Part 4 - On Twelves and Thirteens - Signs of Time and its Mastery

Series Links: On Twelves and Thirteens - Signs of Time and its Mastery

Again, time signaling number signs are naturally embedded in the world. They appear throughout the Bible, and are also embedded in Occult ways nearly everywhere you look.

One of the more dramatic exhibits connecting 13 with the mastery of time involves Greenwich, London, and the Prime Meridian. It can be said that the world accounts time there. The Royal Observatory was responsible to keep time, and they would signal every day at exactly 1 pm with the visible drop of a bright red Time Ball on top of Flamsteed House. Mariners and bankers and local time keepers would keep their eye on the ball. When the ball dropped it was 1 pm on the second - 13:00 hours! Navigators depend upon being precisely synchronized with Greenwich time in order to determine longitude. The Royal Navy had an advantage and Britannia ruled the waves. Time ball, a globe-circle of Time. Greenwich, on the bank of the Thames-Isis River of Time, where the Prime Meridian has been set. 13:00 hours. Control over the day, the 24 hour arcs swept, the twelves of day and night. Control of space-time - world domination.

The famous New Years Eve Ball Drop in Manhattan's Times Square is modeled on the activity that took place daily at Greenwich. I had captured this image of Times Square in 2012, as it was being prepared for the annual Ball Drop ritual. Yes - it's a sign.

Those responsible for establishing such features are guided in what they do. What's called sacred geometry has to do with measuring the earth, and there is always a celestial component in the positioning and locating, with an inherent time component. There's a reason why the Lord determined the location for His Temple, the place of His dwelling amongst His people in this time-space. It marks a standard of reference for time and space.

Here's a key passage relating Jesus as the 13th with his 12 at the Temple, describing stones that would be torn down. Stones, like water and the number 12 have to do with time, and what is the theme of the rest of the chapter, but timing!

24:1 Jesus came out from the temple and was going away when His disciples came up to point out the temple buildings to Him. 2 And He said to them, “Do you not see all these things? Truly I say to you, not one stone here will be left upon another, which will not be torn down.” 3 As He was sitting on the Mount of Olives, the disciples came to Him privately, saying, “Tell us, when will these things happen, and what will be the sign of Your coming, and of the end of the age?” ~ Matthew 24:1-3

Y'shua, plus His 12 makes 13, and that's a model used for the witches' coven, where some supernatural principle is exploited. The presiding priest or priestess is the 13th member, and master of the ceremonial ritual. They will usually cast the magic circle, ritually crafting a shielding sphere in space-time for the collection of ritual energy (demonic spirit). The circle cast represents the intersection of a sphere with the surface of the floor or ground, which is marked off at the 4 cardinal directions of East, South, West and North. It's called a squared circle. North of the equator the rotation is performed in the clockwise direction, and South, counter-clockwise, in harmony with the processes of the natural world. The 13th member exercises control over space-time in this manner of agreement with the spirits bound. Often, the ritual energy raised is cast or sent out into the universe at 3 am, by intent invoking 666 in a marking off of the time passed since the stroke of 12 midnight: 60 minutes + 60 minutes + 60 minutes.

With greater insight into how time is involved with the Temple and with Y'shua as the master of space and time, and how the Pesah is often central in signal accounts, where he goes and receives special attention for his age when he is TWELVE makes more sense.

41 Now His parents went to Jerusalem every year at the Feast of the Passover. 42 And when He became twelve, they went up there according to the custom of the Feast; 43 and as they were returning, after spending the full number of days, the boy Jesus stayed behind in Jerusalem. But His parents were unaware of it, 44 but supposed Him to be in the caravan, and went a day’s journey; and they began looking for Him among their relatives and acquaintances. 45 When they did not find Him, they returned to Jerusalem looking for Him. 46 Then, after three days they found Him in the temple, sitting in the midst of the teachers, both listening to them and asking them questions. 47 And all who heard Him were amazed at His understanding and His answers. 48 When they saw Him, they were astonished; and His mother said to Him, “Son, why have You treated us this way? Behold, Your father and I have been anxiously looking for You.” 49 And He said to them, “Why is it that you were looking for Me? Did you not know that I had to be in My Father’s house?” ~ Luke 2:41-49

12 Monkeys is the title of a time travel film (1995, starring Bruce Willis) and also a popular TV series on the Syfy Channel. Why is the number of Monkeys TWELVE? Time Travel. The shows feature the army of the Twelve Monkeys - involving the familiar context of warfare - and - the survival of humanity was at stake. Time control as a strategic weapon. * monKEYS: The Keys to unlock and lock space-time domains. The SyFy series that began in 2015 featured exactly 13 episodes - THIRTEEN, ritually invoking the mastery of time.

This desktop background I found features 12 monkeys around the apparent clock dial marking the hours, with one more in the center, a raging monkey, the same fierce image that was, in the series, repetitively drawn by one of the key characters who was obsessed with it. That dominant monkey at the hub is a 13th monkey!

This ad for the show features the tagline: UNMAKE HISTORY. That speaks to us very loudly about what's happening right now in our bizarre reality, as time has gone off the rails and a reset into the past awaits.

See in this poster for the Bruce Willis film a single large 13th Monkey. He's styled after the Barrel of Monkeys game, which is played by hooking them together in a chain. The continuity of time. Chain - seirai - Theurgy. Consider the hands. Compare to the clock I superimposed onto the brand imagery of the Pope's visit to the Philippines earlier this year.

This poster for the 12 Monkeys film presents the same tagline printed on the monkey clock poster. THE FUTURE IS HISTORY. Because of the coming reset back into the past, this line actually applies to our reality, in more than one way. There's a couple observations that should be made about the symbolism. By right aligning the text of the tagline, they are illustrating a kind of reversing, inverting or mirroring of reality. Think about that, because the mirroring is an inversion. The dark left eye and bright right eye (from his perspective) presents Harmerty, Horus who rules with two eyes. His Horus Eye has the monkey time control imagery, which says plenty. The three are Horus, Isis and Osiris. All three are presented with the one eye imagery, the third eye and Horus Eye. The future is history, when those figures rise again to prominence on the world's stage. Note, the image of the face of Isis is magical, it's deceiving, appearing as if it's projected in front of the face it seems like it should be occulted by. Here's properly occults the Osiris image. Generically, presentations of sets of three people, with 6 as the number of man, signal a 666.

Here's the popular image promoting the made for TV movie, 12:01, with Jonathan Silverman. A number featured is 12 as the hour, but also 13 as the 12 + 01. The movie is about the exercise of control over time. Like another film from the same year, Groundhog Day, time loops daily as time resets back into the past. While there's no attempt to explain it in Groundhog day, the time bounce in 12:01 is caused by a particle beam collider. A particle collider functioning as a time machine? The pilot for, Rewind, comes to mind, and The Penitent Man. Why? CERN's LHC! Time resets daily in their plot at 12:01, not unlike how the time (keeper) was reset daily at 13:00 hours in sync with the dropped Time Ball in Greenwich at the Prime Meridian.

Notice from the 12:01 poster how the three faces appear as a 666 signal, and how they are Horus, Isis and Osiris. Silverman, at the top, as Horus. See how his right (seeing - Horus) eye is precisely marking the 12 o'clock position. His other eye looks to be about on the 1, or 13. Eyes at 12 and 13. Casting presents opportunities for more signaling. Silver-man. Silver has the atomic number of 47. Code 47-man - produced by the union of Osiris and Isis - by the exercise of control of time and space-time domains and transits. Helen Slater as Isis. Helen of Sparta-Troy... the golden apple desired by Hera, Athena, and Aphrodite and the Judgment of Paris...

The numbers that appear on that promotional image are 3, 6 and 9. Nikola Tesla enigmatically identified the magnificence of those three as a key to the universe. He knew stuff. So did the 12:01 producers and poster designer.

For some pretty convincing exhibits of the time mastery signaling 13, see the film, The Thirteenth Floor, from 1999. In the year it came out, The Matrix, also came out, and although that far outstripped The Thirteenth Floor in most respects, there are many comparisons that could and should rightly be made. It's worth a watch for what can be gleaned on the theme of interest, as the Lord may lead.