Wednesday, January 16, 2013

Part 72 - The Sodomite Gateway - Vintage Programming: Captain Kangaroo

When I called attention to how the familiar children's TV show Sesame Street (Part 60) promotes ritual sodomy, some of you may have found yourselves thinking how glad you were that your generation was spared all that. Yet, we were not actually spared much, if anything, of that evil influence. I remember growing up in the early 60s with Captain Kangaroo. I thought it was generally dull so I didn't watch much. The show came to mind as I was doing some esoteric letter combo math studies. What I found may surprise you!

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

I had been studying imagery with letter combos signaling the number 33. C=3 and K=11, so CK and KC = 3*11 = 33. Captain Kangaroo ~ CK = 33. In the Part 25 - The Sodomite Gateway - Rosetta Stones Yielding the Secret of the Masonic 33, I demonstrate how the number signals Freemasonry and ritual sodomy. Was Captain Kangaroo (Bob Keeshan) a sodomite Freemason? I don't know, but I can tell you the opening sequence and the name both bear witness to the show being a mass mind-control programming tool.

Here's a video of the opening sequence.

Captain Kangaroo - opening sequence

The opening of doors within the door is a mind-control programming metaphor. Trauma-based mind-control programming splits the mind into compartments. Those who are programmed are referred to as multiples because they have multiple alters, distinct identities. The programmed system is highly complex and highly ordered. The behavior of a mind-controlled slave depends upon what the identity is programmed for, and the behavior changes as switching takes between the alters. The multiple is kind of like an apartment building, like a three dimensional grid. Each programmed alter is accessed like rooms with doors and keys. There are rooms nested within rooms within rooms, and vaults and safes. It's constructed like a labyrinth or sets of them. It's designed for security, to protect the integrity of their slave, their secrets and assets.

Programming is layered in. Layer after layer of programming is put in. Each alter or alter fragment is used as if it were a component of a large system. The result is that no alter or fragment is the whole, only a cog in a great machine. Can a single cog rebel against the whole machine? It is very difficult for a single component of thousands of components to rebel against its abusers, when it doesn’t even have the ability to realize they are abusers and not the alter’s natural order giver. Besides programs, items are placed into the mind too. Examples include vaults, safes and doors which need combinations & keys. The Illuminati Programmers see the layering in of programming as demonic. They feel the scripts, and movies are more “fronts” than the actual layering mechanism. They believe, as one ex-Programmer said, “This programming involves an organization system, established by horrendous trauma, for the alter personalities involving internal mental imagery, which is driven by demons, who provide the power.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

You will notice in the opening sequence how Captain Kangaroo has to perform a ritual before he can get the door open. He opens and closes each door in sequence. Then, he opens them all, finally reaching through one of them to access the doorknob on the outside. In this way, he opens the main door. Why the complex ritual? Is there no way to just open the door from the inside? What is being modeled to us is mind-control programming ritual with Captain Kangaroo as a handler.

Children watched Captain Kangaroo over and over again as a daily routine, and a ritual. The habitual repeating door ritual seems innocent until you perceive in it the ritual programming of the alter system, repeated until the programmer and handlers are satisfied with the result. Even the hypnotic music has a role. I believe the show supported the programming of chosen ones and multiples who were typically ritually initiated around the age of 3.

I believe there would have been spell casting with the goal of achieving mass programming objectives. According to the Wikipedia entry for Captain Kangaroo, “The show was conceived and the title character played by Bob Keeshan, who based the show on "the warm relationship between grandparents and children.” I believe those behind the show intended to prepare children to be easy targets for predatory pedophiles, breaking down their natural defenses. Hey, nice grandpa. “Piece of candy, help me with my puppy - go for a ride?” SRA handlers recruit slaves from orphanages and foster homes and from their own families, but they also kidnap, especially those acquired for ritual sacrifice.

I'm learning what the folks responsible for media programming vehicles do behind the scenes, performing powerfully effectual ritual magick. Many folks have spilled the beans over a lot of years. The artifacts plastered all around us in plain sight bear continual witness as the public evidence of their private activity!

A Kangaroo is native to Australia, which widely known as the land down under. References to Austrailia are esoteric metaphors for the anatomical nether region and the ritual sodomy that gains for them what they so passionately crave. Captain Kangaroo compares to the Wizard of Oz, with Oz being another label for Australia. This metaphor is leveraged by the sodomite Elton John in his classic, Goodbye Yellow Brick Road. ([Part 19]) Another sodomite metaphor for the land down under appears in the animated feature, Puss in Boots, where the cat wears the trademark Aussie bush hat that has one side of the brim turned up. Captain Kangaroo, Captain of the Land Down Under. CK=33. SRA DID sodomite handler and slave.

I wonder if Captain Kangaroo himself might have been a 32 degree Mason, if the count of white dots (ping pong balls?) on his stylized name was meant to convey something personal.

In the Captain Kangaroo opening sequence you can see the set included a grandfather clock, which suggests the master switching mechanisms on programming constructs like the Carousel. Clocks and timers are an essential programming element.

One of the main characters on the show was Mr. Greenjeans. It seems to me that identifying Mr. Greenjeans with a certain Dr Green is intended, the alias used by the infamous Nazi programmer Dr Josef Mengele! In the picture you see here, Mr. Greenjeans is framed against the dimensional portal. Alice, Neo, follow the white rabbit? The trip to Wonderland is a metaphor for dissociating, where the conciousness switches into another alter while being abused, and especially while being sodomized.

There's a Frank Zappa song called Mr. Green Genes, which seems to me like a valid take on the character's name when connected with the world of the Freemasons, who are all about Osiris, the green-skinned god magickly mated with Isis to sire Horus. Osiris and Horus: Mr. Green Genes.

On the Captain's desk you will see a symbol of the sodomite gateway in each panel of lattice; a superimposed plus sign combining to make a rayed star anus. The hutch is a Royal Arch style squared circle. Some of the doors within the front door are too.

Another character featured was Mr. Moose. The moose, like a stag, represents Cernunnos, the horned god who is invoked by many witches during ritual magick. (December 21 Celebrates the Birth of CERNunnos) The most familiar comedy routine on the show involved Mr. Moose as a prankster, who was always setting up the Captain with little word plays with a goal of showering him with ping pong balls.

There's a video clip here. Is Mr. Moose wearing antlers that signal an orange 3 and a mirrored copy, or 33?

Captain Kangaroo and Mr. Moose - Ping Pong Balls

There is another programming metaphor in that, one I've seen in several Illuminati music videos. For example, in Rihanna's Umbrella (Orange Version) ft. JAY-Z, (yeah, orange, right?) what the ping pong balls represent is pictured as sparks falling like rain. A slave who is being programmed with ritual sodomy experiences white flashes of light in the brain.

Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain. They do this on a regular basis -- sort of maintenance program to keep everything intact.” (The Master Plan of the Illuminated Rothschilds - Marion Knox interviewed by Ron Patton)

The illuminated rain of the music video is a two-fold symbol, representing both the semen of the handler who is sodomizing the slave and the flashes of light witnessed. Captain Kangaroo always played up the routine as though he hated being the target of the ping pong ball drop. Mr. Moose was acting out the role of the SRA handler, ritually traumatizing CK=33 with abuse that made the white drop like rain on his head.

BTW, the Moose Lodge is a “family” fraternal order that presents itself as focused on charity work. I may present more about that soon, Lord willing, and Rihanna's Umbrella too.

If you watch the video clip of the CK routine You'll notice the goose on the shelf that appears by CK's head. Have you ever been goosed? Hello! Did you notice in this later opening sequence the big Horus sun-anus? (at 0:30) Did you notice how CK operates the Ferris Wheel with the other characters positioned around it? (0:50) That's CK as the handler in another programming structure metaphor! See the reversing alternating 3 figures positioned around the rim of the wheel? It's another sodomite portal!

The CK ping pong ball gag must have worked well because it was carried into Nickelodeon for another generation of Illuminati programming in a colored slime metaphor. This clip demonstrates the illumination of Rothschild sodomy by way of slime poured on their heads that is in the colors of the rainbow, which combine into white light.

Nickelodeon - You Can't Do That On TV - Rainbow Slime

Sealing the deal for us, the clip ends with a metaphor for the mental fracturing that takes place during ritual abuse as the image of the man's head breaks into numerous puzzle pieces. His head literally shatters.

What they can't do on TV is the actual trauma abuse and ritual sodomy being dramatized. I suppose they had special rooms for that off stage. Did you notice the (anal) triangles in the background with lights, and the star anus-star junction of the pyramid matrix that is akin to what CK had in the lattice panels?

The trigger for getting "slimed" is when someone says, "I don't know." The solution for that is enlightening them, and ritual sodomy is implicit as the mechanism. The standard slime is green, which is the color of ectoplasm. This green sliming is a metaphor for the installation of demons during sodomy. This is also pictured in the movie Ghostbusters during the classic scene when Bill Murray's character is slimed by a demon. Here is a clip:

Ghostbusters Slime Scene - Venkman gets slimed

This Ghostbuster's inspired "Hi-C Ecto Cooler" product combines the orange of ritual sodomy and the green demonic slime metaphor. The "Hi-C" is signaling "H" for "Horus," the "i" for the "eye," and the "C" for "see." It's a Horus-eye, see? Also worth noting is the fact that the "i" is dotted with a five-pointed star/angel calling further attention to the eye-of-Horus signaling.

I believe all the childrens shows target youth with mind-control programming. It's not just the brainwashing commercials pumping commercial propaganda. It's not just a matter of mysterious “who knows what” with nebulous subliminal no-see-ums. The symbols are there in plain sight. Read them for yourself. Seek the Lord for it. Practice discernment. It will matter plenty whether you have developed an eye to see what's really going on in the world, the ear to hear the Lord's voice.

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