Monday, October 28, 2013

Part 5 - Ke$ha's 'Crazy Kids' - A Tribute to Josef Mengele, Master Programmer

When I began this series I pointed out how “Crazy Kids” is code for chosen ones, Illuminati slaves. After several posts focusing attention on the antichrist layer of how Horus comes through the stargate I'm going to shift attention to the music video's symbolism of Illuminati programming. These two aspects are expertly woven together, which is not really uncommon in the genre. They are as inseparable in reality as in symbol because the programmer-handler-slave activity has long been the essential control mechanism that brings the world to the moment of the sun god's incarnation, and beyond.

“Crazy” really describes the special condition created when the personality or identity of a victim, typically a child of around 3 years of age, is shattered by ritually traumatizing them until dissociation occurs. Through Satanic ritual and sodomy the programmers and handlers create a mind-controlled slave.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Here's a link to the featured video. Ke$ha - Crazy Kids ft.

The video begins with an intro where we hear whistling. Straight away, this is a programmer's trigger and invocation device, which I'll describe shortly.

Another trigger appears in the soap bubbles the twins are blowing. Bubbles are featured in a film that is something of a programmer's standard, the Wizard of Oz. Early in the film, having just arrived in Oz, we hear a snippet of the melody of the song Dorothy had sung earlier, Over the Rainbow. “Oh Toto,” she says. “I have a feeling we're not in Kansas anymore. We must be over the rainbow!” she exclaims, and immediately we see what resembles a large soap bubble floating down out of the sky. It lands next to Dorothy and manifests as Glinda, the “good” witch. This is referencing Go Over the Rainbow programming. (Web search my blog for it) Witchraft and dimensional transport are represented in the bubbles, which I've already introduced and which describes elements of the trance magick involved with that kind of programming.

During the video's pool party scene we see water pouring out of two gates into the pool. Waterfalls are used as a hypnotic image for memory, triggering the slave to forget pain and anything else about the programming session or a particular situation. Based upon some of the other programming symbols I recognize, there's plenty here that a victim would want to forget!

In Disney's animated feature, Pinocchio, which is sometimes used for programming, the one doing the whistling is Jimini Cricket. The whistling cricket is the spirit guide programmers use that is associated with Jupiter. You can read about this in Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer. This is linked to Josef Mengele, the Nazi master programmer known to many as Dr Green.

When we see the astronaut with the green face the infamous Dr. Green is recalled, aka the angel (star) of death, the whistling cricket programmer. The pinball game title the green-faced star-sailor plays is, Warrior, and Mengele was a soldier who served with the SS Viking Division deep behind Soviet lines. He was wounded and was subsequently awarded medals for heroism. His inability to return to combat opened the door for other, eh, opportunities.

We see this uniformed man with the face of Green with twins at his side, and Mengele is perhaps best known for his cruel experiments with identical twins during WW2. He was a member of the SS during that time, and we see those very runes of his insignia on the twin's clothing as a branding!

We see a version of Mengele's identifying winged sun disk (the Reichsadler) over the astronaut's heart as his pilot's wings patch. The three stars lined up on the Captain's collar are called pips, and three stars are framed by's arm, which are momentarily visible on the side of the Warrior pinball machine as in this screenshot. When he descends the stairs with the twins he fumbles with his hands, crossing them to model the Totenkopf insignia of Mengele's 3rd SS Division Totenkopf by mimicking the features of the crossed bones with a face that floats eerily above them.

I puzzled over the meaning of the pennant banners a few times, which are strung around the front of the house. After I came to recognize how Joseph Mengele was being characterized it came to me that the room was a cave. The pennant banners represent stalactites, those mineral deposits that hang down from the ceiling like icicles. These, of course, imply those coming up from the floor, which are called stalagmites. The key insight is knowing how a Stalag is a German World War II POW camp. Pennant banners picture the stalactites that imply Stalag-mites. Mengele worked at camps that were not technically Stalags. He was a medical officer at Auschwitz, Gross Rosen and others, and the chief medical officer at Birkenau, and while I don't know that he ever worked at a Stalag, the pennant banner reference to Nazi internment camps is pretty clever.

Regarding the cave, I also note how the pennant banner pictures the underworld as the setting of those who are coming through the portal into our domain. There are those beings who have been buried in the subterranean earth to be raised as agents of judgment.

The way so many symbols are layered in so expertly into these scenes that look so casually assembled and even cheaply executed is a testimony of the evil genius involved in the production. Our Adversary is evil but is worthy of the respect due him.

What happened to Josef Mengele after WW2? Some say he went to South America and carried on his experiments. Others claim he worked in America, continuing his work as a master programmer. What I see in tribute works like this speaks loudly to me, vindicating those who have given testimony about having been abused by him in procedures and programming rituals in America and were marginalized for the supposed absurdity of their claims. The embedding of his image in the imagery of ObamaCare indicates that there's more to come of those horrors. Remember this? Organizing for Health Care - Interpreting the Symbolic Imagery Search this blog for more evidence that his influence continues to garner tributes in surprising places.

1 comment:

  1. Bob,

    I've been reading you for a few months now. I truly appreciate your work and tireless efforts. I just finished reading your piece on Pharmakeia and picked up on a recent Lady Gaga appearance, specifically linked to Aphrodite.

    I was hoping you could comment on it. Links below