The 12:21 Time Code

During this past Pesah season, which was so dramatically marked by signs both publicly and privately, one of the recurring signals had to do with the time 12:21, seen on digital clocks to mark key events. The clock on the cable box was primarily used, because Aaron and I were in the living room. The digital clock on the stove was also used, which came on after an extended power outage and flashed that time while I was in the kitchen, and I happened to be looking right at it when it came on. That clock and time was used once more in connection with the apple clock that had impossibly fallen to the floor this past Yom Teruah. It was in that same brief season, and while I was holding the whiteboard with the time loop diagram and Aaron and I were discussing how his engagement with the apple clock (picking it up, restoring the battery, resetting the time and hanging it back up) modeled the time reset that was drawn on the whiteboard. These instances were always used to mark very emphatically something that was being demonstrated to us about time itself, relative to this very special season. We had long understood how 21 was a time number, and the number 12 had been very recently emphasized to us as the same.

Jesus answered, "Are there not twelve hours in the day? If anyone walks in the day, he does not stumble, because he sees the light of this world. ~ John 11:9

Combining the 12 and 21 together in the 12:21 signal gave that two-fold witness emphasis, but it was teased that there was more to it than that, and the Lord has been faithful to reveal more.

We read this expression as 12 and 21 because we interact in a motion traveling from left to right.

12:21

If we reverse the direction, we still experience it as 12 then 21. It's reversible, as mirrored, invertible. 1 2 2 1.

Here's something weird. ELO, the band (Electric Light Orchestra), had a hit in the 70s called, Fire on High. I had the LP. That's a big vinyl disk, played at 33 rpm. The song features a really odd musical section where some guy is talking gibberish in a loud voice. If you spun the record backwards, you heard him say this in a passionate but crazy voice. “The music is reversible, but time -- turn back - turn back - turn back - turn back!” Well, if you read the book of Enoch where it describes time angels and fiery mountains and stars, or search out clockwork elves, you may conclude that they were probably hinting at something legit.

And, moving on... With the expression 12:21, given two separate vectors, they both encounter 1 then 2 as they move from outside toward colon between them. Moving outward from the colon, both vectors encounter 2 then 1. Twelves or twenty-ones. The masked model I was led to diagram involves a time loop. The numbers illustrate this diagram if the two vectors are circling in opposite directions.

Like a particle collider. (LHC animation: The path of the protons) Consider the colon in the middle of 12:21 as a site of proton collisions in CERN's LHC. The insight into 12:21 extends to include the model of the supercollider. Time machine. The 12:21 digital display is an expression of the symmetry of time. Symmetry, is the name of CERN's promotion art film, which is descriptive of the physics involved with some of the experiments, and of the relation of science + magick and, it seems, of the combined ancient + modern tech involved.

There's something else about the 12:21 signal. It transforms to the mystical number 33, which I've written about at length as a Code 33.

12+21=33
1+2 : 2+1
3:3

Three, is a resurrection number. The 12:21 kind of resurrects into itself.

The 12:21 signaling of the season was so obvious, there was just no ignoring it. Each instance of the witness connected it with the elaborately masked model and a diagram of the model and other important aspects that dealt with the high strangeness of the brief season's passing.

Here's an image from one year prior to when the lawless one would have been revealed, with the Papal false prophet, Queen Mother (goddess), a Royal Prince, and spirits. "The week in 33 photos."

The artwork featured in the background is known as Cosmic Embrace, by Camilian Demetrescu.

Dedicated to the tragedy of 9/11, a false flag hoax. Divine comedy. Clockwork angels are already working the machinery, as per Enoch. Hmmmmm. Behind the scenes, the players are working their pharmakeia, manipulating the time and season.

Is it time yet for an intervention? There's so much that we don't know, but we do know the Lord is faithful to keep all His promises, and the return back in time, as bizarre as it may seem, is the only present reality that really makes sense because of the way the past few years have unfolded.