Sunday, October 10, 2010

Part 23 - Rochester, NY - Sex Magick of the Clock of Nations, Hermes and the "Wings of Progress"

If you've been following this blog and are generally able to grasp the reality of what I've been putting on exhibit, the graphic reproductive imagery and sex magick of the Clock of Nations and the statue of Mercury/Hermes probably won't shock you. Otherwise, you may want to take some time to catch up on the blog before reading further. These two icons of Rochester, NY are stealth weapons of the gods who, as the most wicked and devious of sexual predators, target as their prey everyone who passes through their domain. They exercise an ancient magick that works as powerfully now as it ever did in ages past.

This post follows in the manner of the previous two in this series, with the theme of the post matching the meaning of the number. There are 23 chromosomes in a reproductive cell (a gamete - egg or sperm), which is half the number found in every other cell of our bodies. For this reason, the number 23 signals sexual reproduction. This number sometimes references the serpent's DNA and the offspring of the upcoming counter-flood of Noah's day. This compares to the Genesis 6 mating of the sons of god with the daughters of men that will be echoed in the coming mark of the beast scheme. Man's two strand DNA will become three stand with the splicing in of the serpent's DNA.

Sex magick models the reproductive act that conceives and then ultimately brings forth the offspring of the serpent, and sometimes actually invokes instances of the same.

To see Rochester's icons from the particular perspective of procreative sex magick I'm going to reference some similar works, beginning with what Tom Horn has presented about the ancient Egyptian version in the Osiris/Isis/Horus mythos. The dynamic of the obelisk and dome pairings seen in Washington, DC and the Vatican is that of Rochester's icons. The following two paragraphs are quotes from "Apollyon Rising 2012," excerpted from Domes, Obelisks, and Magic Squares, O My! How the Most Powerful Nation on Earth Beckons the Evil One.

"In ancient times, the Obelisk represented the god Osiris’ "missing" male organ, which Isis was not able to find after her husband/brother was slain and chopped into fourteen pieces by Seth. Isis replaced the missing organ with an Obelisk and magically impregnated herself with Horus, the resurrected Osiris. This legend formed the core of Egyptian cosmology and was fantastically venerated on the most imposing scale throughout all of Egypt by towering Obelisks, including at Karnak where the upright Obelisks (of Osiris) were "vitalized" or "stimulated" from the energy of the masturbatory Sun god Ra shining down upon them. Modern people, especially in America, may view these symbols as profane or pornographic, but they were in fact ritualized objects the ancients believed could produce tangible reactions, properties, or "manifestations" within the material world. The Obelisk and Dome as imitations of the deities’ male and female reproductive organs could, through government representation, invoke into existence the being or beings symbolized by them. This is why inside the temple or Dome, temple prostitutes representing the human manifestation of the goddess were also available for ritual sex as a form of imitative magic…"

"Through such imitative sex, the Dome and Obelisk became "energy receivers" capable of assimilating Ra’s essence from the rays of the sun, which in turn drew forth the "seed" of the underworld Osiris. The seed of the dead deity would, according to the supernaturalism, transmit upward from out of the underworld through the base (testes) of the Obelisk and magically ejaculate from the tower’s head into the womb (Dome) of Isis. In this way, Osiris could be "born again" or reincarnated as Horus over and over…."

This ritual magick may be performed using objects other than the obelisk and dome. This was modeled during the closing ceremonies of the Beijing Olympics in 2008. From the London Ceremony that anticipated the 2012 London Olympics, multiple versions were signaled using umbrellas. If you're not familiar with the extensive presentation on The Open Scroll, I recommend investing some time in the study of that series, with a particular focus on the umbrella use. (See Olympic Ceremony Symbolism - Part Two and Part Three Also, having a good grasp of "The Flood as a Conception-Baptism" will really help, from Part Seven, where I document the basis of interpreting the rain as seminal fluid and sperm in the Biblical account of the great flood.)

During the London Presentation, marking the point at which the literal climax of the "Whole Lotta Love" sex scene performed by Jimmy Page and Leona Lewis was reached, a hero of his sport, David Beckham, launched a soccer ball into the crowd of volunteers. The umbrellas that had just been opened signaled the downpour from heaven, not of rain but of what the soccer ball signified, the dragon's seed coming upon the earth.
Note how the soccer ball is almost David's very identity. The pentagram-embedded (five-point star enclosed in a circle) object that represents the serpent's seed had been kept down below out of sight. When the reproductive act being dramatized had passed the point of no return, the ball rose from below as from the loins to be launched into the air and fall upon the fertile earth below, received by volunteers who were illuminated with a pink light just as the circular womb stage had been earlier during the Chinese presentation of the same reproductive act. This dramatic modeling of the reproductive act compares to the magickal working of the obelisk and dome.

When the statue of Hermes was set upon its new pedestal in 1974, one block north of its former home, it was given a more suitable setting. With even a general understanding of how towers are pagan phallic symbols, it takes little imagination to see this architectural structure as an erect member, with a pyramid-esque head and red brick shaft. This compares to the square-based obelisk, capped with a pyramid. As the magickal ejaculate, winged Hermes carries the precious seed aloft in his purse. This compares to the dragon-seed soccer ball Beckham launched into the heavens to fertilize the earth during the Beijing Olympics. The stylized white "foreskin" borrows its flare from the Clock of Nations design, linking the two objects visually and possibly magickally, and also serves to make the gigantic penis a little less obvious.
The stylized "foreskin" is also linked to the High Falls Garage, which echoes its triad of rectangular ports in the decorative rooftop-level perimeter.

Hermes is a phallic god and god of the fertility of herds. His worship was primarily observed with "Hermai (stones that marked roads and boundaries - often adorned with the carved head of Hermes and a fertility phallus)" The phallic tower of the Aqueduct Building is of a square proportion, just like traditional Hermai. (See graphic images of Hermai here)

In Part Nine of this series I presented a parallel to this gigantic phallus, where one of the Nephilim images at the ROC airport is also a Hermai. At a mere 20 feet in height, the airport's version is considerably smaller, but suitable in scale for its context and purpose. The bird house on top compares to winged Hermes on top of the Aqueduct Building's Hermai downtown at Broad and Exchange.

The winged Hermes downtown is propelled on his way by a column of air from the mouth of Zephyr, which is the statue's decorative point of attachment to its base. Note the regenerative features of this god who lends his support to the dynamic.

"ZEPHYROS (or Zephyrus) was the god of the west wind, one of the four directional Anemoi (Wind-Gods). He was also the god of spring, husband of Khloris (Greenery), and father of Karpos (Fruit)." ZEPHYROS -

Why do you suppose the Hermes obelisk might have been set upon what is called the Aqueduct Building? "An aqueduct is a water supply or navigable channel (conduit) constructed to convey water. In modern engineering, the term is used for any system of pipes, ditches, canals, tunnels, and other structures used for this purpose." (Aqueduct - Wikipedia) Think about the male reproductive system with its ducts, the vas deferens and urethra. Get it? As Tom Horn had written, "Through such imitative sex, the Dome and Obelisk became "energy receivers" capable of assimilating Ra’s essence from the rays of the sun, which in turn drew forth the "seed" of the underworld Osiris. The seed of the dead deity would, according to the supernaturalism, transmit upward from out of the underworld through the base (testes) of the Obelisk and magically ejaculate from the tower’s head into the womb (Dome) of Isis. In this way, Osiris could be "born again" or reincarnated as Horus over and over…." The Aqueduct Building is the magickal vas deferens and urethra, through which the "seed" of the underworld Osiris is conducted!

I can't reference any eyewitness testimony, but it's a safe bet that Freemasons were responsible for this evidence of supernaturalism. What happened in nearby Batavia, NY as a backlash from the famous kidnapping and murder of Captain William Morgan curbed the spread of Freemasonry in the local area and around the country in the years following 1826. Yet, Freemasonry is easily documented as continuing in the area, driven further underground, becoming more secretive.

Another magickal phallic tower, this one on an even larger scale, is located a mere block away from the Aqueduct Building. The "Wings of Progress" atop the art-deco icon exhibits a stylized four square "Hermai" design with an obfuscated but still recognizable glans penis-shaped head. This, too, appears to be an angelic transmission tower for magickal emission of the dragon's seed!

Now, please consider the Clock of Nations as another phallic tower, magickally emitting the dew of heaven in an expressive scene. This is closely related to the flowering serpent tree motif of the clock as featured in Part 20, another reproductive operation that serves to magickally bring forth serpent offspring. The design of the Clock of Nations is more sophisticated than an obelisk but the basis for its function is the same.

Consider how clock faces are placed on a head. Consider how the stylized phallic foreskin of the Aqueduct Building Hermai echoed the flare of the lower clock head. The four-square head is seen, in this instance, upon a round shaft.

Above it we see the magickal emission. Instead of winged Hermes on a column of air blown by the Zephyr, or a bird house (airport Hermai) held aloft by a perforated or aerated column, or the ascending "Wings of Progress" we see a ring of heavenly blue doves in flight. Instead of the valuable seed in Hermes' purse or the presumed fertile seed in the bird house, we see bells as the eight-fold seed within the splashing semen.

Higher yet, we see a globe with a ring of satellites around it's equator. It may represent an egg bathed in sperm, as at the moment of conception. It may also represent the Earth as a cage for its inhabitants, trapped in this serpent Dragon's reproductive scheme, with the planet Mercury influencing the world as it revolves, his caduceus mazing the eyes, herding the fertile flock in a grand cross-breeding scheme. This magickal construct may also be a kind of celestial distributor and dispersal system.

I've already written about the clock as having nautical features. I'd like you to see it now as being wet, washed with the dew of heaven that emits from the magickal phallus. The 12 pods of the clock that represent the cultures, nations and people of the world are covered with the viscous fluid, symbolized by the "bell-seed colored" flower-like pattern as it drips down to bathe each egg. Each egg is pictured with the next drop of seed in the flowing stream appearing just above it. There's such an abundance of the bell dew that the bottom of each egg pictures a run-off. Just as at the flood in the days of Noah the eighth, the dragon's counter-flood intends to overflow the world, and so we see the water level represented on the shaft, with the waves of the sea raised above the height of the mountains, the kingdoms of men and their earthly domain.

If it weren't for all the supporting evidence, the suggestion of such an interpretation for Rochester's iconic clock of Nations might seem preposterous, and to the ignorant, it must surely still! Yet, what I described is legitimate and the magick is quite real. Rochester, NY's iconic symbol is a satanic device, a tool for world domination. The magical clock presents a vivid depiction of the hope of Satan's family and kingdom being fulfilled. It's also a stealthy magical working that advances this agenda. It works at the airport, and it worked at Midtown Plaza.

The fertilization makes everything wet with the dew of heaven. Rabbinical scholars have noted the link ("Dew and rain are closely related to each other in Hebrew literature as sources of fertility and of regeneration of life (Micah v. 6 [7])." DEW - and, notably, so have students of mystery traditions.

The following excerpt relates to Edward Kelley’s poem “Concerning the Philosopher’s Stone” (Concerning Ed. Kelley’s Poem by Teresa Burns - Journal of the Western Mystery Tradition - No. 15, Vol. 2. Autumnal Equinox 2008)

"Here we encounter one of the most common actions in chemical theater, albeit with unusual wording. Kelley prefers “spermes” to the more usual “dew,”[31] perhaps for the implicit Hermes/”Spermes” pun, since the dew from heaven, also called mercurial or Hermetic water, is what magically cleanses, transforms, re-animates[32] and re-impregnates matter. As described in Kelley’s Stone of the Philosophers,, philosophic mercury (or Hermes, or here “Spermes”) is also the seed or common origin of living “metal.”"

It's this fertilizing and regenerative version of the "dew of heaven" that carries the dragon's seed. The dragon seed mark of the beast plan has been concealed by a number of cover schemes, one of which is the alchemical transformation of base metal into gold, and, another of which is the philosopher's stone.

[ "extra credit" - The esoteric meaning of the "dew of heaven" may be perceived in such as Job 38:27-29, Psalm 110:3, Psalm 133:3 and Isaiah 26:18-19. Consider the relationship between the dew and manna (Numbers 11) and the Messiah's cryptic presentation of himself as manna woven in with in John 6 ("food is to the eater like a father is to a son" - see Who is Cain's Father? Part One). ]

Here's a validation of the clock-as-magickal-obelisk interpretation. When the Clock of Nations was still at Midtown Plaza it was near to a special fountain. The fountain's pool had the typical "wishing well" magick, but the fountain had a further role to fulfill as it echoed the Clock of Nations' emission of the dew of heaven! You may perceive how the producers of the Jam Handy promo movie (Midtown Plaza Mall (1963) - this may appear below) must surely have been privy to this particular sex magick scheme! The evidence may be seen in this image (above left) I captured from the video, but, because of the relatively poor quality, it's much more easily seen in the video itself.

About a minute in to the video, you can see the fountain featured in the foreground with the clock in the background. The nation-eggs of the clock are pictured rotating around, appearing to pass right through the fountain's emission. This imagery is featured again at 5 minutes in, while the narrator is saying, "... spirit that is the timeless magic of the marketplace since cities began. A delight to the children ..." You can try to tell me those responsible didn't understand what was being signaled but, seeing what I see, I won't buy it. I'm not that gullible!

When the camera crew at the airport positioned the camera for the clock's dedication ceremony and superimposed it over "The Monument," could what was so appropriately signalled there also have been done in ignorance? Are we still that gullible?

Have you considered the fountain's replacement at the airport with regard to the dew of heaven? The Hermai and other Nephilim in "The Council" roundabout stand in a pool, as wet with the dew of heaven.

The magickal emission of the clock is unseen. What we do see in the natural realm are the clock's decorative elements, symbolic artifacts. The fountain at Midtown Plaza was a concrete physical display of the clock's abstract supernatural dynamic, and it seems likely to me that it was magically linked to the clock with regard to the dew of heaven sex magick.

Compare the clock's construction to the fountain spray, with wet central pillar and wet concentric ring of lessor height. Notice how the clock and the fountain, when viewed from above or below, appear as a dot in a circle. This is the male bindu in a female circle - a basic symbol of the union of the sons of god with the daughters of men.

With this aspect of the Clock of Nations now brought to light, let's reflect back on what has been learned about the clock and its purpose, recalling the short story inspired by H.P. Lovecraft that was the subject of Part 17 - Rochester, NY - The Blood Sealed Vault of Cthulhu.

As a flowering serpent tree receives its nourishment from the root system below ground, and as the supernaturalism of the obelisk draws the seed of the underworld Osiris, what lies under the Clock of Nations must be considered as providing a necessary resource in its living dynamic. In the short story (which the Lord dramatically highlighted for special attention), the "professor" "said that the demolition of the Midtown Plaza, and the relocation of the Clock of Nations to the airport dangerously weakened the seal on 'the vault'." He gave the instruction, "This time, you must seal it with blood." Returning to Midtown Plaza and the exact spot where the clock had been, a ceremony was performed with an incantation and blood sacrifice that was met with approval, assuring us that the seal on the vault was indeed strengthened. If there's any truth in this, and I believe there is (with more involved than I have shared), the physical evidence we see suggesting the supernaturalism is validated. Whatever magickal channel, conduit or portal might have been severed before its appointed time had to be addressed.

It's easy enough to see how the seed of Osiris in the underworld and the roots of the serpent tree of knowledge of good and evil relate to the clock as a device for emitting the dew of heaven, drawing from an unseen reservoir within the earth. The reproductive activity will produce the Horus/Apollo Beast and the mark-of-the-Beast hybrid serpent offspring. Acknowledging the testimony of the Bible and the book of Enoch, those fallen angelic beings who are bound under the earth at the present time as in a bottomless pit are appointed for release. They will make entrance back into our world as agents for the execution of judgment. The short story offered a little back story about the vault, from which parallels may be observed that find added substance in the Lovecraft Cthulhu mythos.

"The gist of the letter was that I needed to come to visit the professor in Arkham, or what I had done so long ago would be undone and some sort of vault or gate would reopen and creatures with a whole lot of consonants and not many vowels in their names would be free to terrorize Rochester."

As to what the Clock of Nations and the other sex magick devices are about, it seems easy enough to connect the dots. That these devices have been ordained in a magickal scheme to invoke the Beast and bring forth a family and army of worshipers should be obvious.

When the short story's role of a birthmark-eye is considered along with its peculiar description, it speaks of the supernatural guidance of the unholy spirit of antichrist, the illumined eye, the capstone lamp-eye that illumines and guides those who are enlightened in the esoteric knowledge of the ancient mystery traditions, like the professor. The "birth-mark" signifies a DNA mark, right? Rays radiating out from the lamp-eye appear as tentacles of a "glistening" (meaning: the quality of shining with a bright reflected light) octopus.

"Well, I figured out what the professor wanted. On the drive down, the eye came back, right there in front of my. It grew larger and more distinct the closer I got to the demolition site. I could see now it wasn't a human eye. The pupil looked more like a glistening octopus. Spreading from the center were tentacles that seemed to push up the white of the eye, and the lashes seemed to wiggle of their own volition."

What I'm presenting here should be speaking to you about how we got to be in the state we're in today. We have been preyed upon in a grand satanic conspiracy our whole lives. Whether or not you've ever been to Rochester, NY, you are subject to similar schemes. The devil is very clever. He's been practicing and rehearsing this mark of the beast reproductive scheme for a very, very long time!


  1. "The Obelisk and Dome as imitations of the deities’ male and female reproductive organs could, through government representation, invoke into existence the being or beings symbolized by them."

    Here in Toronto we have the CN Tower (until recently, the world's tallest tower) standing next to the Roger's Center (formerly Skydome, home of the Blue Jays).

    When the latter of the two was constructed (the Skydome), it was a local joke about how these structures seemed to represent male and female reproductive organs. If only they knew.

    While I haven't done much looking into the Skydome, the CN Tower is constructed with the Devine Proportions built into it.

    Toronto's Masonic fingerprints can be found all over for those who care to look.

  2. One more thing. The "Wings of Progress" building from a distance, reminds me of the Anubis, God of the Dead.

    There's no jackal snout obviously, but it has the same silhouette.

  3. Mark, I've been in the CN Tower but at the time had no clue about the occult design and purpose. Thanks for sharing this insight about your city's occult icons!

    On the other side of the continent, in Seattle, adjacent to the Space Needle "obelisk" is the womb/egg-like "dome" of Pacific Science Museum's IMAX Theater. Both are chock full of occult sex magickal emblems and associated wierdness.

    The IMAX is currently showing "Legend Of The Guardians: The Owls Of Ga'Hoole" ! O.C.C.U.L.T. ! Owls speak to me of the Watchers who fell and spawned the Nephilim. The most malevolent star (metaphor for angel) of the heavens is Algol, according to the Starlore Handbook, which resembles "Owl Ga'Hoole." A ghoul is a demon that preys upon corpses, from the Arabic ghul, an evil spirit that robs graves and feeds on corpses, from ghala "he seized."

  4. Bob, I spent a lot of time at Midtown Plaza between October 2007 and July 25, 2008. I also went to the auction. I want to take this time to point out something that you missed. I can provide photographic evidence if need be. After Midtown's fountain was drained for the final time, the lights inside formed a pentagram! Inside that pentagram was a circle, the circle that water used to shoot up out of. Read below.

    During Midtown's closing day on July 25, 2008, there was a woman who walked into the fountain. She placed a religious medal on the circular part of the fountain and prayed. I asked her why and she told me that she prayed for all of us to come together in Midtown's atrium again. I call bullshit. This woman knew a lot more than she was leading on.

    I will delve into the whole Midtown thing further if you want to know everything. What you're talking about is spot on. I had a lot of questions and I wasn't sure who to ask. You answered quite a few of them.

  5. Dave, I'm interested in leaning what you know. You can reach me here: