Sunday, August 05, 2018

Decoding "Too Much" by the Dave Matthews Band

The song "Too Much" by the Dave Matthews Band was nominated for a Grammy in 1997 for "Best Rock Song." It didn't win, and never hit the top of the charts but it did very well for the band. Like so many other popular songs, the real subject and what's being dramatized in the music video is completely misunderstood by the popular audience. This is about one of the horrors of mind control programming, the forced ingestion of bodily excretions (i.e. "pizza"), and this ties in to the previous post to this blog, about the petition to be allowed to drink the foul red mummy sewage from the sarcophagus recently found in Alexandria, Egypt.

You will find the official music video on YouTube: "Too Much" by the Dave Matthews Band

The video features the band playing on a small stage like in a private studio. There is a backstage area that has a machine. A woman pours something from a very traditional fireplace ash bucket into the machine and turns the crank. The liquid that looks like it came from Marina Abramovic's performance art rituals comes out, flowing through a tube. This is force feeding a man who has been given a kind of clown mouth, who shakes as he ingests it.

Then, we see her with a look of disgust and contempt.

She looks disgusted because this is a disgusting sewage concoction, "pizza." She is the SRA handler, or programmer, abusing the victim in a way that builds trauma.

This kind of thing is more commonly presented to the public that you might suspect.

If you haven't studied about this practice of traumatizing mind-control victims, I recommend that you do, so you learn to see what you're looking at. It's gross and disturbing, but this is a reality, and being naive or in denial doesn't help anybody deal with reality. Seek the Lord Y'shua to give you courage and wisdom, to know how to pray.

Victims are fed and then told that if they pee or poop they will have to drink and eat it. They are not given any potty break, so it's just a matter of time. When they can't hold it anymore, they are forced to eat and drink it. They are forced to eat and drink the spit and sewage and vomit and semen and menstrual flow and blood and puss and this kind of torture brings the slave to a point where they can't bear the trauma. There are other horribly cruel abuses that go along with this, emotional and physical, including rape and sodomy. Young children are forced to give oral sex to adults and to receive it also.

Here's one victim who goes by the name of Kim Noble. She is reported to have 21 whole personalities or alter identities, and 13 of these alters paint. The one known as Ria Pratt paints vivid scenes of torture, illustrating this pedophile abuse.

The result is that the victims check out, mentally, to isolate themselves from the unbearable reality. This is called dissociation. They literally lose their minds, and this is the point of the abuse, so the programming system can then be installed that makes them an undetectable and completely loyal slave. They are called multiples because they have multiple identities, that are compartmentalized. This kind of thing is known as SRA DID or referred to as Monarch or MK-Ultra programming. It's been going on for thousands of years in association with the ruling families around the world, but since WWII this has been refined with multiplied numbers and magnified impact on the world. It may be said that this evil is a foundation of how time itself has been skewed, requiring a reset to fix it.

Here's how the song begins.

"Straight in. suck up and go,
cool it, swallow, swallow
Breathe deep, take it all
it comes cheap
Push it through the doors
because in between the lines
I'm gonna pack more lines
so I can get in

Ooh traffic jam got more cars
than a beach got sand
Suck it up suck it up suck it up
fill it up until no more
I'm no crazy creep, I've got it coming
to me because I'm not satisfied
The hunger keeps on growing

I eat too much
I drink too much
I want too much
Too much"

It's not about gluttony. It's about being tortured by forced ingestion. After they dissociate the slaves are programmed to want this, and they crave the "charge" it gives them. They become crazy for pizza. If you understand what we covered in the last post and in our PizzaGate videos Parts 6-8, especially what we showed you about Aleister Crowley's The Book of Lies, you'll get it.

So the excess this video goes on about so energetically isn't just a quirky frolic. It's the victim's story about being brought to the place of exceeding the bearable limit of trauma, leading to dissociation. Here's more of the lyrics.

"I've got to get it somewhere
I mean, you never know, maybe you're dreaming
Who do you think you're watching
Who do you think you need
Play for me, play more.
ten times in the same day
I need more. I'm going over my borders
I'm going to take more, more
from you, letter by letter."

It's not a dream but the going over the rainbow to the land of Oz or down the rabbit hole to Wonderland.

Who, indeed. Which identity in the array has to be called up to be accessed?

Apparently, stepping through the alphabet is part of the programming "game." That's probably way too many repetitions to endure.

The visual part of the music video complements the theme. Backstage, a character is introduced who is a programmer or handler, witch and high priestess. She is dimly lit when she's introduced, like a shadow, because she operates off-stage, in the shadows. She is also modeling the goddess (bent elbow pose), and ultimately, Lucifer. She has a feather boa, which is a symbol of the feathered serpent dragon worshiped as Amaru and by many other names. Compare her to the goddess with the Code 33 rainbow eye beams in the Comet Ping Pong Pizza painting. The parachute is a symbol that compares to an umbrella. It catches air as spirit as one falls to the earth out of heaven. She is a fallen angel. The parachute (poop chute) pictures the rayed anus sodomite gateway to illumination.

One of her hats is like an orange butterfly, which signifies, Monarch Programming. She pours something from a fireplace ash bucket into a machine and turns the crank. If you have seen our pizzaGate video on the Goonies film, you know that the ashes from a fireplace are from logs (poop) that are burned and then typically shoved through the ash hole under the grate to be collected down below. Right. The ash hole.

As she turns the crank that processes and supplies the strange brew, dark figures stand by. Demons - aids, on standby. Green is Satan's color. The green resonates Emerald City where the wizard rules Oz. The machine's crank has a spoked sun wheel design, like what is so common to the set of Emerald City and Dorothy's farm. Sun worship, of Apollo, Horus, etc. This witch is like the pretty Glinda, the "good" witch. She's also like the wizard of Oz himself, working behind the curtain with a machine while the show is put on.

This disgusting liquid is fed to a man. The hat on the head is resonating Alex in Clockwork Orange. The hat is a butt and sodomy symbol.

Then, we see her with a look of disgust and contempt. "Pizza - gross!"

The victim looks like a clown, a joker with big lips around the tube (bowels) receiver. The programmers mock and scorn the victims. The goggle-like glasses worn by the hat wearing men make the hat-as-butt symbol redundant because this is about glASSes, and this is why we see magnifying glASSes also being featured. They also are for enhancing vision, meaning third eye illumination.

The camera and viewer perspective passes through a ring of lights. This viewport is the sodomite gateway of illumination.

This victim has dissociated and has multiple identities. In this scene, they are bobbing up and down mimicking a carousel or Merry-Go-Round, which is the training for how one alter is accessed or called up while the others all go down. They are all very wooden.

Again, the victim is being force-fed by the goddess-handler-witch. She's gloved. Her hands never get dirty. She has the slave "eating out of her hand." That expression means, doing whatever she wants.

This car appears because it is a Dodge Viper, a deadly snake. Satan. Reflections of the goddess appear, who dances with a feather boa - feathered serpent. This is a demonic vehicle for the transport of demons, for the installation of Legion, many demons. The wheel is a 5-spoked magic pentacle. A tire is another common anus symbol.

Again with the multiples, increasing in number as the programming continues. They all wear suits, meaning, changing alters is like changing suits.

There's a dinner party that resonates the Mad Hatter's tea party and Rocky Horror Picture Show's Time Warp gala. A frenzied gluttonous orgy of apparent cannibalism is served by a butler, as in the house of the elite, like in "Eyes Wide Shut". What suggests meat in a meat locker hangs from the ceiling, resembling body parts.

It looks like a grotesque head on the table near the big shell dish.

Big magnifying glASS - can see plenty good now, with the seeing eye of sodomite Luciferian illumination.

The goddess, exalted over the scene, is content with her work.

They show you what's on stage, which seems to be acceptable, though a bit quirky and spastic. And they show you what's going on backstage, at least a thin slice of it. Even though they're putting some of it on exhibit, they hide what it means. They can't put it all right out there in the open, but just enough, in the way of obfuscation. That's how their spells work, deceiving, making captives of the ignorant. Mystery Babylon the Great.

If you read what we wrote about the desire to drink the red mummy sewage juice and Aleister Crowley's recipe for Cakes of Light, you may have already made this connection with the machinery of the "Too Much" music video. The ashes in the ash bucket are from the burning and the machine is thus making cakes of Light.

From "The Book of the Law" - Liber AL vel Legis:

"23. For perfume mix meal & honey & thick leavings of red wine: then oil of Abramelin and olive oil, and afterward soften & smooth down with rich fresh blood.
24. The best blood is of the moon, monthly: then the fresh blood of a child, or dropping from the host of heaven: then of enemies; then of the priest or of the worshippers: last of some beast, no matter what.
25. This burn: of this make cakes & eat unto me. This hath also another use; let it be laid before me, and kept thick with perfumes of your orison: it shall become full of beetles as it were and creeping things sacred unto me.
26. These slay, naming your enemies; & they shall fall before you.
27. Also these shall breed lust & power of lust in you at the eating thereof.
28. Also ye shall be strong in war."

And again, this is really about making war on their enemies. You and I.

13 But He answered and said, “Every plant which My heavenly Father did not plant shall be uprooted. 14 Let them alone; they are blind guides of the blind. And if a blind man guides a blind man, both will fall into a pit.” ~ Matthew 15:13-14

See what you're looking at. Again, let it speak to you about the condition of the world and how it got to be this way.

We have some good news and some bad news. The bad news is, it's going to get worse before it gets better. The good news is, for those who are found worthy, it's going to get better - WAY BETTER! The Lord Y'shua has a plan - and it's working perfectly!



  2. Thank you for this excellent analisis. You surely have eyes to see the incredible wickedness of the "cult-ure" of this Mystery Babilon we live in, which is so cleverly hidden and intervowen in so called entertainment: popular movies,movies. Nobody,who did not completed this kind of study, would believe it. God bless You

    1. Thanks for the note of appreciation. These kinds of "entertainments" are hard to look at, knowing what they are, but to be able to see what's really going on is just so worth it!