The official Olympic photo and promo I'm referencing is found here: Podiums, costumes and flowers for Victory Ceremonies unveiled - “London 2012 have unveiled the key items that will be used across the 805 Victory Ceremonies at the Olympic and Paralympic Games.”
Typical of much of the UK Olympic style, the scene looks unstaged, unprofessional, even casually sloppy. Wires are visible, run in a messy fashion as if we're in the studio interrupting their work and can't take the time to set up the scene for a nice shot. A picture appears like it might be askew. Yet, make note: This serves a purpose. This scene most certainly was staged, but your guard is dropped and the messages of the embedded symbols transmit and imprint.
I already pointed out how the dress with the red scarf is the basis for a symbolic ritual sacrifice, with the red scarf as bloody intestines and the open zippers as slashes in the abdomen. According to the official explanation: “The costumes were inspired by London and its architecture, British heritage, as well as Greek mythology.” Human sacrifice was not unknown in British heritage. There's the Celtic / Druidic wicker man, for one example. Neither was it unknown in the worship of the gods of Mt. Olympus. London's architecture is identified with torture and death, the Tower of London and the iconic bridge of that name. This hints at what must be more than mere inspiration for costume and podium design. It should at least mentioned be here that suicide programs are programmed into multiples that can be triggered when their missions have been completed or their usefulness has passed, of which kind is one called Disembowelment, according to Fritz Springmeier and Cisco Wheeler.
Now, have you considered why we're not just shown real people actually modeling the clothes? Why mannequins? The mannequins should be a very familiar prop to those who have been following the Vigilant Citizen blog for any length of time, with possibly hundreds of examples illustrating the dissociated identities created through the trauma of Satanic Ritual Abuse.
A seemingly endless array of fashion shoots and pop videos present the victims of abuse and their alter identities using lifeless representations of people that include mannequins, dolls, robots, puppets, stuffed animals, masks and shadows. A celebrity is pictured next to a doll or mannequin signalling mind control, alter personalities and dissociation. What's illustrated is the issue of control over the body and the ability to influence one's own condition and situation by their will. The two pictured are one in body but separate as distinctly compartmentalized identities. In this image there are three people represented, multiples, in the terminology of trauma-based programming, each as an animated person who is the alter presently manifesting and living out the programmed life, and each is also a helpless slave. See the black hat on the manniquin with the bloody guts? That's not really a hat. It's a mask that belongs to her alter. Hats have chin straps, but this strap goes behind the head like a mask. The black mask identifies the mannequin as the dissociated identity of the witch alter in black standing next to her.On that same theme, the picture on the right is a disembodied head, dissociated. Somebody lost their head and mind and will and ability to control, which happens during trauma when dissociation is triggered. This is another common element in Illuminati mind-control imagery. If you have seen the old cartoon Bimbo's Initiation, this same symbol appears when the head of Bimbo's shadow is separated from the body.
In the costume scene, the very gay looking male mannequin has a purple hanky sticking out of his pocket that forms a Greek letter delta (dalet in Hebrew), the symbol of a portal. The purple portal is a reference to the anus and sodomy, familiar, if you've been attentive to the sodomite gateway series roughly concurrent with this one. Connect the dots. Ritual sodomy is the essential element in creating mind-controlled slaves. The purple costumes identify the wearers with ritual sodomy. They are multiples, mind controlled victims and handlers enlisted into the growing army of the Illuminated Zeus worshiping elite.
The homosexual theme identified with purple is really evident in this official photo shoot. The girl on the right wears a feline print smock. That signals Beta or sex kitten alter programming. Where is her right hand? It's on the manniquin's bum and she wears a sly grin. See how the woman in black is leaning into the manniquin? There's enough distance between them for a degree of plausible deniability, but the breast-to-elbow proximity and the unusual angling of the mannequin's hand is more than a little suggestive of a lesbian relationship. This, beyond merely a slick promotion of homosexual agenda, witnesses to the fallen angel nature behind it, which is here subtly being advanced through the occult symbolism of ritual abuse, sodomy, torture and death! There's evil genius at work here! It may look like an amateur set but it's high level Illuminati witchcraft. 
Ritual magick will be practiced during the awards ceremony when the medalists appear on the specially designed podiums, with their royal purple color, gold highlights and dynamic lines. The podium is the altar where the rituals are performed. The pleating of this design creates a purple pucker, associating it with the missing “glowing eye capstone” ring of the Olympic Rings pyramid. If that makes sense, you've probably been following this blog pretty closely for a while, and you may also perceive in the scene in the lower left of this set of images how the guy in the center is identified as being third eye illuminated through ritual sodomy. These rituals might be called ZRA, Zeus Ritual Abuse as a substitution for the SRA acronym of Satanic Ritual Abuse.
This ritual magick will include the leveraging of elements familiar to practicing witches.
“The flower bouquets were designed by Jane Packer, an internationally renowned UK florist, and represent the vibrancy of the Games. They include the iconic British flower, the rose, and a selection of traditional herbs which together create an unusual fragrant mix.” (Podiums, costumes and flowers for Victory Ceremonies unveiled)
The herbs are mint, rosemary, English lavender and wheat.
NLP: Vibrancy - vibration - resonance of structures including DNA - brainwaves ... In the words of Caliban, the son of the devil and an evil witch whose words are inscribed on the Olympic bell: “Be not afeard; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not” The stadium's giant bell enchantment is augmented by the pharmakeia, the sorcery of herbs as used by witches for spells and rituals for thousands of years. I am calling the “hurt not” part a lie from the Father of Lies himself. The ritual magic clearly intended for the Olympic ceremony will do nothing but bring targeted curses that bind and control upon the unwary and helpless.
It may seem obvious now how their intent is to further extend and magnify the ritual magick modeling Caliban's magickal isle's atmosphere. It was announced just today that there will even be some very special clouds! See Olympic opening ceremony will recreate countryside with real animals.
| Be not afeard; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometime voices That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that, when I waked, I cried to dream again. Caliban - The Tempest - Shakespeare (Bacon) |
Yeah. This is pretty over the top OMINOUS when you sum it all up!
The numbers for everything related to the Olympics including the opening ceremony appear to symbolic and actual magickal ritual. The 3 hour long ceremony, for example is the essential resurrection number three, and a hidden 666 with 60 minutes in an hour and a 9 as 180 minutes = 1+8+0, the single digit equivalent to 666. The number of podium awards ritual ceremonies during the 2012 London Olympics and the Paralympics is given as 805, a very interesting number.
8+0+5=13
The number identified with the beast of Revelation 13.
The number factors as 805=5x7x23
I discovered this feature just after I had been directed by the Lord to research out the number linked to the Skull and Bones society, 322.
322=2*7*23
When I discovered how 805 was related to 322 through the common factor 7x23 I knew there was a link and some insight to be had by connecting some dots. I could go on at length about this, how the skull and bones is a symbol of the beast just like the number 13, the 7x23 signaling perfect DNA, and so on, but I'll leave that up to you according to your interest.
The last item I want to mention about the ceremonial costume scene is the signaling of 3 things and a 4th (comparing to the “West-Side Gang” hand signal) which I mention pretty regularly as an important cryptic time signal. The males are numbered 3 and 4 in a count from left to right.
I decided to decode the Shady Love video that is so closely related to the scene featured here in a separate post, Lord willing, and not part of this series because it's peripheral to the Olympics and just as closely related to the Sodomite Gateway series.
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