Friday, March 15, 2013

Part 99 - The Sodomite Gateway - Organized Crime's Don Stars in 'Singin' in the Rain'

I had left off describing how the protective cover on SRA and most particularly the Illuminati programmers activity is maintained, as illustrated to us by scenes in the musical, “Singin' in the Rain.” (The first post about this film was Part 94.) This musical is an Illuminati vehicle that brags and gloats about the success of their schemes.

The elite go to great lengths to conceal what they do and how they do it, so it may seem ironic that this is just what they reveal to us in mass media, in the most public and accessible ways. Yet, this manner of revealing is simply part of the cover mechanism. What they do is a little like sending a message in Morse code out over the airwaves, encrypted, but most of us don't recognize “Morse code” or even believe in it, and can't accept that anyone would even be sending coded messages. “Messaging system? What messaging system? We don't see any messaging system!” Security by obscurity is extremely effective, but once a messaging system is discovered, the encryption has to be dealt with before the message can be read. Are you getting this? The reason their work is done in secret is because the masses wouldn't stand for it if they knew. The point of you and I knowing is not to enable us to put a stop to it directly. The sovereign Lord has a plan, you see, and there will come an end to this evil, but in His way and only at the right time. Until then, it is a necessary work to have some effective intel, a window of insight into the Adversary's kingdom work.

Behold, I send you forth as sheep in the midst of wolves: be ye therefore wise as serpents, and harmless as doves. ~ Matthew 10:16

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly

If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway If you want a little more help understanding symbolism, I recommend starting here and working your way through the blog, which develops as a course of instruction.

I'm going to begin right where I left off, continuing to describe the same scene where the fencing, crosses and shutters at the Richard Carlane Music Studio reveal the workings and workers of the security system. This entire scene only takes about 20 seconds to play out, spanning about 2:43-3:03 in the clip. It's rich!

When we see the redundant symbols that identify the Freemasons and their protective services there is a point at which we have to bring organized crime into the discussion. SRA programming activity is criminal. Murder is illegal, and that's required for ritual sacrifice. Rape is illegal, and kidnapping, and child abuse, and on goes the list. They are in the crime business and they are organized.

The lead character's name is Don. What is a Don but a crime lord, a mob boss? That connection is just as important as the one made to Don Quixote.

So, this scene at the Music Studio is about protection, right? The Mafia engage in what's called protection racketeering. Their enforcers are fearsome. It doesn't take much effort to discover historical connections between the Mafia and the Masonic orders of the Knights. The Knights are the enforcers for the Jesuits and for what are considered the Illuminati. It appears that they run the protection racketeering business. They leverage intimidation, extortion and blackmail. They oversee illegal business activity like drug running and smuggling. What's concealed and revealed in this scene of the musical is the sex trade and trafficking of children that primarily services SRA programming, where there is a constant need for ritual sex, blood drinking, cannibalism and sacrifice.

Before I show you how that's done, here's a sample of someone else's take on the Mafia-Jesuit-Knights of Malta connection. The following are some excerpts from an Interview with Eric Jon Phelps.

Phelps: “Alberto Rivera says that it was Jews aligned with the Pope who published the Protocols. [of Zion] Well, I tend to feel that it was just the Jesuits themselves because they and they alone, were the ones who were able to bring this to pass. They're the ones in the government. They're the ones behind professional sports. The owner of the Pittsburgh Steelers is a Knight of Malta. The owner of the Detroit Lions is a Knight of Malta. All your top owners of these ball clubs, for the most part, are Knights of Malta, getting the people whooped up in this hoopla over games and sports, while they're busy creating a tyranny. So, that was one of the things in the Protocols-that they would create 'amusements'. Another one they used was Walt Disney, 33rd-degree Freemason-Disneyworld, Disneyland. Another one was Milton Hersey, with Hersey Park. They create all of these amusements and games and pastimes to get the people drunk with pleasure, while they're busy overthrowing the Protestant form of government.”

Martin [the interviewer]: “Where does Las Vegas factor into all of this?”

Phelps: “Las Vegas, well, for the most part, is controlled by the Mafia. But all the high Mafia families are Roman Catholic, and they are ALL subordinate to the Pope or to the Cardinal of New York, which is Cardinal O'Connor-because the Commission, the Mafia Commission resides in New York. Frank Costello was a member of the Mob Commission, and he was intimate, personal friends with Knight of Malta, Hollywood mogul, Joe Kennedy. And that has not changed. So, the High Knights are good, dear brothers with the High Mafia Dons-the Gambinos, the Lucchese, the Columbos, all of them. And they control Hollywood, not the Jews. It's only Jews who are front-men who are involved in Hollywood and working for the Mafia and for the Cardinal, just like in politics it would be Arlen Spector. Arlen Spector was Spelly's [Cardinal Spellman's] Jew in the assassination [of President Kennedy], and he would never say a word about it.”

You have likely been following the news and noted that a Jesuit Pope has been elected, the only one in history! St. Ignatius Loyola, the founder of that order, was a Spanish soldier. Jesuits are known as “God's Marines.” See Part 80 - The Sodomite Gateway - Jesuit Values for more about the Jesuits.

What's concealed and revealed in this scene of the musical is the sex trade and trafficking of children that primarily services SRA programming, where there is a constant need for ritual sex, blood drinking, cannibalism and sacrifice, and the energy vampirism that attends the incredibly cruel abuse and torture of innocent victims. The choreography is going to present some of this but it's going to be validated by other elements. The sweet happy music makes it so unbelievable that there could be anything bad behind this, but that's a working of the magick at this Music Studio!

When you watch the video clip, what Don is modeling to us at the 2:48 minute mark is the work of a child prostitute. Don makes himself short and looks up, like a child interacting with an adult. His hand is held as a prostitute collects money for services rendered. This child is a male, as demonstrated by the erect umbrella. At 2:49, we see the services being rendered. He is no longer short. As the adult client, Don holds the umbrella to display a triangle form, holding it in both hands in front of him to suggest sodomizing the child prostitute. After prancing back across to the left he does a very effeminate dance like a little girl waving her skirt. There is, of course, a market for little girls too.

By the way, when Don does his Don Quixote impression, modeling the knight with the lance on a horse, the Knights Templar version implied is actually two men riding with a lance together on the same horse. Some might suggest that's homoerotic. Like me. And it is, of course!

The activity pictured in this scene is more than just child prostitution, its trafficking. The name of the Music Studio is like the name of the Art School, a “blind,” in Crowley's terminology. “Mount Hollywood” is a reference to the sexual mounting of the phallic wand. The “Richard Carlane” Music Studio. Think about it. The popular nickname for Richard is Dick, which is slang for a penis. A Carlane is a car lane, a highway where cars drive. That describes a dick highway, which includes what has been called the Hershey Highway and the dirt road with reference to sodomy. When cars drive in the car lane we call that “traffic.” This is a studio for dick traffic, for trafficking dick! That's what's being demonstrated here as the primary business of the protection racketeering Don!

When we take the set's fences into account, another layer of redundancy appears that lends more validation to that insight. Criminals who engage in certain kinds of activity use a fence. A fence is a buyer or seller of stolen merchandise. Look it up! It's a trusted agent who acts as a middle man between a seller and a network of buyers in black market exchanges, especially those relating to illegal goods. Like, the sex trade, for example. The Richard Carlane Music Studio pictures a front organization for child trafficking, a fence for kidnapped and illegally “borrowed” children.

At the Studio, we see potted plants behind the fences, and such things we usually refer to as gardens. Luciferian Illuminists know their Bible verses. What they do can be considered as the practice of counterfeiting, something that demands being well acquainted with the genuine. There is a passage in the Song of Solomon that uses such a symbol as the fenced in garden, and Luciferians know very well the works of Solomon.

A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed. ~ Song of Solomon 4:12

If you read the chapter it becomes very obvious that the garden metaphor is sexual and the locked up condition is an expression of virginity. Watch the clip and see what Don does against the backdrop of a “garden inclosed.” When you see him windmilling across the set, give verse 16 some consideration and what it means in the context of the child prostitution business.

Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits. ~ Song of Solomon 4:16

That's what the “Richard Carlane” dick trafficking Music Studio is about. The Knights with their Don protect the clients and all their assets and interests as they manage the supply of goods for SRA programming and sacrifice.

Some of you may want to skip over the following excerpt, which provides a reason why this trafficking has an emphasis on the virginal child, and the male in particular.

Aliester Crowley - Book 4 - Magick in Theory and Practice - CHAPTER XII: OF THE BLOODY SACRIFICE: AND MATTERS COGNATE.
“It would be unwise to condemn as irrational the practice of those savages who tear the heart and liver from an adversary, and devour them while yet warm. In any case it was the theory of the ancient Magicians, that any living being is a storehouse of energy varying in quantity according to the size and health of the animal, and in quality according to its mental and moral character. At the death of the animal this energy is liberated suddenly. The animal should therefore be killed within the Circle, or the Triangle, as the case may be, so that its energy cannot escape. An animal should be selected whose nature accords with that of the ceremony — thus, by sacrificing a female lamb one would not obtain any appreciate quantity of the fierce energy useful to a Magician who was invoking Mars. In such a case a ram would be more suitable. And this ram should be virgin — the whole potential of its original total energy should not have been diminished in any way. For the highest spiritual working one must accordingly choose that victim which contains the greatest and purest force. A male child of perfect innocence and high intelligence is the most satisfactory and suitable victim.”

Many have pursued the ways of Aliester Crowley, as he himself followed in the ancient ways as the demon gods directed. These are the ways of Satanic Ritual Abuse.

There's yet one more layer of symbolism in the fenced in garden, a view of Don as the SRA handler or child trafficker. The fence is a cage and the clay pots and plants, children.

The following are paintings by SRA victim Kim Noble, who painted these while in her alter named Ria. The one titled, 'Caged Up' pictures a scene she remembers of her experience. The handler is holding a phallic instrument used to torture the child, which may be one that induces a high voltage shock. The object in the other painting resembles a black umbrella.

Watch at about 2:52 into the clip where Don has been modeling the behavior of a little girl. Then he sets the umbrella to the ground and gives it a kick. That's the handler abusing the little girl's butt. The umbrella spins into the air to suggest she's going over the rainbow, dissociating. He then steps over to the fence and runs the umbrella across the posts. Then he opens it up and swings it right in our face, giving us a smug look. He's about to dance over to the umbrella programming set. Does that mean something to you now? When he had pranced across to the right like a male child prostitute, the extended hand is not just out for the client's payment, but for the slave's master to grant some provisions, because the slaves are starved to weaken and traumatize them.

This is what goes on in the real world, as the whistleblowers testify. The operations inevitably get the damage controlled and minimized.

Because the “garden inclosed” references that verse in the 4th chapter of the Song of Solomon in the context of Illuminati programming and the agencies of protection, there's a really important dynamic in view. The relationship between the Bride of Christ and her Bridegroom is the subject. The counterparts are in view because the antibride of antichrist is a label that applies to the chosen ones of the Illuminati programming who will be the agents of the Black Awakening. To join the order of Knights Templar, one must swear an oath to defend the Christian faith, which translates to an uncompromising loyalty to the Jesuit boss. There's a hierarchy here, but the order of the Knights pictured in this film scene are representing the antibride, a lethal agency counter to the Bride, and the psi powered agents who serve them without reserve now number in the millions. The conflict of these entities is becoming more evident as it is between Christ and antichrist.

In closing this post, I want to identify a message I perceive being sent by the security wrapper that is the pairing of the Richard Carlane Music Studio and Mount Hollywood Art School. Sound and visual imagery together make for powerful pharmakeia. Thus, the music video and the musical, chock full of mind-control programming magick. Have you seen footage of the pageantry that was the hallmark of Hitler's Nazi parades and rallies? Were you paying attention to the Cultural Olympics and ceremonies this past summer? I've written plenty over the past couple years about dimensional gateways being opened through acoustics, and light, and the combination of the two. Music and art are leveraged in this craft to provide substantial cover for the Devil's SRA and sodomite programming activities. It works!

More to follow - Lord willing!

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