Thursday, March 18, 2010

Part 4 - What does the Olympic Rings logo really mean?

The Olympic Rings logo is an occult symbol that conceals and reveals a very dark secret. This secret is that which has been known to and closely guarded by the elite priesthoods of the mystery religions and the most trusted among the secret societies of every culture through the ages. That is the conclusion that must ultimately be drawn by students of the symbolic meanings of the artifacts and historical accounts passed down through time. Given how powerfully influential the Olympics have become, what does it mean that Olympism is a religion dedicated to the fulfillment of this dark secret?

If one takes an honest and critical look at the world today and tries to recognize the nature of what is pictured in the Bible as a "one world religion," one stands out from among the others: Olympism. To what other temple do the nations come, together as one, to worship at a common altar? We have to ask whether Baron Pierre de Coubertin's vision is quietly fulfilling Bible prophecy while everyone's attention is turned elsewhere.

While I've already given some attention to this subject matter there are some more examples to be presented that will help you learn to read the secret testimony where it has been concealed. Among these examples are two posters that imply the sixth ring of the Olympic rings logo, both from the 1936 Berlin "Nazi" Summer Olympics. I'll address the first of them in this post.

I'm wondering if this poster that features the Brandenburg Gate with its Quadriga  might actually have a white ring completing the delta/pyramid. I can't tell because it would be hidden behind (or inside) the head of the golden giant Olympian (which is apparently intended to represent Apollo). The positioning of the rings relative to the head suggests that the unseen ring is the third eye. That would be the eye that is the lamp of the body (Luke 11) of the capstone head.

Let's turn that pyramid right-side up. Now it's obvious. Now it resembles the "folded" version of the Vancouver 2010 logo!

The golden god sure has a glowing look to him. I suspect Aleister Crowley really liked this poster, who wears in a popular photo the glowing capstone as an illuminated third eye.

The Olympic posters I've considered at length all seem to have some procreative feature. This one has the essential procreative feature in the iron cross inside the laurel wreath on the staff being held by the goddess Victoria, who is driving a chariot drawn by four horses.

The interpretation of the cross features the individual vertical and horizontal elements, plus their intersection. With regard to the great and dark secret of the ages, the vertical represents the heavenly male, the sons of god. The horizontal represents the earthly female, the daughters of men. The intersection of these two represents their union that results in the conception and birth of offspring.

"In classical mythology, the quadriga is the chariot of the gods; Apollo was depicted driving his quadriga across the heavens, delivering daylight and dispersing the night." Quadriga - Wikipedia
In this poster, you can't see Victoria's wings or discern that she is female, which suggests that there is actually a single god in view, pictured twice; Apollo. This view is supported by the fact that the Brandenburg Gate's design is based upon the Propylaea, which is the gateway to the Acropolis in Athens, Greece. Such an exalted element as the primary "stargate" - the access portal to the home of the gods - should honor no less than Apollo himself. Indeed, it's really his symbol that appears on the staff. An iron cross inside a laurel wreath is a sonnenrad, a solar disk and sun wheel - the sign of Apollo! The eagle that holds the sonnenrad in its talons is the family mascot, of Zeus, Apollo's father.

Notice how the procreative symbol is pictured in that poster from an angle where it is separating the four horses to mark off three and one. Hmmmmm. As the very kind of sign I've been looking for, it speaks to me of the critical link that establishes the dating of the week of years (Daniel's "seventieth") that is so very, very important! Is this another confirmation signaled through the agency of the Olympics? If so, the poster's imagery points to the year 2012, the year Tom Horn has identified as the secret of the Great Seal's pyramid's time code! It is also the year of the London Olympics, about which so much has been signaled!

Does it surprise you to see the same agenda signaled in today's Olympic imagery from way back in 1936? Here's a promotional poster from the Paris Olympics, going all the way back to 1900. The circle and rectangle are female and male, respectively, but notice how the female figure is positioned relative to the Eiffel Tower. Imagination is hardly required to see the procreative aspect. Maybe it's just me, but subtlety just doesn't seem to have been factored into the design with a very high priority. The designers of that crude poster could have taken a lesson from the folks responsible for the erection of this member seen during the Vancouver 2010 closing ceremony, presented here in one of their official "highlights" images. See. Now that's subtle.

The occult Olympic imagery is all about procreation and the mark of the Beast. It's not that the IOC is obsessed with sex, but the hybrid offspring must be brought forth in fulfillment of their god's agenda, and the continual signaling of this secret is a vital means to their end. Is this beginning to make sense to you? Do you see why the same message is being proclaimed over and again, saturating the environment with symbols, with versions of every kind?

1 comment:

  1. Note the tripod in the Vancouver image:
    Apollo's most common attributes were the bow and arrow. Other attributes of his included the kithara (an advanced version of the common lyre), the plectrum and the sword. Another common emblem was the sacrificial tripod, representing his prophetic powers.