Saturday, March 31, 2012

Part 49 - Rango - Hoover Dam, Alcyoneus and the Hypercube Tuning Fork Angels

In Black Canyon, spanning the border of Nevada and Arizona, sits the enigmatic Hoover Dam. I drove over it once, during a kind of surreal excursion back around 1998. It may be that there's a hypercube containment cell associated with the Dam. It's not Rango material in a most direct sense but it does fit closely enough in the thread for me to want to include it in the series.

If you want some pretty good reference links, I recommend reading these: Hoover Dam History - Artwork and 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part I and Part II

As noted in the previous post, the dialogue from Transformers (2007) identifies the AllSpark cosmic cube as having been hidden inside the Dam in 1935. I asked if there might something special going on in the vicinity of Hoover Dam and Lake Mead that relates the Transformers cube and stated that some features of the Dam suggest there is. What I like to refer to as “tuning fork angels” in the Dam's dedication area, plus a few other intriguing elements are features that compare to ancient monuments and “sacred sites” elsewhere. These appear to bear witness to Nephilim that may be buried and bound nearby in a hyperdimensional containment system. Let's pick up that thread I started with the Transformers dialog.

Tom Banachek: The First Seven came upon the Cube. We knew it was extraterrestrial because the symbols on its surface matched those on NBE-1. The Dam was built around it in 1935 to mask its signal. Four walls of concrete, as thick as four football fields, enable the Cube to avoid being detected by any humans, or any aliens from outside...

Transformers (2007) - IMDB

The AllSpark falling to earth alludes to Revelation 9 (which is referenced also in Rango, Part 22).

1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.
Revelation 9:1-3

I'm not saying the AllSpark refers to that very star from heaven (an angel) and that it's dimensionally bound inside the structure of that Dam. I'm not saying it's not, either, but let's keep our eyes open and attend to what the Lord may reveal. There's plenty more to consider. The place is Dammed and it may well be damned.

The Greek words for “bottomless pit” are abyssos phrear. Abyssos also means “unbounded.” A well, cistern or pit can only be bottomless or unbounded if you allow for a higher dimension into which a space opens. In the language of geometry, the most basic of such constructs is the hypercube. The place of the locusts is located beyond our familiar 3-space plus time.

You may recall how the presence of buried Nephilim was signaled in other scenes in Rango, in connection with adobe cliff dwellings during zombie apocalypse scenes (Parts 28, 29). Back in Part 44, I wrote: “The technological bridging construct through which the ancient gods are reintroduced into our domain seems to have two primary facets. One is the means of reentry for those bound in the earth at the time of the flood of Noah's day, who received a sentence for a set season, seventy generations, and whose containment involves an implicit time lock.”

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.
1 Enoch 10:11-12

I see evidence that suggests a global network of hypercubes that are containment cells, within or by means of which the agents held responsible for the flood of Noah's day are bound. The time lock mechanism was set for release after the passing of 70 generations. Although it's not the only witness to this, allusion does appear to be made by the movie Cube 2: Hypercube, with its imprisoning cube's duration set for 6:06:59.

Aaron Hermann and I see pretty convincing evidence that the Adversary is bent upon springing the time lock on this containment grid for an early release, and we believe he's going to be granted success. At this development, the sovereign Lord will neither be surprised nor unprepared. The means of jailbreak will come via a combination of magick ritual (sex, blood, torture, animal and human sacrifice, chimeric merging of species) and the exploitation of physics, most particularly involving phased and tuned non-EM and EMR wave energy. I believe what's being sought through CERN's LHC project is to the end of engaging this army according to Revelation 19:19.

In light of that potential, the government branding appended to the monument is rather ominous. Department of the Interior - Bureau of Reclamation. Are they all about reclaiming something from the interior? The occult pyramid/inverted pyramid Hermetic Maxim logo suggests they are. The Venetian blinds effect signals the requisite obfuscation of intent, as the controlled filtering of light. There's a concealed letter "M" signaling the Beast number 13 and the pyramid inside the elliptical eye of Horus, inverting the familiar Federal eye inside the pyramid cap.

The Lord has been granting insight into these things I'm expressing recently and I'm not the only one learning and bearing witness. I've just started reading The Cosmic Chess Match by L. A. Marzulli. In it, I'm finding what you may consider as another witness to what the Lord has been showing me. He writes in “Chapter 5: Nimrod & the Tower of Babel” about the builders (page 37): “I believe that these people were engaged in occult activities in order to open the portals so that the fallen ones could come back on the earth.” What I've been writing in the last few posts suggests this may have been among their ways and means.

The feature of the Dam that first grabbed my attention was the winged guardians. These link the Dam to the many ancient “sacred sites,” temples and monuments where giant and sometimes chimeric guardians are found. I'll share how the the Lord directed my attention to these angelic figures, which is relevant, but first I want to present some excerpts from Tom Horn's studies. Note how doorways were guarded with figures that were the subject of magick ritual, even winged figures. Note how a box called the kiste was used in connection with binding magick, which is perhaps an emblem of the hypercube.

“To close the doorway to evil spirits in Babylon and Assyria, colossal enchanted creatures built under elaborate ceremonies and blessed by names of good omens flanked the palace entries and towering gates of cities while extra precaution was provided through winged figures holding magic devices cleverly concealed beneath the entryway floors. It was also important in ancient times to defend ones personal property and private residence against fiendish undesirables, therefore apotropaic (an adjective meaning "to ward off evil") devices were placed in home doorways, windows, fireplaces and chimneys, while charms, bracelets, and talismans were worn upon the body to protect the individual themselves.”

“The Hebrew prophet Ezekiel made an interesting statement about such "magic bracelets" (kesatot), which were worn upon the body and somehow bound spirits. We read, "Wherefore thus saith the Lord God; Behold I am against your pillows [kesatot, "magic bands"] wherewith ye there hunt the souls to make them fly, and I will tear them from your arms and will let the souls go, even the souls that ye hunt to make them fly" (Ezekiel 13:20). The kesatot was a magic arm band used in connection with a container called the kiste. Wherever the kiste is inscribed on sarcophagi, it is depicted as a vessel with a snake peering through an open lid. How the magic worked and in what way a spirit was bound or loosed is a mystery, but a noteworthy verification of the magical properties represented by these utilities is discussed in the scholarly work Scripture and Other Artifacts by Phillip King and Michael David:”

“In the closing verses of Ezekiel 13 the prophet turns his attention to magic practices whose details remain obscure. Two key terms are kesatot and mispabot…The kesatot are "sewn" on the arms, while the mispabot are made "on the head of every height" (?), which has been understood to mean "on the heads of persons of every height"…”


In the following, Tom had been following the above very closely, and he elaborates.

The text in Ezekiel is believed to specifically refer to Dionysian or Bacchanalian magic, which is important in the context of this blog series when combined with a related two-part "binding" and "loosing" question from God in Job 38:31: "Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion?" The first part of God’s challenge to Job here involves the star cluster Pleiades, which in mythology represented the Seven Sisters or teachers of the infant Dionysus, the very priestesses of whom used the kesatot and kiste to magically "bind" those souls that Ezekiel said God would "loose." The second part of God’s proposition to Job is equally meaningful, "Can you… loose the bands of Orion?" Studies in recent years have made intriguing findings that suggest the Giza Plateau—which according to Zahi Hawass (current Secretary General of Egypt’s Supreme Council of Antiquities), was known to ancient Egyptians as the "House of Osiris, Lord of the Underground Tunnels"—was designed to reflect the constellation Orion. The three pyramids of Giza do appear to be laid out in a pattern reflecting the three stars of Orion, which is none other than the heavenly representation of Osiris.


While many assign belief in magical guardians and supernatural bindings to the merely superstitious, a reading of Ezekiel 13:17-23 confronts Bible believers with convincing testimony that magical binding of spirit is real and that it involves rituals and physical elements in our 3-space plus time. Hoover Dam compares to ancient sites, with winged guardians and even reference to the Pleiades in a detailed star map!

I was led to discover the winged figures at the Dam during some directed research into the role of acoustics in dimensional boundary manipulation. When I first laid eyes on these figures I immediately identified them as “tuning fork angels.” These 30 foot high “Winged Figures of the Republic” were each cast in bronze in a continuous molten stream, not unlike how bells are cast. The 142-foot flagpole between them resembles an antenna, relative to the tuning fork angels. It calls to mind a Theremin (Thanks David C), a musical instrument with an antenna that works on electomagnetic wave principles, varying frequency and amplitude using proximity sensors that detect the player's hands. I'll expand on the role of these elements shortly. These three elements may be considered as antennas for broadcasting or receiving.

The ongoing TV series Fringe plays heavily on the use of technology to bridge dimensions. The image you see here shows a demonstration that was set up to illustrate the principle being used to open the portals through which objects and beings were passing into our universe. Three tuning forks were used to resonate a region containing the migrating object. I see the Winged Figures of the Republic as tuning forks.

The tuning fork angels are seated upon black stones that exhibit the style of cubism. These cubes are angel thrones of black stone. The Dam itself is in Black Canyon. A canyon is defined as a narrow chasm with steep cliff walls, cut into the earth by running water. The walls are stone. Black Canyon; a Black Stone Chasm through which water flows in a control gated mechanism. There can be no dispute that there is an enormous amount of energy represented at that location, which must be considered a power node. File this away, as I still intend to feature the meaning of the rising black stones in the scene where Rango falls to earth, Lord willing!

The Dam's dedication area features a star map, which you can read about here, 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II. Like many ancient sites, and those not so ancient magickal sites as may be found scattered across the globe, there's a reason why the Dam is where it is and why the terrestrially anchored elements are aligned, linked and thus bound to the celestial lights. The terrestrial and celestial grids are bound together in time. It's in the record of Genesis, the subject of the 4th day of creation. Biblical astronomy derives from this reality and the occult arts of astrology have exploited and continue to exploit and will further exploit the reality of this grid to grid link.

You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?

At, it is suggested that Alcyoneus “may be the same as Eurymedon, the king of the Gigantes mentioned in the Odyssey.” Earlier in this post I wrote that the AllSpark falling to earth in Transformers alludes to Revelation 9, where we learn a star that fell to earth was given the key to the bottomless pit. This star was later in that chapter identified as Apollyon or Abaddon.

They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.
Revelation 9:11

Perhaps Alcyone is that star and Alcyoneus is that angel, alias Apollo and Horus.

If the name Alcyoneus seems familiar it may be through the popular work of fiction titled Longwalkers by Steve Quayle and Duncan Long. Steve says many of the elements of the book are factual, based upon what he's learned from research over many years. They present this Nephilim giant in the same way Revelation 9:11 speaks of the angel of the abyss, as the king over the Nephilim. In the book, Alcyoneus was found and released from binding in what is now Turkey inside Nemrut Dagi, Mount Nimrod, the Throne of the Gods. That place is considered by many to be the burial place of Antiochus Epiphanes, desecrator of Jerusalem's Temple, who forced worship of Zeus and remains to this day one of the most widely recognized types of Antichrist.

The Grand Canyon, located not that far from Hoover Dam is another area identified in Longwalkers as a holding facility for Nephilim.

Whether there is a Nephilim king named Alcyoneus and whether he might be inside either Hoover Dam or Mount Nimrod, we shall see.

While there's plenty I don't know, the following items highlight the Black Canyon gateway work as a place of notable interest.

The design of Hoover Dam resembles that of the Altar of Zeus, which is famously referenced in Revelation 2:13 as “Satan's seat” and “where Satan dwelleth.” The Dam compares to other models like the Zeppelintribüne, built for Nazi rallies in Nuremberg, the stage set for Obama's 2008 presidential nomination in Denver, CO and Cecil Rhodes' Memorial on Devil's Peak, Cape Town, SA. The Dam is very thick at the base, so that volume compares to the quad inside the Altar of Zeus.

From observers at the Dam, the new bypass “rainbow bridge” forms a bow in the clouds, like the contents of Rango's umbrella drink as he “traveled the Bifröst,” falling to earth.

The eagle spread before the acoustic array features a cloud bow, through which portal the starry heavens appear. The identity of the eagle may be Alcyoneus and company, suggested perhaps by Oskar Hansen's explanation of the winged figures.

The building of Hoover Dam belongs to the sagas of the daring. The winged bronzes which guard the flag, therefore, wear the look of eagles. To them also was given the vital upward thrust of an aspirational gesture; to symbolize the readiness for defense of our institutions and keeping of our spiritual eagles ever ready to be on the wing.

Hoover Dam History - Artwork

There were 112 deaths associated with the construction of the dam. Included in that total was J. G. Tierney, a surveyor who drowned on December 20, 1922, while looking for an ideal spot for the dam. He is generally counted as the first man to die in the construction of Hoover Dam. His son, Patrick W. Tierney, was the last man to die working on the dam's construction, 13 years to the day later.

Hoover Dam - Wikipedia - Construction Deaths

Who is sovereign over such things as life and death? My God is. The first and last men claimed to die in the project were father and son, sharing the most basic DNA connection and linked in life and death. The time span of exactly 13 years to the day stamps the Black Canyon work with the number 13, which is the number most strongly identified with the Beast and related times of revealing. See The Number Thirteen (The Sign for the Bride - Part 3) where I provide documentation of this feature, where the extent to which this point can be made is almost stunning.

The number also means, “rebellion,” and “Lord.” The sign derives the time signal of 13 from two men named Tierney. The meaning of 'Tierney' is “Lord, Master.” That's the meaning of Ba'al. On one hand, this sign testifies to me that the sovereign Lord God oversees this work and every aspect of it. On another hand, it speaks of the times of revealing (Marian/Isis apparitions) and the Beast, and Ba'al - and Alcyoneus? The worship of a Ba'al is to the demon god of a locale, a region, a principality. At the Dam, would this be Alcyoneus?

Compare AllSpark ~ Alcyoneus

Is the Hoover Dam built around the “AllSpark” Alcyoneus?

According to the line from Transformers: “The Dam was built around it in 1935 to mask its signal.

1935: 1+9+3+5 = 18 = 6+6+6

Is this reference to the building of the Dam around the cube in 1935 an instance of signaling the cube number 6*6*6, comparing to what I've presented about the movies Pi and Cube 2? I think so! Those reference a cubic name key, possibly to abyssos phrear, the bottomless pit of Revelation 9, which may be for the release of those bound in the earth adjacent to our time and space.

It was in 1935 that J. Edgar Hoover started the FBI. Although the controversial naming of Hoover Dam officially involves the 31st president, Herbert Hoover, I'm not the only one to think rather that this was a tribute to the esoteric and famous Freemason and homosexual J. Edgar Hoover. The Dam was a Masonic work of massive scale. It was in 1935 that the Great Seal was incorporated into the design of the Federal Reserve's one dollar bill under Freemasons FDR and Henry Wallace (with associate Nicholas Roerich), an act that has had an enormous impact upon the world.

I was just told by a journalist that there are Satanic rituals performed there nightly, at 3:30 am, and that the place is called the Womb.

The man responsible to design and build something fitting for the dedication area obviously knew things. He had been changed by a near-death experience. He was commissioned by the Masonic government for the monumental work.

Oskar J. W. Hansen was a very unique and special man. Besides his military service in the US where he rose from a Private to Major of the US Army, he was esoteric, almost dealing with the occult, but very spiritual and his ‘near-death experience’ changed his philosophy of life.

From one of his speeches in 1928 that reminds me of the Maya language development, he expressed, “Man has always sought to express and preserve the magnitude of his exploits in symbols. The written words are symbols arranged so as to preserve in objectified form the thought of man and to record his variant states, both mental and physical. All other arts are similar as to their symbolic significance. They take their place among the category of human endeavor simply as the interpreter of life to itself. They serve as an outer object typifying the inner process. They form the connecting link between the spiritual and the material world. They are the shadows cast by the realities of the soul.”

2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II

If you read the links I posted for reference at the beginning of this post, which I strongly recommend, you'll have a better sense of the esoteric language Oskar employed to describe this work.

There has been lots of documented seismic activity at the site and substantial controversy over the integrity of the public record. The page here Are Earthquake Swarms At Hoover Dam Being Covered Up? Startling Evidence! was copied from the apparent original article here,, which had pictures but is no longer available. Note, at the bottom of this one, the reason for deleting some of the seismic events is given as being that those were attributed to magma movement instead of earthquakes. What truth there is to any of that, I have no clue. What is actually happening inside the earth at this location will be known, as all things hidden will be known at some point in the future, according to the Lord's faithful promise.

Some claim the new $50 bill pictures water spilling over the Hoover Dam when folded a certain way, an ominous portent when considering the Twin Towers and Pentagon events of 9/11 pictured on the folded $20.

From the Lake Mead side of the Dam you not only see the rainbow bridge, you also see an 11 / 11 presented in the towers, numbers that testify of division, the cutting of the flesh and judgment.

In closing this lengthy post I want to present some excerpts from an interview I feel should be taken seriously, with the Lord's own “insight filter.”

“This self-proclaimed illuminati Insider appeared on the "Above Top Secret" forum in October 2008, giving away information about the Illuminati Agenda and their goals. The reason for this, he says, is because time is right for us to know some of what is going on behind the scenes. And when he explains WHY he needs to reveal it now, it's very convincing. In this article I will post the dialogue between the "Above Top Secret Forum" members and "Hidden Hand" in its entirety.”


“The Maya use an astrological cycle called the "Precession of the Equinoxes". This is a 26,000 year cycle in which Earth transits through each of the 12 signs of the zodiac for about 2,152 years each. Each of these astrological ages represents one month of the grand Cosmic Year. This "Mayan" cycle also corresponds to a 26,000 year relationship of the Sun (Solar Logos) orbiting Alcyone, the central star of our Seven Sisters Pleiades constellation.”

“The End of this Cycle, heralds literally, a New World Age, and a New Creation. "A new Heaven, and a new Earth", and is the time of the Great Harvest.”


“ATS: You mention Alcyone ... it's interesting there's a celestial map of it at Hoover Dam. There's also a compass, framed by signs of the zodiac.”

“HH: Indeed. Just like in Hollywood productions. We hide the Truth right out in the wide open. What humanity is offered as "Science Fiction", more often than not, is actually Science Fact.”

“ATS: What do the winged statues, commissioned by the U.S govt, guarding the entrance at the dam really represent? Is any of this collection of celestial symbolism found there connected to your luciferian/alien/equinox/transformation agenda?”

HH: That is actually very simple. You'll note that the feet point directly downward to the earth, and the hands and wingtips point directly up to the sky. The Life-Force Energy flows into the human mind/body/soul complex from the earth up through the feet. The Intelligent Energy from the Infinite Creator flows down from above and in through the crown chakra. The wings represent our (Lucifer's) inherent Divinity. You'll also note that the figure is seated. "The seat of our (Lucifer's) Power connects Heaven and Earth, and all things must pass through us".”

Dialogue Between Above Top Secret[ATS] and "HIDDEN HAND," Self-proclaimed Illuminati Insider

Rango's ice cube in the umbrella drink. Hoover Dam. Hmmmmmm. Lots to think about.

Saturday, March 24, 2012

Chodesh Ha-Aviv! -- Happy New Year

You may ask why I, Bob, Gentile believer in Y'shua, am excited about today. I am happy to explain what I'm celebrating and why. I've been looking forward to this for a very long time!

The Lord's calendar is our calendar, saints, despite the fact most folks still consider it just a Hebrew calender. Today is the first day of the first month, "New Years Day" on what's sometimes called the sacred cycle. This isn't accounted as a major Feast day, akin to Yom Teruah (aka Rosh HaShannah), which begins the civil and regnal calendar cycles, yet it is special. It is the accounting of the beginning of months, from which the months of this year can now be numbered. The first day of a month is always a Feast day, Rosh Chodesh. Plus, today is also the weekly Shabbat, the seventh day of the week.

What makes the Chodesh Ha-Aviv so special this year I'll get to in a moment, but in every year this is a celebration that anticipates the future as a sign and is therefore something of a rehearsal. The barley and the moon are both Bride symbols. They signal the Bride's readiness for Her Bridegroom. When the barley is found aviv, witnessed in that state of readiness to be offered to the Lord at the appointed time, it pictures the Bride finally come to maturity, ready to be joined with her Bridegroom! When the moon first becomes visible in the season of waxing brighter, reflecting the light of the Sun, it is a sign of the Bride beginning to reflect the radiant glory of her Bridegroom. These are causes for celebration! Most have no idea why, but I have been so blessed with some insight into this precious and timely matter!

Y'shua is eager to be joined with His Bride, and prepares her for that day. Predicating the calendar upon the ripening of the barley and the sighting of the new moon establishes the status of the Bride as the foundation for the observance of every Feast, excepting only the weekly Shabbat. The Bride is that important. As subject to her Lord, embracing submission, she acquires His trust and love and is granted a key role. The Lord is love, but his love is manifested differently with His Bride, in a unique relationship.

While every sighting of the new moon and every discovery of aviv barley is important, they are signs and rehearsals until the reality they represent manifests, when the Bride is found ready. Today, there is a reality manifesting! This has never before been able to be said as it is now. This is not yet the year of the Bride's joining with her Bridegroom, so it's not yet the more full sign of her readiness. Yet, because the Shemittah appointed for the fulfillment of these things arrives this fall in the seventh month, the Chodesh Ha-Aviv upon which it depends for its accounting is very special indeed. Today is the new moon of the Aviv, and by this we can now identify the beginning of the fourth Shemittah from the celestial sign of the Lord's coming in judgment as Yom Teruah, September 27, 2012.

I have looked forward to this for a very long time. I have often considered that I might not see this day. The Lord Y'shua is most kind and full of mercy, and has granted me favor beyond any reasonable expectation. Thank you Lord!

- - - - - - - - - - - - - - - - - - -
Karaite Korner Newsletter #549

New Moon of Aviv Sighted

On Friday March 23, 2012 the new moon was sighted from Israel. The moon was first sighted:
*from Jerusalem at 6:14pm by Nehemia Gordon and shortly thereafter by Keith Johnson and Jocelyn Carabello;
*from Aviel at 6:16pm by Chad and Barbara Peterson and Ephraim Frank;
*from Poriya at 6:20pm by Willie Ondricek and about ten others;
*from Givat Hamoreh by Dina Marcus at 6:22pm and shortly thereafter by Avi Marcus.

Earlier in the day two fields of Aviv barley were located in the Jordan Valley, one north of Marj e-Naja and the other at Tal Malkoach. Yesterday two other fields of Aviv barley were located in the northern Negev. This makes the current new moon Chodesh Ha-Aviv, the new moon of the Aviv, which marks the beginning of the new Hebrew year, in accordance with Deuteronomy 16:1 "Observe the new moon (chodesh) of the Aviv." Chag HaMatzot (the Feast of Unleavened Bread) will begin at sunset on April 6, 2012.

Photos of the Aviv barley found in the Jordan Valley and the new moon sighted from the Mount of Olives are posted at:

Nehemia Gordon
Jerusalem, Israel

Thursday, March 22, 2012

Aviv barley found!

Karaite Korner Newsletter #548

Aviv Found in Northern Negev!

We found two fields of Aviv barley in the northern Negev at Bit'cha and Gama Junction. This means the next new moon expected on March 23 will be the beginning of the new biblical year and Chag HaMatzot (Feast of Unleavened Bread) will begin two weeks later at sunset on April 6. However, visibility of the new moon from Israel is uncertain for March 23. If it is not seen that night the new biblical month will begin Saturday night March 24 and Chag HaMatzot will begin at sunset on April 7.

Photos of the Aviv barley are posted at:

Nehemia Gordon
Jerusalem, Israel

Tuesday, March 20, 2012

Part 47 - Rango - A Cubic Name Key to a Multi-dimensional Access Code

Expanding upon the “ice cube as hypercube” signaling in Rango with more exhibits, I'll begin this set by picking up where I left off in the previous post and building upon the account from Genesis 11.

1 Now the whole earth used the same language and the same words. 2 It came about as they journeyed east, that they found a plain in the land of Shinar and settled there. 3 They said to one another, “Come, let us make bricks and burn them thoroughly.” And they used brick for stone, and they used tar for mortar. 4 They said, “Come, let us build for ourselves a city, and a tower whose top will reach into heaven, and let us make for ourselves a name, otherwise we will be scattered abroad over the face of the whole earth.” 5 The LORD came down to see the city and the tower which the sons of men had built. 6 The LORD said, “Behold, they are one people, and they all have the same language. And this is what they began to do, and now nothing which they purpose to do will be impossible for them. 7 Come, let Us go down and there confuse their language, so that they will not understand one another’s speech.” 8 So the LORD scattered them abroad from there over the face of the whole earth; and they stopped building the city. 9 Therefore its name was called Babel, because there the LORD confused the language of the whole earth; and from there the LORD scattered them abroad over the face of the whole earth.
Genesis 11:1-9

Consider the attention given a name, speech and language. These are clues about the nature of what's going on. Verse 4 from the Young's Literal Translation is rendered as follows.

And they say, `Give help, let us build for ourselves a city and tower, and its head in the heavens, and make for ourselves a name, lest we be scattered over the face of all the earth.'
Genesis 11:4 YLT

“Let us...make for ourselves a name.” That effort wasn't just a bid for fame, it was going to yield the ability to do whatever they wanted. No kidding. Serious non-fiction. Get hold of that reality. The counter to that effort was to confuse the language, not to collapse their tower. This denied the workers the ability to make for themselves a name, an element that was somehow related to building of the city and the stargate of masonry.

We usually associate Babylon and Babel with confusion, mixture, and with what happened when the languages were confused. I believe it's right to do so, but the root of the word highlights the purpose.

The last sentence suggests that the name Babel means "confusion" in the original Hebrew. But it doesn't, except in this sentence. It is simply the Hebrew name for the city of Babylon. Perhaps that was enough; Babylon must have had a noisy variety of languages in biblical times. In any case, Babel came to Hebrew from Akkadian, the chief language of Babylon. The Akkadian Bab-ilu means "gate of God" and is probably a translation from an earlier Sumerian term, Ka-dingir.

Babel - Houghton Mifflin's International Word Origins

I doubt that one objective of the project in the plain of Shinar made sense without the others, which is to say that the city, (Cain first built cities) tower and name were all required to achieve their goal. They sought to exploit what has become known as sacred geometry and, it appears, the ability demonstrated in Genesis 1, apparently by acquiring for themselves something of a secret password or passcode.

Then God said, “Let there be light”; and there was light.
Genesis 1:3

Because the Lord God spoke into being what was not, creative acts may be interpreted, from one valid perspective, as work accomplished by directed non-EM wave energy. The first created was light, electromagnetic radiation.

The name the builders of the Tower of Babel sought for themselves wasn't “Atlantis” but something very special, I believe of a multi-dimensional nature, something beyond Abracadabra and Alakazam. Consider the following verses as I continue setting up for another revealing "cube" movie.

10 let it be known to all of you and to all the people of Israel, that by the name of Jesus Christ the Nazarene, whom you crucified, whom God raised from the dead—by this name this man stands here before you in good health. 11 He is the STONE WHICH WAS REJECTED by you, THE BUILDERS, but WHICH BECAME THE CHIEF CORNER stone. 12 And there is salvation in no one else; for there is no other name under heaven that has been given among men by which we must be saved.”
Acts 4:10-12

That's the valuable name. That's the valuable stone masonry project. He is the way, the door (John 10:7-9) and true gate of God, because no man comes to the Father but by Him.

“I am the Alpha and the Omega,” says the Lord God, “who is and who was and who is to come, the Almighty.”
Revelation 1:8

He is the first and last letter of the alphabet, implying the entire alphabet, the basis of every word and language itself.

1 In the beginning was the Word, and the Word was with God, and the Word was God. 2 He was in the beginning with God. 3 All things came into being through Him, and apart from Him nothing came into being that has come into being.
John 1:1-3

He who has an ear, let him hear what the Spirit says to the churches. To him who overcomes, to him I will give some of the hidden manna, and I will give him a white stone, and a new name written on the stone which no one knows but he who receives it.’
Revelation 2:17

There's a secret name, an important name given as a reward to one who overcomes. Such a name won't be stolen. This verse suggests a contrasting black stone, which, again, factors in to this complex signaling in Rango's “Hail Mary” scene. (Think, Black Stone in Kaaba cube)

11 And I saw heaven opened, and behold, a white horse, and He who sat on it is called Faithful and True, and in righteousness He judges and wages war. 12 His eyes are a flame of fire, and on His head are many diadems; and He has a name written on Him which no one knows except Himself. 13 He is clothed with a robe dipped in blood, and His name is called The Word of God.
Revelation 19:11-12

He has a secret name, like those He rewards with a white stone. No one is going to steal it or clone it. Here's how to get a name.

8 Being found in appearance as a man, He humbled Himself by becoming obedient to the point of death, even death on a cross. 9 For this reason also, God highly exalted Him, and bestowed on Him the name which is above every name, 10 so that at the name of Jesus EVERY KNEE WILL BOW, of those who are in heaven and on earth and under the earth, 11 and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father.
Philippians 2:8-11

And they sang a new song before the throne and before the four living creatures and the elders; and no one could learn the song except the one hundred and forty-four thousand who had been purchased from the earth.
Revelation 14:3

They will have an entire song no one else can learn.

So, finally; some claim there's a name that is a cube, mathematically, expressed numerically as it may be in reality geometrically. The name of the sovereign God, called the Schemhamphoras, was said to be pronounced only by the high priest on the Day of Atonement. This special name is composed of 216 letters, which is six cubed (63).

Now, with all that as background, here's a movie to consider. It's simply titled, Pi In it, writer and director Darren Aronofsky (director of Black Swan and The Fountain) has the entire plot revolving around the 216 digit name, the cubic number 6*6*6. Like the movies presented in the previous post, this MacGuffin is the cube, just not represented as a physical object.

RAV COHEN: ...In the center of the great temple was the holy of holies which was the heart of Jewish life. This was the earthly residence for our God. The one God. It contained the ark of the Tabernacle which stored the original Ten Commandments that God gave to Moses. Only one man could enter this space once a year on the holiest day of the year, Yom Kippur On the Day of Atonement, all of Israel would descend upon Jerusalem to witness the High Cohen's trip into the holy of holies. If the holy man was pure he would reemerge a few moments later and Israel was secured a prosperous year. It meant that we were one year closer to the messianic age. Closer to the return of the Garden of Eden. But if he was impure, he would die instantly and it meant that we were doomed. The High Cohen had a single ritual to perform in the holy of holies. He had to intone a single word.
MAX: So?
RAV COHEN: That word was the true name of God.
MAX: Yeah...
RAV COHEN: The true name, which only the Cohanim knew, was two hundred and sixteen letters long.
MAX: You're telling me that the number in my head is the name of God!?
RAV COHEN:'s The key into the messianic age. As the Romans burned the temple, the Talmud says, the High Cohen walked into the flames. He took his secret to the top of the burning building. The heavens opened up and took the key from the priest's outstretched hand. We've been searching for the key ever since. And you may have found it. Now let us find out.

If this special cubic name was what the High Priest knew and uttered while accessing the presence of the Creator in the Holy of Holies cube, is this what the builders of the city and tower of Babel (gate of God) were after when they said, “Let us...make for ourselves a name”? Are the Holy of Holies and the Garden of Eden hypercubes with access denial systems leveraging a multi-dimensional encryption with cubic name keys? Was the plain of Shinar gambit a multi-dimensional passcode hack that had an implicit embedding in a stepped ziggurat architecture? They sought a name for themselves, but not the one like the white stone in Revelation 2:17. They, in contrast, intended to cheat the system and acquire a black stone name. They would have succeeded, but the Lord is Sovereign. You just can't beat Him!

These folks like Darren Aronofsky know things. They have to blab it, and the Lord shines a light on what's concealed to reveal what, when and where it pleases Him, to accomplish His purposes.

Here's a closely related observation, another “cubic” version of a name of God. The cube has 12 lines, 8 points, and 6 sides. These numbers sum to 26, the gematria of Yahweh, the tetragrammaton YHWH or yod heh vav heh.

Another cubic number is 27, 3*3*3 or 3 cubed. Three is the resurrection number. The number 27 is being signaled in connection with the 2012 London Olympics, and most particularly, with the 27 tonne bell being cast for hanging in the Olympic Stadium. I've been writing about that recently, and even in the context of a quantum entanglement in time and space with the Olympic Park. 2012 - 1948. London and Jerusalem. The Zion Olympics. It's all very intriguing.

The cubic number 216 factors to the resurrection number 3 times 72 (the mirror of 27), as some account the numbering of the names of God. (See The Names of God and Esoteric Hebrew Names of God) The Schemhamphoras is thus a 72 part name.

There is in Jewish tradition the belief that the ten commandments (Luchot ha-Berit) were written on a sapphire (crystal) cube or cubes.

If I remember correctly, in the movie Contact (previous post) the blueprints or schematics for the stargate device are only understood when the printout is folded into a cube.

There is an art movement known as cubism. In the previous post I noted the use of hypercube geometry by Salvadore Dali to represent the crucifixion scene. That featured a hypercube, but it wasn't done in the style of cubism. Cubism is the graphic representation of an object as seen in a moment of time from multiple angles, as multidimensional. This radical "mind expanding" visualization spawned interpretations in other media.

Cubism is a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth. The background and object planes interpenetrate one another to create the shallow ambiguous space, one of cubism's distinct characteristics.

Cubism - Wikipedia

Those familiar with esoteric geometries will want to give Metatron's Cube some consideration in this context.

All these things add up kind of like a noisy hologram. This cube thing - the devil's MacGuffin. All this explains why we see the cube in Rango's umbrella drink in that context.

Still more to follow on this theme, Lord willing.

Monday, March 19, 2012

Part 46 - Rango - Hyper-Kaaba, The Immortals and the Marvel Universe Cosmic Cube

Rango's umbrella drink's fascinating ice cube pictures a hypercube, a projection into our 3D plus time "plane" of existence of a higher dimensional space and activity. Shifting focus slightly from the crystal composition to the cube shape, what little attention is given it in Rango is more than compensated for when insight into what is meant by the cube is sought elsewhere. Thanks, Jonathan, for your efforts in this regard!

The Holy of holies is a cube, and the New Jerusalem is also a cube. There is a famous brick building in Mecca, Saudi Arabia known as the Kaaba (Qaaba), which means “cube.” It's considered the most sacred site in Islam. Within that granite cube set on a marble base is the Black Stone, the eastern cornerstone. According to Muslim tradition, the stone dates back to the time of Adam and Eve. It fell from heaven to earth, landing on a nearby hill. When Muslims pray, they face Mecca, and most specifically, the Black Stone inside the Qaaba.

The Kaaba marked the location where the sacred world intersected with the profane, and the embedded Black Stone was a further symbol of this as an object that linked heaven and earth.

Black Stone - History and tradition

Consider the language used more literally than figuratively. There's a trend where the cube represents a hypercube's intersection with our 3-space. By the way, I introduce the Black Stone here because it relates to Rango's floating terrarium gravel (coming up in the queue). Please note, this comparison of the Kaaba to the Holy of Holies is not to equate them in some way, but to call attention to it as an important example of how cubes imply higher dimensionality. The devil knows the way of hypercubes and leverages such in physical modeling, leveraging architecture and other media where the symbol may be exploited.

This animation of a Tesseract illustrates how a 4-space hypercube appears as constrained into reduced dimensions. This is also called an octahedral hypercube, which can be represented as Salvadore Dali chose to do in his famous Corpus Hypercubus, from 1954. Dali's symbolic interpretation of the crucifixion on the higher dimensional cross testifies of something happening in other unseen dimensions, in the heavenly realms, as intersecting with our 3-space plus time.

On the altar of Zeus , there is a frieze depicting scenes of battles between the ancient Titans and the gods of Mt. Olympus. Such a battle is reenacted in a move being released on DVD called The Immortals. The Titans had been restrained inside the mountain of Tartarus inside a cube. The gods of Olympus were only permitted to engage on behalf of humans in the eventuality of the release of the Titans, which is to say that their release from the cube was a major plot element. They are released from the prison cube by a light arrow (phallic emblem) that was shot from a magical bow. A light arrow is directed EMR wave energy, used as something of a key to release ancient gods bound in the earth, contained within a cube. The binding of ancient gods in a cube illustrates the extradimensional nature of their containment.

The throne of Zeus that was formerly on the acropolis in Pergamon is now in Berlin, restored. Its an ancient architectural artifact that is famously referenced as “Satan's throne” in Revelation 2:13. As I see it, a battle between Titans and gods of Olympus is a “good cop, bad cop” kind of dynamic. There are no "good guys" in the fight, even though the reasoning behind the release of the Titans was the destruction of the savior figure and those for whom he fought. That savior, Thesius, was a hybrid, son of Zeus.

A Tesseract cube is the “MacGuffin” or central plot device and “must have” object in Captain America: The First Avenger (2011 - Chris Evans, Hugo Weaving). The cube plays a larger role in the Marvel comic universe as the cosmic cube.

The Cosmic Cubes are items that control matter and energy, answering to the will of the sentient beings that use them. They require practice to be used properly, but a skillful user can alter all reality to answer to its thought, granting anything they desire.
Most Cosmic Cubes are cube-shaped matrices. However, similar objects with different shapes are known as Cosmic Containment Units.
Sentient beings wanting to create a Cosmic Cube must generate a force field to open a rift to another dimension inhabited by the Beyonders, allowing the extra-dimensional energy to filter through the rift. When entering the Earth’s dimension, the energies can be held in a matrix, and the force itself would shape the matrix into a perfect cube. It would also provide the Cube with its almost-unlimited power.

Cosmic Cube - Marvel - Wikia

Connect the dots. Comics, cartoons and animated features are very effective programming tools. Truth is wrapped in lies. When you know the Truth, the revealer of secrets, and he opens the plan to you, He filters the lies so you can discern more about the plan.

This image is of what's referred to as the all-important Cosmic Cube. This is the Marvel panel that closed out Comic-Con 2010. Notice that the cube is pictured like fire and ice, as Enoch described the sovereign God's throne room in chapter 14.

Later on I’ll give you my full impressions of the Marvel panel that closed out Comic-Con 2010, but for now I want to share something that had me geeking out:
Despite only being in production for a week Captain America: The First Avenger arrived with a complete scene, set in Norway in 1942. The Red Skull, before he becomes the Red Skull, smashes through the front of an ancient temple and sends his Nazi goons to a crypt looking for something he calls The Tesseract. They open up a sarcophagus and find a large, misty cube atop the corpse of a Crusader. But the Skull can’t be fooled, and he knows this is a fake, smashing it to the ground.
Instead he finds a hidden compartment in a wall carving of Yggdrasil, the Norse Tree of Life. And within that is a box, the contents of which glow an unearthly blue.
I knew it was the Cosmic Cube, but after the panel I cornered Marvel Studios President Kevin Feige and got the confirmation. Yes, he told me, the Cosmic Cube is in Captain America: The First Avenger.
The Cosmic Cube is one of the strangest and most enduring aspects of Captain America’s mythology. A containment unit for vast extradimensional energies, the Cosmic Cube gives its wielder almost unlimited control over reality. The Red Skull has, time and again, tried to control the Cosmic Cube, and its limitless power has played into many, many classic Captain America stories – including The Winter Soldier arc, where it was revealed that Bucky, Cap’s long-thought dead sidekick from WWII, was actually a brainwashed Soviet super assassin (yeah, it’s comics).
The introduction of the Cosmic Cube – and the fact that the film connects it to Asgard (in the Marvel Universe Cosmic Cubes have been created by many civilizations) – seem to set up unique and large scale possibilities for The Avengers and whatever comes after. The possibilities, when one has a Cosmic Cube, are endless.

The Cosmic Cube is in Captain America: First Avenger By Devin Faraci

A containment unit for vast extradimensional energies, the Cosmic Cube gives its wielder almost unlimited control over reality,” we read. In the sixth verse of Genesis 11, the Lord God was assessing the situation when the Tower of Babel was under construction. He declared, “and now nothing which they purpose to do will be impossible for them.” The Red Skull-cosmic cube plot is a comic book version of the Nimrod-Tower of Babel scheme. I wrote about this in Part 43 with reference to the cube+water bow in the clouds formed while Rango fell to earth: “Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have acquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember?” Did you note in Devin Faraci's blog that the Captain America film connects the tesseract cosmic cube to Asgard? Tesseract cosmic cube ~ Bifröst access. Are you connecting the dots? The Norse Tree of Life marked where the cube was found, in a box. The Osiris story, even referenced cryptically in Rango, has Osiris encased inside the tree in a box. Mythologies and such fiction as Rango and Captain America are rooted in reality. Truth is concealed and revealed thereby.

More to follow on the cube - Lord willing!

Saturday, March 17, 2012

Part 45 - Rango - Hacking Crystal Hypercubes and Superman's Fortress of Solitude

Continuing from the previous post, symbols seen in the animated feature Rango while the chameleon falls to earth from the back of the family wagon are shared with Frequency, Contact and Phenomenon, which is, of itself, pretty substantial evidence of a conspiracy involving mass mind control programming.

Those who watch movies, TV, commercials and see ads and logos, art and architecture - right, all of us - are constantly subject to these things. “Sign and symbols rule the world, not words nor laws” Confucius said. Do you see how this works? Actually, words themselves are and may by exploited as symbols, and what we have come to label NLP exerts a powerful influence. Symbols project spells.

"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" - a popular manual for witchcraft)

"A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you." (from the popular wiccan magic book "Sacred Space" - by Denise Linn)

You may have read these quotes before on these pages, but I repeat them again because it's important to stay mindful of the dynamic behind these things so cleverly woven into Rango and other media. The secrets of heaven are not only being concealed and revealed, they are being embedded in our minds according to design and constantly reinforced, directing thoughts and behaviors according to evil objectives. Movies, theatrical productions and music videos exploit powerful control mechanisms on high levels. Some of us need to be free of that control, becoming subject rather to the Lord Y'shua, in whom true freedom is.

Let's continue the investigation of the transdimensional technologies being concealed and revealed in Rango's “Hail Mary” sequence. The ice cubes from the umbrella drink were crystals, cubes of crystalline structure. I'm going to be focusing attention in this post on the crystals, and it will be noted how there's plenty of overlap in the signaling rainbow, cube shape and floating terrarium gravel.

Much has been made of crystals recently, with 13 crystal skulls purported to have supernatural powers being exhibited ritualistically across the country. The latest installment of the Indiana Jones film franchise featured the crystal skulls (Indiana Jones and the Kingdom of the Crystal Skull). The first Superman film featured special crystals in Superman's Arctic lair. Crystals have many interesting properties and applications. Crystals were used in the Ham radio technology, which I featured in the previous post.

“In the mid and late 1920s, amateur radio operators were experimenting in great numbers with crystal control of radio transmitters. At the time, most amateurs used home built transmitters made from a combination of purchased and home made parts. The use of quartz crystals by amateurs predated the first U.S. commercial broadcast station to use crystal control. Amateur radio operators were the first sizable commercial market for crystals. Many of the crystal companies of the 1920s and 1930s were founded by amateur radio operators to supply other amateurs.”

The Influence of Amateur Radio on the Development of the Commercial Market for Quartz Piezoelectric Resonators in the United States

The crystal of Ham and marine radio and other related EMR technologies for the transmission of non-EM wave audio appears to be a key element, literally, in the revealing of the Beast, implementation of the mark of the beast, Nephilim containment systems; dimensional access control technologies. The crystal is about border control for the realm. I believe this is because the borders themselves are crystalline. Consider what the Bible says about the throne of God (Ezekiel 1:22, Revelation 4:6) and the New Jerusalem (Revelation 21:11).

Here's a description of the throne of the Lord from the book of Enoch.

8. And the vision was shown to me thus: Behold, in the vision clouds invited me and a mist summoned me, and the course of the stars and the lightnings sped and hastened me, and the winds in the vision caused me to fly and lifted me upward, and bore me into heaven. 9. And I went in till I drew nigh to a wall which is built of crystals and surrounded by tongues of fire: and it began to affright me. And I went into the tongues of fire and drew nigh to a large house which was built of crystals: and the walls of the house were like a tesselated floor (made) of crystals, and its groundwork was of crystal. 11. Its ceiling was like the path of the stars and the lightnings, and between them were fiery cherubim, and their heaven was (clear as) water. 12. A flaming fire surrounded the walls, and its portals blazed with fire. 13. And I entered into that house, and it was hot as fire and cold as ice: there were no delights of life therein: fear covered me, and trembling got hold upon me. 14. And as I quaked and trembled, I fell upon my face.
Enoch 14:8-14 (R.H. Charles)

The throne room had a model on Earth, the Holy of Holies. The tabernacle and Temple were built after the pattern of things in heaven.

4) Now if He [Y'shua] were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5) who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “SEE,” He says, “THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN.”
Hebrews 8:4-5

The holy of Holies, where the presence of God was established on earth, was a cube. If you relate the heavenly and earthly, the dwelling place of the Lord God resembles an ice cube. Using more precise language, the heavenly throne room with an earthly cube of contact is a hypercube, a crystalline hypercube. In four dimensions we call such a form a tesseract, but the reality of this holy construct is likely beyond four dimensions.

A crystal throne like unto the Most Holy Place is pictured in Rango, and in the Superman movie I mentioned earlier. These portrayals attest to genuine legitimate realities.

You realize the IOC (Olympics) servants of Zeus understand these things and constantly signal them, right? On the site, “Totally Looks Like,” users publish A-B comparisons of a thing in one context that looks like something in another context. Consider this comparison from Vancouver Olympic Torch Totally Looks Like Fortress of Solitude. What's pictured is the Olympic Cauldron from 2010 Winter Olympics in Vancouver. (See here for analysis of occult symbols: Series Links: Vancouver Olympics - Winter 2010) The fire and ice is what characterizes the throne room described in Enoch 14 above, right? The devils who inspire such as that certainly know about such things. Superman's Fortress of Solitude is a matching characterization.

Eighteen years later, after the death of Jonathan, Clark hears a psychic "call", discovering a glowing green crystal in the ship. It compels him to travel to the Arctic, where the crystal builds the Fortress of Solitude, resembling the architecture of Krypton. Inside, a vision of Jor-El explains Clark's origins, educating him in powers and responsibilities.

Superman (film)

I've written plenty on the blog about Superman as another antichrist beast identity, son of the serpent, Apollo, Horus and Thor. The name of Superman's father is Jor-El. El is one of the Hebrew names of God. The fictional Fortress of Solitude may be compared and contrasted with the Holy of Holies. Superman's is made by a magical crystal and is filled with magical crystals. This Fortress of Solitude page states that the fortress is a tesseract sphere. It's higher dimensional, modeling his ancestral home in the heavens, in the time before he fell to earth. The crystal place is where he goes to commune with his father. Its location in the Arctic alludes to the sides of the North, which we read about in Ezekiel 28. Note that many of the gemstones are crystals, and the gold is crystalline too (a face-centered cubic crystal).

11) Again the word of the LORD came to me saying, 12) “Son of man, take up a lamentation over the king of Tyre and say to him, ‘Thus says the Lord GOD, “You had the seal of perfection, full of wisdom and perfect in beauty. 13) “You were in Eden, the garden of God; Every precious stone was your covering: the ruby, the topaz and the diamond; the beryl, the onyx and the jasper; the lapis lazuli, the turquoise and the emerald; and the gold, the workmanship of your settings and sockets, was in you. On the day that you were created they were prepared. 14) “You were the anointed cherub who covers, and I placed you there. You were on the holy mountain of God; you walked in the midst of the stones of fire. 15) “You were blameless in your ways from the day you were created until unrighteousness was found in you. 16) “By the abundance of your trade you were internally filled with violence, and you sinned; Therefore I have cast you as profane from the mountain of God. And I have destroyed you, O covering cherub, from the midst of the stones of fire. 17) “Your heart was lifted up because of your beauty; You corrupted your wisdom by reason of your splendor. I cast you to the ground; I put you before kings, that they may see you. 18) “By the multitude of your iniquities, in the unrighteousness of your trade you profaned your sanctuaries. Therefore I have brought fire from the midst of you; It has consumed you, and I have turned you to ashes on the earth in the eyes of all who see you.
Ezekiel 28:11-18

12) “How you have fallen from heaven, O star of the morning, son of the dawn! You have been cut down to the earth, you who have weakened the nations! 13) “But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, And I will sit on the mount of assembly in the recesses of the north. 14) ‘I will ascend above the heights of the clouds; I will make myself like the Most High.’ 15) “Nevertheless you will be thrust down to Sheol, to the recesses of the pit.
Isaiah 14:12-15

This passage gives insight into Superman's Fortress of Solitude, on earth (in a tesseract in the Arctic - in the recesses of the north) yet quantum entangled with such an abode. That realm of the Garden of Eden resembles yet is not the sovereign Creator's Holy throne room, lesser dimensioned, I expect. What kind of effect do you suppose the IOC was going for when they had the fire and ice crystal cauldron built inside their stadium? With ritual magick, did they build a cursed sanctuary, quantum entangled as a manifesting hell on earth? I wouldn't bet against it.

Those passages also describe the Hail Mary scene in Rango, when the chameleon was cast down or fallen to the earth. He had been put before a king, because the dead bug was the father of the princess. Just before the umbrella turned to ashes, the chameleon had two skins turned to ashes, as consumed by fire. He had landed on the ground to slide on a piece of the terrarium across the pavement, a street covered with glass. Here's a description of the New Jerusalem.

18) The material of the wall was jasper; and the city was pure gold, like clear glass. 19) The foundation stones of the city wall were adorned with every kind of precious stone. The first foundation stone was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald; 20) the fifth, sardonyx; the sixth, sardius; the seventh, chrysolite; the eighth, beryl; the ninth, topaz; the tenth, chrysoprase; the eleventh, jacinth; the twelfth, amethyst. 21) And the twelve gates were twelve pearls; each one of the gates was a single pearl. And the street of the city was pure gold, like transparent glass.
Revelation 21:18-21

Rango's terrarium had been a glass cubicle, his domicile and conveyance above the earth, within which he had his ice cubes, which made a bow in the clouds as he fell. The rainbow was a feature John observed and gave testimony about when he was taken to see the throne.

1) After these things I looked, and behold, a door standing open in heaven, and the first voice which I had heard, like the sound of a trumpet speaking with me, said, “Come up here, and I will show you what must take place after these things.” 2) Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne. 3) And He who was sitting was like a jasper stone and a sardius in appearance; and there was a rainbow around the throne, like an emerald in appearance.
Revelation 4:1-3

The glass, the crystal, the bow in the clouds, the falling to earth, multidimensional quantum entanglements and hypercube; these elements of such as Rango and Superman appear not merely to entertain us and direct funds from our accounts to somebody elses. These things engage us more fully, our emotions, hearts, minds and souls, captivating even with a supernaturalism that has been at work from ancient times. Very real links have been and are being established between then and now, there and here, through the very means I've been describing. There is magick at work. Call it antichrist delusion, strong delusion. Look around you and see it as you interact with your world today. Ask the Lord Y'shua what He would have you to do in response to this revelation insight, which comes with great favor - and an attendant degree of accountability.

Finally, why are the two dishes in the chameleon's umbrella drink glass pointing at the crystal cube? Is this picturing a hacker style attack on the crystal faces of hypercube habitats? Is there now or will there come the targeted projection of phased wave energies tuned to the resonant frequency and harmonics of such crystalline structures, the rainbow hack I proposed earlier? Is this one of the agendas behind projects like CERN's LHC, where honor is given to the god of destruction and recreation, Shiva? Is the achievement of such a scheme what the genetic reverse-engineering of the ancient giants towards the creation of a higher-dimensionally operational strike force intends to exploit when war on God ensues in the campaign of Armageddon? I think, probably. Rango has a lot to say and it's not just empty yakkin'.

Blessings and Shabbat Shalom!

Friday, March 16, 2012

Part 44 - Rango - A Transdimensional Technology Primer

What I wrote in Part 43 was based on my observation of more than just what I see in Rango's Ave Maria sequence, but this exhibit of Rango is an excellent vehicle for bringing these things into the light. The technological bridging construct through which the ancient gods are reintroduced into our domain seems to have two primary facets. One is the means of reentry for those bound in the earth at the time of the flood of Noah's day, who received a sentence for a set season, seventy generations, and whose containment involves an implicit time lock. I believe there's another element of this bridging facet that intends to breech the barrier established by the angelic sentries barring access to the Tree of Life in the Garden of Eden, a flaming sword hack, if you will.

So He drove the man out; and at the east of the garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.
Genesis 3:24

“Every direction” requires activity in more than 3 spatial dimensions plus time.

I believe the other primary facet of the dimensional bridging involves DNA, the means of ascending man to a divine nature. This transhuman genetic merger with the gods will be the extension of the disembodied ancients into reformatted host bodies, earth suit “avatars.” This is the Cain gambit and the persisting objective of the mating of the sons of god with the daughters of men. It is what's soon to manifest in the coming Beast and then the mark of the Beast, the operational objective of a complete substitution of the Serpent's for Yahweh's heritage Tree.

The most significant engagement towards the conclusion of that substitution ploy, where the serpent aims to sit as numero uno at the top of the heap, is suggested in Rango as the hero chameleon is being propelled into conflict, picturing the beast of Revelation 19.

And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.
Revelation 19:19

I expect to present the symbolic role of the chameleon's terrarium gravel rising as serpent DNA shortly, but as a preliminary, I want to expand on the dimensional bridge theme with brief references to some other movies.

Quoting from the previous post, “What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth.” The plot of the movie Frequency (2000 - Dennis Quaid, Jim Caviezel) featured an old ham radio as the device used to bridge time. Ham or “amateur radio” is still associated in most people's minds with early radio technology. A special feature appears on the Frequency DVD explaining the science behind the plot device. If it was entirely fanciful, why did they bother doing that? At the very least, this signals that the matter is important to them. What transcended time in the movie was the vocal or audio communication between a father and son. Father-son - there's the DNA link. Like what was suggested by Rango's two dishes, Frequency's plot device involved a combination of non-EM and EMR, the transmission of non-EM audio waves via EMR means. The father and son were 30 years apart in time, but in the same place, using the same radio, so it was specifically the time dimension that was spanned. Another EMR phenomenon provided the unique setting for this transdimensional "miracle," some highly unusual solar activity and the related rainbow-like aurora borealis, northern lights. The powerful electromagnetic radiation is noted for having dramatic impact on short-wave radio transmission and other kinds of electronic circuitry behaviors.

Between Rango and Frequency and the annual Yom Kippur experience, there's plenty of dots to connect to draw a picture. That picture looks like the opening and closing of dimensional portals via the physics of wave energy exploited by technological devices.

The movie Contact (1997 - Jodie Foster, Matthew McConaughey) has many similar dots to connect. As the title suggests, contact with extraterrestrial intelligence is what the movie is about. The movie was closely involved with the novel by Carl Sagan, astronomer, astrophysicist, cosmologist and famous promoter of science, so you have to know the science of the film was very important. Ham radio use is featured but, unlike Frequency, it's not the device that facilitates dimensional transport. Perhaps the most key dialog takes place between the woman and her father, actually an alien impersonation of her father. There's something of a familial DNA link, like with Frequency, right? This one really smacks of the avatar gambit! Radio technology was the means by which contact was established, pictured in this promotional poster with an array of radio dish antennas, like the dishes pointing to the crystal cube in Rango's umbrella drink glass. Jodie Foster's character is pictured wearing headphones, listening to the non-EM audio waves produced by the EMR wave tech.

The film's dimensional portal was opened by a device reminiscent of Ezekiel 1's description of the wheel within a wheel throne conveyance. It seemed to leverage a combination of electrogravitic and other technologies to traverse a wormhole. During the transdimensional journey, an apparent 18 hour gap was created, the differential of how much time passed for the traveler relative to the observer's perspective on earth. Eighteen is a number that signals the mark of the beast.
This beast allusion connects as the throne vehicle with its occupant fell to earth. That's how it worked, the thing had to be dropped so that it fell to earth. On its way, the 18 hour transdimensional journey to the alien manifesting in her father's body took place. Remember, the context here is Rango-Thor's falling to earth while displaying the crystal cube bow in the clouds!

I made an interesting observation about the adopted name for amateur radio, Ham. My dad was a Ham operator, and my grandfather too, who even had one in his cars. I can still hear my Dad calling, this is WA2SCT3... I probably asked him how come they call it “ham.” I'm still looking for an answer. Researching the origins of this term suggests that it's a pejorative.

“One reason for the slow adoption was related to the word's origin, as one of many insults employed by landline telegraph operators at the time in referring to a poor operator. ("Ham" was also already in more general use as a slang word meaning "incompetent", most commonly in the phrase "ham actor".)”

Etymology of ham radio - Wikipedia

I cannot find any record of why badly overacting performers might have been called hams, but could this be a reference to Ham, son of Noah? He certainly acted badly, siring Canaan with his mother. Canaan was cursed by Noah and that resulted in defiled races of men reappearing on the earth. Consider Ham radio in light of Ham having been the agent of introducing the Canaanites into the world, the thorn and thistle seed of the father of Cain. Yeah. Stranger than fiction.

According to this “amateur radio in the movies” thread, “The 2 most ACCURATE and honest portrayals of Ham Radio in movies are CONTACT with Jodie Foster; and PHENOMENON with John Travolta (Forrest Whitaker was the Ham). They had real rigs not highly modified like in FREQUENCY, and used proper operating techniques.”

Phenomenon (1996 - John Travolta) featured a man who was transformed. The IMDB blurb reads, “ An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.” The radio tech wasn't the mechanism triggering a dimensional breech, yet there are dots to connect. Angels descending to earth have been described as lights, stars. John's character was endowed with supernatural abilities, which is suggested as coming from another dimension.

We might add others with similar plots that use marine band radios, and I must give mention to one: Threshold, the TV series from 2005. I wrote a series on this blog about it. The marine radio was used on the ship where the alien signal was introduced, and a video camera. The DNA transforming signal was produced by a radiating multidimensional star hovering near the ship. The signal contained video and audio components (again, both non-EM and EMR), and the transformative influence was captured on video and able to be retransmitted by playing back the recording, even the audio alone, the non-EM component that was transmitted through EMR tech.

Rango is one of many signaling movies that conceal and reveal something of the technology behind angelic transport, time-gravity manipulation, stargates, DNA transformation, etc. You may recall an earlier post in this series, Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal. There's a reason why this is being flagged for our attention. Some of us need to know.

E.T. Phone Home.

Thursday, March 15, 2012

Who is Cain's Father? The Kindle version is now available

Is Adam really Cain's Father? You may understand the Bible to say Adam and Eve had sex and Cain was born of that union. That's an assumption this book will challenge. The days of the coming of the Son of man are compared to the days of Noah in Matthew 24. Without the foundation of knowing what really happened in the Garden, what happened in Noah's day with the Watchers has no precedent. When you see the continuity of what began in the Garden with the Cain gambit repeating in the Nephilim (and GM plant and animal) scourge, then repeating again through the line of Ham, what we see today makes all kinds of sense.

Parents have famously explained sexual reproduction to young children as "the birds and the bees." Another classic is the "brought by a stork" explanation for where babies come from. The Bible story about Adam and Eve being tricked by a snake into eating an apple from a tree compares to those classics. For the mature, these versions are inadequate. It's time for the grown-up version, the truth.

You can get it here: Who is Cain's Father? [Kindle Edition]

If you don't have a Kindle you can read it in your browser or on your smartphone. Just download a free Kindle reader app.

Tuesday, March 13, 2012

Part 43 - Rango - Crystal Cubes and Rainbows

What our story needs is an ironic unexpected event that will propel the hero into conflict,” the hero had said, setting up for his dramatic transition. I just showed how the literal propulsion of the hero occurred by providential means. The hero had called upon the ancient gods for help and they showed up in short order. The illustrated means or mechanism of this propulsion suggests our hero playing the role of Thor. That's the identity connected with the transport mechanism as we look beyond the car bumping over the armadillo to see the bow formed in the clouds, the rainbow. The water from Rango's umbrella drink arches out of the glass to form a distinct bow in the clouds, complete with ice crystals, presented even from both angles to ensure we don't miss the bridging feature.

13) I set My bow in the cloud, and it shall be for a sign of a covenant between Me and the earth.
14) It shall come about, when I bring a cloud over the earth, that the bow will be seen in the cloud,
Genesis 9:13-14

The chameleon is pictured with a bow in the clouds as he falls to Earth. Hello Bifröst! I'll return to Genesis shortly, but let's focus our attention first on the rainbow as a transport mechanism. There's a legitimate “science” here.

If you follow this blog you know the rainbow is a popular theme. It's frequently signaling a dimensional portal, the mecillah or kingdom viaduct that bridges heaven and earth. By other names it's a stargate, wormhole and even a gate of hell, a door to the underworld, the rainbow bridge or Bifröst. Bifröst, in Norse "mythology," spans Midgard, the realm of man, and Asgard, the realm of the gods. It's the only bridge between here and there.

Thor Odinson (or son of Odin) is another alias for the ancient god and coming Beast akin to Apollo and Horus, the character played by the Johnny Depp voiced chameleon in so many others of Rango's symbolic scenes.

The comic book image is from “The Mighty Thor” Marvel Comic, drawn by Jack Kirby.

After falling to earth, a Rango mythology is created about the chameleon-god in the Gascan Saloon, where this stranger spins a yarn about coming from the far west, eating men and killing all seven Jenkins brothers with one bullet. He's a god. How did he get here? The bow in the clouds, the Bifröst or mecillah dimensional bridge. Why has he come? He was propelled into conflict, which manifests in part as the waging of war - the campaign of Armageddon after he assembles his army. The conflict is also the necessary friction generating the fire of the furnace for the refinement of God's people.

When the scene of the hero being propelled begins the slo-mo effect, the first thing we're shown is the chameleon's umbrella drink glass. Rising out of the glass is an ice cube, a crystal cube! The contents becomes the watery bow with ice crystals in the clouds. As you see it in this still, the crystal cube has a splash of water forming a dish shape like an antenna around the crystal. The umbrella in the class also resembles an antenna dish. Given that crystals are used for tuning in radios and crystals act as prisms for the manipulation of light spectral frequencies, both dishes aimed at the crystal suggests there's a wave energy technology and a transmitter device that facilitates the transport. Beam me down, Scotty!

During the NLP-rich segue to the scene we hear, “The hero can not exist in a vacuum.” Early crystal radio technology featured vacuum tubes. Vacuum is also an allusion to the physics of electromagnetic wave propagation. In the medium of a vacuum, a special case exists where the phase velocity equals the speed of light exactly. What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth. This might sound fringe, like even beyond the boundary of sanity for me to think that, but there's more substance here than you might think. There is a biblical basis plus other movies signaling this same message.

Wave energy of the electromagnetic radiation kind is referenced and also that of the non-electromagnetic kind, sound. Sound requires air pressure and cannot travel in a vacuum. “The hero can not exist in a vacuum.” Meaning? Both EM and non-EM is apparently required in this stargate technology, light and sound. Consider the light and sound interplay in the following biblical text, describing special access to a cube where man interacts with God.

31) “You shall make the robe of the ephod all of blue. 32) There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.
Exodus 28:31-35

The bells alternate with pomegranates. The root word for pomegranates in the Hebrew is ramam, which means “1) to be exalted, be lifted up a) (Qal) to be exalted b) (Niphal) to lift oneself” There is an ascension and elevation from one realm to another. The pomegranates that were positioned between the golden bells have specified colors. Colors describe bands of visual EM radiation. The bells are a tuned non-EM wave energy device. The High Priest's Ephod had a grid of gems - crystals. The robe of the ephod was all blue. Think about this in terms of the physics of wave energy transmission and spectral analysis. What Rango's cryptic “falling to earth” scene is telling us is how fallen angel tech is exploiting the secrets of heaven.

The bells tinkled, but the sound must have been more than just noise because they were made as directed by the Lord God for this purpose and probably tuned.

The bell is more complex acoustically than any other vibrating body intended for musical purposes, and its manufacture presents a formidable challenge. ” (Chapter 5: The Acoustics of Bells)

The main partials (frequencies of specific pitches) of a well-tuned bell consist of a fundamental (prime), a minor third (tierce), a fifth (quint), an octave (nominal), and a hum tone an octave below the fundamental.” (Chapter 4: The Musical Bell)

The Holy of Holies was a cube, and it was the place where the Lord God had made an annual appointment to meet with a man. Rango's crystal cube had two dishes aimed at it. One EM and one non-EM? The only furnishing inside the Holy of Holies was the ark of the Covenant. It's been described by some as a technological device that may function as a battery and as a transmitter and receiver. I'm not explaining anything spiritual away as just some high tech collection of gizmos, but you have to know the laws of physics are not imaginary. This is the framework of our existance. I believe managed EM and non-EM wave energy harmonics can cause resonant structures to change their vibrations and thereby cross dimensional boundaries. I suspect some of what's being done with cloud seeding and chemtrails and HAARP is towards this end, essentially a detuning off the favorable Yahweh Tree mapping onto one favorable to the Serpent Tree mapping. Which brings us back to Genesis.

The bow in the clouds mentioned in the 9th chapter of Genesis was a new thing. There was no rainbow before that. The physics of the planet changed. Why, just so we could have a sign, or was there more to it? Looking at the context to find some answers for what's really going on, you have to consider the flood of Noah's day, the reason why the sign of the bow was given. The flood was brought upon the earth due to the activity of the angels who fell to earth. There's a key connection, as the bow in the clouds accompanied the chameleon's fall to earth.

So what are we onto here? Is the rainbow a manifestation of the physics of a locked down condition, a jamming signal barring angels from doing what the 200 watchers had done? Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have aquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember? Is the devil once again hacking the code behind the rainbow physics to neutralize the spectral jammer, engineering the key to the changed lock to exploit the existing dimensional gateway technology? I suggest, yes. I think there's more to it that just that, but that's a partial answer.

There is definite crossover here with the London 2012 Olympic series with this rainbow and bell gateway tech topic. I'll bet you noticed!

More coming, Lord willing, because there's plenty more here!