Wednesday, May 01, 2013

Part 4 - Monarch Programming in Fringe - "The Boy Must Live" - The Olive Anointing

Continuing from the last post in this new series about Monarch programming in Fringe, we find even more very notable beans being spilled about Illuminati programming and the Enemy's antichrist plot, two themes that appear here as elsewhere, tightly interwoven.

I'll describe the setting but it will help if you watch the episode, which you can do online, at least for now at this link on

Caveat: If you're a victim of ritual abuse who is still being delivered, please give consideration to whether the Lord is giving you the green light to proceed.

Fringe: The Boy Must Live

This featured scene is located at time 14:07-18:18, but I recommend watching at least the entire first 20 minutes. If you can't watch it, you can read a good summary here: Fringe Episode: “The Boy Must Live” The transcript comes courtesy of Transcript: Fringe Episode: “The Boy Must Live”

The scene I'm focusing on is at the beginning of Act 2 (and end of Act 1), which is set at September/Donald's apartment and pivots around the boy I've demonstrated to be modeling a Monarch slave and the Antichrist Beast. Much of Season 5 pivots on the boy. He's known as Michael and by the Observers as Anomaly XB-6783746, both of which labels support the Antichrist identity. The name “Michael” means, “Who is like God?” which could hardly be more fitting for the role. It would usually be understood as a rhetorical question, but here it demands a comparison: The boy is like God. Jehovah's Witnesses teach that Michael is an alias of Jesus. The boy's technical designation, Anomaly XB-6783746, is code, of course, which should be expected by anyone familiar with the show. I'll break it down, as I understand it.

[Corrected: 5/2] I believe XB may be interpreted with the X as in “Xmas” and the B as “be,” thus “Christ be,” a declaration that the boy is Christ. Redundancy. The letter X is also a symbol of the sun god, which is perfectly fitting here. He is an anomaly, a deviation or departure from the normal or common order, form, or rule. He is exceptional. “Anomaly” is also an astronomical term, which we're invited to consider by reason of the obvious telescope as a prop in Donald's apartment. The anomaly is the angular deviation of a planet from its perihelion, as observed from the sun. The reference point for the anomaly is the sun. The X is a symbol for the messianic sun god. Anomaly XB, “sun god be.”

(By the way, that telescope adds to the astronomical “stars” layer emphasized in the scene's reference to “Singin' in the Rain.” Plus, the tripod it's on is another pyramid & Delta prop adding more layers to the symbolic set.)

The numeric string is enigmatic. I considered how the numeric string bracketed by a 6 and a 6 might possibly render another 6 to signal the ubiquitous 666, but if it does I haven't discovered how. What I did discover, however, does speak to me of the Beast kingdom, which is what the pair of bracketing sixes suggests, a 66.

The number 6783746 may be expressed as 6,783,746, or about 6.8 million. In 2008 or 2009, depending upon whose estimate you use, the world population surpassed that number in billions. Another observation I made is that 6783746 can be expressed as the color olive, which can be seen here: Numbers Encyclopedia - Number 6783746, which I illustrate in this image. If these observations are valid it reveals an encoding of the Antichrist hijacking plot into the boy's technical designation. Anomaly XB-6783746 suggests the lord of a global olive kingdom. As I just posted a wide range of exhibits of the olive as mard metaphor, identifying the olive as another color coded sodomite gateway, Monarch programming and Antichrist symbol, that coded picture makes perfect sense to me.

Anomaly XB-6783746 is the Exceptional “Christ Be”, the reference standard, the sun god-man anointed lord over a global olive kingdom. Michael, compares to God. The episode title, “The Boy Must Live” speaks of the key to a major mystery of the ages, the Devil's champion, who must live.

As already noted, Monarch programming and mark of the Beast are tightly woven together in symbolism, cleverly wrapped around each other in dramatic presentations. Supporting this is the jacket Michael wears that has subtle shades of olive. I believe colors were intentionally brought to our attention as a point of focus by Walter's first words after Donald opened the apartment door to greet them. “We were trapped in amber,” he said. If we are attentive to the subtle presence of olive we see remarkable layers of validation in that vignette's symbolic revealing of the lawless one!

Like I described in Part 3, when Donald-Papal-False-Prophet kneels before and anoints Michael-King-Beast, the camera sweeps around to change the background and realign the characters on the set. This simple enactment is very profound, even more so when we track the olive signals!

In the lower panels of that screenshot sequence, on our left we see Donald superimposed over Walter, both Monarch handler-programmers. Opposite them we see the very special dimension traveling slaves. One is named Olivia and the other is clothed in olive. During the symbolic anointing, the camera sweeps around and, while Donald and Walter remain aligned, separation appears between the olive clad boy and Olivia. We are thus shown the birth of a son to a woman, the messianic birth of the olive branch and root! Recall the music box that plays, “What Child is This,” heralding this birth! It's a prophectic enactment of the counterfeiting of the genuine.

Confirming this we are provided with context that is further modeled on the birth of my Lord. In this episode, neatly bracketing the scenes set at the apartment are those where the Observer Captain Windmark begins to pursue the boy to destroy him. He is as the dragon, and Herod. C-aptain W-indmark. CW ~ C=3 and W=23 CW=23x3, a triple helix DNA body being.

And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. ~ Revelation 12:4b

Now when they had gone, behold, an angel of the Lord appeared to Joseph in a dream and said, “Get up! Take the Child and His mother and flee to Egypt, and remain there until I tell you; for Herod is going to search for the Child to destroy Him.” ~ Matthew 2:13

Something very profound is developing here. By perceiving the symbolic olive separating from olive we not only see this vivid model of the messianic birthing, another model appears as a witness to the popularly misunderstood apostasia of 2 Thessalonians 2. This word literally refers to a separation, literally a standing away from, just as presented to us in Fringe.

Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy [apostasia - "a standing away from"] comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. 5 Do you not remember that while I was still with you, I was telling you these things? 6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way [literally, gone from among]. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:1-10

I've written about this passage here, The Sign for the Bride. The olive from Olive separation presented in the Fringe vignette has companions in such as Rango. “Where are your friends now, amigo?” The Lord has revealed it, the agents of the Enemy know it, do you? When it was revealed to me how this cryptic passage described a baptism and anointing, many lies I had formerly believed were exposed. It is in the matter of anointing where insight into the symbols really comes together in this scene, as we identify the olive as the oil of anointing and the spirit it represents!

As the Wikipedia entry for Olive correctly states, “The word "oil" in multiple languages ultimately derives from the name of this tree and its fruit.” To say “olive oil” is to make a redundant statement; “oil oil.” When Fringe overlays the olive symbols in the hallway vignette, the oil signaled thereby is a necessary ingredient in a messianic anointing because kings and priests must be anointed with oil!

The word “Christ,” or “christos,” is the same as “Messiah,” or “mashiach,” and these mean, “anointed.” “The Christ” then translates to “the anointed.” In Exodus 30:22-32, directions are given about how to make the sacred anointing oil, which has olive oil as its basis. Are you seeing what you're looking at in this clever vignette, tracking the olive alongside the other clues? The messianic anointing with oil is presented through the olive. The boy wearing the olive jacket is the “olived,” the oiled, the anointed, and we're being shown a dramatizing of his ritual “oliving,” if you will.

The anointing is really with spirit, which is what the oil represents. Here's one account of the genuine that is soon to be counterfeited in reality.

16 After being baptized, Jesus came up immediately from the water; and behold, the heavens were opened, and he saw the Spirit of God descending as a dove and lighting on Him, 17 and behold, a voice out of the heavens said, “This is My beloved Son, in whom I am well-pleased.” ~ Matthew 3:16-17

By the way, I want to note here how another dove-olive connection came up during the recent olive symbol decoding post.

10 So he waited yet another seven days; and again he sent out the dove from the ark. 11 The dove came to him toward evening, and behold, in her beak was a freshly picked olive leaf. So Noah knew that the water was abated from the earth. ~ Genesis 8:10-11

There are profound connections here, even to the true Bride of Christ, His anointed, dove and Jonah people!

So, messianic anointing involves a visible witness to the spiritual endowment and appointment. By symbolic dove or olive, such anointing can be with holy spirit or the contrasting unholy spirit, the antichrist counterpart. There is an olive as mard metaphor and there is also an oil as spirit metaphor, and with these observations it may be seen that the olive also represents spirit.

There's a reason Freemasons use olive oil in their ceremonial dedication of cornerstones in their building projects, using corn, wine and oil just as described in Hosea 2:8. This powerful symbol is more than merely symbolic, which is the erroneous assumption most folks make when assessing the logos and architectural designs, paintings, etc. that saturate our environment, that is a cursed expression of idolatry and rebellion against the God who gave ten commandments for our protection through Moses.

There is a reason why kings and priests are anointed with oil, biblically.

12 So he sent and brought him in. Now he was ruddy, with beautiful eyes and a handsome appearance. And the Lord said, “Arise, anoint him; for this is he.” 13 Then Samuel took the horn of oil and anointed him in the midst of his brothers; and the Spirit of the Lord came mightily upon David from that day forward. And Samuel arose and went to Ramah. ~ 1 Samuel 16:12-13

There is a reason why the saints are directed to anoint with oil with faith for healing and the forgiveness of sins.

14 Is anyone among you sick? Then he must call for the elders of the church and they are to pray over him, anointing him with oil in the name of the Lord; 15 and the prayer offered in faith will restore the one who is sick, and the Lord will raise him up, and if he has committed sins, they will be forgiven him. ~ James 5:14-15

12 They went out and preached that men should repent. 13 And they were casting out many demons and were anointing with oil many sick people and healing them. ~ Mark 6:12-13

These practices are not superstitious but rather engage the angelic realm in the supernatural way of blessings and curses, according to obedience or disobedience.

A Christian is by definition an anointed one. The picture of Anomaly XB-6783746 is that of the lord of the global olive population, a world filled with counterfeit olives, a people anointed with the olive oil spirit of antichrist. There's the mard-olive sodomite kingdom of Monarch slaves and ultimately, wrapped around the symbol, those “enhanced” (which is to say, fatally downgraded from status as Adam-kind) and thereby identified with the Beast by his mark.

Does the olive symbol suggest anything about the color of money as many of us know it, the back side of the Federal Reserve Notes that we consider cash?

The subtle presence of the olive symbols and their separation in the scene of the anointing of the lawless one speaks to me loudly about what is coming, now less than 2 years away. This timing is also hard-coded into the esoteric scene, which I'll address in another post, Lord willing!

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