Part 16 - Celestial Stargates - Lord Blackwood's Magick - Sherlock Holmes (2009)

The previous posting about black magic and stargates has had a few validations as to the timeliness of the subject. I'm a Netflix subscriber on the single DVD in rotation plan. I received a disk on the 5th of this month but I've been so focused on other things I've had it sitting in the DVD player since I received it. After 2 weeks, I finally decided to watch it, whatever it was, because I had forgotten. It was Sherlock Holmes (2009) and my watching it was right on time. There's more stargate and black magick ritual presented, which is woven in with some other elements of the Adversary's familiar scheme. This “entertainment” vehicle is given the typical spin as truth is set about with lies and tossed into the Illuminati blender.

“Sherlock Holmes is a fictional detective created by Scottish author and physician Sir Arthur Conan Doyle. A London-based "consulting detective" whose abilities border on the fantastic, Holmes is famous for his astute logical reasoning, his ability to adopt almost any disguise, and his use of forensic science skills to solve difficult cases.” (Wikipedia)

The film I watched starred Robert Downey, Jr. (Iron Man) in a Golden Globe winning performance. His rather quirky characterization of the detective was balanced by Jude Law as a more conventional Dr. Watson. The antagonist, Lord Blackwood, was played by Mark Strong. Spoiler's ahead. The plot has Sherlock investigating a series of murders that turn out to be Occult crimes committed by a practicer of black magick, Lord Blackwood.

Here's a stargate scenario from early in the movie. In this screenshot, we're looking down a large spiral staircase at a design centered on the floor below, a star inside a circle. Sherlock is running down the stairs with a lantern, in a hurry to interrupt a ritual and rescue a victim before she can be sacrificed.

He's descending the “stairway to heaven,” transiting the stargate into the underworld. The imagery resembles a keyhole and lock mechanism. The sodomite gateway is evident in the obvious Horus Eye / dark sun anus vortex image. This descent isn't a freefall like some other examples we've seen but the motion of Sherlock's lighted lantern does provide a reference to Einstein's expression of this dimension's physics and relativity. It's the speed of light as seen spiraling through gravity, not very different from the candlestick knocked off the pillar in the music video “Insane.” The spiraling pictures the stargate's “whirlwind” energy vortex.

Just prior to Sherlock's descent, we're presented with a looping of time, with the added effects of time being speeded up, slowed down and stopped. That scene had Sherlock visualizing a plan to disable a watchman and then executing it in real time. That modeling smacks of Joel 2:8, from the previous post, because he's breaking through the defenses as he makes his descent.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

In this screenshot we see the victim on the altar and robed officiating High Priest, Lord Blackwood.

Sherlock pauses in the upper gallery to survey the situation below and plan his next move, where he's joined by Dr Watson. Together, they disable another watchman. Again, it's the modeling of Joel 2:8 and the bursting through defenses. In their brief exchange, they shake hands, which is actually a Horus sign, and we hear the following.

Sherlock: “Where's the Inspector?”
Watson: “He's getting his troops lined up.”
Sherlock: “That could be all day.”

There's another NLP reference to time. Consider the activity mentioned: Getting his troops lined up? Again, Joel 2:8, where the orderly procession of authorities is the subject! Why? It's a mecillah event, the modeling of a stargate transit!

Holmes and then Watson descend into the ritual chamber and, after the coven guards are disabled, the woman is saved. They confront the High Priest and discover that it is Lord Blackwood himself, whose response makes perfect sense when you understand what is being modeled to us. After being identified, Blackwood responds in kind by identifying them: “Sherlock Holmes and his loyal dog.” By “loyal dog,” he's referring to Sherlock's loyal companion, Dr. Watson, who had descended with him into the subterranean chamber. Why does he call him a dog? Because this scene is a real ritual! Watson is in the role of the Dog Star, Anubis, the psychopomp and escort to the underworld.

Lord Blackwood is the illegitimate son of Lord Chief Justice Sir Thomas Rotheram, conceived during an Occult ritual. The bloodline is an important consideration. The name “Blackwood” as black wood speaks of his root in the Serpent tree, the Nachash.

Sir Thomas Rotheram is the Master of a secret society that resembles Freemasonry, or is perhaps along the lines of the Order of the Garter. Such as the Hermetic Order of the Golden Dawn are rooted in the four classical elements. As Master of “The Temple of the Four Orders,” he wears what they call the Ox Ring, which you see here. It's obviously the astrological glyph for Taurus. This is one of the film's many symbols of the Silver Gate. You may recall, from Part 6, David Flynn's identification of the Prime Meridian on the earth as a pillar of heaven linked to the Dog Star, Sirius. The setting is the city of London, through which passes the Prime Meridian. The Dog Star was pictured by Dr. Watson (loyal dog) and also by the star at the bottom of the winding staircase, which is the Blazing Star of Freemasonry. Beyond these, other Silver Gate symbols are also featured, which I may also explore.

Here's a scene where the dark arts practiced by the order are identified as “practical magic.” Sherlock Holmes is secreted away to the Order's Temple where he meets with Sir Thomas Rotheram and two other high ranking members.

Members of the Order: “I suppose you already have some notion as to the practices of our order.”
Sherlock: “Yes, um, they are practically interesting.”
Members of the Order: “Be as skeptical as you like, but our secret systems have steered the world towards a greater good for centuries. The danger is they can also be used for more nefarious purposes. What some call the dark arts, or practical magic. We know you don't believe in magic, Mr. Holmes. We don't expect you to share our faith, merely our fears.”

At various points in the movie we're shown Occult ritual and demonstrations of what would be genuine black magick but, in the end, Blackwood is exposed by the materialist sleuth as a mere trickster with political aspirations. Sherlock's lack of faith is vindicated, and so it is that the filmmakers ply us with the tired old routine of convincing us that magic is really only ever just smoke and mirrors, tricks and illusion. The effect is akin to the lie about the devil and demons not being real. We're sold a version where these are surely the invention of the superstitious and simple minded, acceptable ways of explaining what we are otherwise incapable of comprehending.

I know how compelling those lies are because I believed them for the first 22 years of my life, until the Lord drew me to Himself using that very consideration of the legitimacy of evil supernaturalism. If you're not yet aware of it, huge investments are continually made by the Devil toward the end of cloaking himself and his ways and means. It must be said that there is a fraudulent stage magic, certainly, but yet, the fact remains that there is a very real magick. The Bible duly acknowledges it. It serves those who do practice the dark arts to deny the truth of it. The Devil's got big game and should be given due respect. Jack Parsons did a Babalon Working in 1947, and now the chosen ones refer to themselves as Babalon Working Babies. That's no trick; that's evil fruit born of black magick.

The member of the Temple of the Four Orders who said, “our secret systems have steered the world towards a greater good for centuries,” was pulling a fast one. Greater good? This same kind of lie is currently being promoted about Freemasonry in the new series on the FOX network, “Sleepy Hollow.” Dark arts, the practical magic, these are only ever used for nefarious purposes, despite what deceived and deceiving practitioners claim.

Here's some of the rich dialogue describing the magician Lord Blackwood in terms that spill the beans on how things really are.

Members of the Order: “Death followed him wherever he went. Those five girls were not the first to be butchered. He killed many more, using them to enhance his powers. ...His power grows daily. His resurrection is evidence of that. But, what he does will be far more dangerous. His secret lies in the Book of Spells. This is the source of his power. He's going to raise a force that will alter the very course of the world. I want you find him and stop him before he does. We'll give you any assistance that we can. As Home Secretary, I have considerable influence over the police. So, name your price.”

The secret order wants to stop that from happening? That's what they would like you to think, but it's the Luciferian Illuminati elite's secret worship of Horus that is preparing for his arrival. The Book of Spells might refer to a magician's personal book of shadows, or also to one of several books of black magick. Because of Blackwood's apparent resurrection, the source of his power can be traced back to the Pyramid Texts and Coffin Texts of ancient Egypt. As to the raising of a force that will alter the course of the world, one such force has already been raised through that dark magick, the chosen ones appointed for the Black Awakening and the antichrist beast's security detail. That which will assemble for the campaign of Armageddon is also in view.

Here's another scene that spills some beans on the Adversary's grandiose plot. If you're not already pretty familiar with the Sodomite Gateway Series, this probably won't make much sense. Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider skipping this.

Sherlock Holmes: “When Blackwood invited me to Pentonville Prison he suggested I widen my gaze and, at a minimum, I have done just that. In fact, I may well have reconciled thousands of years of theological disparity. But that's for another time. Blackwood's method is based on a ritualistic mystical system that's been employed by the Temple of the Four Orders for centuries. To fully understand the system, to get inside it, I reenacted the ceremony we interrupted at the crypt, with a few enhancements of my own. My journey took me somewhat further down the rabbit hole than I had intended, and though I dirtied my fluffy white tail, I have emerged enlightened. The fraternity who silently control the empire share the belief with the kings, pharaohs and emperors of old, that the sphinx was a door to another dimension, a gateway to immeasurable power.”

Do you understand what it means to have gone down the rabbit hole and dirtied his fluffy white tail? By telling us how he emerged enlightened, Sherlock reveals that he was illuminated through ritual sodomy. Sodomy is famously practiced in prison, of course. When Blackwood (wood = penis) suggested that Sherlock “widen his gaze” he used coded language to describe the opening of the “Horus Eye.” Sherlock had modeled the “hidden eye” for us earlier, in a disguise where he donned an eye patch. He and Watson both did some signaling with their hats. The exploitation of the Horus Eye has been practiced by “kings, pharaohs and emperors of old” and the fraternity who silently controls the empire for thousands of years. The sphinx or sphincter, as that anatomy associated with the kundalini gland activation of the pineal gland, actually IS “a door to another dimension, a gateway to immeasurable power.” The gnosis and enlightenment is acquired through the spiritual connection established thereby. While some consider that a benefit, it's ultimately only a benefit to the deceiving demons who gain control over those initiated into the ancient mysteries. This is the basis for their power.

The illuminated detective continues his monologue, describing the form of the sphinx and establishing it as the basis for Blackwood's Occult ritual that is mapped upon the city of London.

Sherlock Holmes: “It's made up of four parts, the foot of a lion, the tail of an ox, the wings of an eagle and the head of a man. In Sir Thomas' secret chamber I found the bone of an ox, the tooth of a lion, the feather of an eagle and hair of a man. Map. (Watson responds to his request by producing a map of the city.) The points of the star represent the five murdered girls but the cross is what we're now interested in. It's a widely held belief that within the architecture of the great cities are coded references to this system. Since he rose from the grave, Blackwood has killed three men. Each murder was committed at a location that has a direct connection with the temple, therefore, the system.”

These four figures appear together in association with the throne of the true God. See Revelation 4:7 and Ezekiel 1:10. These figures can be identified as celestial signs but they very specifically represent the highest orders of angelic beings.

Here's a couple of screenshots of what Sherlock drew out during his season of ritual illumination.

Magicians work by exercising control over demons who are other-dimensional beings. They often do this by calling the demons by name, by means of mental discipline and by leveraging symbols that are both concrete and imagined, as drawn in the air itself or expressed through other gestures. Sometimes implements like bells, candles, incense, salt, knives or artifacts of various kinds are used, which are “charged,” spiritually, with demonic presence. Ritual sex and torture and sacrifice and the keeping of a Pagan ceremonial calendar is standard practice. None of this is done to impress an audience. It's not show business. It's done in environments where there's a degree of insulation so they are not interrupted. These rituals are done to raise power for one purpose or another, to command more demonic authority and dedicate it to their objectives, which are really their lying god's objectives. I'm telling you these things so you can have a better sense of the kind of black magick involved in the stargate operation, because this is what so much of the film is about.

“The Lesser Banishing Ritual of the Pentagram (or LBRP) is a ceremonial magic ritual devised and used by the original order of the Golden Dawn that has become a mainstay in modern occultism. This ritual is considered by many to be a basic preliminary to any other magical work, so much that it was the only ritual, beside initiation rituals, taught to members of the Golden Dawn before they advanced to the Inner Order.” (Wikipedia)

The LBRP is preliminary to the working intended to be accomplished in the ritual. This ritual actually invokes the names of the God of Yisrale and the four angels mentioned in chapter 9 of the book of Enoch. What is on exhibit in the Temple of the Four Orders and Blackwood's ritual of the Temple is not just some random fiction providing entertainment. It's well crafted, with skill, concealing and yet revealing in ways that have become familiar.

In the following image, we see a pyramid, with 4 pillars at the corners. Associated with these are creatures of a form called Griffins. It's an image of dimensional control, with the four winds of heaven. It's an expression of stargate technology.

According to the alignment of the connected Golden and Silver Gates, the Zodiac is bisected in such a way that all four elements astrologically connected to the signs are bound together.

Lord Blackwood's magick ritual and the attributes and activity of the Temple of the Four Orders, together with Sherlock's own observations and the set and settings of the film conceal and reveal plenty about the theme of Horus, transiting the stargate as facilitated through black magick, the alchemical combination of science and dark arts, a practical magic. I'll close this post with what is probably a segue into the next post in series.

The unfinished Tower Bridge is featured in the climactic scene where Lord Blackwood and Mr. Holmes have their last engagement. Blackwood meets his end, falling from the heights. It's a freefall off a tower. A tower that is a bridge. You're tracking the meaning, right? He is later pictured hanging from a chain off the bridge. That's right, a chain. It reminds us of his public hanging, when he met his supposed death earlier in the film. We wonder, is he really dead? Will he rise again? The bridge is unfinished. It's a Silver Gate symbol, and the unfinished state of the Tower Bridge is a witness to the ongoing effort to finish the black magick ritual work of bridging of heaven and earth via the opened Silver Gate, through which Horus and his cohorts will descend.

Part 15 - Celestial Stargates - Operative Black Magick

Series Links: Celestial Stargates

I haven't yet highlighted how black magick is being signaled in connection with the stargates, which is a key operative element, so that's going to be my focus in this post.

The stargate operations in the Wizard of Oz are linked with black magic. Note how the transits take place during highly traumatic situations, when Dorothy and Toto are threatened with death by twister and then by the Wicked Witch of the West. This observation illustrates the source of energy for the work.

In the “Insane” video, the guy trying to catch the falling candlestick signals by his clothing that he's a warlock and that black magick is involved.

In a stargate sequence of the viral Occult video, “I, Pet Goat II,” the character we recognize as Osama Bin Laden has black wings and is performing an invocation during a lunar eclipse, which I intend to explain soon, Lord willing, because he's playing a dual role.

The witches in the Practical Magic film send the same signal through their black clothing as they leap off the rooftop. In this clip of the ending scene, you can hear NLP dropped about traveling back in time and lifting a curse. Keep that in mind. When the witches hit the ground, do you see the living dead?

Black magicians Aleister Crowley and Jack Parsons famously performed rituals that opened stargates.

Much of what passes for the practice of science is alchemy driven through the hidden practice of black magick, and so is the majority of religious practice and the obsessive participation in “secular” activities like sports and the arts. The ignorant (but not really so innocent) public is aiding the opening of the stargates. Most are unwitting agents who are directed behind the scenes through symbol magick, black magick. (Remember what Confucious said rules the world? I can't dispute that.) The stress and tension people are feeling today fuels the magicians and their gods with a potent supernaturalism. Each terrorist act or bloody revolution adds to the sum, and everything that resonates with them.

Jim Wilhelmsen demonstrates that he has some grasp of the role black magick is playing. He believes time will be used as a weapon against mankind, and I think that's a fair statement because it's through the manipulation of time itself that critical objectives will be achieved. I've written about that regularly on this blog. In Part 2 of his series about Time Travel in the Bible he offers some alternate renderings of verses that are more useful than the popular versions in circulation.

A day of darkness and gloom, a day of clouds and thick darkness. As the dawn is spread over the mountains, so there is a great and mighty people; There has never been anything like it, nor will there be again after it to the years of many generations. ~ Joel 2:2

His rendering: “A day of ignorance and concealment. A day of practiced magic and the lowering of high things. As the dawn spreads out upon the mountains, a huge congregated mighty people come into existance that has never been before and shall never be after.” A witness to this “day of practiced magic” appears in the film titled “Practical Magic,” with “the lowering of high things” pictured cryptically as the stargate opened through black magick.

Jim comments that, "The lowering of high things is the technology that produced a mighty army of creation's first appearance and destined to total destruction. The difference of this group from the pre-Flood hybrid offspring is further mentioned in verse 8, where they fall upon a sword and are not even wounded. They are impervious to death as we know it. And this time they come back in bodies that are immortal. This splicing is mentioned in Isaiah 14:29."

Here's that verse.

“Do not rejoice, O Philistia, all of you, Because the rod that struck you is broken; for from the serpent’s root a viper will come out, and its fruit will be a flying serpent. ~ Isaiah 14:29 NASB

Jim says “Philistia is the last refuge of the giants that fled genocide as God instructed Joshua and Caleb” (Joshua 13:2). Here's his interpretation of Isaiah 14:29. “Rejoice not, O Philistines, because the tribe of Dan who punished you shall be broken and out of the Serpent soil shall come an extrusion of offspring, shining ones to cover with obscurity, the Serpent.”

Jim gets into some things I haven't studied for a very long time, and I'm not led to explore or elaborate on the subject further at this point in time, and while I can't throw a blanket endorsement over all his conclusions (which is not to suggest that I'm actually qualified to do so), some of what Jim is describing distinctly intersects with what the Lord has opened to me.

As to the lowering of high things, the magickal leveraging of the principle sometimes called the Hermetic Maxim, “As Above So Below,” imports alien knowledge and entities from a high or rather underworld dimension. The dimensional barriers are being and will be breached for more significant incursions of demonic agencies. This must be so because this action is appointed for the execution of judgment. I give the most attention on this blog to that incursion that will manifest shortly as the singular incarnation of Horus as kind of an avatar, but I'm also attending to some of what will follow after that, which provides some really necessary context within which the connected events are better understood.

The stargate transits including the incarnation of Horus, or resurrection of Osiris into Horus, appears to be featured in Isaiah 14:9-11. Jim Wilhelmsen renders it as follows.

“Hell from beneath is excited for you, to meet you at your coming; it wakes up the dead for you, even all the chief ones of the earth; it has raised up from their thrones all the Kings of the Nations. All they shall ask you, "Are you also become weak as we? Are you become like us?" your majesty and glory is brought with you down to the grave, and the clamor of your spent life: The man is spread out into the place of Christ's as a garment.”

A Hebrew word that describes a “stargate” appears in Joel 2:8 to supplement the description of Joel 2:2, rendered earlier.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is “mecillah,” the viaduct or way of ascension and descending between the realms. Translations vary widely about the latter part of the verse. I find the following particularly compelling, as I do the NASB rendering.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

A notable exploitation of the stargate is in view. Jim Wilhelmsen makes an observation from Luke 21.

men fainting from fear and the expectation of the things which are coming upon the world; for the powers of the heavens will be shaken. ~ Luke 21:26 NASB

Jim notes that “shaken” can indicate, “to move from a place of security to an insecure place or position.” There's a link in this shaking to what's described in Amos 9:1, regarding the stargate pillars. (“Smite the capitals so that the thresholds will shake” - see Part 11) The 9th chapter of Job also bears witness to trembling pillars.

1 Then Job answered, 2 “In truth I know that this is so; But how can a man be in the right before God? 3 “If one wished to dispute with Him, he could not answer Him once in a thousand times. 4 “Wise in heart and mighty in strength, who has defied Him without harm? 5 “It is God who removes the mountains, they know not how, when He overturns them in His anger; 6 Who shakes the earth out of its place, and its pillars tremble; 7 Who commands the sun not to shine, and sets a seal upon the stars; 8 Who alone stretches out the heavens and tramples down the waves of the sea; 9 Who makes the Bear, Orion and the Pleiades, and the chambers of the south; 10 Who does great things, unfathomable, and wondrous works without number. ~ Job 9:1-10

The major incursion of the forces appointed for judgment aren't technically due for yet about another half a millennium, as I understand the 70 generation span prophesied for the binding of Semyaza and his associates. Yet, because of the manipulation of time, the linear continuity will be disrupted, and that early release of the time-locked vault is the reason why.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.
~ 1 Enoch 10:11-12

As I've written before, when they are released, the Lord has ordained that they should be agents of judgment, to execute judgment upon the earth for a short season. The Nachash has eagerly anticipated this release for a very, very long time.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.
~ Isaiah 13:1-5 (LXX - Brenton)

9) The spirits of the giants shall be like clouds, which shall oppress, corrupt, fall, contend, and bruise upon earth.
10) They shall cause lamentation. No food shall they eat; and they shall be thirsty; they shall be concealed, and shall not rise up against the sons of men, and against women; for they come forth during the days of slaughter and destruction.
~ Enoch 15:9-10

This is one reason why the black magick, that practical magick, is being practiced continually, for the lowering of high things. The manipulation of time and the opening of the stargates is the mechanism of access to the resources necessary to accomplish the Adversary' goals.

Part 14 - Celestial Stargates - SS Runes and Lady Gaga

At this point in the series there's a collection of loosely organized observations I'd like to offer. It's not very tightly focused but there's plenty of value in some of these insights.

The featuring of the identity of the sun god is often very subtle in the classic Wizard of Oz film, but it's a constant undercurrent. I've given many examples already in this blog. This excellent video presents many examples of how sun and pyramid symbolism is embedded throughout the film. The Wizard of Oz-Movie Magick-illuminati Hollywood. He is the one the stargate rituals are all about.

An image of the sun god appears in the ritual room of the Wicked Witch of the West, perched on the left side of the high back of the throne-like chair that faces the crystal ball. He appears in his form as the eagle, probably a golden eagle.

The acronym of the customary label, Wicked Witch of the West, is WWW, which evokes the mark of the beast. WWW transforms to 666 with W as vav, the 6th letter of the Hebrew alphabet.

The book the film was based upon reveals how the WWW's castle is located in Winkie Country. The guards of her castle are Winkie guards. She rules over Winkie Country. The name “Winkie” has “wink” for a root, which is the closing of one eye. That hides the eye and the hidden eye is the Horus Eye, of course. It seems the author L. Frank Baum and the producers of the film were winking at those who shared their secrets.


There is another geographical item of note. I suspect the flying monkey monstrosities may derive from a legend where there's a link to the pillar of the Silver Gate. In symbol, things with winds and things that fly indicate the ability to traverse dimensional barriers as they literally fly between a heaven and earth. This is the ability of the gods.

“SATYR, LIBYAN (Satyroi Libyes) Monkey-like satyrs which lived in the forest of Mount Atlas in North-West Africa” (Theoi.com)

You may recall the following excerpt from Part 6, which connects those Mount Atlas to Sirius and Gemini and the Pillar of Heaven that is known as the Silver Gate.

“The twins of Gemini, whose Astrological glyph is two pillars II, were the inspiration for not only the foundation myths of Rome and Thebes, but also for Atlantis. Atlantis was ruled by seven sets of twins, the most famous king being the son of Poseidon, Atlas. The Atlas Mountains in Algeria lay directly under Sirius and Gemini. Atlas, it was said, held up the pillars where heaven and earth connected. According to Herodotus, the Libyans living around the Atlas Mountains professed to know the measurements of the earth: 'These mountains are very high and were believed to touch heaven, but were altogether inaccessible because of the density of trees and [they] call this mountain “the Pillar of Heaven”; and they themselves take their name from it, being called Atlantes.' [Herodotus]” (The David Flynn Collection)

The room where Dorothy was kept is where the WWW apparently did her star gazing. It's kind of an observatory. Some practitioners of ceremonial magick claim that round rooms are conducive to potent spell casting. Given the spherical containment bubble within which protection is afforded to the witch and energy is raised, it makes sense as physically complementing the geometrical expression of the supernaturalism. I see the domed and arched architectural elements that prevail in temple architectures in this same way. Magick is about modeling- as above, so below, and commanding and binding those beyond, from here.

Compare the WWW's ritual room with one featured in a castle that the Nazi SS appropriated in 1934. The triangular castle in Wewelsburg, Germany is aligned on the North-South axis, and this was of particular interest to Heinrich Himmler. I do not doubt that he was linking the local Westphalian legend of the "Battle at the birch tree" (Schlacht am Birkenbaum) to the campaign of Armageddon. That's a big deal. The castle was to be their Center of the World, which reveals how much importance was assigned to it in their cult religion. In this picture, you can see the black sun emblem embedded in the floor of the cylindrical tower, which has been called the "Obergruppenführer"-Hall (SS Generals' Hall). The black sun is considered by some (including Chilean diplomat and esoteric author Miguel Serrano) to be a stargate. As a symbol of ritual sodomy, which had to have been ceremonially practiced there along with human sacrifice, it is certainly that. As a 12 fold radial image of the celestial, the black sun symbol must be seen in connection with the zodiac, and quite possibly with the King planet, Jupiter, which has a period of 12 earth years. With pillars joined by arches surrounding the black sun emblem, their ritual room compares to the WWW ritual room. Those who designed the set for the MGM film and the esoteric Nazis have the same spiritual heritage.

The black sun is believed by some to be a radial array of Sig runes, which are sun runes. This symbol is related to the magickal swastika and is a multiplication of the double Sig runes of the SS. Runes held an important role in their religion. They are magical symbols.

The SS rune pair speaks to me of two things. First, it's a reference to the sun god as the enchanter, the Nachash, the fiery serpent. The root of that Hebrew word is the hissing sound, which is the sound of an enchanter. I have listened to hundreds of hours of audio recordings played backwards seeking to understand what the Lord might reveal to me about reverse speech, and I have heard many instances of hissing. Reference is very obviously being made to the Nachash. Instead of naming him, a simple hiss suffices, and sometimes a very brief one at that. The other thing the SS speaks to me of is the stargate known as the celestial Golden Gate. Scorpio and Sagittarius: SS.

I believe many SS brands and logos are symbols like the Nazi SS runes. I have noted how the Silver Gate is being represented as TG or GT, for the region of Taurus and Gemini. I'll present an example shortly, but here's one for the SS.

The runic SS is featured in Lady Gaga's branding. Her lightning body image is a doubled Sig rune. This runic connection with the Nazi SS is evident in her Born This Way music video. The symbolism of the Waffen-SS isn't merely coincidental. The birthing of a new race, the conception and birth, black magic, cloning, the living dead, these are all pretty obvious themes.

The flag flown at the headquarters of the Waffen-SS pictures the four winds of heaven, which appear in Gaga's video as bursts of flames exiting the gun barrels. Like how bullets bring death, this is what their runic magick is bringing by advancing Horus' incarnating into the Totenkopf-Jolly Roger beast, to make “living dead” of us all. The death-life “bullet” is the DNA life of the serpent tree, the hiSS-Nachash, Lucifer. It has to do with stargates, and the celestial Scorpio-Sagittarius Gate.

The movie poster for Practical Magic features the Silver Gate by calling out the intersecting letters T and G in the stylized title. Taurus-Gemini. They cross, and + or X marks the spot. They are superimposed over a white candle. The candle is a cylindrical pillar, with a light on top, a pillar of heaven and stargate symbol. I've decoded some of this poster's symbolism already. The black umbrellas are signs of ritual sodomy and mind-control programming. The stacked and entwined letters C are a double C Code 33 symbol, and these intersect to form the richly symbolic vesica piscis to extend the sex magick layers. The stacked letters “i” form a magic wand, and identify the “i” of Horus, the star-angel. I think it can be inferred that this wand is another pillar of the Silver Gate. Given the context, Ra is obviously implied, naming the sun god, with the extended leg of the R implying a Horus Eye. A pyramid with capstone is pictured in the stacking of the A over the M. With the R connected in to the A over M pyramid, it is the Eye of Ra like on the Great Seal of the USA. The RA and M speak to me of the Royal Arch Masons, whose symbolism is embedded in so many places in sneaky ways. The way the witches hold hands forms the letters M, with all the layers of meaning in that ubiquitous symbol. The poster is like the film. There's practical magic at work, quite literally. This is a bit of a reach, but if you rotate the final M formed by the two witches on the right, they spell out, TIME. That's usually featured in Silver Gate ritual. So is leaping, and if you watch the movie, the scene pictured here is at the very end. They are about to leap off the roof together. Yes, it's a Silver Gate ritual!

More to follow, Lord willing!

Part 13 - Celestial Stargates - Run Toto, Run!

Series Links: Celestial Stargates

I must admit that several scenes of the classic Wizard of Oz film traumatized me when I was young, as so many others have reported over the 74+ years since it was unleashed upon the world. One scene that was indelibly imprinted into my life pictured Anubis, transiting the Silver and Golden Gates. Until very recently, I only perceived it as it appears on the surface, as Dorothy's little dog Toto escaping from the castle of the Wicked Witch of the West. The surrounding context of that scene matches the pillar leaping dramatizations from “I, Pet Goat II” and A-Jax's music video for “Insane” I've been featuring in this series of posts. These are exhibits of the Adversary's exploitation of the stargates. They are redundant prophecies, which the Lord Y'shua is shedding light on to provide a validating witness to the parallel biblical prophecies, which are now beginning to be fulfilled.

The setting is pictured in the screenshot below. The low pillar at left has a large iron ring. On it sits a large hourglass. Time is the key to the stargate's operation. The creepy flying monkey has set the basket containing Toto next to the hourglass.

Here's some dialog with a little commentary about the action of the scene. The words where time is a factor are upper-case to call attention to the crafty NLP.

Dorothy has been captured and is being held by the witch in the ritual room of her castle.

WWW: “What a nice little dog.” (She snarls and stuffs Toto in the basket.) “And you my dear, what an UNEXPECTED pleasure. It's so kind of you to visit me in my LONELINESS.”
Dorothy: “What are you going to do with my dog? Give him back to me.”
WWW: “All in good TIME, my little pretty. All in good TIME.”
Dorothy: “Oh please give me back my dog.”
WWW: “Certainly, Certainly. WHEN you give me those slippers.”
Dorothy: “But the Good Witch of the North told me not to.”
WWW: “Very well.” (to the Flying Monkey) “Throw that basket in the river and drown him!”
Dorothy: “No - no - no! Here. You can have your OLD slippers, but give me back Toto.”
WWW: “That's a good little girl. I KNEW you'd see reason.”

The witch reaches for the ruby slippers but some kind of magical energetic discharge thwarts her effort.

Dorothy: “I'm sorry. I didn't do it. Can I still have my dog?”
WWW: “No! Fool that I am. I should have REMEMBERED. Those slippers will NEVER come off, as LONG as you're alive. But that's not what's worrying me. It's how to do it. These things must be done delicately or you hurt the spell.”

Toto jumps out of the basket, off the pillar and escapes through the open door.”

Dorothy: Run, Toto, Run!
WWW to the flying monkey: “Catch him you fool!”

Toto descends the stairs and runs to the edge of the raising drawbridge. He leaps down, across the moat, escaping down the path while the guards throw their spears behind.”

Dorothy: “He got away. He got away!”
WWW: “Oh, which is more than you will. Drat you and your dog. You've been more trouble to me than you're worth, one way or another. But it'll SOON be over NOW.”

She picks up the hourglass and turns it over to reset it.

WWW:“Do you see that? That's how much LONGER you've got to be alive. And it isn't LONG, my pretty. It isn't LONG. I can't WAIT FOREVER to get those shoes.”

Time itself and the timing of things are critical elements that must be given due attention in ritual magick that pertains to stargate transit. This is the witness of this film's performance, as with the comparable vehicles of “Insane” and “I, Pet Goat II.”

This film's performance of the stargate ritual compares to the twister and picket fence gate sequence and the spiraling yellow brick road sequence addressed earlier. First we see the Silver Gate transit modeled, then immediately following it, the transiting of the Golden Gate. We see Toto as the Dog Star, Anubis, transiting the Silver Gate as he leaps off the concrete pillar. As he descends the stairs we see Toto and his shadow on the wall in an expression of the synchronized activity in two parallel realms, one that appears as a shadow of the other. When Toto arrives at the edge of the drawbridge, he pauses and we see the set as the Golden Gate, with a bonus featuring of the iron gate. Leaping off the raised bridge down over the moat to the other side, “Anubis” transits the Golden Gate.

The Silver Gate is pictured as the light colored concrete pillar with the hourglass. It's high up in the castle tower, where we earlier were shown the flying monkey army being dispatched to fetch Dorothy. Silver Gate: Taurus-Earth / Gemini-Air. The Golden Gate is pictured at the drawbridge. Scorpio-Water / Sagittarius-Fire - the moat and the flaming torches flanking the bridge. Sagittarius is the archer, and although I see none of those, I think the spear throwing guards provide adequate support to the symbol.

There's no lack of complementary celestial imagery here.

The WWW's ritual room has many signs that astrology is being practiced there. The armillary sphere is used by diviners and astrologers for representing the positions of the stars and planets.

“An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (in the celestial sphere), consisting of a spherical framework of rings, centered on Earth, that represent lines of celestial longitude and latitude and other astronomically important features such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations.” (Wikipedia)

The wavy golden band on the chest below it represents the tracing of the locations where the sun may be seen directly overhead at Noon, a position that oscillates back and forth across the equator like a giant pendulum that has a period of one solar year.

Did you happen to notice the designs on the floor encircling the circular stepped platform? It's the circle of the Zodiac!

The crystal ball appears on the raised platform at the center of the Zodiac, in the place of the observer, Earth itself. The base of the ball contains images of demonic beasts, populating the “under” world. (It's the Duat) The Sun, Moon and planets would appear to revolve in the space between the crystal ball and the outer ring.

The hourglass might be used for recording transits of planets across the sun or moon, timing eclipses, or when creating potions for spells. A mortar and pestle, which appears on the pillar next to the hourglass, is used for grinding such things a witch might use for such potions and alchemical workings.

This is the context in which we find the pillar, positioned between the door and the Zodiacal representation. The pillar is the gateway to the celestial heavens.

Do you see the panel on the zodiacal ring with concentric rectangles? That seems to represent stacked dimensions.

Here's a screenshot from “Insane,” a very brief sequence at the 27 second mark. Mirrors used for spells and scrying are associated with the moon, which would be the Silver Gate. By the way, the familiar story book style wishing well could be used for scrying, which reflects celestial lights like the moon in the still surface of the water.

Here's a sequence of concentric rectangles from I, Pet Goat II, where Anubis and Osiris-Horus appear as out of the Milky Way Duat.

Whoah! Full Stop.

What's going on in this last image?

The messiah figure is being constrained to the actual bounding frame of the video! It's an acknowledgment of our dimensional plane of reference as the viewers. Remember what I wrote about Bullwinkle's employment of a theatrical device called breaking the fourth wall?

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

So, Anubis bears the messianic figure along in the Milky Way Duat directly towards us, until he comes to the fourth wall, the barrier separating us. And, then, he breaks through!

He's larger, which means closer, and no longer constrained by the barrier. He's broken through, transiting the stargate! He opens his mouth and flames are emitted. This may suggest the Golden Gate, as Sagittarius is associated with fire. Or, it may just be picturing the truth of the symbolic level I only hinted at in the previous post in series. Dragons breathe fire. Revelation 13:11 - But I don't want to get too far ahead of myself.

For me, having become familiar with a stargate being represented as a viaduct, the first clue in the larger context of the scene that the castle might have something to do with stargates began with this image. Remember my writing about the mecillah? The viaduct or raised arched highway that provides access to the castle suggests that it actually exists in another dimension.

More to follow, Lord willing.

Part 12 - Celestial Stargates - Silver Gate Mass Ritual

The post Aaron just put up was numbered 911 in the count of posts to this blog. What a fitting numbering! Emergency! Call for help (to the One in whom help truly is)! We didn't plan that, but, there it is.

A transit through a stargate was pictured as a cat jumping off a column or pillar in the music video “Insane.” When I understood about the meaning of the candlestick that turned into an hourglass, what came to mind was the Wizard of Oz and the hourglass in the castle of the Wicked Witch of the West. When I watched the scene where it was featured, Dorothy and Toto were being held captive. I saw the hourglass was set upon a pillar.

When Toto leaped off the pillar and ran down the stairs, jumped over the lifting drawbridge to span the moat and escaped the castle, I knew this was a parallel dramatization of the Silver Gate, then Golden Gate. I'm going to expand on that, Lord willing, after first presenting the pillar leap vignette from “I, Pet Goat II” (which should be read as “Gemini” as the glyph implies). It's a leveraging of the most significant mass Silver Gate ritual in recent times!



The video is still being presented on the Heliofant.com home page.

This viral video is in large part a ritual invocation of Horus as coming through the Silver Gate. After the introductory scenes we see a kind of apocalyptic view of New York. A stylized but easily recognizable image of the smoking and collapsing Twin Towers is accompanied by haunting and hypnotic music. The Twin Towers are a Gemini symbol, twin skyscrapers, reaching from the earth into the heavens. One of the stylized twins has a human form with the suggestion of a bare bottom because the Silver Gate is considered to be the back door.

The date they were destroyed, 9-11, is also a Silver Gate symbol, which is sometimes identified as the 9th gate, and the numeral 11 illustrates a graphic of one or two pillars. Counting from Virgo as the 1st sign of the Zodiac, Taurus is the 9th constellation. The Twins are Gemini.

Timing and time itself is a key factor in the stargate operation and ritual, as I've demonstrated at some length, and to emphasize that feature a clock tower is highlighted in this scene. It's midnight, like the 12 o'clock hour we that appeared on the “Insane” video's cuckoo clock. An allusion to the Midnight Cry.

Some of the horrific imagery burned into our memories by the media includes the falling bodies of those who leaped from the burning Towers. Those traumatized victims fell to earth out of the sky in freefall, to their deaths. The evidence that has been examined for many years contradicts the official versions, exposing how the event was carefully planned and executed. It was a ritual sacrifice, and very particularly marked as a Silver Gate ritual.

It might be considered insensitive to illustrate the scene with terrified victims falling to their deaths, so Heliofant illustrates it in connection with the burning Twin Towers but with a degree of separation. While the burning Twin Towers recede into the background, we see a single character leaping from a high place into the water. Yet, I suspect Heliofant's reasons for representing it this way have more to do with symbolic meaning than sensitivity.

The leaper on a column is costumed. He spins around before he leaps as a choreographed move, suggesting to us that this was a choreographed or staged event. When we're shown a crescent moon in the sky (eclipsed, actually) with a figure popularly identified as Osama bin Laden wearing US Army fatigues and a CIA badge, we see their identification of the event as a false flag op, which they extend by further suggesting that it's about oil. Given how Satan's hands were pictured earlier controlling Bush and Obama as marionettes, we see this scene as consistent with the theme of control being exercised as from off stage, as theater. Putting it all together, I believe what's really in view illustrates a Silver Gate mass ritual staged as a sacrifice to Satan.

Just like with the MTV WMA ceremonies that have been held in every 11th month, a certain kind of energy is harvested and exploited. If you think this isn't a real dynamic, you've been missing an important point of these posts. A magician understands about the building and releasing of energy. The pivotal event of 2001 was effectual ritual magick as the sacrifice involved about 3000 lives, or so it is reported. There was also ritual involved in the reporting of the event, then and since. I believe that every time someone who accepts the fabricated story and is emotionally engaged by it sees or hears of the event, or some memory of it is triggered, there is a reenactment of the ritual for further benefit to those who planned and executed the operation.

The emergency phone number 911 is also a Silver Gate symbol. We have been programmed to recall and respond to this programmed imprint of 911 in the midst of trauma. That harvesting ritual is being repeated over and over again!

Now, as the observer's point of view in the video demonstrates that we are continuing to back up, we pass through a narrow passage (back door) and find ourselves alongside Anubis, in the misty underworld Duat. The impression made in their image of the narrow passage is that of a keyhole, which punctuates the scene as the Silver Gate transit. The false messiah is in the boat, still in a trance, which is to say that this ritual is invoking and facilitating the coming of Horus.

After the Bin Ladin and oil sequence we look down upon the stylized Statue on Liberty Island to see another signaling of the Silver Gate. The apparent ice formation is the head of a dog, a celestial constellation, Canis Major, the same one pictured in the opening sequence as the stick figure guard dog. It's Anubis! The Statue's pedastal appears as a star. Dog Star. It's Isis and Anubis, together. The idol is Isis, as identified in Part 2. In scenes and texts of ancient Egypt (and promotions of the Golden Age of the Pharaohs), Isis and Anubis are often pictured together.

The next image looks up into the Silver Gate, establishing the celestial heavens as our frame of reference. A portal momentarily opens at the center of the vortex in the shape of a 5 point star. Horus, comes through the Silver Gate!

There is some parallel layering in this sequence that is mind boggeling, but just can't be covered in this post. Soon, Lord willing!

Hold Fast to that Which You Have Been Given for the Hour of Testing is Soon Upon Us

By Aaron Hermann

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A short time ago the Lord gave me a word to share as I was reading the book of Revelation. I had just finished reading the following

10 Because you have kept the word of My perseverance, I also will keep you from the hour of testing, that hour which is about to come upon the whole world, to test those who dwell on the earth. 11 I am coming quickly; hold fast what you have, so that no one will take your crown. 12 He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name. 13 He who has an ear, let him hear what the Spirit says to the churches.’ ~ Revelation 3:10-13

It was immediately after reading this that the Lord gave me this message to share.

"Tell my people to hold fast to that which they have been given for the hour of their testing will soon be upon them."

Whenever I receive a Word like this from the Lord I press in and seek Him as to when and how to deliver His word, and if there is anything else I need to share. It has been nearly a week since I was given this word, but it was not time to share the message until this evening.

The Lord has made it very clear over the past couple of days that the message He gave me was given in the context of the hopeful bride candidates of Y'shua HaMashiach and the hour of testing they will soon experience. A significant part of this testing will come in the form of betrayal and persecution coming from the rest of the church. Many folks ministering in Babylon write and speak quite frequently about the war the world is raging on Christians and how the world is persecuting the body of Christ. While that is true, there is a deeper level of persecution and betrayal that will take place and it will be the "heads of house", the leaders of the Christian community, who lead their people to betray and persecute Y'shua's Bride.

The ministers of Babylon have done a terrific job at convincing their blinded followers that all of the church is the Bride of Jesus Christ. However, that is simply not true and the vast majority will not come to recognize this truth until it is far too late. The Lord has been doing a very special work with a small number of folks that will make up His bride. The bride of Y'shua will be taken out of the body of the last Adam just as Eve was taken out of the body of the first Adam to be his bride.

What the Lord has given me to write to you has been modeled in the Bible, and I encourage you to seek Him for confirmation of what I am sharing with you here.

As I sat down to begin writing this, the Lord took me to something Bob wrote quite some time ago called "The Testimony of Gethsemane." I have referenced this several times over the course of the last two years, but it is especially relevant now as we have entered into a very special season. As I was reading what the Lord showed Bob all those years ago it became quite clear that the Lord was speaking to me about division, and how the testing that will soon be upon us will serve as a means to separate and divide people into their rightful place in the eternal hierarchy.

“As I wondered and prayed, it came to me that the very location of the event typified separation. Indeed, even though such a thing is never stated directly, the entire Mount of Olives is a symbol of division and separation. As I checked every mention of this location in the Bible, this signification became very clear. Knowing that the Mount of Olives is always associated with division affords us greater insight, because all that the Bible records as being said and done on the Mount can be considered from that perspective. Though it may seem a small matter, this insight has led me to some very important lessons about the Lord's plans for the latter days of his church.

Deception will mark the time of the end as His coming approaches. Division will occur as many are deceived by the many who come in the name of Jesus Christ. We continue reading in the context about nation rising against nation, and kingdom against kingdom, the turning away of many from the faith, betraying and hating each other, the love of most growing cold but that those who stand firm to the end will be saved, and even the departure of those who are in Judea as they flee to the mountains. Then we read of the prominent separation as two men will be in the field; one will be taken and the other left. Two women will be grinding with a hand mill; one will be taken and the other left. Could division be more pronounced?

Consider how the series of parables found in the balance of the discourse reveals the basis for division between the owner of the house and the ones who watched, the faithful and wise servant and the wicked servant, the five foolish and the five wise virgins, and the various servants who stewarded the master's talents while he was away. Finally, note the son of man's activity as "he will separate the people one from another as a shepherd separates the sheep from the goats." Yes, division is so obviously the theme here!

In that account, we learned about the sheep being separated from the goats by the shepherd, but in the next, we will learn about sheep that are separated from the shepherd as they fall away on account of him. This, too, is declared while on the Mount of Olives.

When they had sung a hymn, they went out to the Mount of Olives. 31) Then Jesus told them, "This very night you will all fall away on account of me, for it is written: "'I will strike the shepherd, and the sheep of the flock will be scattered.' ~ Matthew 26:30-31

(Similarly; Mark 14:26. Also see Luke 22:39)”

The Testimony of Gethsemane - Part 1 - (The Mount of Olives)

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Then Jesus went with his disciples to a place called Gethsemane, and he said to them, "Sit here while I go over there and pray."
~ Matthew 26:36

The word "Gethsemane" means "oil-press place." It was an olive grove on the Mount of Olives with a name that suggests a place where the olives are processed into oil. Oil is a symbol both of the spirit and of understanding. In order to bring forth the liquid (oil) from the olive, an oil press causes great pressure on it. Jesus is the olive root according to Romans 11:16, supporting every olive branch and therefore every olive in the tree. Did he experience pressure in that place? Indeed he did! The tremendous pressure upon him can be seen to bring forth liquid in Luke 22.

And being in anguish, he prayed more earnestly, and his sweat was like drops of blood falling to the ground. ~ Luke 22:44

The external fluid came forth like the internal fluid. Gethsemane indeed!

I have noted a number of significant instances of separating in the account. First, we see our Lord separating himself, Peter, James and John from the other disciples and then further separating himself from those aforementioned three. (Matthew 26 and Mark 14) This curious matter is what initially arrested my attention when the Lord was opening to me the association between the Mount of Olives and the meaning of division. Y'shua made a point of telling them to stay where they were, insuring that they would remain as he had separated them. Later in the account, Judas singled Y'shua out by betraying him with a kiss. He distinguished very particularly in this manner, separating him from the others present. Strange, isn't it? As if they wouldn't have been able to recognize him on their own. I believe part of the reason this was noted in the account is because of the primacy of the division theme. It is interesting that the agreed upon sign of betrayal was a kiss, an act of the parting of the lips. At the scene of the arrest, one of the disciples separated a man's ear from his head. In the account given in the gospel of John, the names are given and may therefore be seen as important to know. Simon Peter ("Simon" means "hearing") used one of the two (the number two signifies division) swords to separate the servant (whose name "Malchus" means "kingly") of the high priest's right ear from his head. Note that the cutting off of an ear impairs the ability to hear, and that the ear's healing restores the hearing. In the time of antitypical fulfillment, the "kingly" of the "High Priest's servants" whose hearing has been impaired will receive ears to hear because of the use of the "sword" given "Simon Peter" to wield. After Y'shua was arrested, they took him away, separating him from his disciples who themselves were scattered, causing a complete separation among them. Like the mention of the names in the above account, another feature unique to John's record is the recording of a very strange event that dramatically emphasizes the number two (division , separation) by way of repetition.”

The Testimony of Gethsemane - Part 2

Part 11 - Celestial Stargates - Biblical Pillars of Heaven

Yesterday, in my waking season, the Lord was reminding me of a remarkable day when He gave me some insight into stargates back around '97 or '98. Here's what I wrote about it.

“Between heaven and earth, there is a highway of sorts. This "high" way is a viaduct that will be a well traveled route for many who worship in the New Jerusalem in days to come. Let me tell you how I discovered this fascinating fact. Not too long ago, I woke up with a phrase running through my mind that just wouldn't go away. Until I got home from work that evening, I kept thinking, "The Assyrian is in the land. The Assyrian is in the land." When I realized the Lord was teaching me that the Assyrian was a symbol of a people in the land, I understood that he was about to show me something special based upon that knowledge. When I got home and began to search it out, I made an awesome discovery! Adding my knowledge of the Assyrian symbol to what I already knew from the "Iron Gate" studies about Egypt being a type of heaven, I discovered the meaning of the Hebrew word "mecillah," meaning a highway, staircase or viaduct.” (The Kingdom Viaduct)

I debated reproducing the entire study here. Instead of doing that I'm suggesting you just go read it now, as the Lord leads. It may be that it will open to you why an overcomer is made a pillar in the temple of the Heavenly Father, and why that's so awesome.

He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name. ~ Revelation 3:12

A decade later, the Lord called my attention to a ritual modeling of that mecillah that provided more insight and gave a degree of closure to what still seemed to me to be such a peculiar insight. Now, it's making a whole lot more sense!

The modeling was a dramatic element of a very public Illuminati ritual, performed in the way a soccer ball was ceremonially escorted to a bus during the London Ceremony. That was a richly symbolic 8 minute show sandwiched within the closing ceremonies of the Beijing Olympics. (Olympic Ceremony Symbolism - Part Four) The mecillah is a way of ascension and descension bridging heaven and earth, a stargate that may be represented in symbol as a ladder, stairway or viaduct.

Here's a picture from Rochester, NY, as seen from a vantage point fairly near to the statue of Mercury (Hermanubis) that has been exalted into the skyline. They do seem to know their stargates in Rochester. (Series Links: Rochester, NY and the Gateway to High Falls)

A stairway to heaven was dynamically woven of the flesh of man during the London Ceremony. This ritual enactment was set in the very specific context of 2 Thessalonians 2's ascension to a heavenly throne!

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

In other language, this is Horus transiting the Silver Gate. He descends to incarnate in the chosen human vessel, while that genetically groomed man ascends to a celestial throne in the bridging union of body, soul and spirit. This antichrist merging represents the Devil's crux move. The agency of the Pope who baptizes and anoints him as the officiating High Priest is the beast John saw rising out of the land, and this is the agency of Anubis wielding the ankh. The place of restraining may be considered the Duat, the underworld and place of the dead as it is known to the Egyptians and their royal heritage.

6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. (or, GONE FROM AMONG) 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; ~ 2 Thessalonians 2:6-8

When we read, “so that in his time he will be revealed,” it must be observed that there is an appointed time. On the calendar, this will be fulfilled on the 13th day of the first month, on the Lord's calendar. By our accounting, Spring of 2015. But that's the BIG secret, of course. ;) He, the antichrist agency of Horus, must be restrained until the appointed time. Too soon or too late - no good.

The Adversary is not ignorant about matters of timing. Within the limits of what my Lord has granted him for the outworking of His purposes, his knowledge is sufficient.

28 When He came to the other side into the country of the Gadarenes, two men who were demon-possessed met Him as they were coming out of the tombs. They were so extremely violent that no one could pass by that way. 29 And they cried out, saying, “What business do we have with each other, Son of God? Have You come here to torment us before the time?” ~ Matthew 8:28-29

“Gadarenes,” according to J. B. Jackson, means: “reward at the end.” Strong's Dictionary offers for the KJV substitute, “Gergesenes,” is, "a stranger drawing near." Flag on the field, fellow students. “When He came to the other side into the country of the Reward at the end / A stranger drawing near.” Think about it. Names are instructive. There's a suggestive preface to what may be interpreted as a parable. I don't doubt the legitimacy of the historical account as recorded, but it's also esoteric. They were coming out of the tombs, the place of the dead, as the underworld or Duat? They cried out as one, in two part harmony like mirror twins, in a Gemini-Silver Gate signaling, perhaps? The demons cast into the pigs immediately executed a freefall into a watery place named “circuit, or revolution” (Galilee) within the flow of “their descent” (Jordan), which perished their hosts and cast them into an abyss across the dimensional divide. The fall from a high place is a theme I haven't finished exploring yet. The Siamese (twins) cat leaping down off the pillar in A-Jax's “Insane” was just one example!

The sovereign Lord is ultimately in charge of every matter, and the Adversary's attempts to override His authority, even that which is over time itself, will appear to succeed. Keyword: Appear. For a season.

The messages being presently communicated to us in media echo how we are in the final countdown. It's time. We can't stop. These are expressions of confidence. You can accept that those who have ordained this proclamation have good reasons for being so confident. The rituals from the 2012 London Olympics and Paralympics were efficacious. There have been many more since then. The time has come for transition, for the unfolding sequence of trigger events and the eruption of chaos. A complex plan is being worked out. I will continue to decode the Occult messaging systems and bear witness to the greater truth according to the Lord's provision. If all this is speaking to you, take the words of 1 Thessalonians 5 to heart. Press in to all the Lord has for you, while this season for writing about chronos kai kairos remains, because it won't last much longer.

The Bible is not at all mute about the matter of stargates, and the matter of concealing and revealing is being capably managed by the Lord Y'shua. To get what some of us need to get from this I'm going to reference some relevant passages. I'm acutely aware of how very little I know about most things. What I do know confidently is that the Lord is attending most wonderfully to the provision of our daily bread. I'm not interested in theory, as speculative and academic. These are practical matters, for those to whom it is appointed.

There will be more than one instance of breaching the Silver Gate. It is likely that, as Steve Quayle is now reporting, stargates are opening already. When the antichrist beast manifests, that will be a notable, even pivotal breach. When the mark of the beast is implemented in a gambit leveraging his serpent DNA, and when the time lock on the 70 generations containment of Enoch's description is sprung, the expression, “all hell breaks loose” will be realized as never before. These things must be so. When it will be considered that things are beyond recovery, that will not quite be the full truth of the matter.

This passage in Amos 9 bears witness to the pillars that are stargates. The knob struck is the heavenly and underworld end of the stargate while the threshold is the pillar's base upon the earth.

I have seen the Lord standing by the altar, and He saith: `Smite the knob, and the thresholds shake, and cut them off by the head -- all of them, and their posterity with a sword I do slay, Not flee to them doth the fleer, nor escape to them doth a fugitive. 2 If they dig through into sheol, from thence doth My hand take them, and if they go up the heavens, from thence I cause them to come down. 3 And if they be hid in the top of Carmel, from thence I search out, and have taken them, and if they be hid from Mine eyes in the bottom of the sea, from thence I command the serpent, and it hath bitten them. 4 And if they go into captivity before their enemies, from thence I command the sword, and it hath slain them, and I have set Mine eye on them for evil, and not for good. ~ Amos 9:1-4 (YLT)

The New Living Translation renders Amos 9:1: “Strike the tops of the Temple columns, so that the foundation will shake. ”

According to the NET Bible, verse 2 reads, “Even if they could dig down into the netherworld, my hand would pull them up from there. Even if they could climb up to heaven, I would drag them down from there.” The netherworld; sheol, aka the Duat.

When the Lord says, “and I have set Mine eye on them for evil, and not for good,” that's THE evil eye that all the apotropaic amulets, MIB style ArcNets, The Fifth Element-like beaming and symbol magick in the world won't protect against. The exit strategy of those who would flee is flawed. Foiled. They will be flummoxed, and snake-bit.

The Hebrew words kaphtor and caph are stargate or mecillah constructs.

Knob: kaphtor Strongs H3730. Genesius observed that this word appears to be compounded from “to cover,” and “ to crown,” “ hence, a crown, chaplet, circlet of columns, of the golden candlestick.”

If you track the word, kaphtor, you will see how it describes elements designed into the golden lampstand that lit the Temple in Jerusalem (At the Center of Time, as coined by David Flynn). The menorah is a model, as all those things are, of heavenly things. The celestial lights are as the flame of a lampstand or golden candlestick whose base is set upon the earth.

God placed them in the expanse of the heavens to give light on the earth, ~ Genesis 1:17

Threshold: caph (pronounced saf) Strongs H5605. Threshold, sill, door-keeper - also translated gates. See 1 Chronicles 9:19 and 1 Chronicles 9:22. (Are you familiar with Series Links: Threshold? It's the stargate plot operating through the triple-helix DNA transformation of the Beast and his mark. )

This version of a temple with pillars from Dendera is not the figurative equivalent of an 8 dollar bill. The ancients had secrets of heaven, not all of them, certainly, but enough to do what was required. This ancient representation is more the equivalent of a large and legitimate denomination of currency, albeit a most clever counterfeit.

Amos 9:4 - “I command the sword”
Revelation 1:16 - “out of His mouth came a sharp two-edged sword”

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. 14 His head and His hair were white like white wool, like snow; and His eyes were like a flame of fire. 15 His feet were like burnished bronze, when it has been made to glow in a furnace, and His voice was like the sound of many waters. 16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. ~ Revelation 1:12-18

Are you paying attention to the celestial symbolism? That is the genuine as provided by THE WORD Himself with a legitimate use of symbols in the expression.

When the clever producers of the A-Jax music video “Insane” chose pillars as symbols of the stargates and set candlesticks upon them, it was not of their own invention.

More to follow, Lord willing!