, beyond what appears on the surface. This is the great work of the goddess, “Queen of All,” who draws all to herself as one toward the end of presenting them to the antichrist. This is also the work of the biblical False Prophet, who will be a Pope, we believe, Pope Benedict.

Another infamous sodomite high priest and magician, Aleister Crowley, must be given consideration because reference is surely being made to his work. He spent time in Egypt, engaging in sodomy and black magick ritual with Victor Neuberg in the Sahara outside Cairo. He famously performed black magick ritual inside the King's Chamber of the Great Pyramid while honeymooning with his wife Rose Edith in 1903. It was during scheduled visits to the King's Chamber in April, 1904, that he received the influential "book of the law," which was dictated to him by the messenger of Horus (Aiwass).

We read the following from Chapter 3 of that book.

1. Abrahadabra; the reward of Ra Hoor Khut.
2. There is division hither homeward; there is a word not known. Spelling is defunct; all is not aught. Beware! Hold! Raise the spell of Ra-Hoor-Khuit!
3. Now let it be first understood that I am a god of War and of Vengeance. I shall deal hardly with them.
4. Choose ye an island!
5. Fortify it!
6. Dung it about with enginery of war!
7. I will give you a war-engine.
8. With it ye shall smite the peoples; and none shall stand before you.
9. Lurk! Withdraw! Upon them! this is the Law of the Battle of Conquest: thus shall my worship be about my secret house.

This is the foundation of the wildly influential religion of Thelema. At the root of it is conquest, war, and the raising of the spell of a god of war and vengeance.

As stated earlier, Crowley received the revelation from the messenger of Horus. Ra Hoor Khut and Ra-Hoor-Khuit are associated with Horus, like also, Heru-ra-ha. The moon and the sun cross iconography in the imagery of the Pope's journey is actually considered by magicians to be the secret sigil of the beast.

(Wikipedia) offers this observation.

The Cry of the First Aethyr in Crowley's Liber 418 presents Horus, the Crowned and Conquering Child, as the union of many opposites. It is a little child covered with lilies and roses. He is supported by countless myriads of Archangels. The Archangels are all the same colourless brilliance, and every one of them is blind. Below the Archangels again are many, many other legions, and so on far below, so far that the eye cannot pierce. And on his forehead, and on his heart, and in his hand, is the secret sigil of the Beast. (fn: Sun and moon conjoined) And of all this the glory is so great that all the spiritual senses fail, and their reflections in the body fail.

See the sun and moon conjoined as the secret sigil of the Beast. See Pope Francis as the High priest of the ancient Sun Cult, being identified to us as Nodens, god of the Abyss, and Osiris and Horus. He's a sorcerer and warlock who is raising the spell of a god of war and vengeance. Gesturing with his ring-of-power-wearing hand, he casts this spell into the universe.

We see this war spell as time magick because he's pictured as a time god rising from the river of time. Study his form in the image. Think about what you're looking at. This scene closely parallels a function and role of the Great Pyramid!

In a post and video decoding another official image from the Vatican, (Decoding: The Jubilee Year of Mercy Logo - The Vatican's Dark Secrets), we identified an explicit reference to the ancient Pyramid texts.

The following is from Samuel Mercer's translation of Utterance 364, lines 609b-610d and 614b,c.

609b Horus comes; he reclaims thee from the gods. Horus has loved thee,
609c he has equipped thee with his eye; Horus has adapted to thee his eye.
610a Horus has opened for thee thine eye that thou mayest see with it.
610b The gods have bound to thee thy face; they have loved thee.
610c Isis and Nephthys have healed thee.
610d Horus is not far from thee; thou art his ka.
614b. Horus has given thee his eye, the hard (one);
614c. (he) has placed it to thee (i.e. in thy hand), that thou mayest be strong, and that all thine enemies may fear thee.

The expression, “that all thine enemies may fear thee,” should not be taken lightly. Spiritual warfare has been trending lately as a theme and in the recently released promotional imagery from the Egyptian Catholic Church we perceive a focus on war, specifically, war in the heavens being waged by angels/gods/demons.

What we know as the Sphinx is, in Arabic, known as Abu al-Hawl, 'The Father of Terror.' Cairo’s official name is al-Qahirah, or, al-Qahir, which means, “Place or Camp of Mars.” Who is Mars but the god of war! Cairo is also called, “the Vanquisher“; “the Conqueror“; “the Victorious” or, “the Strong.” The Egyptian name for Cairo is said to be: Khere-Ohe, meaning: “The Place of Combat,” with reference to a battle or contest that took place between Set and Horus." Are you familiar with, "The Contendings of Horus and Seth"? You probably should be. It's very relevant.

Compare the decoded imagery to the title, “Pope of Peace in Egypt of Peace.”

With his gesture of "blessing" he's releasing the dove over the Giza plateau. This isn't a gesture of peace. Flip that. This bird of the air is a demon, in biblical symbol. Pope Francis is pictured casting a spell that is the curse of war!

We believe the Great Pyramid is a weapon of vast capabilities, and it appears in the image to the right of the Father of Terror. Apparently, an old Arab proverb goes like this. “Men fear time but time fears the pyramids.” It's an expression of how the pyramids are so ancient that they might outlast time itself, besting it in a contest of endurance. But perhaps it conceals something more profound, speaking to its function as a sophisticated and fearsome time or anti-time weapon.

Pope of Peace?

13 For such men are false apostles, deceitful workers, disguising themselves as apostles of Christ. 14 No wonder, for even Satan disguises himself as an angel of light. 15 Therefore it is not surprising if his servants also disguise themselves as servants of righteousness, whose end will be according to their deeds. ~ 2 Corinthians 11:13-15

“Pope of Peace in Egypt of Peace.”

13 “For from the least of them even to the greatest of them,
Everyone is greedy for gain,
And from the prophet even to the priest
Everyone deals falsely.
14 “They have healed the brokenness of My people superficially,
Saying, ‘Peace, peace,’
But there is no peace.
15 “Were they ashamed because of the abomination they have done?
They were not even ashamed at all;
They did not even know how to blush.
Therefore they shall fall among those who fall;
At the time that I punish them,
They shall be cast down,” says the Lord.
~ Jeremiah 6:13-15 (See also Jeremiah 8:10-12)