A time, times, and half a time. A portal through time may be opened when a wormhole is harnessed: TIME. Speed up one end: TIMES. Slow down the other end: HALF A TIME. A time shift or differential is generated. Again, this is what the construct in Daniel 12:5-7 pictures, Revelation 12:14 and Matthew 24.
Explore and compare the contexts. This refers to the “megas thlipsis” and it's related to the abomination of desolation, when Satan has control over time and the ability to facilitate stargate transit.
26 And after the sixty and two weeks, cut off is Messiah, and the city and the holy place are not his, the Leader who hath come doth destroy the people; and its end [is] with a flood [WATER=TIME], and till the end [is] war [TIME WAR], determined [are] desolations. 27 And he hath strengthened a covenant with many -- one week, and [in] the midst of the week he causeth sacrifice and present to cease, and by the wing of abominations [WING - for interdimensional flight] he is making desolate, even till the consummation, and that which is determined is poured on the desolate one.'” ~ Daniel 9:26-27 (YLT)
Many false assumptions have been made from that passage, two of which are that a treaty with Israel is a sign and that “midst” means “mid-point.”
The Adversary knows this activity is coming, yet seeing only that which he must see to be able to accomplish the objectives that have been foreordained by the sovereign God. His time-shifting exploits will seal his fate.
Watch this clip from The Hunger Games - Catching Fire to see a bean-spilling view of “megas thlipsis.” The water is time. See the dial being twisted that controls time keeping, which is being used as the metaphor for time itself as it unfolds within the domed habitat where the games are played.
The Hunger Games - Catching Fire - Spinning Cornucopia
Hickory Dickory Dock ...“The mouse ran up the clock,” goes the nursery rhyme being repeated by the traumatized woman. Sequenced deadly plagues are in view, like in Egypt prior to the Pesah and exodus. When he's done, the Gamemaker, in a separate control room outside their space-time domain (like the man in linen above the waters of the river in Daniel 12), gives the technician direction: “Okay. That's enough. Let's see how they tell time now.” The clock, or time itself within their domain, is reset. Plutarch Heavensbee is the Gamemaker character's name. “Plutarch,” was a Greek then Roman historian, famous for authoring, “Parallel Lives.” “Heavensbee:” The Bee goddess, Queen of the heavenly hive - facilitating the life and dimensional transiting. The heroine, Katniss Everdeen, was cast into the tumultuous waters, being shifted from one hour-time zone of the clock to another after many revolutions.
Of just that film alone, like with The Penitent Man, post after post after post could be written with a focus on the coming time-space ark and megas thlipsis scenarios.
There are different referential systems in play. One sees the sequential flow of time progressing day by day “in real time” it could be said. Another sees time truncated, where it suddenly becomes the future, kind of how it seems when you wake up from a sound sleep. Like how lightning can flash in a moment of time, the zigs and zags may be appear instantaneously. Time, times and half a time. Non-linear flow. In one time frame, events seem accelerated into the future, in another, as into the past, or slowed, even paused.
One scenario of megas thlipsis has to do with Satan's falling like lightning (Luke 10:18) in a forked path from heaven to earth, diagrammed like tracing a zig and a zag time vector.
In Occult media, a demonstration of a facet of this can be seen in I, pet goat II - from Heliofant. In the segment of the official video spanning 1:45-2:05, pay attention to the clock tower pointing at 12 o-clock. Keep an eye on the the clock tower because it's identified with the lightning in the Bible verse referencing grafitti. The very moment we see the clock tower+lightning (“Back to the Future”) swung around in the pan-and-zoom motion to align with the leaper, down into the sea he goes! Clock as time, with the time number 12 showing. Water as time. The lightning “time-vector change” symbol is associated with the clock tower (implying also the church bell facilitating a dimensional transit), so when that lines up with the leaper he immediately falls from heaven to earth into the water-time symbol. The leaper is Satan, cast out of heaven as in Revelation 12. He then manifests as the Beast, seen by John in Revelation 13:1 as rising from the sea - from out of time, from biblical history.
For the lawless one to be revealed, a time-space portal must open for the Antichrist anointing (Horus birth-resurrection), an “unrestraining” event that permits his emergence from the underworld realm. That initial “zig” of the time line path manifests at the opening of the portal, and control over time-space has been acquired. It must be said that, despite what it will look like, the sovereign God remains sovereign, and everything will be unfolding according to His plan. The time mission appointed through the agency of the elect involves an intervention, a seizing back of control because there's a fixed limit and specific condition that must exist when this is over. The elect will be sealed in the ark of sorts, a special containment zone of time-space. According to the language of Matthew 24:22, those days are cut short. This resetting of the time line happens from one perspective at the end of Pesah, which I've been referring to as the “zag” of the zig-zag path. So, between the zig and zag are those days which are cut short. That, very specifically is megas thlipsis, the great tribulation.
The school of I, pet goat II's scene appears like a church because there's a lesson here, fellow students. Like Psalm 23:2 declares, “...He leads me beside quiet waters.” In this season there will be quiet waters, where time is undisturbed, for those led to this place by the Lord, our Shepherd.
Read the whole Psalm. It's applicable during megas thlipsis!
The LORD is my shepherd, I shall not want. 2 He makes me lie down in green pastures; He leads me beside quiet waters. 3 He restores my soul; He guides me in the paths of righteousness For His name’s sake. 4 Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me; Your rod and Your staff, they comfort me. 5 You prepare a table before me in the presence of my enemies; You have anointed my head with oil; My cup overflows. 6 Surely goodness and loving kindness will follow me all the days of my life, And I will dwell in the house of the LORD forever. ~ Psalm 23