A reader sent me a picture of this image a little while back. The vehicle the flag waving woman is riding in is labeled, Velo-Taxi. It's a bicycle taxi. This is from a Chanel photoshoot in Paris France, published in the April 2017 edition of Harper's Bazaar magazine. It's pretty much all about the exaltation of the goddess across a wide range of identities, with the addition of the VELO LOVE Code and the bicycle as a dimension-transiting vehicle. The featured model is Paris Jackson. Right. Paris, in Paris. She's the daughter of Michael Jackson, the pop music and dance legend.
The theme of the shoot is the Liberation of Paris, a military action that took place during World War II from August 19-25, 1944.
Paris had been occupied by the Nazis, and the liberation began when the military forces of the French Resistance staged an uprising against the German garrison, upon the approach of the US Third Army. This shot of Paris Jackson celebrating with soldiers with the Eiffel Tower in the background is a spin on this iconic image that was taken in 1944. It's typically captioned, “American soldiers look at the French tricolour flying from the Eiffel Tower.”
If you know the relevant history (which we mentioned in this video: Pizza Esoterica - Pizzagate or The Pizza Gate? Pizza Code in Media Part 7 - Katy Perry "This is How We Do" - Four Illuminati Calling Cards), you would see the incongruity of Chanel's celebration of the Liberation of Paris. And hypocrisy. Coco Chanel was in bed with the Nazis, literally. Coco was aligned with the Nazis in several ways, even as early as 1941. Her wartime lover was the high ranking spy, Baron Hans Günther von Dincklage. In 2011, based on the evidence of newly declassified period documents, Hal Vaughan published a book called, Sleeping with the Enemy: Coco Chanel's Secret War. It was revealed that she had indeed collaborated with the Nazis in intelligence activities during the war. This was widely suspected by the French people of the time. Chanel's recent corporate campaign illustrates the way of the elite, who paint history as it serves their fancy. Their marketing effort offends for selling a version that contrasts their founder's true legacy of betrayal. Worse than that, this photoshoot preys upon the ignorant in a supreme betrayal through the Occult exaltation of the goddess who brings all who are under her influence into bondage instead of liberating them.
Harper's Bazaar is actually celebrating history with this, the magazine's 150th Anniversary Collector's Edition.
It's the age-old love affair with the goddess.
It has been noted that Paris Jackson was made by Chanel to look like she was channeling the pop star, Madonna. Why? Because of her name: Madonna - the mother goddess with child. The virgin Mary and Jesus, Isis and Horus, etc. Being the daughter of Michael Jackson, she's a black Madonna, right? It's a good fit.
She is Paris, in Paris. Her namesake is the French city and its namesake, the man of the legend of the Judgment of Paris. This legend is connected with the Apple of Discord and the Trojan War. As the legend goes, there was a wedding and all the gods were in attendance. Paris of Troy was compelled to judge a beauty contest between three goddesses, Aphrodite, Hera, and Athena. He choose Aphrodite because he favored her bribe over that of the other two. He won Helen of Sparta as a prize, who subsequently became known as Helen of Troy. Yes, there was trouble and a long bloody war, instigated by Eris, goddess of discord.
Her other name, Jackson, supports the goddess identity because of the Occult gematria value. 44 = Isis, according to the esoteric interpretation of the 47th Problem of Euclid. The side of the Pythagorean triangle that is 4 units in length is identified with Isis. This proof of the Pythagorean theorem involves the area, which is 4 square, or 4x4, which is often signaled as 44. This finds support in the context with '44 being the year of the Liberation of Paris.
Because Paris Jackson is waving the flags of the liberating armies, she is the flag waving goddess, Liberty, Lady Liberty, Freedom and Columbia. With the soldiers flashing the popular two-fingered hand sign of the day, V for Victory, they are identifying her as Victoria, the Goddess of Victory. They're in a Vehicle. The goddess of travelers, voyagers and wanderers is Viatrix. V for Victoria and Viatrix. She is also known as the French national goddess, Marianne.
The flag waving Paris Jackson has to be seen in connection with that flag bearing goddess Marianne, who was memorialized by Eugène Delacroix in the famous painting from 1830 titled, La Liberté guidant le peuple, Liberty leading the people. She is liberating the French people, leaving a wake of death and destruction.
As we've noted previously, there's an esoteric signature in view. The image of a red rose has been painted into the flag. Liberty is the rose goddess, Venus. Delacroix, in a subtle way, also painted his own likeness into the scene as the man in the top hat. Being “under the rose,” he is literally, sub rosa, which means that some valuable secret is being held in confidence. His name, Delacroix, means, of the cross. Positioning himself near the hidden rose presents the signature of the Rosy cross or Rosicrucian. The Rosicrucians, like other secret societies, are typically involved in subversive schemes - and are worshipers of the ancient goddess.
Another subtle detail has been observed in the painting, that aside from the flag held by Liberty, a second, minute tricolore appears in the distance flying from the towers of Notre Dame. Notre Dame, the famous Catholic cathedral. Notre Dame, meaning, Our Lady, the goddess to whom their devotion is: the Virgin Mary, alias Marianne, Venus, Isis, Inanna - Our Lady of bloody rebellion, of death, destruction, and deceit.
That same kind of Occult promotion of the goddess is what flag bearing Paris Jackson is being exploited in. Like how Coco Chanel secretly betrayed her people, so likewise her legacy company, through this esoteric promotion of the goddess in Harper's Bazaar.
Here's the special cover. It's more than just a quirky romp. The goddess is flying the tricolor ribbon and the featured identity is the dancing bee, Ishtar or Inanna, in a fly by of the tower.
The skirt makes her look like a butterfly, which is a mind control thing (Monarch programming), but it recalls the expression, “Float like a butterfly, sting like a bee.” (Mohammed Ali)
That she's the dancing Bee is seen in her bent elbow pose and adorned wrists. The intention is revealed as the layout artist splits the double A of BAZAAR with the Eiffel Tower. The double A becomes the classic flanking owls. AWA. ABA. Part 7 - Hidden Signs of the Goddess - AWA / ABA This scene resembles one in The Matrix, with the bee goddess "buzzing the tower" with her “over the roof” aerial stunt.
The cover design is actually sex magick, with the tower as phallus. Our Lady of the Olympics in Paris, the goddess of love, with the tower as giant phallus. This is far from the first time the image of the Eiffel Tower has been exploited in this way, with the Queen of Heaven.
While the tower is a phallic symbol, a tower is also a pillar or column, a goddess symbol. The Eiffel Tower was created as a monument to the French Revolution, which had begun nearly a century earlier. The sponsor of revolution is the goddess - the rebel Lucifer, actually, in the guise of the rebel goddess.
“The design was exhibited at the Exhibition of Decorative Arts in the autumn of 1884, and on 30 March 1885 Eiffel read a paper on the project to the Société des Ingénieurs Civils. After discussing the technical problems and emphasising the practical uses of the tower, he finished his talk by saying that the tower would symbolise, "not only the art of the modern engineer, but also the century of Industry and Science in which we are living, and for which the way was prepared by the great scientific movement of the eighteenth century and by the Revolution of 1789, to which this monument will be built as an expression of France's gratitude."” (Wikipedia)
A few years prior to the Eiffel Tower, Gustave Eiffel built the Statue of Liberty (1886), teaming up with French sculptor Frédéric Auguste Bartholdi. That was based on the goddess named, Isis. One towering goddess tribute begat another.
Eiffel's Tower was a monument to the French Revolution, which involved war. Several, in fact. The location in Paris is a long park called the Champ de Mars. It's named after the Campus Martius ("Mars Field") in Rome, a tribute to the Latin name of the Roman God of war. Fitting, yes? The hand signs that the soldiers with Paris Jackson are flashing in the Jeep are what some would identify as peace signs. They are not.
The Eiffel Tower is practically on the bank of the Seine River. The name "Seine" comes from the Latin, Sequana, the Gallo-Roman goddess of the river. It's not unlike how the River Isis, aka Thames, runs through London.
Let's turn our attention back to the velo-taxi scene.
The river in the background is the Seine, invoking the Gallo-Roman goddess of the river, Sequana.
Paris is riding along the Quai de la Mégisserie, across the Seine from the Conciergerie. The facility began as part of the medieval royal palace complex but is perhaps most famous as a prison during the Revolution. Featuring a prison does make sense because of the theme of the Liberation of Paris. This photo was taken from the west end of the Théâtre du Châtelet. Parallel to their route, on the other side of the Théâtre runs Avenue Victoria. Nestled within the Théâtre is Victoria Cross, a bar, and the Hotel Victoria Châtelet. Victoria is the Roman goddess of Victory. They are riding east, and once they pass the Théâtre they will come to the Fontaine de la Victoire, built in 1806-1808. At the top of a 59 foot high column is a statue of Victory made of gilded bronze, carrying the laurels of victory. It's a monumental fountain, designed to provide fresh drinking water to the population of the neighborhood and to commemorate the victories of Napoleon Bonaparte. The location of the photoshoot is pretty much all about the goddess. The Velo-Love is related to the love for the goddess.
The bicycle represents a kind of vehicle that travels between space-time dimensions or realms. The Seine as the river of time.
We see the goddess Viatrix being honored, of travelers, voyagers, and wanderers, and jeeps, and leaps, and velo-taxis.
Velo-love and goddess love is a sodomite love, and so we see the driver bent over his bicycle looking fairly uncomfortable. Tires and spoked wheels are individually symbols of the anus. High heels signal sodomy as by the raising of the butt for presentation. The gesture Paris makes is a pointing of the sodomizing heel at the man's butt. Identify the windshield as one made of glass and you'll see that she's a kick-glASS goddess, waving the flags of famous revolutionary countries.
So much of what we published recently in this post (LoveLoveLo VeloVeloVe) is repeated in the Chanel photoshoot for Harper's Bazaar. It's this velo-love code 54 kind of thing that the goddess uses to maintain status quo, as Mystery Babylon. I'm reminded once more of the simple insight offered so long ago by Confucius. “Signs and symbols rule the world, not words nor laws.” We pay the price for the continued violation of the 2nd Commandment.
We count our blessings that the Sovereign God is rich in mercy as He invites us to draw near Him to find freedom that is freedom indeed, to be truly liberated and find enduring reward that is beyond comparison.