Sunday, May 05, 2013

Secrets of the Coming Great Deception on Exhibit in Fringe - "The Boy Must Live"

In working my through the esoteric symbolism of the sci-fi series, Fringe, I've reached the place where the timing of things can be addressed. I had written in Part 4 - Monarch Programming in Fringe - "The Boy Must Live" - The Olive Anointing, “The subtle presence of the olive symbols and their separation in the scene of the anointing of the lawless one speaks to me loudly about what is coming, now less than 2 years away. This timing is also hard-coded into the esoteric scene, which I'll address in another post, Lord willing!” This is that post! There is a focus on the year 2015 that has some parallel with what I have learned from biblical study and revelation insight.

The Fringe folks are masters at concealing and revealing in the way of the Occult. Whoever supplies the scripts, however they are derived, draw deeply from the well of knowledge that is the domain of fallen angels. The only way I can know what I do about these things is because I have inside knowledge, not the kind that comes from direct involvement of any kind in their wicked activities but by means of the window of insight provided by my Lord Y'shua. He's in charge of who sees what, how and when, because He's sovereign. The Adversary only knows what is given him to know, and can only do as he's given to do. What the Adversary is able to dole out is subject to those constraints. Those who serve him operate with a disconnect, a fatal one, trusting the father of lies. How foolish. Pride and selfish ambition lead only to destruction. Those of you assigned to monitor here and those who do so by compulsion, note well that truth! When the conviction comes, and it surely will, no excuse will stand for not repenting of your sin.

With that said, here's what I find of interest in the featured Fringe episode. These snippets of dialogue are from the scene at September/Donald's apartment.

[Walter knocks on the door of apartment 211. Donald comes to the door.]
DONALD: Walter Bishop. You're alive!
WALTER: We were trapped in amber! For twenty-one years we were frozen in time.
DONALD: I never thought I'd see you again.

[Later, in the apartment.]
DONALD: How did you find me?
PETER: We've been relying on the tapes that Walter made in 2015, trying to piece things together.

The year is 2036. Walter and the Fringe team had just recently been freed from the amber that had preserved them in a state of suspended animation since 2015, 21 years earlier.

(Amber was a patch material that had been developed to patch the dimensional rifts for an emergency fix akin to the proverbial finger in the dam. All life encased in the amber (like the bugs we've seen in amber in grade school science books) is preserved, as frozen in time. Technology for revival was developed and used to free the Fringe team.)

The year 2015 is the pivotal year. Even though it is now 2036, no time has passed for the Fringe team because, as Walter said, they were frozen in time. In a frame of reference that is their linear accounting of the passage of time, it's still 2015 to them, right? I've presented how this scene's in-hall and in-apartment vignettes redundantly model the revealing of the lawless one. The revealing of the lawless one - in 2015. This signal event is actually scheduled for 2015, and it seems pretty obvious that I'm not the only one who knows it.

Fringe, like many, many other esoteric shows and movies, cryptically embeds truth with wrapping in all manner of lies. The stories that must be told are concealed by a twisting and flipping such that the legitimate messages can only be decrypted and understood by those who already know the plot. I'm convinced of some important elements of the plot, and I perceive a witness to it in their cryptic presentation of 2015 as the appointed year of the baptism and anointing! Their privileged knowledge is on exhibit, heavily obfuscated but yet still perceptible.

The Devil knows just what he needs to know to carry out his assignments. Those who serve him, likewise. My lord Y'shua is the concealer and revealer, ultimately. I know just what I need to know to carry out my assignments. Some of you need to know what's put here for you. I put it here in plain sight, and the Lord provides cover as appropriate. As it must be.

Alongside the revealing in 2015, other features appearing in this Fringe plot speak to me of the way the chronology of the end times has been revealed to me. By setting the scene in 2036, they are able to reference a 21 year period of stasis. When the Lord revealed to me how the target Shemittah was related to the celestial sign by a specified count of three Shemittah, I understood the significance of the 21 year span that would pass by. The number encompasses the meanings of time and timelessness and the fullness of time. Like the 21 days or 3 weeks of Daniel 10. One might ask, why didn't the angel just show up when Daniel prayed? Didn't God see that coming? Was he unable to get the messenger there on time? Nothing is too hard for the Lord, so there was another agenda in play. We should ask why the Lord appointed the celestial sign of the Lord's return in judgment in 1991 when He wasn't going to begin the key Shemittah until 2012? He has other agendas in play, as I understand it, and one observation about how His plan is unfolding is that a 21 year span appeared that can be viewed as a kind of stasis. It was marked by three denials of Peter, allegorically, and the period was essential for the preparation of the Lord's people, and these 21 years simply had to pass before the Shemittah would begin wherein the fulfillment of that judgment would really manifest according to prophesied patterns.

I usually present this 21 year period as the three of four Shemittah in a simple pattern that appears in the Bible and in many other symbolic contexts. See the following for many examples from the biblical text.

I suspect Fringe embedded this code in Donald's apartment number, 211. This is one of a very small set of numbers where a three digit number sums to four, a version of the key pattern. (Omitting the zero leaves 211, 112 and 121) Fringe does not seem given to random elements and I doubt they would neglect a proper signal in such an important scene.

The door is important, as a door is the means of controlling access through a doorway, typically a dimensional portal. (I don't know if you noticed, but when Walter remote viewed the apartment from the tank, the first object called to our attention was an antique record player with a large horn for an amplifier. Fringe leverages the bell in so many scenes where the dimensional boundaries are breeched, and the large horn is, of course, a bell! Here it is in a screenshot, superimposed on a window as a portal.) Notably, it's through this opened doorway that the first communication between Walter and Donald occurs!

DONALD: Walter Bishop. You're alive!
WALTER: We were trapped in amber! For twenty-one years we were frozen in time.
DONALD: I never thought I'd see you again.

Here is a scene where the Apostle John beheld an open door. He heard a voice like the sound of a trumpet (like in 1 Thessalonians 4), and, well, read what happened.

1 After these things I looked, and behold, a door standing open in heaven, and the first voice which I had heard, like the sound of a trumpet speaking with me, said, “Come up here, and I will show you what must take place after these things.” 2 Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne. ~ Revelation 4:1-2

I believe the scene in Fringe pictures the “as above, so below” with the action taking place in heaven as events unfold in the earth.

I see this as a symbolic resurrection. “Walter Bishop. You're alive!” The 21 years are 3 sets of seven, comparing to three days and three nights - in the belly of the great fish and heart of the earth. I see Walter here as the Beast type.

3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “Who is like the beast, and who is able to wage war with him?” ~ Revelation 13:3-4

The healing of a fatal wound is akin to a resurrection. Baptism itself is a resurrection symbol. (Baptism - The Prophecy) How exactly this will play out in 2015, I can't say I know, but here is a version gleaned from eavesdropping on the Enemy's secret communications, as it were, presented with Walter being rescued from the amber and reviving, and officially witnessed by Donald who is probably in the role of the Papal false prophet.

When we read in verse 4, “Who is like the beast, and who is able to wage war with him?” I have to conclude the character's names were planned for just such scenarios as this. The name “Walter” means, “ruler of the army.” Who is able to wage war against the ruler of the army? The beast as an antichrist will be like Christ and instead of Christ. The answer to the rhetorical question that will be asked really is that my Lord is like the beast (as the genuine being counterfeited and substituted for) and He is able to wage war with him, and will! This is pictured in the following verse, where John sees into heaven as through an open door.

11 And I saw heaven opened, and behold, a white horse, and He who sat on it is called Faithful and True, and in righteousness He judges and wages war. 12 His eyes are a flame of fire, and on His head are many diadems; and He has a name written on Him which no one knows except Himself. 13 He is clothed with a robe dipped in blood, and His name is called The Word of God. 14 And the armies which are in heaven, clothed in fine linen, white and clean, were following Him on white horses. ~ Revelation 19:11-14

And, here's where we see a copycat on a white horse, a “Walter,” a “ruler of the army.”

1 Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, “Come.” 2 I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer. ~ Revelation 6:1-2

I suspect the choice of numbering Donald's apartment as #211 may be an allusion to Revelation 2:11.

He who has an ear, let him hear what the Spirit says to the churches. He who overcomes will not be hurt by the second death.’ ~ Revelation 2:11

That's what the plot is about, right? A major part of the plan Fringe flirts with involves cheating the second death, skirting the lake of fire and the judgment it represents.

Now, some today talk about a coming great deception and describe it as an antichrist fraud where demons masquerade as space aliens with UFO's. In this, they are correct but there's more to it. Just to know that aliens are actually lying demons is not going to be enough. Just to see the evidence that the Pope is the false prophet is not enough. Lots of folks know that, but only a very small number will not be deceived. Those who are deemed trustworthy by the Lord and made privy to His schedule of appointments will have the essential insight, and this is biblical! I make this point fairly regularly, but most just can't perceive the truth of it. What is coming in the days ahead will be so convincing. The weight of evidence brought forward in this delusion will be overwhelming. Whatever Tom Horn and other oikodespotes will bring to light about the Petrus Romanus or the Zenith 2016 will fail to accomplish what is suggested, not because I have to be right and everyone else wrong but because it is not given to the oikodespotes to lead the Bride to be ready for her Bridegroom. (Matthew 24:43) It's not enough just to be able to parrot a date, even if it's factually correct, because it's the relationship of trust and condition of worthiness that's developed and the understanding and knowledge and wisdom that comes via having the Lord's own mind and heart that is the real deal here. There's no cheating your way into the elite company of the Bride. I write all that to preface this insight about another line from Fringe, which I believe previews their play of the ace stashed up their sleeve. It's still a bluff, but most of the players will see it and fold. What could possibly be so convincing? I believe an array of evidence will be presented relative to the lawless one's presentation as the Messiah.

Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, ~ 2 Thessalonians 2:1-3

This was not written for generations and seasons so much as for one generation and one season, which has not yet even arrived. The ace up the Deceiver's sleeve is reserved for play in that hand that will matter most. It's intended to be the game winning hand, and so it will appear. What kind of spirit, message or letter as if from Paul and the Apostles will be produced that will so shake the composure of the saints? I believe it will be a potent combination of these. If the Vatican were to produce archaeological evidence with such a message documented as having an authoritative source, would that shake your faith and destroy your hope? It would for many. If such evidence is attended by the kind of conviction demonic influence can bring, how many of you think you could resist it? OK. Suppose a record of the past was shown to you as a proof, a “verifiable” three dimensional holographic kind of "live document" beamed out of heaven itself as through time, a window into the past? Would that be convincing? Impossible, you say? Don't bet on it. As Aaron and I have been watching intently, the Lord has been bringing some fascinating pieces of the puzzle in place about what's to come. As we watch according to the Lord's command, we see these things in the Bible and we see them vividly modeled in the media of myths and legends, movies, novels, news reports, comics, etc.

Here's a hint of such a streaming live document in Fringe.

DONALD: How did you find me?
PETER: We've been relying on the tapes that Walter made in 2015, trying to piece things together.

In 2015, Walter made tapes that were essential to defeat the invading Observers and save humanity. They were video documents, records of the all important plan. The recording medium used was Betamax, a long defunct technology that famously lost market share to the VHS format and faded away way back in the mid-80s. It would be easy to dismiss this matter as one of no consequence, but the Fringe crew really wasn't just in the business to entertain, and does not seem to have squandered opportunities to leverage symbols to send profound messages. I believe their choice of Betamax makes reference to much older technology, relics used by the ancient gods who had brought the secrets of heaven with them when they fell to earth.

With today's technology, we think nothing of accessing digital content by “streaming from the Cloud.” I believe there will come a streaming of content as from the clouds of Jude 1 that will represent the evidentiary proofs of 2 Thessalonians 2:2. I believe there is a legitimate reality behind what's referred to as the Akashic Record, and it seems likely to me that what it represents will be tapped to produce what Walter's Betamax tapes suggest. I believe this great deception will involve a masquerading of the devils as angels of light, actors in roles that will utterly convince all but the very elect. I believe the portals being opened through ritual magick and scientific breakthroughs will be linked with ancient artifacts to bring forth a mighty witness. How convincing would it be to perceive streaming live events from the past, present and future, perhaps producing interactive holographic reproductions of the Apostles, maybe even in conjunction with tangible biological evidence?

Will it consist of the projection of a video record stored in ancient crystal skulls? Perhaps, I can't say I know. Will it result in the belief that aliens have seeded our planet and sponsored our development? Probably (The Enemy has sown tares in the Lord's harvest field and has intervened from Eden forward), but I don't believe that's all there is to what's coming. The Adversary's dramatic show will bring the focus of attention on a messianic pretender, one who is familiar but who is transformed when anointed, and who will be accepted.

Here's a collection of images from this same episode of Fringe, where a snow globe of NYC is examined and holographic images are projected. The snow globe alludes to a crystal ball for scrying. The projections, well, think about it. Working like NLP, this visual imagery supports the theme I described. Think hard about it and seek the Lord about what it means until you get confirmation.

I strongly suspect what's going to be brought forth will afford the witnesses an immersive experience, with evidence that may even be tangible. I believe it will be less individual than shared. When diviners are scrying, what is seen is a very local phenomenon. When diviners channel, this too is a personal experience, very localized. Astral projection is relatively localized as a personal experience and so is remote viewing, which is also done in teams of three. These are all typically practiced in relatively private and protected environments. What's coming will be more universal and global. Think V (the sci-fi series) and Anna's bliss.

Consider how that the spirit attending such a demonstration would work according to a powerful spell of pharmakeia, creating susceptibility, hypnotically, reducing resistance and bringing conviction. A case will be presented that will be undeniable and irresistible, yet the Lord's provision for a very few will be sufficient for them to counter it. This provision is what will provoke 144,000 sons of Israel to envy. (Romans 11) The timing of all this will be key, and those who do not need to be written to about it in that day will stand. 1 Thessalonians 5.

More hints of the tangible nature of the evidence appear in this snippet of dialogue, which is followed by the commentary from the Fringepedia page.

"DONALD/SEPTEMBER: “The tulip was important. I took it from the other timeline, and kept it. When we devised the plan to stop The Invasion, you didn't think we could succeed. You doubted yourself. I knew the tulip would give you strength, as it had before. It was your symbol of hope and absolution. It gave you the courage to push on. At that time, I needed to give you back the hope that we could win.” - September (to Walter, imparting the memory of an heirloom Walter deemed pivotal in the battle, yet neither man knowing where it is or how it will turn alter the tide of battle)

“Imparting the memory of an heirloom.” That's a very insightful comment! The concept of a people having a collective memory is not unusual. This was a key element in the alien world of Pandora in Avatar (2009), where the native Na'vi had their ancestral memories in the sacred Tree of Souls. Porting memories from such a place would cause people to respond accordingly, even if said memories were manufactured lies. I believe this is a fair description of what's coming from the father of lies as his champion is about to be installed. As a witness to such a thing, consider the following snippet of dialogue from Act 1 of this episode.

WALTER: I can't explain it, but... when the boy touched me, he showed me more than just images. It was freeing, Peter. All at once, I understood that everything I’ve ever known - - or thought I knew, as a great man - - could fit into a thimble. And that's not all he gave me. I remember things, things I haven't experienced. I think, from the other timeline, before you were erased, before the timeline was reset.
PETER: What is this boy? How could he do this for you - - enable you to see a life you didn't live?
WALTER: I'm not sure, but I feel it.
PETER: Do you remember the plan?
WALTER: No. No idea.
PETER: But that doesn't make any sense. Why would he give you back all of those memories, but not give you the plan?
WALTER: I don't know. Peter, before I met him, I didn't think it was possible to love you more, but now, knowing what we've been through, and everything we've had.

The kind of epiphany Walter experienced when Michael as the Beast and empath touched him is what I strongly suspect is coming; gnosis and illumination, an implanting of memories, a perception of heightened love, tangible. And, this is all still preliminary to the implementation of the mark of the Beast! What will be missing in this revelation impartation is suggested in the script: The plan. There will be a huge disconnect for these folks who will be dazzled, mesmorized, oblivious to the real plan. The claimed messiah will be a poser. The 144,000 sons of Israel will put it together and make the essential identification, accepting their true Mashiach with an assist from the Bride, who alone will be aware of the truth and resist the great lie.

8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:8-12

For a little more Fringe bean spilling, here's some of what's written about the episode, Letters Of Transit.

Letters Of Transit is the nineteenth episode of the fourth season of FRINGE. It first aired on 20 April, 2012. The saga leaps ahead to 2036, where rogue agents from a marginalized Fringe Division recover most of the original Science Team after two decades encased in Amber. The Observers have most of the native population subjugated, oppressed and repressed as an inferior culture... but there is new hope.

They came from the future. At first, they only watched. Arriving at key moments in human history. We called them 'OBSERVERS' But in 2015 they stopped watching... and seized control. Citizen uprisings proved bloody and futile. Those who survived became known as 'Natives'. In an attempt to show their allegiance, some Native factions became 'Loyalists' and were marked by the OBSERVERS. The original FRINGE TEAM fought the invasion, but was quickly defeated. FRINGE DIVISION was allowed to continue at a reduced capacity, but only to police the Natives. The resistance was quickly overcome ...or so they thought.

There are simple plot devices in Fringe that twist and flip truth into lies. The show has the protagonists as good guys, but really, all the characters and their relationships seem to me to be leveraged to illustrate the enemy's plans. The presentation of the Observers as Invaders who intend destruction is true enough as they represent the Watchers who fell, as according to the testimony of Enoch. This is made very plain from the NLP in the preamble. These fallen angels are not from the future but from heaven, and not as agents of good.

But in 2015 they stopped watching... and seized control.” Did you get that? It's more than just sci-fi with a made-up date.

As genetically sourced from humans, this aspect of the Observers pictures the hybrid offspring of the Watchers, Nephilim, perhaps also describing what are biblically called tares, those sown by the Enemy. Those who oppose the Observers do not really represent the truly good guys. It's a good cop, bad cop dynamic used to manipulate the viewer because they are secretly in league together, as part of a grand conspiracy operating according to the spirit of antichrist and powered by the ancient dragon.

When a scenario plays out in 2015 that smacks of Observers from the future who assume control over the world's population, many will identify them as the ancient gods, returned. “Natives” or Adam-kind will be subjected, and genetically hijacked or exterminated. Fringe is far from the only witness to the unfolding of the book of Revelation. Even those who have never watched TV or movies have been embedded with the imagery of the lies, but the image of the Creator remains in us. I know something about how this will end. I've read the book and understand some of it, even by revelation insight.

There is more to be gleaned from this episode, but that's all for this post.

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