In the median as you approach the gateway you pass by an island with a peculiar display. There are three millstones, two of them partly buried. These three symbolic elements were disks or cylindars that had revolved while in use, which provides a triple helix DNA signal that compares to the triple helix columns. When I reviewed the photos I had taken earlier, I became interested in why the millstones were there and what the dedication plaque said about them. As I was waking up this morning I found myself thinking about the verse in Matthew where it refers to a millstone. Before my sister and I drove back into the city to do some more exploring, I looked up the passage that had come to mind.
6) but whoever causes one of these little ones who believe in Me to stumble, it would be better for him to have a heavy millstone hung around his neck, and to be drowned in the depth of the sea.
Matthew 18:6 (NASB)
Youngs Literal Translation renders verse 6b as: "it is better for him that a weighty millstone may be hanged upon his neck, and he may be sunk in the depth of the sea."
Two of the millstones are partly buried in the island, which looks to me like as if they were sunk in the depth of the sea, partly buried in the sediment on the bottom. The picture of three rotating circular stones being submerged in the sea speaks of DNA, which is very "wet," a crystalline structure consisting mostly of water.
The next verse points us to the Beast, whose mark is modeled in the gateway.
Woe to the world because of its stumbling blocks! For it is inevitable that stumbling blocks come; but woe to that man through whom the stumbling block comes!
Matthew 18:7 (NASB)
Did you note how the singular is used to reference "that man" and "the stumbling block"? "That man through whom the stumbling block comes" is an explicit reference to the lawless one, the Beast. Search out the matter of stumbling blocks in the Bible and see how it relates to Messianic and idolatry themes. When you read verses 6 and 7 and consider why the millstones appear at the mark-of-the-beast modeling gateway you may perceive how this is Satan's response. The millstones seem to be there as already tossed in the sea for a statement to defy Yahweh.
Here's what the plaque says.
"Our Past Is Your Future
These millstones were provided courtesy of South Avenue Business Association and the South Wedge Planning Committee in support of our neighbors in High Falls. We encourage you to discover all that our Center City neighborhoods have to offer. August 2004"
"Our Past Is Your Future" speaks to me of the Genesis 6 scenario and Matthew 24's declaration that as it was in the days of Noah so it will be at the coming of the son of man. "...in support of our neighbors in High Falls" - i.e. the Nephilim. The millstones seem related to the manner of binding the fallen, which remain bound until the day appointed for their release (Search Tom Horn and Steve Quayle interviews) in days soon to come. Don't let their past be your future!
If you pass the millstones and enter into the gateway, you'll encounter two separate overpasses in succession, with narrow inner loop access ramps separating them. The first bridge is the inner loop highway itself, something of a beltway. The second is an old railway bridge. Under both of these bridges are lamps with wave or wing shaped hoods that light the sidewalks. There are three on each side under each bridge flanking the road, which equates to the triple helix pillars you pass on the way in. As lamps, they testify of the illumination that accompanies the triple helix transformation.
If you add the number of strands composing both triple helix pillars to the sum of wavy cauldron-torch-lamp-columns you find a total of 18. This number can be expressed as 6+6+6, which makes it a common signal number representing the mark of the beast. (Revelation 13:18) Also, applying the popular occult digit summing principle, 18 transforms to 9 by adding 1+8, arriving at the single digit number that represents the triple helix transformation and mark of the beast.
Notice the stepped block levels painted on under the first bridge that ascend towards the front-facing side. This feature supports the gateway aspect of the structure. Notice how it's green, as in Osiris green, a popular feature of similar symbolic elements that has been noted in previous blog posts.
How likely is it that these elements you see in this and in the previous post are random? It seems to me about as likely as America surviving intact through the end of 2012. Because of one Mayan calendar prophecy? No. Because of the testimony of the scriptures, plus the testimony of the signs in the heavens and the signs in the earth - plus the working of the holy spirit that speaks to you and I about the urgency of this present season!
I'll address what is found on the other side of the gateway to High Falls in another post, Lord willing!
because I'm busy visiting family in Upstate NY, where I grew up. This isn't a typical vacation. I'm on Sabbatical from work, and the reason for the visit at this time was primarily to A) share my personal history and testimony with my daughter, and B) to share what I understand about some of the places, people and events that happened in this region that had lasting and sometimes global impact.
St. after passing a number of other occult buildings and "art" objects. The first thing that came into view was one of the triple helix pillars. From some angles it's hard to tell its a triple helix, so here's a 
closer-up detail view so you can identify all three strands. As I kept walking closer I saw the sign on the overpass and then the opposing pillar to the first.
opened to us from such as NCR.com, etc.
A gateway and a vehicle are featured in the opening scene of NCR.com's "marketing" sequence, where the armored car / get-away Zeus-mobile / soul transport is awaiting receipt of the goods. It's pictured standing between then departing from between the pillars, where the target of the user's click is placed directly on the animated blue and white triple helix. The user's click that signals their 
acceptance of the terms of the deal offered was timed in the presentation to coincide with the vehicles departure, signaling in ritual magic the subsequent capture of their soul.
passing (as facilitated by 
a message board thread (started by someone using the triple-helix dna signaling symbol popularized by Nicholas Roerich as their avatar. I point this out as a symbol I've been wanting to feature for some time now. Nicholas Roerich had a significant role in the great seal appearing on the one dollar Federal Reserve Note.)
while they are both feature length animations, the visual texture and tone are vastly different between them. In a similar way, while they are both antichrist vehicles promoting the Beast agenda, the manner of presentation differs significantly. The style difference can be seen in the movie titles themselves. "The Iron Giant" is very descriptive, while "9" is as stark as a title can possibly be.
I'm now convinced is the primary feature of the mark of the beast relates to bringing forth offspring. It has oft been said that math is a language of truth. 
this blog may recall how the clever triple-helix DNA signaling logo of Nine Points Management & Research / Nine Points Capital Advisors, LLC. disassembles or transforms into 666. 
"9" movie trailer videos and notice how the movie's launch date is featured at the end? The movie "9" was launched on 9-9-09, as you see in the image on the right. This is more than a promotional gimmick. Applying the summing function to the release date, 9-9-09 is 9+9+9=27 and 2+7=9 so we see that the release date of "9" also resolves to 9.
Ok. So, stand on your head and watch it. Or, just look at this image on the left, which is the 9-9-09 image turned upside down. It's the 666, slightly obfuscated, for the sake of "plausible deniability." The 9 was presented being transformed into 9-9-09. If you watch it upside down, you'll see 6 transformed into a 666. "6", the number of man (Revelation 13:18), transformed into 666, the number of the beast. In ritual magic, man is being transformed into a beast through the mark of the beast!
Thoth was ibis headed and Horus, falcon headed.
rag dolls were featured in an introduction sequence, one at a time, excepting the "3" and "4," which were presented together. The image on the left represents two consecutive frames I clipped from that sequence. The "three things and then four" is the sign for which I've watched. With their "creator" making the "3" and "4" at the same time, as twins, the sign is conveniently packaged for presentation. 
The sequence is important, with a 3 coming before a 4, and it's in this order that they appear in the movie. 
"The Iron Giant" pattern presented when the signal poster is introduced! As the "camera" panned left giving us a view of Dean's domicile, we first saw the "3" appear, then the "4" with it, to the left of the "3"! 
Are there supplemental clues in the context of the cryptic sign's presentation in "9" that support identifying it as such a sign? Take a close look at what "3" and "4" are flanking, the object they had been hiding behind. I know, it's dark, but that's the image from the movie.
the antichrist vehicle, 
The Iron Giant presents another instance of the "three and then four" signal for which I've been watching. 
"three things and then four" to me using the Brandenburg Gate's quadriga imagery. (See 
poster of abstract art appeared briefly but conspicuously through an open door, as you see in the image on the right. 
The abstract poster seems to fit right in. Because of the right to left motion, the "3" appears first (upper image), then the "4" (lower image), presenting us with the properly sequenced "three things and then four" sign. These two images show how the poster comes into view in this sequence, with exactly two seconds interval between the frames.
which is notably a primary Beast number and the very chapter of Revelation featuring the Beast and his mark. 
provides insight into Satan's programs preparing the world to receive the coming Beast of Revelation 13. Symbols conceal on the one hand and reveal on the other. The symbolic elements in this clever cartoon movie are rich with meaning. Featured in this post are the esoteric contents of a dresser drawer in Hogarth's bedroom. 
This ball has a clear view-port opposite the white circle with the 8 inside. If you hold the ball with the view-port up you can see a triangular face float to the top with a message on it. To use the ball, you turn the view-port down, ask it a yes/no question, then rotate the view-port up so the answer comes into view. This toy is an introductory version of an oracle used for divination. It was invented in 1946 by Albert Carter, whose father was a clairvoyant, an occult practitioner in the magical arts of divining. It compares most closely to a crystal ball. 
the bathroom cabinet mirror, identifying it with the practice of scrying. That's a kind of divination where the mirror facilitates communication with spiritual entities as through a dimensional portal. The formal name for this is catoptromancy. 
where the mirror is not only the communications portal but useful for full inter-dimensional travel. 
in the dream/fantasy world.
object you see on the left.
In 1956-1957 the popular PEZ was 
In this post I'm presenting a few more features that identify the iron giant with the gods of the ancients. These various identities, as you may know, resolve to the dragon/serpent Lucifer or Satan and his near companions, the fallen.
One of these resembles a traditional Malian mask, as worn in one of the cults of the Dogan. You'll notice a feature shared with the iron giant, a forehead fin. This must be a family trait that identifies them as relatives. The gods worshiped in ancient times were indeed "iron giants," the Watchers or their Nephilim spawn. 
some historical research you will find this page on the West African tribe, 
surprised the French anthropologists Griaule and Dieterlen by telling them of secret Dogon myths about the star Sirius (8.6 light years from the earth). The priests said that Sirius had a companion star that was invisible to the human eye. They also stated that the star moved in a 50-year elliptical orbit around Sirius, that it was small and incredibly heavy, and that it rotated on its axis. All these things happen to be true (the actual orbital figure is 50.04 +/- 0.09 years). But what makes this so remarkable is that the companion star of Sirius, called Sirius B, was first photographed in 1970. While people began to suspect its existence around 1844, it was not seen through a telescope until 1862. The Dogon beliefs, on the other hand, were supposedly thousands of years old."
This face appears in Dean McCoppen's scrap yard amongst the vast heaps of junk. The yard is the iron giant's hideout, and the junk is what he eats. The yard is like a graveyard for old cars, trucks, farm equipment, appliances, etc. In this graveyard is what appears to be the weathered inanimate head of another iron giant. The iron giant eats the scrap, and since the scrap happens to include another iron giant, this is what we call cannibalism.
cryptically pictured in the serving bowl. They also devoured one another's flesh, pictured in the iron giant's feasting upon the contents of the iron giant graveyard. Is there any doubt what the iron giant agenda really is? The giants are returning in another attempt to finish what they started.