Pinocchio and Jiminy Cricket, Disney's Monarch “Conscience” Programmer

Hey, News Flash - signs of mind control programming appear in Disney productions! OK. For most of us that's not exactly news. However, seeing in an animated feature from 1940 the same Monarch “go over the rainbow” programming that was on exhibit during the recent Paralympics and in the Yoplait Umbrella commercial helps us keep a better perspective on the scope and scale of the matter.

Just like how Steven Hawking played the programmer at the Paralympics, Jiminy Cricket plays the programmer in Disney's animated feature Pinocchio. He is often pictured with his red umbrella, a symbol of ritual sodomy programming that sometimes appears in the closed phallic state and sometimes in the open anal state. He uses it as a parachute, floating in the air on his umbrella to signal the “go over the rainbow script.”

I remember seeing this film when I was very young, and there were a few sequences that I have to say left me traumatized. Disney specializes in making scary villains with intense scenes. The reasons for that go beyond any desire to create memorable entertainment. Walt and Roy Disney had trauma-based mind-control programming objectives.

Breaking down the esoteric allegory, the slave being programmed on screen is pictured by Pinocchio, a wooden marionette who is magically animated by a blue fairy, a fallen star and butterfly-like (Monarch) creature. That pictures the demonic installation that gives an alter identity its powers. Multiples have many alter identities and they are not in control of the switching. They are literally slaves, “remote” controlled by programming in such a way that they are puppets or marionettes. Alters are also pictured by masks (a front alter) or as dolls, dummies or mannequins.

The role assumed by the cricket is as Pinocchio's conscience, and in the end he is even awarded an official certificate in acknowledgement of his efforts. A simple definition of “conscience” is that it is the sense of right and wrong that governs a person's thoughts and actions. “Be a good boy, and always let your conscience be your guide,” the blue fairy instructed, after officially assigning Jiminy Cricket the role. What this reveals is how the programs installed by handler-programmer Jiminy Cricket are to magickally govern or control the marionette's thoughts and behavior.

The blue fairy brings Pinocchio to life with her magick star wand but his body is still pine.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

It will help to watch this clip. I couldn't find a better one. This fandub is mirrored and otherwise altered, but it's the best version I could find with this scene.

Disney's Pinocchio - Blue Fairy fandub



The fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. Pinocchio asks “What are conscience?” This is Jiminy's cue, who leaps off the shelf to float down with his purple umbrella. This is our signal that the programmer has brought the slave into a trance state and is going to install a program. What he says as he floats down is instructive, describing the program, and informing those of us who perceive how Disney is using the film to spill the beans about the Illuminati programmer's plans, ways and means.

When the Cricket says, “What are conscience? I'll tell you. A conscience is that still small voice that people don't listen to,” this is not really programming to obey that still small voice, is it? It's simply a declaration that people don't listen to that still small voice. I'm going to show you how this is a substitution, swapping out one “thought and behavior guide” for another.

The “still, small voice” references a passage from the Bible.

11 And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire A STILL SMALL VOICE. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah? ~ 1 Kings 19:11-13

(Note: This is another example of the time pattern of three things and then a 4th. 1. Wind 2. Earthquake 3. Fire 4. A still small voice, which was the Lord.)

My Lord and Elijah's was in the still, small voice. After Jiminy Cricket's declaration that, “a conscience is that still small voice that people don't listen to,” he himself becomes Pinocchio's official conscience. This pictures Jiminy Cricket becoming a substitute for the Lord, who was in the still, small voice people don't listen to. Doubt it? Before Disney gave this name to his character, Jiminy Cricket, it was an expression being used as cuss words. Jiminy Cricket and Jiminy Christmas were more acceptable ways to take the name of Jesus Christ in vain, examples of what's called a minced oath. It's like saying “gosh darn it” or “dadgumit.”

“The character's name is a play on the minced oath exclamation "Jiminy Cricket!" – which itself was uttered in Pinocchio's immediate Disney predecessor, 1937's Snow White and the Seven Dwarfs. Another example occurs in the 1939 film The Wizard of Oz, wherein Dorothy (Judy Garland) cries, "Oh! Oh! Jiminy Crickets!" when she is startled by the Wizard's pyrotechnics. ” (Wikipedia)

There's your substitution, Jiminy Cricket for Jesus Christ, literally an antichrist. He's JC!

Let's identify this substitute more precisely. Just who is the designated moral compass and behavioral guide for the Monarch slave marionette? Have you ever heard of the expression, “By Jiminy”? That's an oath, more technically, a minced oath. What's being obfuscated is, “By Jove,” swearing by the name of Jove, who is Jupiter. This Jupiter is also known as Zeus, who is identified in the Bible as Satan, the Devil, the Serpent, Dragon and Lucifer. The master programmer supplying the program scripts to be executed by the marionette is Jiminy, aka Satan.

The song Jiminy Cricket sings at the opening of the film is, “When You Wish Upon a Star.” It was written specifically for this film. This Academy Award winning song has become instantly recognizable around the world as the signature Disney song. This is an incitement to sin by idolatry and witchcraft.

“When you wish upon a star,
Makes no difference who you are,
Anything your heart desires will come to you.
If your heart is in your dream,
No request is too extreme,
When you wish upon a star, as dreamers do.

Fate is kind, she bring to those who love
The sweet fulfillment of our secret longing!
Like a bolt out of the blue,
Fate steps in to see you through!
Your dreams come true. ”

A star is an angel, in metaphor. Shortly after this song, we find Geppetto rising from bed to wish upon a star.

“Star light, star bright,
The first star I see tonight;
I wish I may, I wish I might,
Have the wish I wish tonight.”

Then, he makes his wish that Pinocchio could be a real boy. He goes back to bed and the blue fairy arrives like a falling star, materializing in the room as from another dimension. His wish was being granted, which is a clever way of saying his prayer to the demon gods that are fallen angels was granted. This activity is, of course , strictly forbidden in the Bible for our protection. We can identify the blue fairy with Fate. Fate is not the True God, obviously. “Like a bolt out of the blue, Fate steps in to see you through!” A bolt out of the blue is the weapon of Zeus or Jupiter. Geppetto performed a ritual summoning or invocation of the animating blue fairy-fallen angel with this prayer to the celestial lights. Nothing good comes of this rebellion and witchcraft. How many children have been led down the left hand path with this simple enchantment?

In this next clip that goes further past the clip offered above, you'll hear Jiminy Cricket call Pinocchio, “son,” identifying the marionette to us as Apollo, the son of Jiminy-Jove-Jupiter-Satan and antichrist beast.

Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!



Notice how Jiminy has a “heart to heart” talk with Pinocchio. That interprets to butt to butt interaction, here, incestuous reciprocal sodomy, which is typical handler-slave relationship and behavior. (Taylor Swift's illustration of what is meant by "heart to heart." - note: Wonderland Magazine, as in "Alice in Wonderland.") JC tells the marionette to sit down, so he plops down on his butt. Then he sits himself down, on his own butt, and while he talks he keeps pointing his phallic umbrella. See how the fiddle string breaks and whips Jiminy in the backside. Old standard Bimbo's Initiation style action.

This sequence has a solid programming layer, but first I want to establish a family relationship by introducing the Egyptian allegory. Jiminy is pictured more like a grasshopper because he's flesh colored or sometimes green. Osiris green. Consider how the ancient Egyptian trinity is evoked an allegory where the Blue Fairy is Isis, the goddess of reproductive magick, who uses the phallus of Osiris (the magick star wand) to magickally give life (birth) to Horus-Pinocchio.

When Jiminy tells Pinocchio, “And anytime you need me, you know, just whistle,” he proceeds to teach him how and lead him in what must be seen as a ritual invocation of the devil. In many such rituals, the name Cernunnos is used. The whistling or blowing is a common ritual imagery where the breath is spirit. When you interpret the symbols, it's all pretty plain.

This scene informs us on a programming level that Jiminy Cricket is a program that represents the programmer, a demonic (literally) master control program that has the job of controlling alter switching. Watch the clip a few times and this should become apparent. See him dancing and sliding down on the fiddle string with his red “parachute” umbrella, once again signaling the slave's trance state and “go over the rainbow” programming, with the programmer accessing the security system of the Umbrella programming. The function of the open match box Jiminy Cricket stands and sits upon appears to be that of the black pearl. The contents placed inside the black pearl are sealed in, secured because discovery or loss of the valuable secret program would be the worst that could happen. Like matches, this knowledge could be used to light destructive fires.

If Jiminy's tightrope act on the fiddle seems familiar, it's probably because Gene Kelly reenacted it for us in “Singin in the Rain”! His playful tightrope walking routine and coy little “jump off” step off the curb bit was done in front of the bookstore that represented the programming scripts. (Part 96 - The Sodomite Gateway - Singin' in the Rain: Umbrella Programming at the Hat Store) That routine was a nod to this scene in Disney's film, which had come out of Hollywood 12 years earlier. Add “go over the rainbow” programming to the list of Gene's symbolic routines.

If you haven't connected the dots, it's time to identify links to the fiddle playing master programmer Joseph Mengele aka Dr Green. Green, like Osiris and grasshopper. Here's a collection of excerpts from The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler. I put my comments inside square brackets.

“One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent. Pinocchio’s story was used to name the spirit guide Jiminy Cricket.”
--- [the spirit guide, Jiminy-Satan antichrist]

“‘This,’ said the Nome King, ‘is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose.’ This was to help build acceptance within the child of the layering of armies of demons. pg. 180, Book 3 Ozma of Oz, “For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald.” The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.”
--- [demonic army - locusts - black awakening]

“The top of the page has a large cricket like creature that was said to the child to be the programmer (Dr. Mengele). All of the stories in The Tall Book of Make Believe were used one way or the other in programming. We will just touch on some notable points. On page 38 is a poem about a Mr. Nobody. The programmers like to have alters identify themselves as “nobody”. On page 39 is a poem/story about “someone” who comes tapping...but it is “only the cricket whistling”. This was used to help program in that the 3 taps were the cricket (the cover image for the programmer.) ”
--- [A programmer is identified in the phrase, “only the cricket whistling.” The whistling cricket is featured in Pinocchio, which you saw if you watched this clip earlier that illustrated the Devil's invocation. Pinocchio and Jiminy Cricket - Always Let Your Conscience Be Your Guide!.]

“INTERNAL DECEPTIONS - When building an internal world, the programmers use every trick in the book to hide things. First the abuse has to be hidden in silence, and then the MPD has to be hidden. Next, the real core needs to be hidden. Then, the purpose of a Monarch slave needs to be hidden. All the time that this is going on, the programmers must constantly work at keeping the programmers’ identities hidden, and their programming sites hidden. Programmers usually have cover names when programming, and then hypnotically have the victim see them as something else. For instance, Dr. Green had victims see him as a cricket. He even used a cricket noise maker while programming, that clicked.”
--- [Dr Green bug grasshopper-cricket. By the way, Nuns in Catholic schools use a clicker to summon and program.]

Some claim this programming was invented by Mengele but he was merely one contributor. Pinocchio's story was used by Dr Green, along with many others that weren't just accidentally found to be useful by random happenstance.

“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip.” (Ken Adachi, Mind Control the Ultimate Terror - Origins and Techniques of Monarch Mind Control)

Really, trauma based programming predates the CIA and the OSS, and even the invention of the umbrella by a long, long time. The Wizard of Oz film, with hit song “Somewhere Over the Rainbow” hit theaters a year before Pinocchio, in 1939. Fantasia hit the theaters the same year as Pinocchio, which Springmeier and Wheeler claim was the fruit of years of development of color programming. (Deeper Insights into the Illuminati Formula) Had Dr Green seen these and derived inspiration for his programming scripts? I believe the basis for these would have been circulating globally in that era's Illuminati programming scripts.

“Pinocchio” is Italian and the name translates to, “pine eyes.” This is an Occult reference to the pine cone third eye or pineal gland enlightenment! This is what the story is really about, which applies on several levels of allegory in the film.

Earlier, I identified Jiminy as Satan. Jiminy was assigned to guide Pinocchio. The blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. The ability to tell right from wrong alludes to what Jiminy-Serpent-Satan told Eve in the Garden of Eden.

For God knows that in the day you eat from it your eyes will be opened, and you will be like God, knowing good and evil. ~ Genesis 3:5

Your eyes will be opened - "pine eyes" and you will be like God, knowing good from evil as coached by Jiminy-Serpent.

This aptly named esoteric story derives from an older work. “'The Adventures of Pinocchio' is a novel for children by Italian author Carlo Collodi, written in Florence. The first half was originally a serial between 1881 and 1883, and then later completed as a book for children in February 1883.” (Wikipedia) Disney understood that esoteric work, who could identify with Pinocchio as his own third eye was opened.

Disney covered Collodi's classic 11 years before covering a Lewis Carroll classic, producing “Alice in Wonderland” in 1951. Collodi was a contemporary of Carroll. He was already an author by 1865, when Carroll published “Alice's Adventures in Wonderland,” but it wasn't until 1875 that he began to write literature for children. It's well known that his literature was highly allegorical. Comparing Collodi and Carroll (similar pen names) and their contributions to classic programming literature (with similar descriptive titles, “Adventures”...) may suggest some deeper connection, but what is evident is that they had the same inspiration and objectives as Walt Disney.

Collodi was a Freemason, which explains a lot. The VC documents that here, in The Esoteric Interpretation of Pinocchio. Perhaps Walt Disney was too, and speculation abounds about that. The exclusive 33 Club isn't called that for nothing. Jiminy Cricket and Mickey Mouse don't wear trademark Masonic white gloves for nothing. His esoteric works betray that he is an adept, and official membership in one group or another isn't going to change the way I see that.

There are some other elements of Pinocchio that I noted that should be mentioned. Really, I think an entire blog could probably be devoted to this animated feature but I'll probably limit commentary mostly to this one post.

Like in the animated feature Rango but presented in a more subtle fashion, there's a knights quest involved that is a seeking for the holy grail. This is evident in how the blue fairy tells Pinocchio that if he wants to become a real boy of flesh and blood he must prove himself to be brave, truthful and unselfish and able to tell right from wrong by listening to his conscience. It's the left hand path story. The promise made is that by attaining virtue he will be rewarded with a bodily transformation. He was given the anointing with the blue fairy “queen's” magick wand doubling as a scepter of authority. Like Don Quixote, this “pine eyes” knight of the quest has a squire in Jiminy Cricket. The queen granted authority to squire Jiminy Cricket with her magick wand scepter and with magickal new attire gave him provisions fit for the quest.

Here's how it went when Pinocchio let Satan be his guide. He finds himself held captive in a bird cage, as SRA slaves being programmed usually do. He finds himself on an island where there is a terrible curse which turns little boys into donkeys. Here's some classic pedophile programmer stuff, an island filled with little boy asses. He finds himself lying, and the nose that grows into a tree branch when he lies shows he is a son of the father of lies (John 8:44), a branch of that family tree that is not of the true tsemach, or Branch of Isaiah 4:2 or Jeremiah 33:15, Zechariah 3:8 and 6:12.

The big deception of the hypnotic program script inspired by the blue fairy and programmed by Jiminy Cricket is this, that you should always let your conscience be your guide. This is actually contrary to the Bible's direction. The fallen ones teach rebellion and sin of every kind. What the unsaved carnal man has for a moral compass is often called the heart, which the parallel script is always declaring that we should follow our hearts.

“The heart is more deceitful than all else and is desperately sick; Who can understand it? ~ Jeremiah 17:9

1 But the Spirit explicitly says that in later times some will fall away from the faith, paying attention to deceitful spirits and doctrines of demons, 2 by means of the hypocrisy of liars seared in their own conscience as with a branding iron, ~ 1 Timothy 4:1-2

That's the Jiminy-Satan conscience that is found at the conclusion of the grail quest. Long nose-branch Pinocchio or the transformed marionette as a hybrid donkey are two images that illustrate that end.

With the programming and esoteric “pine eyes” themes you know there's got to be an abundance of ritual sodomy symbolism in Pinocchio. I already discussed some, but here's more.

In this pair of similar images, Jiminy Cricket has the phallic state umbrella and the anal hat, which models ritual sodomy and also a male train. The one with the stars illustrates the fallen angel illumination pretty effectively.

Do you suppose the cricket's posturing inspired the Brown Derby Luv Pub?

Gene Kelly demonstrates below what's going on with Jiminy Cricket's umbrella.

You can see in the first video clip that Jiminy Cricket is terrified when the blue fairy appears. He grabs his umbrella and shoes and leaps into one of Geppetto's pipes to hide. This little sequence is rich! Here's a pair of screenshots that captures much of the symbolic imagery. Before the cricket can do any programming he's got to be initiated, and this is where it happens.

This mind-control programming is trauma-based. When the blue fairy, a fallen angel, materializes, he's traumatized. He runs by a pie-eyed pincushion doll with checkerboard clothing, pierced with tacks. Yikes! The ritual torture and sacrifice of a companion! The ritual sodomy that is symbolized here is going to force him to dissociate, which is pictured by a pair of pipes that are carved to look like heads. With no bodies, they are dismembered heads that represent his dissociated identities, alters.

After Jiminy grabbed his shoes, they were no longer drawn to look like shoes. From that point, they looked like a naked brown butt, and a scrotum.

Several more sodomy images appear, perhaps the most obvious of which, after the purple umbrella, involves the figure on the pipe Jiminy dives into. You could say that the pipe man caught Jiminy but in the language of what's pictured, the pipe man is really the sodomite “pitcher,” not the catcher. This is the same flip presented in Puss in Boots, when Humpty Dumpty was dropped down for Puss to catch. When we hear Jiminy exclaim, “As I live and breathe! A fairy!” - he's calling attention to the pipe man as the fairy, which is slang for a homosexual man. He stands up stiffly and exclaims. Ummm-MMMM! Gay! When you learn how that many alters are programmed to picture themselves as inanimate and that much is made of living and breathing during programming, the other part of the exclamation is one more clue to tip us off to the ritual initiation.

There is a twisted purple cord wrapped around a pipe stem, picturing the sphincter around the “dirt pipe.” It has a pair of twisted strands wrapped around the gold band that signals the promised triple helix gold DNA body, (like Humpty Dumpty, the “gold pooper”). Extending this imagery we see the spiraling design of the big pipe bowl, the signal sodomy vortex, which is strengthened by the positioning of the open purple umbrella on top of it. When Jiminy lifts the umbrella and peers out, it's the symbolic opening of the third eye.



In this screenshot, Geppetto is in bed with the little black and white cat, covered by a quilt with a Masonic checkerboard pattern. Felines and their features signal Beta or sex kitten programming, which are often programmed to give support to the Delta assassin missions. Pedobear. GepPedobear. Disney named Geppetto's cat, Figaro. This a name that has been used in theatrical productions for many years, and it has come to mean, “an adroit and unscrupulous intriguer.” This name certainly is an apt description of the Beta-Delta operative. The cat in Puss in Boots named Kitty Softpaws was another animation character fitting the exact description. Note, cats are commonly kept by witches as familiars.

Finally, here's Jiminy Cricket's image on a military patch that signals in so many ways that they are programmed supersoldiers.