Sunday, May 25, 2014

The Mystery of Code A113

While watching movies you may have noticed the frequent appearance of 'A113,' appearing like in this collection of images.


There's a plausible explanation for this that seems altogether innocent. Watch Explaining Code A113. The following article on Daily Mail also explains the A113 code and solves the mystery to the satisfaction of most.

Revealed: The inside joke behind mysterious 'A113' code that appears in nearly every Pixar film from Toy Story to Up

They note the following.

  • The code is an 'Easter egg' - an inside joke - referring to classroom number at California Institute of the Arts
  • A113 has appeared in at least 45 animated films, TV shows and video games
  • Out of Pixar's 14 films, A113 popped up in 13 of them
  • Number also appeared in live-action movies like Hunger Games: Catching Fire and Mission: Impossible - Ghost Protocol
  • Oscar-winning Pixar director Brad Bird has used A113 in every one of his films, including The Incredibles and Ratatouille


If you spot A113 in a show or an animated feature, it means that someone from CalArts has played a part in making it. Sure, but is that all it means? If there's more to this code, and there probably is, it looks to me like another way to signal when the lawless one will be revealed. A113 ~ Antichrist, 1st month and 13th day. Would folks in the industry do something sneaky like leveraging a simple code to promote their agenda? Well, yeah. All the time. I've already offered evidence that the Adversary knows what's coming and when, and the arrival of their champion really warrants their leveraging every opportunity to promote it. (See When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2))

The first hint that there might be more to it is to note the acronym CalArts shares with another familiar entity. The California Institute of the Arts is the CIA, like the Central Intelligence Agency. Does that suggest a link? Is that too obvious of a connection? I know. Call me crazy. Why would those sponsors of mind control programming have any interest in Hollywood production, right?

The kinds of places where this code appears in films also seems pretty innocent, showing up right where you would expect to find such alpha-numeric strings. Yet, when the context of these Easter Eggs is taken into account my “conspiracy theory” seems to have more substance.

In Monsters University, the code identifies the lecture hall where monsters Mike and Sulley have their first class. They are there to learn how to be the best monsters they can be. They talk and act like people. Beasts get prepared there to go into the world and do what beasts do. In this image the code appears on the door, and we see Sulley, a beast with horns, standing in the doorway under the arch with bright light inside. It's a dimensional transit - A113 - the Antichrist beast. (With purple fur, back lighting, the circles (doorknobs) and squares (framed panels inset) and illuminated royal arch (even including subtle M forms) all present, the sodomite gateway symbolism generally associated with Freemasonry abounds.)

In Brave, A113 appears in Roman numerals above the door of the witch’s hut: ACXIII. Again, it marks the doorway. I see the AC as being even more suggestive of AntiChrist - AC XIII as AC 13. The popular character of Agent Coulson of Marvel's SHIELD is called AC by Agent Skye. She, like AC, was made undead by means of an infusion of bodily fluid from a blue alien.Agent Coulson was frequently heard referring to where he was made undead as “a magickal place.” The witch does magic in the hut on Brave.

Aaron Hermann notes how it is seen so frequently on trains and vehicles. Trains are vehicles that make particular reference to the kind of dimensional transport of angels falling to earth. See this blog's commentary on Joel 2:8 and stargate transits. When the Antichrist is revealed on 13th day of the 1st month it will be like train A113 is arriving at the station right on schedule.

In WALL-E, the A113 code was the directive given to the Axiom's autopilot to never return to Earth. Hmmmmm. Flip that - a code to return to earth? Wall-E backwards is El Law. El is a name for God. Wall-E flips to signal the LAWless one who shows himself off to be God (2 Thessalonians 2). WALL-E anagram LAWLE + SS? The robot meets EVE - like an Adam.

As it appears on licence plates, the number is the ID, the officially registered identification code. It's like the mark of the beast. In Ratatouille, Git, the lab rat, has a tag on his left ear that reads A113. In the Simpsons, A113 appears as a mug shot ID and a prisoner ID. Oh oh.


In Finding Nemo, A113 appears on a SCUBA diver's camera, which makes images - like the image of the beast John saw coming up out of the sea in Revelation 13?

The A113 appears on a licence plate in The Iron Giant, which I've decoded in a series of posts in exposing it as a high level signaling antichrist vehicle. A113 appears in non-animated films like Terminator: Salvation and Mission: Impossible - Ghost Protocol.

The A113 code might be just for fun as an inside joke, but the kind of fun that probably represents is not going to last.

19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone.

~ Revelation 19:19-20

I see in the A113 code another example of the secret time pattern of 3 things and then a 4th. Three characters appear in sequence that each have the value of 1. The 4th in series is different, and that character is a 3, the resurrection number.

Thursday, May 22, 2014

The Esoteric Link Between Led Zeppelin's Stairway to Heaven and Spirit's Taurus

There's a new controversy involving what is often ranked as the greatest song of all time, Led Zeppelin's Stairway to Heaven. This matter could probably be settled in short order if esoteric meanings were taken into account.


“A lawsuit was just commenced by the band Spirit against Led Zeppelin claiming the iconic guitar arpeggio opening of “Stairway to Heaven” infringes Spirit’s 1968 instrumental track “Taurus.”” (Spirit v. Led Zeppelin: Analysis Of The "Stairway To Heaven" Infringement Lawsuit )

There are several factors involved that make it seem very likely that Led Zeppelin drew heavily from Spirit's song titled Taurus when they wrote their epic Rock anthem. Spirit's Taurus is an instrumental, so there are no lyrics, but the song title alone is enough to establish a definitive link.

This link has to do with understanding the ancient celestial stargates, which are also known as stairways to heaven. The celestial stargates appear where the apparent path of the sun intersects the Milky Way, where one is situated opposite the other in the great circle of the Zodiac. See the Celestial Stargates series for more detail.

The ancients referred to two celestial stargates, a Golden Gate and a Silver Gate, the latter of which is also known as the Ninth Gate. The constellation Taurus is the 9th in the order of the Zodiac, according to an ancient reckoning to which the Sphinx bears witness. Taurus, the 9th sign, is referred to by Luciferian Occultists as the Ninth Gate. This means that Taurus is understood to be a literal stairway to heaven. There's a very obvious link between the songs with those titles that exists even beyond the musical composition!

Could Led Zeppelin have known that Taurus was a stairway to heaven when they incorporated the music of Spirit's instrumental into their own song of comparable naming? The lead guitarist, Jimmy Page, was obsessed with the occult. In 1976 he opened up an occult bookstore, “The Equinox Booksellers and Publishers" on Kensington High Street, London. It was open for about ten years, and during that time Page printed several of infamous warlock Aliester Crowley’s books. Page was well known to have been practicing Crowley's magick during the 60s. Search The Open Scroll for Led Zeppelin or Stairway to Heaven for much more info.

Spirit - Taurus



Is Led Zeppelin guilty of ripping off Spirit's song? Oh, don't be silly. Satanists don't steal and they certainly wouldn't lie about it. Okay, well, yeah, that's what they do, according to the ways of the Father of lies, who comes to steal kill and destroy.

Have you heard Stairway to Heaven played in reverse? Those lyrics produce some epic speech reversals.

The timing on this controversy is very interesting, when Spirit is nearly coming through the Taurus, descending down the stairway from heaven like a Led Zeppelin.

When Will the Lawless One be Revealed? Fifteenth Installment

This installment is part of the work of updating Part 2 of The Sign for the Bride, one of the core studies on theopenscroll.com. You can find the study being updated here: When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2).
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The crossing trails of comets Hale-Bopp and Hyakutake

The paths traced in the sky in 1996 and 1997 by the “naked eye” comets Hyakutake and Hale-Bopp intersect. My friend Bob Wadsworth (the Biblical Astronomy guy) made an important observation in 1997, that the two comets reached the point of intersection exactly one solar year apart. When the timing of their crossed paths is given a thorough examination the extraordinary dating of the 13th day of the 1st month emerges as the midpoint of their arrivals at that intersection. From ancient times, the appearance of a comet has been accepted as a bad omen. That certainly finds support in this case when the ancient meaning of the place of intersection is factored in. Long held traditions identify the nearby luminary as the most malevolent star of the heavens!

Comet Hyakutake was dubbed “The Great Comet of 1996.” Comet Hale-Bopp was dubbed, “The Great Comet of 1997,” and it was perhaps the most widely observed comet of the 20th century. Visible to the naked eye for 18 months, the rare and spectacular celestial object doubled the previous record held by the Great Comet of 1811. Just after Hale-Bopp passed perihelion (closest approach to our sun during its orbit) it arrived where Hyakutake had been exactly one year earlier. What is so notable is that this crossing of paths occurred on the very same day of the year. That's what Bob Wadsworth brought to my attention.

On the Lord's calendar, that day, April 11, represents two different dates on the Lord's calendar. When Hale-Bopp crossed the path of Hyakutake it was the 4th day of the 1st month, by my best calculations, checked and rechecked. (Since I have not found reliable documentation of the Lord's calendar going back that far, I utilized my archival collection of confirmed data to make a projection. All this fussing is based on the range of dates that the 1st month can begin, and the range of when the new moon can be sighted, which factors in the % illumination and the lagtime between sunset and moonset. It further helps to know the full moon is always on either the 13th or 14th day.) One year earlier, Hyakutake had been there, on the 22nd day of the 1st month. The 13th day emerges as the midpoint. (22-9=13 and 4+9=13) Hyakutake arrived at the point of intersection in 1996 9 days after the 13th, and Hale-Bopp arrived a year later, 9 nine days before the 13th. The fact that the paths intersected on the same exact day on the popular calendar insured this matter would garner our attention. It sticks out like a sore thumb.

These two notable “bad omen” comets crossed paths at a time and in a place that signifies the enemy of the Messiah. The general region is the constellation Perseus, which is pictured in the sky charts as you see in this image, as a man with a sword held high and the severed head of the gorgon Medusa held in his other hand. Some scholars assert that Perseus represents the Lord Jesus Christ, victorious over his enemy.

If you superimpose the charted paths of the two comets, you see that an X is formed because the paths are nearly perpendicular. The picture has the severed head of what the Greeks called Medusa appear as in the cross-hairs of a rifle scope. Bang. Right between the eyes. The Hebrew name for the head is Rosh Satan, meaning, “the head of the adversary.” Other names for it are Al Ghoul, “the evil spirit,” and Al Oneh, “the subdued.” The Beta star in Perseus is located very near to the comet's intersection in Rosh Satan. Its name is Algol, which means, “rolling round.” The Starlore Handbook says that, according to tradition, Algol is the most malevolent star of the heavens. This star is notably a variable star, cycling every 69 hours between a brightness of the fourth magnitude and the second. This is one of several variable stars with names signifying the enemies of God. The meaning of the place of the intersection of the paths of these “bad omens” is not ambiguous.

The perpendicular intersection of the two comet's paths near Algol also appears like a cross, formed between the eyes or in the forehead of Rosh Satan! That's rather familiar symbolism, isn't it? The appearance of the cross speaks of the church, with which the Beast will be identified. (1 John 2:19) The appearance of the cross on the forehead also speaks of the mark of the beast in the forehead of his followers (Revelation 13:16).

It is no stretch of the imagination to interpret the crossing of the comets' paths as a portent of the coming of the lawless one. It is a fact that the comets crossed paths in the area of the sky known in Hebrew as "Rosh Satan"- the head of Satan, where the nearest bright star has long been identified as the most malevolent star in the heavens. It is a fact that their shared times of arrival at that inauspicious place of crossing is what called it to our attention. From out of a careful consideration of the Lord's calendar what emerges is how the 13th day of the 1st month is the mean or midpoint of their arrival times. What we've learned in this study from the biblical modeling of the 13th day of the 1st month is that this one day of the year is connected with the revealing of the Antichrist, which may be linked with Algol and the head of Rosh Satan. We've been instructed about signs in the heavens, that the celestial lights are given to mark seasons and days and years. Seasons, in Genesis 1:14, is “moadim” in the Hebrew, meaning appointed times, like the Feasts are appointed times. I've already given attention to the 4/4/15 lunar eclipse, the 2nd event in the rare blood moon tetrad. I believe this comet trail crossing sign was another celestial sign and harbinger of that day. Consider the number of the span of years between when the sign of the intersection was made and the event it portends: 2015-1997=18. Note the same number of days were spanned between the comets' arrivals, because April 11, 1996 and April 11, 1997 were the 22nd and 4th days of the 1st months. 22-4=18. The number 18 is widely leveraged as a signal transformation to 666 (MOB) as 6+6+6 and to 9 (single digit MOB transformation #) as 1+8.

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More to follow, Lord willing.

Tuesday, May 20, 2014

Decoding the Resurrection of Michael Jackson at the Billboard Music Awards

Sunday night, the world witnessed the resurrection of Michael Jackson, King of Pop. This staged performance was a centerpiece of the BMA (Billboard Music Awards) ceremony. The resurrected Michael Jackson was only a virtual version but his appearance was convincing, bringing members of the audience to tears as his 3D holographic projection performed on the Las Vegas stage. The show was honored with a standing ovation! The demonstration combined virtual and real live action and was very impressive, far less cheesy than I would have thought. It was provided for our entertainment but beyond that it may be seen as an Occult ritual that very specifically prefigures a coming deadly hoax.

Here's a video: Slave to the Rhythm - Michael Jackson resurrected in Vegas at the 2014 BMA



Because of the content produced and the technology involved in producing that content, it is evident to me that the event previews a deadly hoax, when another resurrection will be featured with an even far more convincing array of projection technologies. Lying signs and wonders will convince most saints that their hope is in vain because the resurrection our reward depends upon will have already happened. The evidence offered will destroy what faith they think they have in Jesus Christ as their savior. It will appear like their only option for the salvation that will be sought with desperation in that day will be to accept the one who will then appear as the real Jesus, with the throne of heaven. This is the message of 2 Thessalonians 2 that I've begun to teach in recent months as I've received more insight into that crucial text.

1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. 5 Do you not remember that while I was still with you, I was telling you these things? 6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:1-12

As the day appointed for the hoax draws near, the Lord has granted us to see how these high tech ceremonial events inform us about that day. If you're not already familiar with what I've written in The Sign for the Bride - Part 1, and on the blog, Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax, you may want to read them for more explanation of this very important matter. The 3D holographic technology used to resurrect MJ is an impressive way to present more lifelike visual imagery. Yet, no matter how realistic that might be to an audience watching a staged performance or a broadcast to a screen, what's coming soon will be far more convincing. People, even most saints, are already very receptive to the Antichrist lies, as I've demonstrated in a literal thousand posts to this blog and theopenscroll.com, yet the level of receptivity is going to be far more enhanced next year when the lawless one makes his scheduled appearance.

The audience for the impressive projection technology used in the stadium during the recent Olympics in Sochi was vast. The images projected into the stadium combined with the live action performance to create a rich visual tapestry. Without a focused effort, the audience couldn't tell the difference between what was real and what was not. The line between the real and virtual was blurred making reality indistinguishable from false reality. There was recorded video of past events that was merged into the presentation and a featuring of historical events in the live action, effectively folding the past into the present in our experience of that blurred reality. That's powerful. When we have a firm grasp of how we are the audience and this is a show, it's fun, sure, but given that this is all in the hands of the illuminated agents of the prankster god, you've got to know there is a sinister purpose.


Holographic projections of people have been beamed onto stages for special events before. The illumined Steve Jobs digitally appeared on stage for the launch of the iPhone 5 on 9/12/12. This man, who might well be considered the king of Silicon Valley, had been dead for over a year. Rapper Tupac Shakur was murdered in Las Vegas in 1996 and was holographically resurrected in April 2012 to perform on stage during the Coachella Valley Music and Arts Festival. He is known as the King of Rap. His namesake, Tupak Amaru, was the last King of the Incan empire. Before the holographic projection technology was advanced to that state, the undisputed King of Rock and Roll, Elvis Presley, who had died in 1977, was resurrected in 2007 with rotoscoping technology to appear on “American Idol,” joining Celine Dion in singing a duet. This combined the real with virtual and merged the past into the present. The technology has advanced significantly since then, but on that same model, Duet Impossible is a weekly show in the UK where stars of today sing live with resurrected stars. (Celebrities ~ stars ~ angels) Do you perceive some trends? Resurrecting Kings and Stars? Natalie Cole was famously joined by her departed superstar father for the performance of a virtual duet, singing, Unforgettable. Her father? Nat King Cole. Again, so you don't miss it, that's Nat KING Cole. Isn't this all just a tad conspicuous? Now, the King of Pop has been raised from the dead in a very impressive display.

When the two living Popes were canonizing two recently dead Popes last month (April 27) in a literal flesh and blood ritual communion at the Vatican, the ceremonial rites were broadcast around the globe in the most advanced high def 3D available. Where do think that's going?

The stage on which the resurrected Michael Jackson appeared resembled an altar at the Vatican or the Jesuit home church Gesu in Rome. Seven rayed golden suns were emblazoned upon the face of the stage to frame it with the most gaudy of religious bling. At the center, instead of the expected T-IHS reversed code inside the golden sun god anus idol what appears is the MJ sigil, which I'll decode shortly. The setting is easily identified as a temple of the sun god. Since a Pope is going to baptize and anoint the lawless one at his revealing, this king's resurrection is perfectly set.


Five suns appear across the top, and the third one is central and exalted. Seven suns appear around the frame and the 4th is central and exalted. This arrangement emphasizing the 3rd and 4th in series signifies the production of Horus through the esoteric 47th Problem of Euclid and the fundamental assignment of meaning to the 3.4.5 Pythagorean triple. The numbering of 5 in line at the top signifies Horus. The 7 total as the sum of 3 and 4 redundantly signifies Horus. Some of them had the occasional look of black suns, or annular solar eclipses.

The song “Michael Jackson” performed was his new hit, Slave to the Rhythm. His posthumous album, Xscape, debuted last week at No. 1 in 50 countries. Yeah, it's that big of a deal. The album cover art is very revealing. It shows the King being reborn as an alter identity, of King Horus crowned by his birthing celestial mother Isis. It's the picture of Isis raising Osiris into Horus, birthing him magickally into the world.


He is pictured emerging as from a celestial stargate. The worshiped king whose mark is the X is seen Xscaping that underworld realm in which he has long been restrained. The X transformation is occurring as his star nature is merged with flesh. On stage at the MGM Grand, which is dedicated to the sun god Lion (Part 34 - Code 33 - MGM, Lion Kings), this Occult Luciferian dream of the arrival of their messianic Antichrist king was advanced with potent symbolic ritual pre-enactment, and spilling the beans in the process about what's in store for us next year!


The BMA performance began as black storm troopers rushed onto the front of the stage wearing bright lights on their heads, making jerky choreographed gestures like mechanical marionettes to a dark and ominous soundtrack. On their chests appear the MJ sigil and they mimic some of his moves. These dark warriors are the king's personal guard. Do I still need to explain the army of chosen ones that are purposed as the guard of Antichrist like the Swiss guard at the Vatican? (Have you heard Russ Dizdar's presentation from May 6th? Luciferic Illuminati Eschatology 5 Points - some timely info.)

The curtain raises to reveal the scene of a throne room, where the resurrected King of Pop appears, seated casually on an ornate golden throne. Observe how that it's not just the King who has appeared as from out of the past but his throne and throne room with him. This pictures what I described recently (When Will the Lawless One be Revealed? Third Installment) as the materialization of a heavenly Zion with the messianic pretender's throne, upon which he sits.


3b ...and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
...
9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders,
~ 2 Thessalonians 3b-4, 9

Observe how MJ, whose fatal wound has evidently been healed, has a throne that features the skin of a leopard. The beast John saw in Revelation 13 was like a leopard. The dragon gave him his throne.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed And the whole earth was amazed and followed after the beast; ~ Revelation 13:1

And the whole earth was amazed and followed after the beast as tears were shed in his glorified presence, a standing ovation was given and the masses were moved to buy more copies of Xscape and official merchandise in support of the woman who attended him, the Great Harlot or “Slave to the Rhythm.”

The imagery above the throne features his MJ brand image. The M is the 13th letter, which has the signification of the rebel-lord-beast. The J has a crown on top. The letter J is the 10th letter. It's like having 10 horns and on his horns, ten diadems.


The form behind the J makes it look like a dragon. The wings make the J appear like the winged rod of Hermes or Mercury, the caduceus, with a rather serpentine head. The equivalent psychopomp in the Egyptian identification is Anubis. That image appears in the arch of heaven where we see the representation of the celestial heavens. It's the portal to the Duat and aligned Silver and Golden Gates through which Anubis escorts Horus, the golden sun king.

In the image of the King of Pop's exaltation, note that the lightning bolts behind his outstretched arms are the ancient weapons of Zeus, aka Satan, and that there are 3 on each side of the throne. Code 33. Satan's throne was in Pergamum, but it was removed from that famous acropolis to be put on display in Berlin, Germany as the Altar of Zeus.

12 “And to the angel of the church in Pergamum write: The One who has the sharp two-edged sword says this: 13 ‘I know where you dwell, where Satan’s throne is; and you hold fast My name, and did not deny My faith even in the days of Antipas, My witness, My faithful one, who was killed among you, where Satan dwells. ~ Revelation 2:12-13

The throne of King MJ is the throne of Satan and he is the beast who ascends to that throne.

About that featured letter M, Helena Blavatsky wrote the following.

The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize water, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus:
( H. P. Blavatsky - The Secret Doctrine (Vol. 1, Page 384))

The king of pop, who was obsessed with Diana Ross and was renowned for having had extensive plastic surgery, had a very soft and effeminate speaking voice. That seems fitting for the M symbol of the beast of the watery abyss. We see his throne set under an arch that seems to rest upon a pair of matching chess pieces, twins, as the pillars. It is a symbol of Gemini and the celestial Silver Gate. The chess pieces flanking the king's throne are queens, which speaks to the expression of the king's feminine sexuality.


One version of the throne room features checkerboard patterns, which certainly match to the “Alice in Wonderland” scale Queens. The alternating dark and light pattern represents the knowledge of good and evil, a most fitting symbol in this context.

One of the symbols that appears on the wallpaper is one featured on the stylized title of the TV show, Salem. It has been reported that this controversial show has had professing witches complaining that the producers are too openly revealing some of their secret practices. The figure framing the letter L in the title appears next to the throne of Horus. That letter L should be recognized as two legs of a right triangle of the 3.4.5 proportion. The hidden hypotenuse is Horus. The Salem sigil and the one adorning MJ's throne room are the Horus Eye. The MJ “wallpaper” hides pyramids, the geometric figures with inherent 3.4.5 features that are connected with the Illuminati and the sun god beast kingdom. The equilateral triangle has internal angles of 60 + 60 + 60 degrees and this is used as a secretive transformation of 666, and as a representative form of triple helix DNA, beast DNA.


The letters MJ as 13 and 10 sum to 23, the chromosome number that often signals the additional genetic material that deifies man in the transformation into a god-man beast. This MJ thus represents the beast and his promise of sharing the “immortal” golden body, held out as the means of securing a necessary salvation.

It may also be seen that the letters MJ speak of what may be called the Marian Apparition Day, which is typically October 13, 10/13. The exalted Mary bears the title, Queen of Heaven, which is Isis by another name. A pair of queens are under the royal arch of heaven, over the throne, with the magickal runic MJ symbol right there in the celestial portal.

This MJ or JM as a date code can be seen to transform by reduction to the 13th day of the 1st month. That's the day appointed for the beast's appearance. Note that.

Just prior to the BMA's ritual resurrection of the king of pop, another network aired a special Coldplay concert that featured a combination of live action and special projection technology. (Highlights From Coldplay’s Ghost Stories NBC Concert Special) The show didn't resurrect a king but, well, yeah, they kinda did. His most humble highness Chris Martin himself was featured as one who arose magickally as from out of the depths of the sea. He then poured out his heart, singing A Sky Full of Stars. Coldplay's love song to the stars was thinly veiled. It was a heartfelt tribute to their beloved Horus. Search this blog for Coldplay and you'll see why I state that with confidence.



The special stage, when looking down from above, resembled a magic circle of light, within which the High Priest raised energy for his ritual. It resembled an ancient ring of standing stones, like Stonehenge. Having the tree on the set with stars hanging on the bare branches (“...with seed in itself, bearing fruit after its kind”) is a pretty obvious sign. Shooting stars appeared in the projection - falling angels. Chris floated and did somersaults in the air among the stars. I doubt many people will put together why Ghost Stories is the title of their new album (hint - Rephaim), or why the special was set inside an old aircraft hanger, which housed huge airships. Aaron thought it was interesting when Chris yelled out, “spin the room” and the projection effects spun around - reminiscent of some of the action in the Hunger Games film, Catching Fire (but that's another blog post that probably won't get written).

Was a point being made Sunday night? Yes, I believe so, and I don't think a day goes by in this remarkable season without similar signs in the media.

Is there really an alien base in Romania inside the Bucegi mountains that contains a holographic projection technology that streams all of mankind's history? I don't know, but it would not surprise me if there were because this is just the very kind of technology the Lord has been impressing upon me in association with 2 Thessalonians 2.


Here is the text below the diagram: “The Library of the Universe - The Projection Room contained detailed information from fields like: physics, cosmology, astronomy, architecture, technology, biology, genetics, and even religion. Because it contained so much information, the room was compared to a library. In the middle of the room, there was a podium-like area which contained an interesting device. The scientists speculated that it might have been a device to enhance various cerebral functions.”

Is that or something like it intended to be co-opted to project historical distortions from the lying Akashik or Hall of Records to convince a dazed mankind of their savior's arrival, disarming the pliable saints in advance with an fraudulent exhibit of resurrection? Well, as strange as it sounds, it does not seem implausible. Let's stay awake and watch. Y'shua, the genuine savior is worth the wait!

Monday, May 19, 2014

Initial Observations While on Watch in the Projected Flood Season

The special watch days of the 17th and 18th have passed without recognizing what I hoped to see. I can't say I'm either discouraged or encouraged at this point in time because I am seasoned enough not to be hasty to make a judgment about what that means. I don't feel any need to offer excuses because there is no conviction of failure, and Aaron and I both know very well that the Lord knows how to bring us that conviction. We are convinced the Lord has prepared us for this season of trial, and the appearance of failure is going to be present through much of it. The show of success is granted to our adversaries, as it must be. The Lord's way is, according to a popular expression, to snatch victory from the jaws of defeat. We have been commanded to watch, and not just Aaron and I, of course, because there is a learning through experiential observation in this season of abiding with the Lord that is necessary. Let's stay the course, staying alert, proving all things with a diligent seeking of the Lord for insight and for the provision fit for this hour. Let's continue to pray for one another that our faith will not fail in time of testing. Although many have already failed, the Lord will find faith when He comes to make an accounting!

Aaron and I feel like we have been crossing a threshold, and the sense of it is intangible but vivid and persistent. We have noted some escalated signals that make what we have been anticipating still seem imminent. Noah's flood started with 40 days of rain, and perhaps this is a model for us about how there is an additive effect before the floods fully manifest. I'll share some of the signs we have noted in the news. These may seem incremental but they may also represent the crossing of a threshold.

I'm going to present these items without much formatting or commentary because there are some other pressing matters.

May 16-17, 2014 - Record Balkan floods claim at least 25 lives - Bosnia and Serbia - the flooding is the worst since records began 120 years ago - triggers more than 3,000 landslides - unearths unexploded mines
http://apnews.myway.com/article/20140518/eu-balkans-floods-7252b4da91.html

Floods of water in the target window, bringing death and exposing deadly threats that had been buried in the earth. What was buried in the earth at the flood of Noah's day? The Rephaim are being raised for judgment.



'Expendables 3' cast rolls into Cannes in tanks
The megawatt cast of "Expendables 3" made a spectacular debut at Cannes on Sunday, rolling down the famous Croisette in tanks as a throng of onlookers and media jostled for a better view of its cargo: Sly Stallone, Arnold Schwarzenegger, Mel Gibson, Harrison Ford, Antonio Banderas, and Jason Statham. And that was just part one of the entourage.

Expendables - code for Illuminati programmed SRA chosen ones, supersoldiers with tanks, their mission is to bring destruction.



'GODZILLA' RAMPAGE AT BOXOFFICE...

GODzilla - god-beast - see “boxoffice” as a special word with embedded MOB image, the OX and OX.



SpaceX's Robotic Dragon Capsule Leaves Space Station for Earth

The space-sex robotic dragon - now falling to earth...



MERS - in US with documented human-to-human transmission - “Health officials reported Saturday what appears to be the first time that a mysterious Middle East virus has spread from one person to another in the United States.

Aaron notes that this is a very significant development. The MERS is a corona virus. See Part 5 - A Bioforming Pandemic: Is The Coronavirus the Final Piece of the Pandemic Puzzle?



Gen. Keith Alexander, who served as NSA director from 2005 until March 2014, warned of more terrorist attacks on US soil.

False flag events are pending.



IDF, US Rehearse for Iran Missile Attack - by Gil Ronen of Arutz Sheva

The IDF and the US military cooperated Sunday in a large drill simulating a multi-front missile attack on Israel by Gaza, Lebanon, Syria and Iran, Channel 2 reported Sunday.

During the exercise, about 1,000 American soldiers stationed in Israel joined more than 4,000 Israelis, to practice the protection of the State of Israel in a series of scenarios that simulate the firing of rockets and missiles from several arenas simultaneously: Gaza , Lebanon, Syria and Iran.

The exercise reportedly tested various scenarios, including one in which the U.S. sent Patriot missiles to Israel and some Aegis-type ships, which carry rockets and other defense systems against ballistic missiles, meant to assist Israel in protecting its population and territory.

The drill also rehearsed particularly complex scenarios in which missiles and rockets are fired in large quantities from many different arenas. Israel is rehearsing the use of its Arrow missiles, as well as Patriots, the Iron Dome and Magic Wand systems – the last of which is still in development. At the same time as the exercise in Israel, hundreds of American troops are practicing a similar exercise in Jordan

The exercise began shortly after the arrival of U.S. Secretary of Defense Chuck Hagel in Israel.”

There was, of course, no acknowledgement of the TR3B or other weapons in their arsenal that will be used to assure their intended outcomes. And no hint that this drama is theatrical as directed according to an unseen script.

While there are wars and rumors of wars, and the end is not yet (Matthew 24), some who are scoffing and mocking will suggest to you that this is an endless state. It is not.

3 Know this first of all, that in the last days mockers will come with their mocking, following after their own lusts, 4 and saying, “Where is the promise of His coming? For ever since the fathers fell asleep, all continues just as it was from the beginning of creation.” 5 For when they maintain this, it escapes their notice that by the word of God the heavens existed long ago and the earth was formed out of water and by water, 6 through which the world at that time was destroyed, being flooded with water. 7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. ~ 2 Peter 3:3-9

Surely, the Lord is patient. He is able to save to the uttermost, and His awesome plan will bring Him vindication and glory!

What I continue to hold on to, so far as how things will unfold, is the picture Daniel 8 presents of America as the end time shaggy goat. I don't know the timing of when the conflict with Iran will come but the “bouncing” of America that has been foreseen by many prophets will come when the shaggy goat is celebrating victory over the power of Iran. I expect Syria (Damascus) and Israel will be involved, and Russia and China and many other countries will have some involvement, too. Iran continues to flaunt their strike capabilities. There has been plenty of noise about escalating tensions and actions between the world powers. Behind all this national posturing is a supranational elite body of Luciferian Illuminists who pull the strings to reconfigure the global power structure in advance of the arrival of their champion. They know there is a deadline looming. Reports of a quiet war being waged have been heard for a while, with accusations of saboteurs and boastings of various kinds of victories in these secretive battles. Has the trigger already been pulled that will result in the opening salvo of open military conflict? I wonder.

Sunday, May 18, 2014

When Will the Lawless One be Revealed? Fourteenth Installment

This installment is part of the work of updating Part 2 of The Sign for the Bride, one of the core studies on theopenscroll.com. You can find the study being updated here: When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2).
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Herod - heroic

Another character who is a type of the Antichrist is Herod. The Temple on Mount Zion during Y'shua's earthly ministry is considered the second temple in sequence after Solomon's Temple. It was also known as Herod's Temple because Herod the Great was responsible for refurbishing and expanding the temple complex. Think about that as Antichrist's Temple in the context of 2 Thessalonians 2:4, when the lawless one “takes his seat in the temple of God, displaying himself as being God.” The name, Herod, means, “heroic.” He is a type of the sought-for hero that the prophet Malachi wrote of as the lord who will suddenly come to his temple.

1 “Behold, I am going to send My messenger, and he will clear the way before Me. And the Lord, whom you seek, will suddenly come to His temple; and [or, even] the messenger of the covenant, in whom you delight, behold, He is coming,” says the Lord of hosts. 2 “But who can endure the day of His coming? And who can stand when He appears? For He is like a refiner’s fire and like fullers’ soap. 3 He will sit as a smelter and purifier of silver, and He will purify the sons of Levi and refine them like gold and silver, so that they may present to the Lord offerings in righteousness. 4 Then the offering of Judah and Jerusalem will be pleasing to the Lord as in the days of old and as in former years. ~ Malachi 3:1-4

The Lord of hosts is not referring to Himself in that passage when he describes the one in whom they delight. The people demand a Jesus Barabbas, an alternate or substitute.

Herod Antipas, a son of Herod the Great, ruled during the time of John the Baptizer and Jesus the Nazarene and as the church age began. He is featured as a type of Antichrist in Acts 12, in one of my favorite prophetic scenarios. You can read about this in Passing Through the Iron Gate. Peter was imprisoned by Herod at the time of “the days of the unleavened food. He intended to bring Peter forth after the Pesah, but an angel visited Peter and led him out in an exciting model of the Bride's release from the bondage of this realm.

1 And about that time, Herod the king put forth his hands, to do evil to certain of those of the assembly, 2 and he killed James, the brother of John, with the sword, 3 and having seen that it is pleasing to the Jews, he added to lay hold of Peter also -- and they were the days of the unleavened food -- 4 whom also having seized, he did put in prison, having delivered [him] to four quaternions of soldiers to guard him, intending after the passover to bring him forth to the people. ~ Acts 12:1-4 (YLT)

Although the timing of Peter's release and his imprisonment is a little ambiguous, a strong argument can be made for Peter's release being on the last day of the Feast, the 21st day of the 1st month. Given the other models I've noted, it seems probable that Peter was imprisoned on a preparation day just prior to the Feast, the 13th day of the 1st month.



Signs of when the lawless one will be revealed that are not based upon the biblical text

The survey of biblical models of the revealing of the lawless one illustrates a trend that highlights the 13th day of the 1st month. The list of examples included Pilate's release of Jesus Barabbas, the revealing of Judas Iscariot and his betrayal of Jesus the Nazarene, Haman's exercise of authority as the enemy of the Jews made his famous decree, plus an example with Herod that matches the pattern but which is slightly less specific in identifying exactly when it happened. When I became aware of the date connection I began to watch for other kinds of examples. Several of note have been discovered over the years, some of which involve signs in the heavens or in the earth. It has become apparent that the Adversary is not ignorant about this matter, neither of the day of the year, nor of the year appointed for his champion to emerge.

Joseph Ratzinger aka Pope Benedict XVI - born and baptized on the 13th day of the 1st month


Pope Benedict XVI was baptized on the day he was born, which is rather unusual. “Joseph Aloisius Ratzinger was born on 16 April, Holy Saturday, 1927, at Schulstra├če 11, at 8:30 in the morning in his parents' home in Marktl, Bavaria, Germany. He was baptised the same day.(Wikipedia) It so happens that it was the 13th day of the 1st month on the Lord's calendar! When you consider all the evidence suggesting that a Pope will be the false prophet beast that will baptize the lawless one, and that it will be as a new birth, that observation is well worth noting.

As a priest, Archbishop, Cardinal and then Pope, he has performed a few Eucharist ceremonies during Mass over the years. Each time, that ritual celebration of “the last supper” as the communion of Antichrist may be seen as a joint celebration that was very personal, because of the shared anniversary of his own birth and baptism.

That appointed day in 2015 will be Ratzinger's 88th birthday. The numerical signification of 88 is 11*8: the flesh (11) and new beginning (8). He still resides at the Vatican and participates in special events, like the double canonization of April 27, 2014 that was broadcast with the latest 3D high-def technology. If Pope Benedict XVI participates in the big event on his birthday in 2015, we should not be surprised.

I, Pet Goat II - the Papal Baptist

This screenshot from the viral video, I, Pet Goat II, is an artistic interpretation of the scene of the baptism of the lawless one in 2015. The character that resembles Osama bin Laden has black wings and is performing an invocation. It's a picture of the Papal false prophet, raising the beast of Revelation 13:1 from the sea.


The moon pictured is not really just a crescent but rather a full moon in eclipse, a blood moon. It specifically pictures the lunar eclipse of 4/4/15, which will mark what will most likely be the 13th day of the 1st month on the Lord's calendar. See Part 29 - Celestial Stargates - The Celestial Sign of Antichrist * in I, Pet Goat II and also Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II for some of what I've written on that subject.

This video from Heliofant has to be taken as evidence that the Adversary is well aware of when his champion will emerge. This very special appointment has been prophesied for a very long time.

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More to follow, Lord willing.

Friday, May 16, 2014

America's Fall and the Black Awakening - Decoding Kesha: We R Who We R

One of the items Aaron and I have been wanting to blog about for a very long time is a popular song and music video by Ke$ha. We R Who We R is like a pep rally for those who have been programmed with the mission to bring down America in the Black Awakening. Kesha claims the song was intended as a gay pride anthem, and some take it to be just that, but while the gay, or, sodomite connection is evident, that's only one layer of meaning. "We R Who We R" is a track on the album Cannibal, from 2010. Cannibalism and sodomy are two of the ritual acts or behaviors associated with the ancient gods and their worship. These are standard practice during SRA trauma-based mind-control programming. For some background, search the blog for Ke$ha and you'll find much to support what I'm positing here. If you're already familiar with the Sodomite Gateway and the Celestial Stargates posts that will help provide a foundation.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

I'm going to present this in a format where my commentary is woven in around the song lyrics to interpret what they mean alongside the music video's symbolic imagery.

As the video begins there's blue electrical discharge forming the shape of an eye. Then we're inside a tunnel with lots of flashing lights. Ritual sodomy illumination is pictured, with the tunnel as rectum and flashing lights as the illumination of the Horus Eye. Stargate imagery is apparent, with Silver then Gold celestial stargates pictured, with a transit in progress as shadowy figures approach back lit by the flames.

The video was filmed in Los Angeles and this is the 2nd Street Tunnel. Think GI tract - the tunnel of #2, excrement. Los Angeles, means “the angels” in Spanish, but the city's full name is, La Ciudad de la Reina de los Angeles, which means, “The City of the Queen of the Angels.” If you connect that with the Romish church and the Marian Queen of Heaven, and with Isis, you do well. The police car with the flashing lights on makes a show of the presence of authority, the angelic-demonic authorities. This scene is taking place inside the Los Angeles 2nd Street Tunnel, meaning inside the angel's butt. Why? To ritually acquire the angel's power, to empower an army.

(Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key)
“We have more sodomy now out in the open than we’ve ever had. Lot was in Sodom -- that’s where the word sodomy comes from. It meant anal sex, or as they’re calling it now anal intercourse. What other kind of sex do you think they could produce on those angels that they tried to break the door down to get to? They wanted to get their supernatural power. The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods. Alexander the Great was a great sodomizer and his Greek army was the most fierce. Hitler tried to pattern his SS and military after the Greek warriors using sodomy. When you put that all together, the civilizations that God wiped out boiled down to the practice of sodomy.”

There's plenty of plausible deniability with the interpretations of the terminology but there's bits you just can't make fit unless you accept the esoteric interpretations.

“Hot and dangerous
If you're one of us then roll with us
'Cause we make the hipsters fall in love
When we got our hot pants on and up”

Kesha is leading a group of women into the tunnel with explosions behind them as she sings, “hot and dangerous,” making immediate reference to Beta-Delta female sex-kitten assassins. What's also hot and dangerous is butt sex with angels directly or by proxy. (Ke$ha Slept With A Ghost - CONAN on TBS) That's why they wear hot pants, which accent the butt. “Rock and Roll” is a euphemism for sexual intercourse. Rolling in the hay. The word “hip” is a Code 33 signal: h+i+p=8+9+16=33. Taylor Swift also names hipsters in her Illuminati ritual song titled “22.” They make the Code 33'ers fall in love and that's all about the sodomy, ritual sodomy, and the relationships between slaves and their handlers.

“And yes of course we does
We runnin' this town just like a club
And no, you don't wanna mess with us
Got Jesus on my necklace-ace-ace”

When the all female gang comes into view we see Kesha wearing a leotard covered in shards of reflective broken glass. Broken mirrors represent the shattered slave, with multiple identities. Their personality and identity is shattered and multiplied when they dissociate during traumatic ritual sodomy. Her garment speaks to Aaron and I of a Nachash suit, the shimmering hissing enchanter. It's a leotard - think leopard, the beast of Revelation 13:2. Another woman wears a feline print leotard, which is another classic symbol of the Beta programming, aka sex kitten programming. This programming is often used in conjunction with Delta programming, which makes them a psi-powered supersoldier. Think Delta forces. These assassin alters represent the deadly missions they are programmed with that have the most well defended cover. Kesha is wearing an ammo belt filled with cartridges draped over her shoulder.

Is that typical gay attire, even for an underground party? No, she's a sodomite warrior, Beta-Delta programmed, a Luciferian undergrounder prepped for special ops. They will literally be “runnin' this town just like a club” where bouncers provide what passes for security. She warns us, because you don't want to mess with them, challenging these “club bouncers” as they enforce the secret club rules.

In a very brief image flashed as the opening tunnel scene began we see Kesha in a position with her hands on the wall like she is being detained and frisked by a law enforcement official. This speaks to me that she's restrained, under someone else's authority. It also reveals how she's a "catch and release" - avoiding being taken into custody. She's above the law, authorized to bring chaos.


In the video she's not wearing a necklace around her neck, but has one large cross for an earring. She is seen in the video wearing a Rosary around her wrist. She's got Jesus on her necklace (ON - Heliopolis). There's an obelisk from On at the Vatican. Like the Pope, she's got Romish-Egyptian Jesus power, the authority of a Jesus Barabbas. That's not my Lord.

She wears a utility chain opposite the ammo belt, which is of a twinned torus construction to signal the Gemini-Taurus of the celestial Silver Gate, through which Horus is being invoked. The chain is like a mission patch or badge. Her mission is to prepare the way for Horus to emerge, to be received as the savior of man - Antichrist. The utility chain looped over one shoulder crosses over the ammo belt looped over the other. It marks her with an X, the mark of the sun god. In conjunction with the encircling loops, the circle X symbol of the mark of the beast is created.

“Got that glitter on my eyes
Stockings ripped all up the side
Looking sick and sexified
So let's go, oh, oh, let's go”

That verse is the first of three in a set that is repeated later and can be considered the chorus. She's got the glitter on her eyes, making them sparkle with illumination. Kesha wears eye makeup that resembles the ancient Egyptian Eye of Horus, with rows of little pyramids adorning her eyebrows. She wears a bracelet that has two rows of bigger pyramids. Her eyes are Osiris green.


She's got the activated Horus eye, which she signals later with two fingers making a triangle (anal triangle) next to her eye. The images of Kesha's face rotate through several versions where she wears different makeup. Each is as a separate identity suggesting by the switching that she is a multiple. Her stockings are ripped, indicating abuse and ritual trauma. She's looking sick and sexified, like a traumatized sex slave, but she's ready to go. An invitation to join her in going is a kind of command trigger.

When the song breaks into the next hook we hear the parts of the chorus that rock the 666 mark of the beast symbolism big time, a feature that really should speak very loudly to you!

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

Count the repetitions in the stuttering. Slaves are trained to always count repeating items in a set. Hard - 6x. Ours - 6x. Part - 6x. The signaled 666 is associated in Revelation 13:18 with the beast and his mark. This is repeated in the next verse of the chorus - dumb x6, numb x6, young x6 produces another 666. Why would 666 be so cleverly signaled if this song was just an innocent dance club tune or a show of solidarity for gays or misfits?

A similar way of producing 666 is evident in the Prince song, Purple Rain, which I wrote about in Serpent Rain and the 666 of Purple Rain. He sings the chorus 3 times. Each comprises 6 repetitions of the words, “purple rain.” Six, six and six: 666!

Edgar Allen Poe crafted his classic poem, The Raven, with a similar embedding of 666. While I was studying the structure of the work, with an understanding of the raven as a demonic agent representing Apollo, I discovered how the 18 stanzas exhibit a subtle but distinct pattern of three sets of 6. I believe he was illuminated and that he concealed his secret in the first stanza.

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
” (Poe - The Raven)

In his own volume of the poem, it is the repetitive action that is the tell. Encoded in the repetitions forming the basic structure of the poem is the key - 6-6-6. It was the raven who was tapping, a bird long identified with Apollo. It's about the beast and his mark. Clever Devil. A string of double letter words appear in lines 3, 4 and 5, bearing testimony of 5-Horus as the visitor, according to the esoteric 47th problem of Euclid.

Lines from this poem were used by a serial killer who escaped from prison in season one of the hit show The Following. See this commercial for a highlighted sample promo. He used them to signal his army of programmed killers (The Followers). The serial killer's name is Joe Carroll - JC ~ Jesus Christ ~ a deranged Bible quoting messianic figure. His nickname is, “the prophet Joe,” and his idea was to lead them to salvation. The show was on the FOX (6+(1+5)+(2+4) ~ 6-6-6) network.

Back to the music video, on Kesha's fingernail we see symbolic jewelry, tiny handcuffs. She is a slave, bound to her handler and the entire organization. Ritual sodomy is the binding tie. There's a subtle dark X appearing on the fingernail itself, and together with an O of the handcuffs the ancient symbol of the mark of the beast appears, the circle X or XO. So, there is redundant signaling of the mark of the beast, repeated in the audio and the visual imagery.


The cars drag racing in the tunnel provide a subtle Baphomet signal. The more prominent car is Pontiac's classic muscle car, the GTO, which is known by the nickname; the Goat. In the context of the video, it's the Goat of Mendes - Baphomet. The dancing undergrounders (as inside the tunnel under ground, and as what the Luciferians are called) in the scene are holding their hands up in the air - waving Horus hands.

The pair of stuttering sets heard in the chorus are rhyming sets of three. The repeated chorus is composed of three verses. Illuminati programming: Hypnotic commands are given 3 times. In the following excerpt, the tripling of triggers is described, and we learn what is meant by the lyrics of the chorus and song title, We R Who We R.

(The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)
“3. THE PERSON’S SENSE OF IDENTITY IS LOST. The Monarch slave lose his/her sense of self to the cult and to the person’s master. No sense of where I begin & end, and where the Master begins and ends. The Monarch programming goes beyond what many cult have done, the alters are hypnotized to not see their faces, which is part of their identity.
4. ALTERED STATES & HYPNOSIS IS USED. The handlers/programmers use hypnotic techniques. They induce dissociation by songs, chanting, guilt inducing sessions, torture, isolation, as well as using songs, repeating triggers 3X, and lots of hypnosis.”

We R Who We R: “We” are the unidentified, the mind-controlled slaves. Like in Rango, “Who am I. Nobody.” It's not an existential crisis but the identifying expression of a multiple. This same matter is featured in Alice in Wonderland, a programming staple. The song is more than a catchy dance tune, it's a programming tool. It won't turn you into a slave but it will support the programming of an existing slave.

The two letters R in the title appear for the same purpose expressed whenever an instance of double R in TV titles shows one of them reversed. R = 18 ~ 6+6+6. When the chorus is sung an emphasis is placed on the R sound when stuttering hard, ours and part. Also the two Rs in the title signals 18+18 = 36 - the number of the magic square of the sun that produces 666 and invokes the sun god Horus.

Now, let's give some attention to the lyrics of the chorus. In the first verse the Delta program objective is openly revealed.

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

When the superstar agents are triggered, they will tear the world apart. These are superstars, code for chosen ones, merged with and powered by fallen angel commanded demons. Stars are angels. Los Angeles.

The second verse uses a code word for the Delta alter program execution, dancing, like in SuckerPunch, like Jessie J in “Price Tag,” who just wants to make the world dance.

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

When the Delta alter and mission is triggered the expendable agent has no sense of self preservation. Dumb - mindless. Numb -their state disconnects them from pain and isolates them from their bodies. The promise of being forever young is in being immortalized, and literally this is the hope of the illumined, immortality, eternal youth. “We'll be forever young, young, y-y-y-young.”

This has nothing to do with being misfits or gay, except how it may apply to the chosen ones appointed for the bringing of chaos during the Black Awakening.

When we see the mob run across the tunnel in front of the police car with flashing lights, we should see that they have been activated. Many of the police are programmed agents. They will provide support for those bringing chaos. Transportation hubs and key access points like tunnels and bridges will be targeted for efficiency of control, bringing traffic and travel to a standstill. No escape, no entry for services, provisions... The population will be trapped for reduction and control.

“DJ turn it up
It's about damn time to live it up
I'm sick of being so serious
It's makin' my brain delirious”

The DJ provides the cues and the sound track for the underground party. The DJ represents the Illuminati programmer, who knows the codes and gives the trigger signals according to plan. The mind-controlled delerium is ramping up, and the agents are living for the moment they are activated.

“I'm just talkin' true
I'm tellin' you 'bout the sh*t we do
We're selling our clothes, sleepin' in cars
Dressin' it down, hittin' on dudes, hard”

If this is all about being gay, why are the women hitting on dudes? Oh, because they are Beta-Delta warriors, and they are all about the literal beat down. The sh*t they do is referencing the ritual sodomy, and the other ritual activity involved. Kesha and crew are telling us true, if we know how to and care to listen. Selling their clothes and sleepin' in cars indicates how they are completely dedicating their resources to this effort without compromise.

In this scene inside the underground dance club we see the DJ's have the website Plenty of Fish on screen. “The World's Largest Online Dating Website.”


A dating website collects and maintains a database of personal information. The authorities have the population catalogued, thanks to Plenty of Fish, Google, Facebook, Twitter and every other social networking site. They know who to target and what to expect from them. The Lord Y'shua haMashiach told Peter he would make him a fisher of men. Fish are people in the context of harvest, and the symbol of fish is often seen in connection with Christ and Christians. The Plenty of Fish site pictured on the DJ's laptop screen suggests their primary targets are the saints. When the time comes to cross off those who are perceived as threats off their lists, they will have quite an advantage. Have you seen “Deus Ex Machina,” episode 23 of season 3 of the CBS (all seeing eye network) TV show Person of Interest? (Thanks Beverly) The J. J. Abrams show's plot puts a lot of what's actually planned right out in the open.

The club is serving drinks, 100 proof Mexican tequila, Revolucion brand. They are pouring out the spirit of revolution. The label features a pair of six shooters. Did you read the news about the 36,007 convicts being released by the US ICE in 2013? Where do you suppose the vast majority immigrated from? Kesha now appears wearing a tattered American flag for an outfit. Connect the dots. This dance is all about revolution in America.

The three verses of the Chorus are heard again, for the second and last time, followed by this unique verse that has more stuttering signals:

“DJ turn it up
DJ turn it up
DJ turn it up
DJ turn it up”


The DJ or programmer gives the code trigger, turning up the volume, amping up the intensity. Giving attention to the counts, the first three lines present a stuttering of 7s. The number 777 is the biblical gematria identified with the cross. It signals sacrificial death, which is of course followed by resurrection. The voice of the third line is altered, calling attention to it. Three is the resurrection number.

We see in this scene Kesha posing on top of a tall skyscraper like a golden haired goddess. Kesha's look is an homage to the dance club look of the decade of the 80s, when the "artist of the decade" was Madonna -- Queen of Heaven - Isis. The building appears from angles that make it resemble a pyramid. She lets herself fall backward off the building, in free fall to the ground with her arms held out like she's on a cross. Sacrificing herself like Jesus, like her Jesus, for her Jesus (Barabbas). She is saved, caught miraculously by the crowd like she's crowd surfing at a club, supported by the Horus Hand crowd of worshipers - Horus resurrection. As soon as she hits the crowd on the ground, the electrical celestial eye appears in a bright flash. It's the illumination of the immortal “forever young” life of the beast resurrection, which will transfer to the crowd of supporters, worshipers, through the mark of the beast That's why we see the electric eye superimposed over Kesha and the Horus Hands up crowd, with lots of bright flashing lights. The eye of Horus illumination is pictured with alternating flash back images from the opening scene's GI tract tunnel and stargate, tying it all together for us, because of the key role ritual sodomy has played in advancing man toward a merging with the beast.

With the altered voice of the 3rd line and then followed by a unique 4th line, This is the 3 and 4 called out to signal the production of Horus through the union of Osiris-3 and Isis-4.

Because the first 3 lines each produce a 7 and the 4th produces an 8, this is another example of the key pattern, “three things and then a fourth,” which identifies this present Shemitah (2012-2019) as the one bringing the anticipated end of the age with all expectation of promises being fulfilled.

The number 8 represents a new beginning. The 7-7-7 cross symbol is followed by a new beginning. Death and resurrection. It's a messianic beast and phoenix story, as the flaming firebird rises from its own burning ashes, in a new form.

The song closes with the last two of the three verses of the chorus, presenting us with another doubling of the stuttering presentation of 666. Those two verses are heard three times in the song, stuttering 666 a total of 2x3 (hypnotic programming) or 6 times.


Consider what Kesha has been wearing. Her outfit resembles a tattered American flag. Kesha's look has been channeling Madonna with her cross earring and the trademark hair and the Rosary (Like a Prayer) and the dance club fashion of the era when Madonna reigned as Queen because Madge did a “Rock The Vote” commercial for MTV in 1990, and this link identifies Kesha with the republic even more strongly. (Madonna identified herself with the gay community as a promotion of the sodomite god, just like Kesha, and so many others.) When Kesha falls from the skyscraper rooftop she represents the republic, America, falling to a lower level, a lesser status. That's the big deal. See America fall from the heights - down, down, down, while the music is paused for emphasis - to gather the viewer's raised energy that is poured in to fill the void. From the way the city lights appear in the brief flashes of background offered during the closing dance scene, it looks like they are dancing on another rooftop, but one much lower than the building Kesha fell from. That's the operation. The Black Awakening is not intended to completely destroy America but to reset it to a much lower level, an easily manageble level.

The surviving army of chosen ones will celebrate when their missions have been completed.