The gateway models the receiving of the mark of the Beast. Several architectural and "artistic" elements found in the surrounding area support the theme. I have already addressed the last of the elements of the gateway, including the three millstones and the 18 (9 on each side) elements flanking State St. In this post I begin to explore elements found in the area on the "other side" of the gateway.If you go through the gateway into the High Falls District, on your left is Frontier Field, Rochester's minor league baseball stadium. The focus of interest, though, is the first building in High Falls district on the right, a parking garage. What I found there validates the interpretation of the gateway as a mark-of-the-Beast triple helix DNA transformation promotional tool.
The most prominent feature of the High Falls Garage is on the corner that faces the gateway.
What first drew my attention was the part at the top, because the structure seems to suggest that it's all about supporting that thing. It took me a little while to grasp what I was looking at. It resembles an old railway water tower. For comparison I present this image (at left) of a watertower in Bakersfield, CA, used for trains. I can't say for sure, but I suspect the water tower likeness is probably the cover story given to explain the thing to the locals. What's on top looks like a stylized (obfuscated) shell, which is the most widely recognized symbol of Aphrodite (aka Venus). This goddess is, of course, not "mythological" in some sense of being merely imagined by the ancients, but rather is a fallen angel or hybrid spawn of one, a Watcher or a Nehilim.I've written recently about Aphrodite in the context of pharmakeia and aphrodisia. From that writing, I quote: "The Aphrodite legend presents her as arising from the sea, from the sea foam (aphros), comparing to the picture presented in Revelation 13:1: 'And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea ...'"
Given how the context is that of High Falls, a waterfall on the Genesee River that generates no small amount of "sea foam," the stylized sea shell water tower seems fitting. The natural elements of that location easily lend themselves for identification with Aphrodite. Satan's ploy's are brilliant and will accomplish all that is ordained, serving the sovereign God's greater purposes that will ultimately give Him the glory for His wonderful plan!Aphrodite is the goddess of love, or sexual desire, which must be seen as perfectly fitting in the context of signaling the mating of the heavenly with the earthly in the mark of the Beast.
Consider what's being modeled again. After passing through the triple helix DNA gateway on State Street at the Inner Loop, by ritual magick, your "state" is transformed by way of your "inner loops," your coiled DNA strands. Think about it. This transformation is the result of the reproductive union of the heavenly with the earthly, which is signaled immediately upon your entry into the High Falls district by the Aphrodite tower.
While what has been presented is already pretty convincing, there's still more to reveal!
As I considered the elements of the supporting structure I noticed that there were three strands winding up the tower. This feature identifies it rather obviously as a triple helix DNA model. Study the structure and visually track the diagonals aligned from lower left to upper right. They are subtle because the strands are simply part of the structure. It's what's not there in the structural context that calls these three helical strands out for our attention. Some of you may recognize how this tower resembles the "memory tower" that was dramatically presented during the closing ceremonies of the Beijing Olympics in 2008, another DNA transformation symbol.
You can count a total of six supports for the High Falls Garage tower, six being the number of man. The sons of god are targeting the daughters of men. This tower is mostly blue, the color of the heavenly. Why blue? Visitors have presumably already passed through the gateway and are therefore already transformed into heavenly beings.
This sea shell water tower also resembles a transmitting or receiving dish or antenna, as sending and/or receiving energetic waves between heaven and earth. This is the kind of connection promised by NCR.com's recent marketing sequence, facilitated by the mark of the beast! There are "windows," stepped, ascending around the tower. This speaks to me of a feature of the triple helix transformation that provides the transformed with a view into another dimension.
There are stairs within the structure, so as visiters to the garage climb the stairs they are ascending within the DNA as a "Jacob's ladder," or, stairway to heaven! This is consistent with similar constructs noted in this blog and on TheOpenScroll.com. Note, this is not signaling the genuine but a counterfeit. Beyond merely signaling meaning, these occult symbolic elements are actively promoting the spirit of antichrist, casting a spell over the unwitting visitors to High Falls. No joke.
To be continued, Lord willing!
because I'm busy visiting family in Upstate NY, where I grew up. This isn't a typical vacation. I'm on Sabbatical from work, and the reason for the visit at this time was primarily to A) share my personal history and testimony with my daughter, and B) to share what I understand about some of the places, people and events that happened in this region that had lasting and sometimes global impact.
St. after passing a number of other occult buildings and "art" objects. The first thing that came into view was one of the triple helix pillars. From some angles it's hard to tell its a triple helix, so here's a 
closer-up detail view so you can identify all three strands. As I kept walking closer I saw the sign on the overpass and then the opposing pillar to the first.
opened to us from such as NCR.com, etc.
A gateway and a vehicle are featured in the opening scene of NCR.com's "marketing" sequence, where the armored car / get-away Zeus-mobile / soul transport is awaiting receipt of the goods. It's pictured standing between then departing from between the pillars, where the target of the user's click is placed directly on the animated blue and white triple helix. The user's click that signals their 
acceptance of the terms of the deal offered was timed in the presentation to coincide with the vehicles departure, signaling in ritual magic the subsequent capture of their soul.
passing (as facilitated by 
a message board thread (started by someone using the triple-helix dna signaling symbol popularized by Nicholas Roerich as their avatar. I point this out as a symbol I've been wanting to feature for some time now. Nicholas Roerich had a significant role in the great seal appearing on the one dollar Federal Reserve Note.)
while they are both feature length animations, the visual texture and tone are vastly different between them. In a similar way, while they are both antichrist vehicles promoting the Beast agenda, the manner of presentation differs significantly. The style difference can be seen in the movie titles themselves. "The Iron Giant" is very descriptive, while "9" is as stark as a title can possibly be.
I'm now convinced is the primary feature of the mark of the beast relates to bringing forth offspring. It has oft been said that math is a language of truth. 
this blog may recall how the clever triple-helix DNA signaling logo of Nine Points Management & Research / Nine Points Capital Advisors, LLC. disassembles or transforms into 666. 
"9" movie trailer videos and notice how the movie's launch date is featured at the end? The movie "9" was launched on 9-9-09, as you see in the image on the right. This is more than a promotional gimmick. Applying the summing function to the release date, 9-9-09 is 9+9+9=27 and 2+7=9 so we see that the release date of "9" also resolves to 9.
Ok. So, stand on your head and watch it. Or, just look at this image on the left, which is the 9-9-09 image turned upside down. It's the 666, slightly obfuscated, for the sake of "plausible deniability." The 9 was presented being transformed into 9-9-09. If you watch it upside down, you'll see 6 transformed into a 666. "6", the number of man (Revelation 13:18), transformed into 666, the number of the beast. In ritual magic, man is being transformed into a beast through the mark of the beast!
Thoth was ibis headed and Horus, falcon headed.
rag dolls were featured in an introduction sequence, one at a time, excepting the "3" and "4," which were presented together. The image on the left represents two consecutive frames I clipped from that sequence. The "three things and then four" is the sign for which I've watched. With their "creator" making the "3" and "4" at the same time, as twins, the sign is conveniently packaged for presentation. 
The sequence is important, with a 3 coming before a 4, and it's in this order that they appear in the movie. 
"The Iron Giant" pattern presented when the signal poster is introduced! As the "camera" panned left giving us a view of Dean's domicile, we first saw the "3" appear, then the "4" with it, to the left of the "3"! 
Are there supplemental clues in the context of the cryptic sign's presentation in "9" that support identifying it as such a sign? Take a close look at what "3" and "4" are flanking, the object they had been hiding behind. I know, it's dark, but that's the image from the movie.
the antichrist vehicle, 
The Iron Giant presents another instance of the "three and then four" signal for which I've been watching. 
"three things and then four" to me using the Brandenburg Gate's quadriga imagery. (See 
poster of abstract art appeared briefly but conspicuously through an open door, as you see in the image on the right. 
The abstract poster seems to fit right in. Because of the right to left motion, the "3" appears first (upper image), then the "4" (lower image), presenting us with the properly sequenced "three things and then four" sign. These two images show how the poster comes into view in this sequence, with exactly two seconds interval between the frames.
which is notably a primary Beast number and the very chapter of Revelation featuring the Beast and his mark. 
provides insight into Satan's programs preparing the world to receive the coming Beast of Revelation 13. Symbols conceal on the one hand and reveal on the other. The symbolic elements in this clever cartoon movie are rich with meaning. Featured in this post are the esoteric contents of a dresser drawer in Hogarth's bedroom. 
This ball has a clear view-port opposite the white circle with the 8 inside. If you hold the ball with the view-port up you can see a triangular face float to the top with a message on it. To use the ball, you turn the view-port down, ask it a yes/no question, then rotate the view-port up so the answer comes into view. This toy is an introductory version of an oracle used for divination. It was invented in 1946 by Albert Carter, whose father was a clairvoyant, an occult practitioner in the magical arts of divining. It compares most closely to a crystal ball. 
the bathroom cabinet mirror, identifying it with the practice of scrying. That's a kind of divination where the mirror facilitates communication with spiritual entities as through a dimensional portal. The formal name for this is catoptromancy. 
where the mirror is not only the communications portal but useful for full inter-dimensional travel. 
in the dream/fantasy world.
object you see on the left.
In 1956-1957 the popular PEZ was 
In this post I'm presenting a few more features that identify the iron giant with the gods of the ancients. These various identities, as you may know, resolve to the dragon/serpent Lucifer or Satan and his near companions, the fallen.
One of these resembles a traditional Malian mask, as worn in one of the cults of the Dogan. You'll notice a feature shared with the iron giant, a forehead fin. This must be a family trait that identifies them as relatives. The gods worshiped in ancient times were indeed "iron giants," the Watchers or their Nephilim spawn. 
some historical research you will find this page on the West African tribe, 
surprised the French anthropologists Griaule and Dieterlen by telling them of secret Dogon myths about the star Sirius (8.6 light years from the earth). The priests said that Sirius had a companion star that was invisible to the human eye. They also stated that the star moved in a 50-year elliptical orbit around Sirius, that it was small and incredibly heavy, and that it rotated on its axis. All these things happen to be true (the actual orbital figure is 50.04 +/- 0.09 years). But what makes this so remarkable is that the companion star of Sirius, called Sirius B, was first photographed in 1970. While people began to suspect its existence around 1844, it was not seen through a telescope until 1862. The Dogon beliefs, on the other hand, were supposedly thousands of years old."
This face appears in Dean McCoppen's scrap yard amongst the vast heaps of junk. The yard is the iron giant's hideout, and the junk is what he eats. The yard is like a graveyard for old cars, trucks, farm equipment, appliances, etc. In this graveyard is what appears to be the weathered inanimate head of another iron giant. The iron giant eats the scrap, and since the scrap happens to include another iron giant, this is what we call cannibalism.
cryptically pictured in the serving bowl. They also devoured one another's flesh, pictured in the iron giant's feasting upon the contents of the iron giant graveyard. Is there any doubt what the iron giant agenda really is? The giants are returning in another attempt to finish what they started.