The video is embedded below but if you can't see it in your version you can probably still find it on the Heliofant.com home page.
Graffiti appears on the side of the school, with our attention drawn to it because the reflection is seen in the window as we pull back out of the classroom.
The script is a little hard to make out but it's a reference to one of the most familiar and commonly memorized passages of scripture, the 23rd Psalm.
1 The Lord is my shepherd, I shall not want. 2 He makes me lie down in green pastures; He leads me beside quiet waters. 3 He restores my soul; He guides me in the paths of righteousness for His name’s sake. 4 Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me; Your rod and Your staff, they comfort me. 5 You prepare a table before me in the presence of my enemies; You have anointed my head with oil; My cup overflows. 6 Surely goodness and lovingkindness will follow me all the days of my life, and I will dwell in the house of the Lord forever. ~ Psalm 23
Given the scenes of destruction that follow and knowing how a sequel to 911 and further military engagements are indicated, the 4th verse is one that is going
to be recited from memory by many folks when trouble comes. I take the referenced Psalm's 5th verse to be their subtle introduction to the featured scenes of the anointing of the lawless one. Because there's a lightning bolt in the graffiti and lightning striking around the pumpjack during the baptism and anointing sequence, the link seems pretty obvious to me. The lightning is connected with the “black oil” anointing, of unholy spirit, antichrist. When we see the oil drip down as from a spout, “My cup overflows.” (See Part 26 - Celestial Stargates - The Black Magick Baptist and Part 27 - Celestial Stargates - The Black Magick Anointing) Because of the way the scripture reference is styled and how the overhead light shines on the number, immortality is pictured. Heliofant's version isn't going to be the kind Psalm 23:6 actually describes. “I will dwell in the house of the Lord forever.” The version their lord will furnish is the antichrist beast counterfeit.
The 23 is a signal chromosome number. I've written plenty on this blog about triple helix DNA and how Occult signaling describes the beast as having one serpent-kind strand added to the 2 native strands of the human host's DNA. The “evolved” transhuman or H+ or posthuman body of the beast, and of those who receive his mark, according to the familiar signaling, will feature 46+23 or 69 chromosomes. The graffiti graphically illustrates “2 into 3” where the 2 strands become 3. The 2 and 3 are entwining, spinning together. This pictures the evolution that dominated the imagery of the front wall of the classroom scene, focused on the genetic level. See the spike on top of the 3 as the plume of the plumed serpent or horn of the dragon, identifying the nature of the 3rd strand and triple helix bodied beast. There's a round depression in the wall that speaks to me of the Ouroboros.
The light is most particularly shining on this number, on the head of that 3 strand DNA bodied plumed serpent. The light seems to match to the peak of the snowbank as the capstone of a pyramid.
See the lightning positioned adjacent to the 2 as the powerful charge that initiates the “2 into 3” action. There are two aspects of this brilliant imagery, the technical and the esoteric.
Gene splicing has typically been done using a high energy capacitive discharge device to shock “the soup” and cause genetic material to migrate. I knew the guy who invented and patented and distributed such a device, back when I first became a professional web developer. Take a look at the graffiti. ZAP! Man's double helix is joined by a serpentine third strand.
On the esoteric level, the lightning bolt represents the (counterfeit) regenerating or resurrecting life force, which has kind of a dual nature being both destructive and creative. Think - Frankenstein. Here's some quotes from the Parts 26 and 27 of the series mentioned above. “Lightning is a powerful discharge from the heavens that can take life, yet, through that death may cause new life to be brought forth. ” “The lightning at the pumpjack pictures Satan falling from heaven to earth, contrasting the form of the dove seen descending upon the Lamb of God at His baptism in the Jordan.”
A lightning bolt is the weapon of Zeus, and we can interpret that as identifying his offspring, Apollo, aka Horus. See how the extended leg of the letter A is crossed with the lightning to form the Rx or wedjat Eye of Horus (Ax - Eye of Apollo). If we interpret the curled leg as a number 6, the number of man, we see in the crossing of the lightning bolt the intersection of Zeus and man.
There's more symbolism in the letter M and its extension into lightning. The letter M is the 13th letter, and 13 interprets as the rebel lord beast. How fitting that the M as 13 should extend into the lightning! What joins to the foot of the M is a 3, half blue and half yellow. We can see the M as a rotated 3, so we have in this a Code 33. Many encoded instances of Code 33 connect the elements that represent a 3 together to suggest the two are a single number. So it is in this case. If we continue down the leg of the lightning bolt we find yet one more character. If we consider only the bolt that is the extension of the M, there are 2 3s, connected in series, another Code 33. If we consider them all, 3 3s suggests the 9, of the mark of the beast transformation.
If we consider the series of characters as a tripled M or M cubed, it represents the standard Illuminati programming matrix that is 13x13x13 in dimension. That compares to the lightning seen at the front of the classroom that splits the hemispheres of the brain. This imagery is rich. The series of M or 3 characters forms the wave hieroglyph. HP Blavatsky, in The Secret Doctrine (Vol. 1, Page 384), identifies this with the Water-Abyss of creation. “The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize WATER, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus:
.” See Part 112 - The Sodomite Gateway - "Get Enrolled" - Plus, Insight into the Occult symbolism of Santa and Christmas for another example. “This ‘zigzag’ of Creation is called the “Lightning Flash”. The return of energy from dense matter, back through the various stages, Sepheroth, and Worlds of Creation is known as the “Path of the Serpent” because of its reverse, or complimentary ‘zigzag’ nature back up this diagram called the Tree of Life.” (Secret Fire: The Relationship Between Kundalini, Kabbalah, and Alchemy)
All the complementary layers of meaning remove any doubt about what is meant by the graffiti: The Horus incarnation as the beast of Revelation 13 and the mark of the beast transformation. Referencing the 23rd Psalm provides hints of what's pictured in the scenes that follow, a walking through the valley of the shadow of death, an anointing with oil and immortality.
A later scene makes allusion to another Psalm that is similar to the 23rd in content.
The screenshot below features a weeping woman dressed in black. In her lap we see a boy with a swollen black eye, wrapped in bloody bandages. He appears to be dead. The woman holds a up vial in the palm of her hand. Because this follows the scene of an Islamic city being destroyed by an air-to-ground missle, we may assume that this is a grieving Muslim woman who is mourning the death of her son. In this context, we may also assume that the vial is a “tear jar” a lachrymatory. Additional imagery suggests another interpretation.
The mother and child present a Madonna scene, that of Isis with Harpocrates (Horus). The red ring around the mother's head is the halo of religious art that signifies holiness, and divinity. The black expanse is the sea and the mother and son are floating on it inside a shell. When the thing that rings about them is recognized as a shell, she may be easily identified as the goddess Venus. It's subtle, but there it is. She is Isis, linked through syncretism with Artemis/Diana, Demeter/Ceres, and Aphrodite/Venus. The beetle crawling across the boy's forehead and 3rd eye or Horus Eye must be a scarab.
As a divine being, the collection of tears in a jar speaks to me of two things. First, that this grief and trauma and sacrifice is ritually harvested like tears in a jar. See the tear jar held up against the red sky as if it is collected as a blood sacrifice into the heavens through a celestial stargate, through the magick of Isis. Because the tears of the goddess are black, we may interpret the black waters upon which the shell floats as a sea of tears. The imagery of the collection of tears by a divine being speaks to me also of Psalm 56:8.
1 Be gracious to me, O God, for man has trampled upon me; fighting all day long he oppresses me. 2 My foes have trampled upon me all day long, for they are many who fight proudly against me. 3 When I am afraid, I will put my trust in You. 4 In God, whose word I praise, in God I have put my trust; I shall not be afraid. What can mere man do to me? 5 All day long they distort my words; All their thoughts are against me for evil. 6 They attack, they lurk, they watch my steps, as they have waited to take my life. 7 Because of wickedness, cast them forth, in anger put down the peoples, O God! 8 You have taken account of my wanderings; Put my tears in Your bottle. Are they not in Your book? 9 Then my enemies will turn back in the day when I call; This I know, that God is for me. 10 In God, whose word I praise, In the Lord, whose word I praise, 11 In God I have put my trust, I shall not be afraid. What can man do to me? 12 Your vows are binding upon me, O God; I will render thank offerings to You. 13 For You have delivered my soul from death, indeed my feet from stumbling, so that I may walk before God in the light of the living. ~ Psalm 56
This Psalm is similar to the graffiti referenced Psalm 23, where one walks through the valley of the shadow of death while depending upon the Lord's rod and staff for comfort. If you're going to have some Psalms in mind for drawing upon in days to come, these are a most excellent pair. Heliofant illustrates the coming of what will produce many tears during Obama's administration. Don't bet against it.
Who will become the Antichrist? From where will he arise? Many have posed these questions, suggesting Obama or Prince William, even a returning Hitler, Nero, Alexander the Great, or JFK, among others. Each proposal has its merits. If you think about it, speculating on the lawless one's identity before he's actually revealed doesn't make a whole lot of sense, because, how can you identify someone before their identity is revealed, right? Playing “Pin the Tail on the Antichrist” has never appealed to me, yet, there has been value for me in giving special attention to one candidate in particular. Bill Clinton. The value has come as the Lord has coached me through seasons of watching on a particular day of the year. At those times He has led me to watch Bill Clinton, and I've kept notes and published my observations. Whether Bill will become the beast, I cannot say, and I have no personal stake in the matter because the revealing has not yet come, obviously. Continued watching according to the Lord's way is required and there is no substitute for that. Keep watch the 13th day of the 1st month on the Lord's calendar, and I expect that, in 2015, the day of the baptism that reveals will happen.
Heliofant seems to have confidence about the event, about what it means and how and when it will happen. The way I read it, they suggest that the candidate is associated with the office of the President of the US and that it is not Obama. The video has balance to the structure of the flow of scenes. I recently described how I see a “Bush-9-11” then “Obama-sequel to 9-11” pivoting on the apple rolling sequence. It's a balanced equation. Here's another kind of balanced equation.
When the apple rolls across the floor and bumps into Obama's shoe, it stops, breaks in two and sprouts a lotus flower in a picture of the emergence of the beast, the incarnation of Horus, during the Obama Administration. (See Part 33 - Celestial Stargates - The Flowering Lotus that Terrifies Obama in “I, Pet Goat II”) I've identified the LC on the floor as the signature of Lucifer. I've also identified the puppeteer operating the Presidential marionettes as Satan, and linked the identities of LC below with Satan above. As Above, So Below. Bush and the extension of that transformed marionette, Obama, are directly connected to Satan above, via strings. The lotus flower representing the incarnation of Horus is directly connected to the LC on the floor, via the apple.
Here's the way I see the equation, the suggested comparison that is like a reflection.
LC-apple-lotus flower of the office of the President ~ marionettes of the office of the President-string-Satan
Study the imagery. The apple touches the President, connecting him to LC below like the strings connect him to Satan above.
The lotus flower comes up from below, perhaps suggesting that this agent comes from out of the past, like Horus himself, and perhaps incarnating into a former president. J. C., Jimmy Carter? Eh, I think not. JFK? George Washington? I'm thinking, probably Bill Clinton.
42nd President: Bill Clinton (January 20, 1993 - January 20, 2001)
1st term (52): 1992-1996
2nd term (53): 1996-2000
43rd President: George W. Bush (January 20, 2001 - January 20, 2009)
1st term (54): 2000-2004
2nd term (55): 2004-2008
44th President: Barack Obama (January 20, 2009 - Incumbent)
1st term (56): 2008-2012
2nd term (57): 2012- * 2016
1st term (52): 1992-1996
2nd term (53): 1996-2000
43rd President: George W. Bush (January 20, 2001 - January 20, 2009)
1st term (54): 2000-2004
2nd term (55): 2004-2008
44th President: Barack Obama (January 20, 2009 - Incumbent)
1st term (56): 2008-2012
2nd term (57): 2012- * 2016
As Bill was the 42nd president, it may be seen that 42 = 6*6+6 (beast / mark of the beast) and that 42 months is the length of time the beast will have authority to act, according to Revelation 13:5. Of course, collections of such kinds of observations have been made about dozens of men, and the sum of it means little to me.
Heliofant knows things, deep secrets, and they have clever ways of concealing and revealing them. I believe they are onto the Papal baptizer and the lunar eclipse of 4/4/15, and another transformative 9-11 on near approach, all during Obama's administration. I believe they have demonstrated an awareness of and confidence in an understanding of the meaning of the 4th Shemitah from the celestial sign of 1991. Do they know about the royal boy chosen? Let's watch to see what may come, with the Lord's favor.
When I presented excerpts from HP Blavatsky in Part 33 explaining the meaning of the lotus, you may have noted the many references to fire and water. These two elements dominate many of the scenes of “I, pet goat II” and the meaning may be taken according to Blavatsky's interpretations. We even see fire and water in tension in the classroom, as the pictures on the blackboard frame the heads of the Presidents with a house and a shark. The house is on fire and the shark implies water.
The combination of the symbolic elements fire and ice is also dominant. At a minimum, I want to offer a little brief and a few links of interest to show how fire and ice points to the theme of giants and their return, a very relevant subject! Fire and ice must be understood according to the Norse creation legends and according to the theory of eternal ice (or “Welteislehre” or “Glazial-Kosmogonie”). That influential theory came to Hans Horbiger in a vision in 1894. The theory of Eternal Ice was strongly embraced by Hitler and the Nazi party, and I have to think there is something of it that is embraced by Heliofant.
“Yet despite these challenged, the cultural mind set seen throughout Norse mythology bonds the primal element of fire with both the creation and destruction myths. In the destructive acts of fire come forth the greatest acts of creation. In the more epic of these, fire is the unforgiving but necessary key for ushering in new and better ages in mythological history.”
(source)
(source)
“The earth, Hörbiger stated, is a meeting-point between ice and fire: Horbiger taught that it had already attracted three moons, and that the one we see at present is the fourth, which, of course, is made of ice. Like its predecessors, this moon will eventually collide with our planet, and then it will be the turn of Mars. All of earth's history is the result of the forces exerted by its successive moons, and can be divided into four distinct geological epochs:. at the end of each epoch, the cosmic forces are at their strongest, due to the closeness of the moon, and the result has been beings of gigantic size. The first epoch culminated in the age of giant vegetation and insects: the second in the dinosaurs, the giant mammals, and the first human beings, a race of giants, as mentioned in Genesis 6.4, who ruled the earth some 15,000,000 years ago: the third was the mythical Golden Age, that of Lemuria, Atlantis and Thule, destroyed by the cataclysm of the third moon falling on the Earth 150,000 years ago; the fourth age is our own. According to Horbiger, the beginning of this age was marked by battles between the giants who had survived the third, and the men of the fourth, as recorded in mythologies. Other giants taught men to found the ancient civilisations of South America, Egypt, Mesopotamia, India and China. Eventually the giants died out, and man declined into the drabness of Judaeo-Christian civilisation, where he forgot his glorious heritage. But this is only temporary. Affected by the cosmic rays of a moon which is spiralling imperceptibly closer, man will awaken to a realisation of his place in a living universe, mutations will transform his existence, and demi-gods and giants will again arise in our midst. Horbiger averred that an 'uprush of fire' was imminent, that great initiates would co-operate once more with the cosmos and its struggle between ice and fire, that Supermen would once more walk the earth's surface, and that before them the slave-men would tremble and obey. These doctrines conformed with the legends of primitive peoples and the mythologies of the ancients, with the visions of Nietzsche and of Wagner. They had many similarities too with the teachings of Gurdjieff and Madame Blavatsky.”
Hörbiger [Third Reich Occult History Blog]
Hörbiger [Third Reich Occult History Blog]
“According to the Horbigerian cosmology, a huge planet moved across the sky and nearly brushed against the earth some fifteen million years ago, Its gravitational attraction gave rise to a race of our ancestors. They were recorded as perfect giants. These giants, who appear in the ancient Norse and Icelandic mythologies, sleep, yet they are alive. To the Nazis, they were Supermen. In one set of myths, contained in the Nibelungenlied, they lived beneath Teutonic Mountains. In another they were prototype Aryans from the East, inhabiting vast Tibetan caverns. Then something stood out in all of the catastrophism. There was a passage that was highlighted in yellow that screamed déjà vu. It was a letter that Hitler's henchmen sent out to scientists who were chosen for recruitment into the Nazi party: "The Time has come for you to choose--to either be with us or against us, while Hitler is cleaning up politics Horbiger is sweeping away the Bogus sciences. The doctrine of eternal ice will be a sign of the regeneration of the German people." The time had come for the fulfillment of Welteislehre and the beginning of Ragnarock. It was a bizarre mixture of scientific and religious prophecy spread in Nazi circles that when the Reich was ready to march there would be eternal Ice. It was Horbiger who claimed that when he was looking at the moon he thought the mountains there were made of Ice. He also claimed that stars were large blocks of ice. Horbiger claimed that there would be a constant struggle between fire and ice and soon ice would fall from Heaven signifying the reign of the new powers. It would mean the Giants would come and the war would begin to bring about the new order. In Norse mythology it is written that there will be an epic battle that will signify the end of the world. This end time is called Ragnarok. The Norse mythology has a prophecy, which predicts the return of the Norse gods to bring about a new order. There will be a war of the Giants and the evil one will lead the armies of the dead. For three years Midgard will be plagued by wars. This will be followed by Fimbulvetr, the coldest and harshest of all winters and this winter will last for three years. The wolves Skoll and Hati who chase the sun and the moon will catch them and kill them. At the same time the stars will fade and disappear. The world will start to shake and everything that is bound will come free, including Loki and his son Fenrir. There will be lots of armies on the move. Loki will be at the head of the army of the dead.”
Welteislehre - The Coincidence of the “World Ice Doctrine” By Clyde Lewis
Welteislehre - The Coincidence of the “World Ice Doctrine” By Clyde Lewis
In closing, I mentioned (in Part 33, referenced above) the Vril Society (or Luminous Lodge), whose members began their mental exercises with a disciplined meditation upon two halves of an apple. If you found what I excerpted there from The Morning of the Magicians interesting, you may also enjoy this page on mindcontrolblackassassins.com.
The commentators tell us this red ring is the sun, but that's not all it is. The commentators are very important cast members in the show, who by their craft bring forth the NLP that supports the symbols and the ritual. They tell us a mix of truth and lies, shuffling and dealing it out with the confidence of card sharks using a well stacked deck.
If you've been paying attention to the Celestial Stargates series you know this modeling is in the context of the incarnation of Horus as the Antichrist Beast, and that's the subject of another layer of symbolism in this scene! That there are more than two horses representing the Twins doesn't change the symbolism, like with a utility chain. 
Many ancient cultures have legends about horses pulling the sun like a chariot across the heavens. The commentators spoke of gentry and a sleigh being pulled across the snow. What's the context here? This is a stadium where Zeus and Apollo are worshiped. Look up the Olympic Hymn. Find what was said and done when the torch was lit at the temple of Hera, the wife of Zeus, on Mt. Olympus a few months ago. This scene features Apollo's quadriga. This is the coming of Apollo as the Antichrist Beast in the context of the Silver Gate transit. 
You may have noticed how the display featured three objects that were of like kind, horses. Then a forth object followed in sequence that was like the first three as another prop in the same group moving across the stadium, but it was different. It's the familiar and very noteworthy pattern of 3 things and then a 4th. The 4th is the sun, the presence of Apollo! Over and over this pattern appears. This one is in the heavens with the great star of the sun as a celestial sign, with Gemini and Taurus. Connect the dots. This Shemitah is the 4th as counted off from the celestial sign of 1991. This is when the Olympian is coming as their golden champion.
Let's continue the investigation of the transdimensional technologies being concealed and revealed in Rango's “Hail Mary” sequence. The ice cubes from the umbrella drink were crystals, cubes of crystalline structure. I'm going to be focusing attention in this post on the crystals, and it will be noted how there's plenty of overlap in the signaling rainbow, cube shape and floating terrarium gravel. 
The holy of Holies, where the presence of God was established on earth, was a cube. If you relate the heavenly and earthly, the dwelling place of the Lord God resembles an ice cube. Using more precise language, the heavenly throne room with an earthly cube of contact is a hypercube, a crystalline hypercube. In four dimensions we call such a form a 
You realize the IOC (Olympics) servants of Zeus understand these things and constantly signal them, right? On the site, “Totally Looks Like,” users publish A-B comparisons of a thing in one context that looks like something in another context. Consider this comparison from 
The glitch in Vancouver involved the pyramid-like framed Cauldron. The climax of the opening ceremony involves lighting the Cauldron with the torch and the flame lit from the sun on Mount Olympus, according to tradition. To add to the drama, they erected the cauldron in the middle of the stage during the ceremony, but only 3 of the 4 legs rose up out of the floor. It was only later during the closing ceremony that the 4th element was officially raised into place to complete it, with comedic drama and much more attention. So, after being delayed, the object with 3 elements was completed with a "fixed" 4th element. Did you get that? We consider how we had expected this present shemitah to complete the Keystone set. But it's like the 4th leg of the Vancouver Olympics Cauldron - a no-show. There's a delay until the games are over, in a sense, when what is broken gets the fix. Right now, here in shemitah 860, we can liken our season with that of the Vancouver Olympic games. The Cauldron had the 4th thing but it was not legitimate in the sense of having been properly constructed and celebrated during the official ceremonies. This awaited the closing ceremony. The 5th instance of the thing completed the 4 part object, you see. I note also that the Cauldron had a central flame that was surrounded by 4, being in 5 parts, and this Menorah-ish structure seems fitting for the symbol. The Cauldron incident was a sign, and a more revealing one than I knew at the first! 
Sochi Rings: a Glitch and the Fix. from Opening & Closing Ceremonies. 2014 Winter Olympics
The goddess is uniting the world in preparation for her son. The role of the Marian goddess was modeled to us with brilliant subtilty during a segment of the opening ceremony of the 2014 Paralympics in Sochi, Russia, on March 7, 2014. A woman named Maria sang a lullaby as she rode a gigantic icebreaker across the stadium. The ship's name was MIR - Peace. Performers dramatized the ice being broken with stage props that made them resemble ice cubes. The immense stage looked like the frozen sea, being lit with the “multidimensional painting” (their words) projected on to the stadium floor. In her wake, fiery fallen angels moved in overhead and the performers under the wave of their influence formed the word, TOGETHER. The world was acting in concert, one in purpose. What happened next illustrated what's very soon to come, in reality.
“Breaking the Ice” is an idiom that means, “to initiate social interchanges and conversation; to get something started.” The commentator in this video's broadcast version interprets it to us in this way. “The ship is both physically and metaphorically breaking barriers, opening new channels of communication, tracing new paths for mankind.” The function of an icebreaker is to open a channel for other ships to travel through, when and where they otherwise could not. This is Mary's role, who is genuinely breaking the ice. In her wake, ice cube people swirl, broken from the sheet of ice shattered at her bow. They are united by her work. TOGETHER. E Pluribus Unum, as her work is described in branding peculiar to the USA. Out of many, one. Let it speak to you how the ice-cube people unite under the influence of firebirds, fallen angels that were shown to proceed out from the sun, as the sun god. See them as coming through the channel opened by the Maria of Mir, the icebreaker. 
The President's apparent lack of response has been criticized for a variety of reasons, but what it really suggests to me is that the entire visit to the school was orchestrated as part of a 9-11 operation and ritual. 
From the opening scene's allusion to Auschwitz and from the companies of briefcase toting suit and tie wearing ashen men who are blown to dust when the messiah arises from their midst, and from our recollection of the scenes of people covered in ash from 9-11, we can take a hint. 
The Sufi whirling or whirling Dervish ascending up toward the silvery moon pictures the ascension of a soul up through the Silver Gate to be received into the underworld Duat. We can identify him by his swollen black eye as the same Islamic boy wrapped in bloody bandages who was seen lying in his weeping mother's lap. This represents a token of the ritual sacrifice, a reaping for the harnessing of life energy that builds towards Armageddon's campaign and Revelation 19:19. Ultimately, that's what it represents to the perps of the false flags. You're familiar with the implication made by the Georgia Guidestones about global depopulation, right? Their vision represents a drastic reduction! Should we be so naive as to think those behind it are expecting to patiently let “nature” take its course? Have you considered what Prince Philip has written about culling the surplus population and asking to be reincarnated as a virus to play a role in reducing the population? We can not deny that we've been given due notice of their intent. 
The goat messiah is Heliofant's hero who beats his opponents into submission. 
Kali, the Hindu goddess of death and destruction who is the consort of Shiva, who dances the dance of destruction. See that “pet goat that eats everything in its path” as the lotus flower in the flow of green slime into the pit that the Soviet man is drowning in. (This pictures the demise of communism, and his tattoo of hearts with the Latino name “Juanita” suggests this is multinational in scope.) He is that burning heart sodomite Jesus who rises up out the 
midst of the ashen company of briefcase-toting and business suit-wearing corporate clones of capitalism and sheds the energetic force that obliterates their form. The goat messiah destroys religious and economic forms as well as nations and individuals.
The peace activist has the tiger on her back and a heart on her cheek, which tells us that she is a mind-controlled slave who is actually programmed to do what she does, acting out her appointed role in this grand theater. The tiger is more than just a sign of “the Orient.” It represents the Illuminati combination of Beta sex kitten and Delta warrior programming. The costumed skeleton, as her handler-programmer, triggered the dismissal of her operation. The symbol of Yin Yang formed by the light cast upon the ground at the beginning of the scene is simply one more symbol of Lucifer's dark light, the knowledge of good and evil! 
They are forms of the Masonic square and compass, with the arc of a circle replacing the arc-drawing compass. Add this to those related signs identifying Bush and Obama and connect the dots. Is the city Damascus?