Saturday, August 09, 2014

Part 2 - Decoding Coldplay's Strawberry Swing - Profound Secrets

Here's the official video, Coldplay - Strawberry Swing.



Continuing from Part 1, let's reflect back on a screenshot of the transit of Venus.


As the superhero Antichrist momentarily shines the light in our direction, the beam of starlight yellow (Coldplay - Yellow) suggests the illumination of mankind by Mary, which her apparitions declare is coming. The Vatican agents loudly attest to it. I'll be expanding on this shortly. That illumination is correctly represented in Strawberry Swing as attending the baptism of the lawless one, and the Bible gives an account of it that puts it in perspective.

8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false ~ 2 Thessalonians 2

(Do you suspect the folks sponsoring the Starlight Parade during the annual Portland Rose Festival might be on to this, where the dragon chariot hauls their rose queens through the night?)

I don't doubt that this transit of Venus is making reference to the celestial event that will mark when the lawless one will actually be revealed. On April 4, 2015 (the 13th day of the 1st month on the Lord's calendar), the moon will move through the shadow of the earth in a transit-like event that is one in a very rare sequence of blood moons. (Part 29 - Celestial Stargates - The Celestial Sign of Antichrist * in I, Pet Goat II)


The moon is a goddess symbol pertaining to fertility, and it will be blood red in eclipse as menstrual or rather in labor, in the bringing forth of “her seed” (Genesis 3:15), a messianic son. The moon will be eclipsed in the constellation Virgo, the virgin goddess sign linked to Revelation 12:1, a passage that will be very pertinent.

It's a big deal that the timing is embedded in this potent signal vehicle of Strawberry Swing. The Adversary knows what time it is. “But as the days of Noah were, so shall also the coming of the Son of man be.” (Matthew 24:37) Noah knew when the flood was coming. Connect the dots. Do you yet know the times and seasons, or do you still need to be written to about them? Look around you with your eyes open. How much time do you think you have left to receive what has been written for you?

The video drops a hint to clue us in to the identity of the antichrist host when Chris is sat upon the top hat as the lawless one, revealed.


The self portrait of Delacroix bears more than a little resemblance to the bearded Abraham Lincoln who is remembered as wearing his iconic stove pipe hat. Compare them closely. By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency.

That kind of association was illustrated in “I, Pet Goat II,” so here's another parallel like the dog walking described earlier. (See I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23 -- Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II) In the classroom sequence, a frightened Obama puppet watched an apple blossom into a lotus. It pictured the revealing of the lawless one, in other words, Isis raising Osiris into Horus. The apple released by the girl in the trance rolled across the checkerboard floor and bumped into the shoe of Obama. Note, this is a witness to how the apple goddess Mary has our attention as she directs us to her son! When it bumped against Obama's shoe it straight away blossomed into the lotus, Horus. There's the association. Obama's silver tipped shoe was on a golden coin, which is very distinct celestial stargate imagery. You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right?

Both Strawberry Swing and “I, Pet Goat II” link the lawless one with the office of the Presidency.

Do you think I'm just imagining all these connections? Read the symbols for yourself. There's a message in this. I'm not playing pin the tail on the donkey-antichrist identity guessing game here. I'm making a point that all the details brought forth at the Lord's leading are important. Yet, even the sum of them is deficient in bringing one to an assurance against being deceived in the coming season if the essential knowledge of the times and seasons is lacking, which is evidence of having the Lord's confidence. 1 Thessalonians 5. Matthew 24. The ability to parrot dates or mark “possibilities” on a calendar is no substitute for legitimate relationship. Character, humility, obedience, love. If I've got your attention, I implore you - don't pass lightly over that.

Hey, we're in a bonus season. Take advantage of it today. Focus on what's most important.

What I'm going to share about now expands on what I introduced about the beaming starlight and speaks to the nature of the world's biggest hoax. We're about to be pranked, big time! This is what initially spoke so loudly to me as I watched the Strawberry Swing video for the first couple times. I was impressed upon by how the diverse presentation elements were woven into an enchanting messaging system, with even the street setting being leveraged for its symbolism. Since the insight I received during the Sochi Olympics (Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax), I've understood something of the complex nature of the hoax some refer to as the coming great deception. (The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)). What I've written in studies like the two I just linked is difficult to communicate effectively in brief. If you're not familiar with the scenario I'm laying out here, check those studies out and follow the links provided until the scenario really makes sense to you - including the timing.

Mary is drawing all the world to herself. This screenshot is from a scene that emphasizes how people follow the banner waving rose goddess in revolt. I believe the soldiers following her also represent a hoard of demons streaming through the opened stargate, but let's look at the manifestation on the physical plane. The title of the painting is, Liberty Leading the People. That's her role, quite simply! I believe she will be acting in the role of the revolutionary herald as the lawless one is about to be revealed. Like a squad of cheerleaders at a pep rally, her enchanting influence is building to a climax in that critical season when the big game is on.

The influential role of the goddess of the Marian apparition in that mission critical operation is evident in the video. Consider how folks watch the music video and don't have a clue about what is actually being conveyed. They are deceived. So it will be at the revealing of the lawless one. There are cover spells, and the masses can only see things how they are led to see them. Liberty Leading the People. Astray. Mary, goddess of magic, the sorceress Harlot of Mystery Babylon, consolidates worship, directing the world to identify her son as their savior, leading the world to accept her Vatican City agent, the Pope, as the High Priest and baptizer.

What will cause all but the very elect to be deceived will involve, “a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come,” according to 2 Thessalonians. The spirit of antichrist and of the goddess, the Marian apparition. The message, brought through the agency of the herald. The letter, produced by her authorized Vatican agents. As I've written elsewhere about the nature of the deception:

“It's going to have a logou, word, or message, which we know is to the effect that the day of the Lord has come - and gone, by implication. It's going to involve documentation that carries the weight of highest authority of the church, even of the early Apostles, which means it will be fully authorized as biblical canon. Together with the first component, spirit, it's a triple whammy, if you will. The potent combination will overwhelm any resistance to the message and result in a mass epiphany.”

According to many instances of complex modeling I've decoded in recent years (a fraction of which I've published to the blog) that each compare to Strawberry Swing, the deception will feature elements of a mixed media presentation sourced from this dimension and beyond, as ported through time itself. “Memories” of the ancient past will be universally witnessed, and those who are not adequately prepared will find the evidence overwhelming and undeniable.

Productions like Strawberry Swing have been implanting or embedding the imagery of what will be convincingly “remembered.” When we watch the video and witness the emergence of Chris(t) from the watery grave, healed from a deadly wound, that is evidence of the mass mind-control programming script. In the coming season of crisis, that will be supplemented by the softening up of the global populace by means of every facet of pharmakeia. How much influence does the Marian apparition have in the world already? Think about the NLP and effectual psi power demonstrations performed by Darren Brown and others. All that's just a playful prelude.

The mixed media show of the past beaming through the spirit time portal is demonstrated brilliantly through the clever blending of components in Strawberry Swing. Chris appears in the present, flying above a modern city, then he appears in the past, in the scene from 1830. We see him in the heavenlies, waging war and ultimately winning after dying and being raised. Then, after celebrating victory over his adversary, he no longer appears in stop-motion but in normal video, interacting with other people. Think about it. The superhero is presented as a photographic image, as a reality, and the pavement grounding the scene with its manhole cover and curbing likewise, but the setting that provides the context of interaction is artfully sketched in. It's artificial, synthetic, contrived, and that is the layer that provides the meaning. This models something of the grand hoax to us. There will be an engaging multidimensional multimedia show that will be entirely convincing, of a lie.

Remember Sochi's Olympic ceremonies and the technology of the projection on the floor of the stadium, within which the action unfolded in a very fanciful interpretation of the history of Russia? It has a parallel in Strawberry Swing where the projection represents an artificially contrived and fanciful interpretation of the past, present and future.


Have you noticed how the curbing at the bottom doesn't constrain the chalk art, which is superimposed over the image of the curbing as a separate layer? Why? The curbing is a boundary. Like a hedge in hedgewitchery, the curb is a metaphor representing the dimensional boundary. The artificially contrived context is projected on or across the dimensional boundary. It's transdimensional. Think about what you're looking at and see how the layers of presentation frame the content of the video. It's brilliant - evil genius.

If you think you're going to be smart enough to see through the deception in that day, you're going to be really disappointed. That's not going to happen. If you've grasped all this, but neglect to take 1 Thes. 5 and Mat. 24 seriously, you're going to be deceived. The knowledge of the times and seasons is the key.

I'm going to reference 2 Thessalonians once more. It should be sinking in how that the receiving the love of the truth is deeper than a merely academic experience. Note well how God himself will send a deluding influence.

8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false ~ 2 Thessalonians 2


Let's reflect back once more on a screenshot of the transit of Venus. A transit of Venus has been perceived by some as representing the Eye of Ra, with Venus as the pupil in the watchful eye. It represents the Eye of Horus, and the illumination of the Eye of Horus that is Luciferian gnosis and enlightenment, the knowledge of good and evil.

That finds support as we give two of the props some attention, the flashlight and the file cabinet. There's an enchanting signal pictured beaming from beyond into this realm. As I wrote earlier, when the Antichrist momentarily shines the starlight on us, it suggests the illumination of mankind by Mary, which her apparitions declare is coming.

The flashlight is the projection device, perhaps an ancient artifact (steampunk). It beams the illuminating starlight right at us as the fish passes by Chris. What's the content of the illuminating beam? A file cabinet contains files of records, historical documents that have value. Think, Akashic Records, the Hall of Records. Instead of being accessed intentionally by one or a small number of individuals, some device will actively port a live feed to a global audience through an opened dimensional portal. The content streamed will be artificial, contrived, a lie, telling a fanciful story like the chalk art of the video, yet, it will be experienced as a convincing reality. Deception will pour through a filtered spirit portal opened into the past and future. Universal, collective and cultural memories will be triggered or activated.

This is quite remarkably illustrated to us in the video at around the 1:44 mark! Listen to the words sung as the flashlight is switched on. “I remember.” Memories will be switched on, linked to the starlight beaming from beyond. As the flashlight turns on the hall tree and hat wearing fish are immediately illuminated. Those Marian Papal symbols are associated with the projection device and illuminating beam. It's the illumination of Mary I mentioned at the beginning of this post. The projection is linked to the goddess as her work. It will be perceived by some as the activated Eye of Horus. The spin version of reality will be understood as the herald Mary interprets it. One of the projected realities that will be so convincingly demonstrated will be to the effect that the resurrection is past, and the hope of attaining the promises of my Lord will, for the cocky over-confident saints, be shattered. Their faith will fail.

That offensive will be the first part of a two part maneuver, like in a boxing match when the first punch of a one-two combo is landed. It sends the opponent reeling, the setup for the knockout punch. I describe this as the segue to the revealing of the lawless one in The Sign for the Bride. The entire operation is bathed in the light of deception-delusion. The conclusion will bring an epiphany about the identity of the masked superhero. This is illustrated to us in the video as you watch the light beaming from the flashlight. As it's switched on by the Antichrist we see the Marian Papal baptizer. He's lit, and the illumination of Mary is apparent. “I remember.” Then as the illumination is beamed at the audience there's a transit of Venus signifying the baptism and anointing that reveals. Chris(t) seems to look right at us, making eye contact, breaching the theatrical "fourth wall." Watch this sequence as many times as necessary until you catch on to what we're being shown.

You can find another witness to the Marian projection of memories in a film titled, Anna (alternate title, Mindscape). Anna has the ability to project false memories into people to manipulate them. She preys on them and kills or ruins them without their awareness of it. The symbolism reveals that this innocent seeming girl is the goddess. Anna = Inanna.

A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee.

We see the roses on the gates to her mansion (Rosette Seal of Inanna) and in gardens on the grounds. She has an artistic bent and is infatuated with the rose, covering her rooms walls with them.


You can extract something of the role of the Marian goddess from the following text, if you can read it through their Babylonian spin.

(The Necessity of the Blessed Virgin and of Devotion to Her: Part One by St. Louis de Montfort. Taken from the Catholic Classic, TRUE DEVOTION TO MARY - with Imprimi Potest, Nihil Obstat and Imprimatur, 1949)

“It is Mary alone to Whom God has given the keys of the cellars of divine love, and the power to enter into the most sublime and secret ways of perfection; and the power likewise to make others enter in there also.”
...
“I have said that this would come to pass, particularly at the end of the world and indeed presently, because the Most High with His holy Mother has to form for Himself great saints who shall surpass most of the other saints in sanctity, as much as the cedars of Lebanon outgrow the little shrubs; as has been revealed to a holy soul whose life has been written by M. de Renty.

These great souls, full of grace and zeal, shall be chosen to match themselves against the enemies of God, who shall rage on all sides; and they shall be singularly devout to Our Blessed Lady, illuminated by Her light, strengthened with Her nourishment, led by Her spirit, supported by Her arm and sheltered under Her protection, so that they shall fight with one hand and build with the other.

With the one hand they shall fight, overthrow and crush the heretics with their heresies, the schismatics with their schisms, the idolaters with their idolatries and the sinners with their impieties. With the other hand they shall build the temple of the true Solomon and the Mystical City of God; that is to say, the most Holy Virgin, called by the Fathers the Temple of Solomon, and the City of God. By their words and their examples they shall draw the whole world to true devotion to Mary. This shall bring upon them many enemies, but shall also bring many victories and much glory for God alone. This is what God revealed to St. Vincent Ferrer, the great apostle of his age, as he has sufficiently noted in one of his works.”
...
“But in the second coming of Jesus Christ, Mary is to be made known and revealed by the Holy Ghost, in order that, through Her, Jesus Christ may be known, loved and served. ”
...
“God, then, wishes to reveal and make known Mary, the masterpiece of His hands, in these latter times: ...As She is the dawn which precedes and reveals the Sun of Justice, Who is Jesus Christ, She must be seen and recognized in order that Jesus Christ may also be. ...Being the way by which Jesus came to us the first time, She will also be the way by which He will come the second time, though not in the same manner.”
...
“These are the great men who are to come; but Mary is the One Who, by order of the Most High, shall fashion them for the purpose of extending His empire over that of the impious, the idolaters and the Mahometans. But when and how shall this be? God alone knows.”

- cough - cough. Try not to choke on that. What a setup. Well, My God does know how this unfolds, and so do those to whom He reveals His plans as He puts the Adversaries lies on display. “She is the dawn which precedes and reveals the Sun of Justice” Strawberry Swing's transit sequence illustrates that brilliantly. For redundancy, there's a dawn pictured at the end of the video as Chris(t) and his Queen approach their destination. She, Venus, is the dawn, the morning star whose rising immediately precedes the sunrise. There's a metaphor. This pair is Lucifer's dream team. The Dawn of the Aeon of Horus.

More to follow - Lord willing!

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