The key to understanding the scene lies in the overlapping themes of the children's literature featured. If you assemble the layers from the featured stories and characters, identifying magic, trauma inducements and kidnapping, and overlay that on the NHS and GOSH, what comes into view is just what whistle blowers have been telling us for years! These are front organizations for the slave trade, serving the elite. That's not what most folks want to know, so if you want to maintain some deniability about the matter, just stop right here. If you can interpret the symbols and accept the message we're being told, your days of blissful ignorance are over. If you worship at the feet of the Royals and have exalted Princess Diana to sainthood, you won't like seeing the institution she presided over as President (from 1989 until her death in 1997) presented in this light.Here's a clip from the opening ceremony. It's not the entire sequence described here, but it's helpful. Catch it while you can. Opening Ceremony: Olympic Bedtime Story
Here's a rough sketch of how the scene went. NHS nurses and children on beds appear in what looks it might be a scene from the children's Hospital, a long time ago. Then it was bedtime and the adult staff that were looking more like nannies who lost control of the children, seen bouncing in their mini-tramp beds. J.K. Rowling, witch and author of the Harry Potter series, read a bed time story, Peter Pan. The point of connection here is that, before his death in 1937, author J.M. Barrie gave the rights to Peter Pan to GOSH, which continues to benefit from those rights. The connection to Peter Pan was made once again as a girl was reading with a flashlight under the covers. We could see the full page illustration of Captain Hook. Then, using this for a launching point, Peter Pan-demon-ium began to break out, a surreal nightmare sequence!
What's going on in the scene is what I described in the segue, the inseparable combination of magick and trauma that is required for turning children into mind-controlled slaves. The stadium had already been cast as a magick spell, in symbol and surely in reality. The horrific ritual abuse within that bubble of concentrated supernaturalism is enacted dramatically under the guise of fantasy entertainments, and in this, beans appear to be spilled as the network is identified.
You did get that part about the network being identified, right? In “I, Pet Goat, II” the Illuminist Masons are identified and connected with their work through the government institutions for children we in the USA call elementary schools. In the UK, this happens in their government (mis)education system too, but what's being concealed and revealed in the Opening ceremony points to a work being done through the government institution for children that is GOSH, part of the Great Ormond Street Hospital for Children NHS Foundation Trust. More on this shortly.
Conflict is resolved in this chaotic drama when an clone witch army of Mary Poppins floats out of the sky. Their presence and magickal umbrella dance appears to subdue the evil assault. The Dark Lord Voldemort deflates and the demonic beasts are chased off stage. The good witch - bad witch dialectic is played hard, but the truth is, of course, that all falls into the category of witchcraft is rebellion and evil. The Bible could not be more clear about that.
In this passage, the Lord describes the dynamic of that scene. It was a commanding or casting out of demons by Beelzebul.
14 And He was casting out a demon, and it was mute; when the demon had gone out, the mute man spoke; and the crowds were amazed. 15 But some of them said, “He casts out demons by Beelzebul, the ruler of the demons.” 16 Others, to test Him, were demanding of Him a sign from heaven. 17 But He knew their thoughts and said to them, “Any kingdom divided against itself is laid waste; and a house divided against itself falls. 18 If Satan also is divided against himself, how will his kingdom stand? For you say that I cast out demons by Beelzebul. 19 And if I by Beelzebul cast out demons, by whom do your sons cast them out? So they will be your judges. 20 But if I cast out demons by the finger of God, then the kingdom of God has come upon you. 21 When a strong man, fully armed, guards his own house, his possessions are undisturbed. 22 But when someone stronger than he attacks him and overpowers him, he takes away from him all his armor on which he had relied and distributes his plunder. ~ Luke 11:14-22
The entire kingdom that was represented in the stadium's magickal battle scene will fall when the strong man is finally confronted by the stronger, Y'shua! So, it's at the close of this scene that the gigantic creepy baby is revealed, with the children and staff giving it their rapt and solemn attention. The baby, as I already wrote, represents the beast of Revelation 13:1, the lawless one and the antichrist world order. This is the Apollo, son of Zeus, held so dear by the IOC in their fervent Olympism.
Now, expanding on the “birthing” of the antichrist by the midwives of the NHS (introduced in Part 32), the mechanism of the delivery is also illustrated to us. The magickal delivery of the antichrist is wrought through the institution's role in the SRA network of BWBs - and the black awakening. If I lost you there, you have a lot of catching up to do. This is a very important point, one I could hardly overstate. The slave army enabling this baby's appearance is a testament to the Babalon Working, which might well be considered “Uncle” Aliester Crowley's babies, brought forth through his protege across the pond, Jack Parsons. In 1946, Jack Parsons and Marjorie Cameron, with the participation of L. Ron Hubbard (Scientology), performed a ritual working that lends its name to the supersoldier army of BWBs, Babalon Working Babies. This is what the multiples call themselves, who testify of a mass triggering they call the black awakening. The plan is to facilitate the birthing of the antichrist system into the world, the literal magickal appearance of their Dark Lord as a god-man. In a sense, they are the midwives, birthed by the midwives who staff GOSH as part of the SRA network. There are handler-slaves handling handler-slaves, handling slaves - all directed by the Illuminist programmers.
I might be pursuaded otherwise if you can convince me the award ceremony dress isn't really picturing the sacrifice of an SRA victim and the podium is not an altar. Good luck with that.
To make my point about the NHS-GOSH scene as a witness to the key role they must surely play, consider what we're shown in the ritual magick of the opening ceremony! It's all about traumatizing children, the threat of abduction, being chased and tormented by demons and put under the spells of dark wizards, and all the while, as the dark energy is collected, we hear the soundtrack of bells ringing, the sound of the spells being cast with the demons invoked focusing their terrible powers. Of all that could have been done for the sake of entertainment, this is what was produced. Some fun, huh? Note well their evil agenda, because there are signs of it being repeated continually.
This part of the ritual begins with Captain Hook, pirate and kidnapper of Wendy Darling, who was just a 12 year old girl. He terrorizes children, a fearsome image of a dismembered handler who is himself an SRA mind-control victim associated, as all "classic" pirates are, with the Knights Templar, an esoteric magickal order based upon ritual abuse.
The music at the start of the scene may be recognized by some of you as the opening soundtrack for The Exorcist (1973). This has nothing to do with British children's literature but it is the music of England's Mike Oldfield, who played live on stage with his famous tubular bells.
Establishing this connection to The Exorcist adds another layer of magick (the enchanting bells) and traumatizing because the famously terrifying film was about a ferociously demonized little girl.The Tubular Bells of Mike Oldfield were the featured band for this sequence, which establishes another link worthy of note. The Tubular Bells album (which stayed in the British charts for 279 weeks) was associated with the mark of the Beast by presenting it during a re-issue in 2009 as the focus of bell-ringing events around the globe, marking it intentionally as a 666 event.
“On 6 June at 6pm (a reference to 666) there was a worldwide bell-ringing event; bells were rung in Milan (on MTV), Berlin (Siegessäule), Brussels (Atomium), Paris (the George Pompidou centre), Sydney (Opera House), Japan/Narita (at a Japanese Temple) and London. Official footage has been shown on a YouTube video, linked from Oldfield's website. One of the events in London was at the British Music Experience at The O2. It featured the 29 piece Handbell Ringers of Great Britain and an Orbular Bells DJ set by The Orb. There was also bell-ringing workshops and competitions. The Orb had previously remixed "Sentinel" from Tubular Bells II. ”
Bell-ringing events - Tubular Bells - 2009 Re-issue
Bell-ringing events - Tubular Bells - 2009 Re-issue
If that make sense to you why the bells and 666, read Bells - Supernatural Enchantment and a Biblical Perspective, where the bell is presented as an object that is typically endowed with a supernaturalism, summoning demons into this realm. Martin Creed's “All the Bells” wasn't the only bell-featuring mass ritual!
On the stage, the Bell of Caliban was in the middle of the band, with the huge tubular bells hung behind it, while Mike played guitar in front of it.Returning to the mega ritual in the Olympic Stadium, the NBC script didn't mention Bedknobs and Broomsticks (1971) but, if you're familiar with it, the witchcraft, beds and especially the levitating bed makes the pairing unavoidable. The IMDB blurb reads: “An apprentice witch, 3 kids and a cynical con man search for the missing component to a magic spell useful to the defence of Britain.” The setting is WWII, with plenty of terror on hand to go with the magick.
The biggest baddie in sight was an intimidating wizard, Lord Voldemort, from Harry Potter. He's a murderer and, I think at one point, a kidnapper, who scarred hybrid Harry physically (with the mark of Zeus on his forehead) and emotionally. He's pictured in the ceremony on such a scale that you just can't avoid seeing him casting spells with a wand and levitating a girl in a bed, terrorizing everyone.
He's probably to be considered responsible for the NHS staff being put into a trance that made them move like an army of dull marionettes.Plenty of scary green-eyed demonic beasts were on hand for the scene, flying, chasing and traumatizing the children.
The “Child Catcher” from “Chitty Chitty Bang Bang” was riding around on a cage-wagon with a net, a frightening character from the movie version that was employed by Baron and Baroness Bomburst to snatch and imprison children on the streets of Vulgaria. Here's yet one more trauma inducing child-kidnapping terrorist, in another magick featuring movie.
Alice In Wonderland's “Queen of Hearts” was also featured with an oversized bed, looking large and hideous. According to Wikipedia, “This character is a foul-tempered monarch, that Carroll himself pictured as "a blind fury", and who is quick to decree death sentences at the slightest offense. Her most famous line, one which she repeats often, is 'Off with their heads!'” In that magickal world, the sovereign threatens to dismember, even chopping off the head. Magick? Trauma? This Lewis Carroll classic is famously used in Monarch programming. In the stadium, she is turned bottom's up to expose her bloomers, which is suggestive of the sodomy that is so central to the Royals and essential for opening the third eye and installing the powers in children in this nasty mind-control business.
The character Cruella de Vil from 101 Dalmatians also appears in this scene, who steals puppies for their fur.
She is another in a horde of Disney's traumatizing villains, and although there might not be any magickal spells involved in the plot, the kidnapping of children has to factor in because the dalmatian dogs she steals are not only assigned human characteristics, they are to their masters as children to their parents. Roger Radcliffe and Anita, his bride have no children, but their dogs. In the chaotic stadium scene, many children in dalmatian costumes surround Cruella de Vil. To steal one of these versions for their fur, as suggested, amounts to kidnapping and mutilation, and since this is her habit, ritual sacrifice. Her name is a cryptic combination of cruel and devil. Her country house is nicknamed "Hell Hall." Cruel Devil, indeed!
One after another of the characters featured under the pretext of honoring "children's literature" appeared to add their particular blend of terror and magick to the trauma inducing and demon installing mix in the witch's cauldron of the Olympic Stadium. This had to be designed for the raising of dark energy for the ritual, inside a magick circle that had been cast for this purpose. Set to the Tubular Bells and importing subliminal links to The Exorcist and the 666-bound events, this is overlayed on the NHS-GOSH setting, which even featured performers from their staff and some of the patients. The kidnapping theme is strong, and I believe this identifies GOSH as a front for sourcing children for the Illuminati elite. I have no proof as a whistleblower might. I'm just reading the message that was sent according to the usual means and calling it as I see it.
The slave trade is real. It operates with impunity, like the drug trade, because those who are really in charge are served by these industries.
Head Of DEA Says He Intercepted CIA Cocaine Shipments
Also: MK ULTRA Mind Control Revealed - The True Story (1998) (govt. kidnappping scheme for child sexual slavery)
For many years I lived, worked and ministered in the area surrounding McClellan AFB in Sacramento, CA. I was aware that it was incredibly oppressively dark, but had no idea it was a major hub for the slave trade, serving the elite by supplying children for all kinds of nefarious activity. I've come to believe what once seemed untenable. The military sources children for sex slaves, porno and snuff films, human “guinea pigs” for medical experimentation or as organ donors, for ritual sacrifice and cannibalism, as supersoldiers in the mind-control slave army. This traffic is one of their business operations. This is not an American thing. It's a global elite thing.
Where I live now, in Pennsylvania (or Pan's Woods, if you want a more openly honest descriptive) there is a new state (translated: socialist state) program. Safe Haven established for unwanted babies “A mandatory statewide program instituted recently at Jefferson Regional Medical Center in Jefferson Hills offers a Safe Haven to newborns at risk for abuse, abandonment and even death.” That really sounds wonderful, but I'm not naive like I once was. It smells to me like it is probably yet another front organization, designed for abuse. Kind of like Penn State's Hall of Shame football organization. Kind of like the Roman Catholic Church. Wanna be an altar boy?
Search out examples like Paedophilia and Child Sacrifice and Paedophilia and Satanism. Consider the testimonies of Arizona Wilder, Kay Griggs and Duncan O'Finioan. Read up on Marion Knox, on the works of Fritz Springmeier and Cisco Wheeler, on Russ Dizdar (ShatterTheDarkness.org) and this blog's Sodomite Gateway Series. It's certainly not pleasant reading, but if you want to know what really goes on you have to be willing to accept what you discover.
At some point you will discover a major node in the network called the Tavistock Institute, of London. Dr. Byron T. Weeks, MD wrote to John Quinn (NewsHawk), testifying, “I believe Tavistock has always had secret ties to British Freemasonry.” There's the 33 connection in this post's numbering. The Masons and every other Illuminist society is complicit.
Before I end this post, I wanted to toss one more tidbit on the heap. I've noted a few items linking the Olympic Park and this XXX Olympiad with the year 1948. Here's another. It was in that year that this featured organization, the NHS, was founded.
In closing, the trauma-based mind control mechanism operates globally, and through Satanic ritual abuse an army of supersoldiers has been created that will soon be triggered en-masse for a black awakening. In the way of the occult, rituals and mega rituals are performed in private and in public to support this activity. The Opening Ceremony in London was one more example in a long line of similar rituals, but it was a very significant instance. I don't believe the world will ever be the same for it.
Continuing from Part 1, that opening scene of the classroom-set puppet stage show that illustrates the magick circle so well includes a clear picture of trauma-based mind-control. I'm going to focus on that aspect of the scene in this post, which you should note as appearing during a sequence of posts on the London Olympics. 
This screenshot shows the Obama puppet laughing. The teleprompter reads, “lol”, so he's acting right on cue according to some scripted direction. The tassel of his graduation cap swings over a picture of a brain being split by lightning. The split brain is the split mind, the essential feature of trauma-based mind-control that's technically called dissociation. The adjacent picture of a dragon illustrates the installation of demonic entities (Legion) that is an essential feature of the process. The lightning bolt is the legendary weapon and symbol of Zeus, aka Satan. I'll explain more shortly, but the purple tassel attached to the mortar board signals the ritual sodomy that makes the process of the ritual abuse system work. 
The expression of Newton's Third Law of Motion is a little advanced for elementary school, don't you agree? It's there to support the brain splitting. If you apply enough force to one side of the equation it exceeds the limit and breaks. Enough trauma will overload a person's capacity to cope with reality, and this is what's being presented. On the blackboard, we see the scary looking shark and the burning house, which frames the heads of the seated presidential puppets to illustrate squeezing the mind in a vice of terror. The message here is that their minds were split due to unbearable trauma, inflicted upon them in ritual when they were young children to initiate them as chosen ones. 
The picture of the dead hanging stick figure with one leg has the word "evolution" in play, obviously the familiar game of Hangman, right? This pictures the human torture and sacrifice that is always part of the trauma inducing process. The hangman game also pictures using tortured, dismembered and slain family pets, and the stuffed animals and dolls of the victims, too, and also the hanging / drowning / suffocating of the victims who are revived and the very last moment possible. All of this builds trauma and forces the essential mechanism, dissociation. The hangman pictures required elements of the magickal ritual of Satanic worship as performed by the Illuminated elite.
For example, when the winged bicycle beasts emerge from under the Bell of Caliban, they circle everyone inside the stadium floor and descend back under the Bell. We're told by the commentators these represent the original doves of peace that were released at the ancient Olympics. In symbol, they are definitely NOT doves, but taking their cue and thinking back to ancient Greece we may recall Pegasus, the winged horse. Pegasus was a god, chimeric. 
They are invited to “come together over me”, meaning, covering in sexual intercourse as incubus with a willing human partner. This is an engagement with a supernaturalism that sets those so covered free, in esoteric literature and in reality, after a certain fashion. It's an evil counterfeit, but nonetheless there is a legitimacy to it. The doves are dragons, unleashed from their lair, ordained to perform a reproductive ritual with their magickal seed.
Introduced in the previous post, the imagery of this scene has another layer of meaning. Conception is taking place, literally, sex magick. The fire marking the path of the gold poured into the mold was a winding path, connecting with the ring as the tail to the head of a sperm. The sperm was cast. It was cast on the earth. Ejaculated. Earth was impregnated, and the golden ring was lifted up out of the earth as a fertile egg. Sex magick! You can interpret the huge smokestacks in the scene as alluding to the obelisks of Egypt, the male phallus of Osiris. Isis was going to have a baby. Her magickal work with the fabricated phallus was in Boyle's dramatic interpretation, the “industrial revolution.”
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The forging of a ring is obfuscated language for the casting of a circle. Technically, what they pictured being done in that scene wasn't forging at all. It was casting. They cast a ring. The ring is a circle, so they actually cast a circle! The ring was gold, so they cast a magick circle of gold, just like I described in “I, Pet Goat II”! Inside the circle that was cast you can see the Squared Circle, only very slightly obfuscated. This illustrates the quadrants of the four elements. The magick circle is the space within which energies are raised and concentrated and focused for some ritual work to be accomplished. When witches cast a magick circle, fire is visualized on the circle, and the one in the stadium was lit with real fire. Magic moments? NLP! This is a MAGICKAL moment, literally! The smell of sulphur permeates the atmosphere when powerful demons are invoked. (Web search for: demons invoked sulphur smell) Did the theatrical folks have to supply the sulphur smell, or was that really just a by-product of their successful demonic invocation? Both, perhaps? Also, this was done while drummers were beating their drums, another common practice during the raising of energies.
The witchcraft of the opening ceremony in London is not going to be merely theatrical, if we can accept what the clues are revealing. Continuing from the previous post, I'm going to point out what I see that hints at the four elements or watchtowers of circle casting. Since this has a directional aspect, I'll begin with a feature that may be intended for the purpose of obfuscation but very likely also serves to facilitate a more complex magickal scheme. 
I assembled this pair of images to illustrate how the opening ceremony stage set inside the Olympic stadium (that can be overlaid with the Olympic medal to suggest a magick circle) exhibits a directional rotation of 1/4 turn clockwise. What might be the reasoning for doing that? I read where we are officially told that what looks like the River Thames in the "dark Satanic mills set is not actually the River Thames. Really? How is that water weaving through what is obviously London in the exact form of the Thames -- not the Thames? Why would we be told that? What are “they” being so careful to not tell us? Is this the image of the Thames in some other dimension, perhaps. 
With the model of the Tor as it is in actuality at the north, what appears is the standard for casting a magick circle: North-Earth-Green. As for the other 3 elements, I can't say much because the only other comparable object I've seen in the pictures of the stadium so far is the bell, located opposite the Tor at the south end. As an elemental, this would have to represent fire, which is an unlikely symbol since the bell as a magickal object far better represents air and the fifth element, spirit. It may be that the bell isn't intended as one of the four elements. Olympic Cauldron with the ceremonial Flame lit from the sun-lit torch will likely be placed at the south end. This is one of the well kept mysteries (
We might see the yellow of the May pole on the east as the appropriate color for a typical circle casting, but the others just don't fit. In the alignment using the mills set's River Thames, the model Tor appears in the west, and then the bell opposite the Tor appears as an appropriate symbol for the elemental of east, air. 
I suspect, given the directional rotation of the opening ceremony sets, that the high level sorcery will have layered rituals, evidenced on multiple levels, which is why I present two potential schematics of the stadium with standard elementals marked, to help make what might be done to cast magick circles during the ceremonies more recognizable. 
We might well ask why the Glastonbury Tor is so styled with the terraced hill resembling a swirling vortex? Well, probably because it actually is what it looks like, magickally! I wrote of the hill and tree and addressed some of the probable intent for it already (cosmic connection point, bridging to the underworld as a pathway, time link to 9-11 and Jesus's visit of legend), but there's still more to this that really begs to be addressed! 
But, I doubt that that's been missed. This too seems to have ominous connections, like the devil's fingerprints are all over it. 
I've addressed the role of the bell in some depth already, but it bears repeating and highlighting. The bell is a ritual object that is often used to begin and end a spell. It is used to summon and dismiss demonic entities, calling them from and then returning them to another dimension. I believe this will be it's function during All The Bells, and during the opening ceremony, the closing ceremony, and as bookending the games in one macro mega ritual. As I've mentioned earlier in a post dedicated to it, one of the rituals is likely to be a bell, book and candle spell. The bell ringing is a death spell! 
gold magick circle in “I, Pet Goat II.” One is a ring and the other is a disk, technically, but both can represent the intersection of a bounding sphere. 
That certainly will seem fitting to many Londoners, who say this is how they feel they are being treated by the IOC, partners and participants represented by the Olympic logo. Personally, I have to think this situation is one of the logo's intended messages. That golden phallus locates at the Isle of Dogs (male prostitute) Pumping Station with Mudchute Park just south of it. Think about it. Check the map for yourself. Is that too subtle? Can we take a hint?
Since the 02 High Priestess so obviously matches to the O2 venue, I have to give consideration to how the 21 High Priest might have some similar correspondence to provide the balance that seems so essential to the working of ritual magick. To what does the 21 High Priest map? Well, to an 80 foot tall “Prospero” with white gloves and a wand, apparently, according to rough photos taken while the set referred to as the "dark Satanic mills" of William Blake's Jerusalem was under construction. Magus to magus - it's a match, but this time in the stadium instead of out in the other magick circle mapped on the actual river. 
In the matching of the 21 High Priest to the magus inside the stadium set, there may be some esoteric stamping of the number 21 that intends to harmonize with the 02-O2 pairing. The number 21 is important to esoteric Zeus worshipers because in the Roman alias, Jupiter, his identifying symbol resembles this number. As you can see from this collection of images I made to illustrate the sodomite logo of the G4S security company, the Jupiter glyph looks like 21. Could the giant model of the sorcerer wielding the wand represent the god identified by the 21 glyph, as an idol, a substitutionary agent? The model magus has been said to be 80 feet tall. That's about 24 meters. Will the actual height be 21, providing another connection for a magical working?
Now, notice how the Shard is on the London mapped medal's edge, precisely marking due west as a Watchtower, a Guardian elemental. The Olympic Park is due North. I suspect that has all been in the plans for quite some time. This observation leads me to suspect that there has been a ritual marking of the opposing cardinal points too. It seems likely that some special lighting will identify them, as candles often mark the cardinal points of the compass in the casting of circles. 
London Olympic Stadium is a PAGAN ALTAR set up for OCCULT OPENING CEREMONY
In "Alice's" spell, the apple is her ritual tool. As we follow the apple we see it as a symbol of her spell, working. When the lights dim, her eyes close and she drops the apple, which rolls out of the circle. This is the High Priestess going into the Alpha state, between the realms. The energy of the spell is raised and the apple representing the magickal spell rolls out of the circle to picture it going out into the physical world. The spell is cast over against the Obama puppet. The apple magically splits and seeds from both halves grow together and blossom into a lotus flower. The Obama puppet sees it and is terrified. 
The hexagram is another symbol commonly used in ritual magick for invocation and spell casting, and these appear as the large snowflakes at the lower left of the blackboard. 
Demons conjured will appear in the triangle. According to one magician, “Some Magicians such as the Great Crowley would use Fresh Blood of a Sacrificed animal in the Triangle to attract the Demon. For Blood is the Life force and Demons thrive on it. Crowley would Sacrifice three white doves and pour the Blood into each corner of the Triangle... the Demon would stay until the life force was exhausted, then Demon would leave. ” When you look at the burning house, you can look at the red as flames of fire. If you consider the roof as the Triangle of Solomon, you can see the red as the blood of the sacrifice, used to attract the demons conjured.