Part 2 - Decoding The Penitent Man (2010) - A man in the world, beneath the world

Series Links: Decoding “The Penitent Man”

Darnell: Have you ever looked up at the stars and wondered?
Dr. Pyatt: Yeah, yeah. Always.
Darnell: I wondered too. I was fascinated by the universe. Space-time - are we alone - what happens next? I wondered so much I felt like nobody saw what I did.
Dr. Pyatt: "Like you're a man in the world, beneath the world."
Darnell: Yes! Exactly!

A man in the world, beneath the world. Just who is this Pyatt-Darnell character? Following the many clues reveals the familiar underworld-world theme and story of Isis raising Osiris into Horus. Lucifer himself even speaks through this film's clever characterizations, spilling the beans on motives and perspectives. The Penitent Man has much to reveal about what's soon to come. In another season, this would have warranted a lengthy series. Today, it gets a light touch. We're just about done, here.

In Part 1, some evidence was presented to illustrate the Occult nature of the film. I showed how some of the dialogue suggests the deception that will precede the revealing of the lawless one (2 Thes. 2:1-2). In this 2nd post I'm going to give some attention to the climax, which presents some of the facets of the revealing itself.

Darnell plays Osiris to Pyatt's Horus. Even though Darnell is the older Pyatt, returned from the future, Pyatt represents his second chance. In the closing scenes, Darnell dies in an incident where Pyatt receives a head wound. (Revelation 13:3) Pyatt goes into a coma as a result of the injury. When he awakens it is with an epiphany, knowing Darnell's great secret about wormhole manipulation, time viewing and travel. This takes place in a sequence where the goddess is given a substantial supporting role. I've been writing about the raising of Osiris into Horus and the manipulation of time that will be central to the event, and how Isis has a key role. In biblical language, the event is referred to as the revealing of the lawless one, which comes with a baptism and anointing.

I should make a few fundamental observations before decoding the film's climax.

There are many theories about time travel. Is it possible for Darnell to go back and converse with his younger self? No, and the reason why it's not goes beyond physics. It's a matter of spiritual authority. The sovereign God of time-space has complete oversight, and outside His own instances of exploitation, many of which are recorded in the Bible, that activity is strictly denied. The popular plot device where a man invents a time machine or special methodology and subsequently travels through time - it's fiction. Several years ago, the Lord took me and a friend for a visit to the timeless place, near to His throne. The immediate reason for the trip was to show her that Her God is the God of time, according to the narrative given to me. We understood. It's His domain. He's appointed a brief season for a limited exploitation of control, and there will be made an open show of it. Yet, it won't involve straight up “time travel” because it will involve lying signs and wonders. What will be achieved by the temporary temporal exploitation is just what the sovereign God intends, and nothing more or less than that. Time-space, and His adversary, are both, “servant constructs.” Do you know it yet?

So, if we accept that the plot device in The Penitent Man is just that, the next point that should be made is how Darnell was not truly penitent. Think about the situation rationally. Instead of making an experiment of the probably unique opportunity presented to him, Darnell would have simply assassinated Pyatt. If the consequences were so dire, he would not have risked failure. He wasn't truly penitent. He lied because he's a representative of the father of lies.

What I'm going to share about the meaning of the film's climax requires a little more plot summary for background.

The incident where Darnell dies and Pyatt receives the head wound involves “his” friend Ovid. Ovid is Pyatt's best and only friend. He remains his friend after coming out of the coma, as a kind of Pyatt 2.0, or as we know him, Darnell. Ovid somehow traveled back in time just like Darnell. He had the good sense to know that his “good intentioned” friend had to be stopped in order to save the world from certain destruction. He brought a gun and was going to assassinate Pyatt, but Darnell intervened. In the scuffle, a stray bullet from Ovid's gun caused the head wound that put Pyatt into a coma. It was when he awakened from the coma that he received the secret knowledge that would bring the world to ruin. Both Darnell and future-Ovid die in the scuffle.

From the perspective of a film reviewer, the way the film ends suggests the answer to Darnell's questions about whether fate or destiny could be changed. It suggests, no, because despite having convinced Pyatt of the need to avoid going down the same road, the secret was recorded, and due to his negligence, his selfish and greedy wife was able to acquire it. We are left with the sense that she will use it to go down the same road of destruction. I note with interest that the Devil's own bid for and temporary grant of (limited) control will likewise fail to change his fate. The lawless one is doomed to destruction. All will be brought into judgment. There will eventually be a restoration of all things, but ultimate justice will manifest according to what is fit for the ages to come.

Again, the key to understanding the climax that is the Pyatt-into-Darnell transformation as the esoteric raising of Osiris into Horus, with the work of Isis. Perhaps the most succinct snapshot is evident when we perceive the role played by Ovid in the transformation.

Who is Ovid's namesake? Ovid was a famous Roman poet. (43 BC - 17 or 18 AD). He was best known for, Metamorphoses, which is considered to be one of the most important sources of classical mythology. Ovid - Metamorphosis. His bullet caused the Pyatt-to-Darnell transformation. Clever. Because Ovid the poet lived at the time when my Lord was a youth in his earthly body, when Rome occupied his land, there's a messianic association. Pyatt's friend Ovid lost an eye in an accident, which changed the course of his life. Because his left eye was “darkened,” he is another Horus identity, as Harmerty: “Horus, who rules with two eyes.” He causes the Pyatt-into-Darnell transformation, so it's a Horus Eye and Horus Metamorphosis. Ovid the poet, wrote plenty about Apollo, aka Horus.

I'll be giving the requisite goddess symbolism some attention too, but here's how the Osiris and Horus identities are supported.

When Mr. Darnell walks into Dr. Pyatt's office without an appointment, Darnell is not surprised that Dr. Pyatt isn't busy with other clients. He shows Pyatt his advertising brochure, pointing out a spelling error he had overlooked in the unprofessional effort to market his services. The part with the error reads, “dedicated to you happiness.” That's a common mistake, and one that is easily overlooked, of course. In this esoteric work, it identifies an essential element in the raising of Osiris into Horus, the phallus. “Happiness” is being used as code for, penis, ha-penis. As the story goes, Osiris was killed and chopped into 14 pieces. Isis was able to retrieve 13, but the penis was lost, eaten by a fish. She substituted another phallus and magickally used it to bring forth Horus, from dead Osiris. Ha-penis plays a central role.

The writer's choice of the name, Darnell, suggests access to another dimension. Darnell, means, “hidden alcove, hidden niche.” According to surnamedb.com, “This very interesting old name is one with a medicinal or herbal origin, deriving from the French "darnal", a plant which was thought to have the ability to produce an intoxicating substance.” Such a substance might be considered entheogenic or as useful for shamanic or magical purposes.

Dr. Jason Pyatt's first name evokes the Argonaut from ancient Greece, who led the quest for the golden fleece. With Ovid making such an obvious connection to ancient mythology we can hardly ignore this allusion to Jason the Argonaut. Dr. Jason was certainly a man on a quest. The constellation, Argo, was his ship, so there is a celestial body and celestial quest in view.

The name, Pyatt, means, “little magpie or sign of the magpie, dweller near or at the sign of the magpie.” This bird is of the crow family, and the crow is associated with Apollo. A magpie is one of the few animal species known to be able to recognize itself in a mirror test. Given that the film is a Mirror Images LTD production, and that it is the clever writer-producer's own entity, I have to think he's chosen the name with this in mind. A magpie is inherently linked with self recognition and identification, and so is Darnell, who sees himself, Pyatt, as in a mirror. Yellow-billed magpie flocks, which I used to see nearly every day when I lived in the Sacramento area, are known to engage in funeral-like behaviour for their dead. Osiris-Darnell, god of the dead, raised into Horus - Pyatt.

The Dr. got his diploma from the University of Northern Acadia. The name Acadia can be linked to the Akkadian Empire, where the Akkadian people of Mesopotamia worshipped Isis in the north as Inanna.

Dr. Pyatt's wife's name is Evelyn Pyatt - Eve. The first woman brought forth the first manchild, Cain, the first murderer. She was pregnant with Pyatt's baby, and the connection with Eve should be obvious as her sin brought the world to ruin, yet not without her husband. Whose seed it was, is entirely consistent with the symbolism of this esoteric film. The actress who played Evelyn is named, Melissa Roberts. Melissa - the bee goddess! The bouquet of roses Dr. Pyatt had purchased were for her. That's the bouquet that we see aligned with the star. Venus. When Pyatt was wounded by Ovid's bullet, he fell to the floor at her feet. She held the roses. Isis, at the scene of the Metamorphosis.

In the movie's promo poster, Darnell has just arrived in the present. He's sitting on a park bench. The back of the bench has three boards, and his body visually divides the bench in two. Code 33. One of the central aspects of Code 33 is a referencing of Jesus Christ, who died when he was 33 years old, and who was subsequently raised to eternal life. The scene in the park presents Darnell as the messianic pretender. It's set in the Fall of the year. In the Fall, right? He's not truly penitent, of course. The book of Enoch relates how the fallen angels petitioned for a penalty to be remitted, which is pertinent. With his second chance, the Adversary is going to try to succeed where he failed before, in seizing the throne of the Most High God in a time-control ploy.

To be continued, Lord willing.

Part 1 - Decoding The Penitent Man (2010)

Series Links: Decoding “The Penitent Man”

Unless you remember my mention of this film, odds are, you've never heard of it. It's not the kind of film that attracts the masses but it is notable for the insight that can be gleaned. The way I see it, if you've been learning The Plot, what the opening revelation of Jesus Christ from biblical prophecy says is now unfolding, you'll read much of it in this esoteric film's dialog. It's produced with the typical spin and smoke and mirrors of obfuscating forms, but it represents a good opportunity for teaching the truth through it.

Some of the beans spilled in this illumined production are evident without any identification of the characters in their multiple roles. More are spilled when you understanding who they represent.

Here's the description from IMDb. It was written by Mirror Images LTD, the entity representing the film's writer and director.

“The Penitent Man tells the story of psychologist Dr. Jason Pyatt, a man devoted to his work - a man torn from his family. With his struggling marriage and mounting bills, Jason is at a crossroads with the life he has chosen and the life he could have. When one of his clients - the mysterious Mr. Darnell - walks into his office and paints him a repentant tale of future economic and moral collapse, Jason's eyes are forever opened. With the help of his best friend Ovid, he embarks on a personal mission to change the course of his future, and possibly the world, forever.”

There's not much action but plenty of dialog. Most of the exchange is between Dr. Pyatt and Mr. Darnell in Pyatt's office. Those scenes are woven in with conversations Pyatt has with his friend Ovid, mostly over lunch. This isn't a review, so, as usual, there's spoilers.

The man responsible for the low budget film is Nicholas Gyeney. His last name is pronounced “genie.” If your wish is to be enchanted with mind-control imagery, he seems to have granted it. If you're accustomed to finding visual symbolism in movies you don't have to look hard to find evidence of the spiritual subtext. Dr. Pyatt's office is decorated with idols, with statues and masks on shelves and on the walls. In some of the scenes of Pyatt and Ovid meeting for lunch we see a totem pole. The name, Ovid, makes a fairly obvious link with the famous Roman poet, the author of Metamorphosis.

I'm going to share a few insights that I think are most relevant because of the deception that is coming as the Antichrist is about to be revealed, and then is. Here's my plot summary.

Mr. Darnell comes to Dr. Pyatt as a patient, but not one who seeks the kind of help a typical patient might. The quite rational and intelligent Darnell claims to be from the future. He weaves an engaging tale of having discovered the secret to time travel, receiving it in a sudden insight. He shared it with the government and they paid him well for it. What he shared gave people the ability to view history, not the future. He withheld his knowledge of how to travel. The ability to view events all the way back to the beginning eventually went public and society basically crashed and burned because people lost hope for the future. The reality he described wasn't the truth, the revelation of the Bible, but rather the standard version (fabricated lies) that's taught in “public” school. Darnell gives the impression that by engaging Pyatt in this tale he's hoping to get some redemption, because he's a penitent man, by saving the world from the ruin he ignorantly brought upon it. He believes Pyatt is somehow going to be able to benefit from the wisdom he conveys and thereby change the course of history. By the end of the film, we come to understand that Pyatt and Darnell are the same man. Darnell went back in time in a gambit to "change fate" by warning his younger self of the outcome if he chooses to go down the same road. We see in the closing scenes the implication that, although the way it happens is different, the outcome will be the same. Pyatt-Darnell therefore fails in his attempt to change his destiny and the fate of the world.

There are many theories about time-space manipulation, viewing and travel. I'm not interested in theory, and not smart enough to figure things out on my own. I believe the Lord is able to inform us about what we need to know.

Here's some of the visual imagery that speaks volumes about the esoteric nature of the content.

A notable scene takes place late in the film that is kind of a money shot, loaded up with symbolism. This image is the focal part of that. Pyatt is walking down the street carrying a bouquet of roses. The roses are lined up with a 5 point star. Stacked primary symbols of Venus don't just happen accidentally. That symbolism is not only well supported in the visual imagery, it factors in to the esoteric layer of the developing plot.

Pyatt buys the bouquet from a florist who wears a t-shirt bearing the classic winged emblem of angels and gods. It reads, The Falling.



The obvious reference is to the falling of angels, the subject of Genesis 6 and Enoch 8-9.

His apron makes allusion to the Masonic apron, and represents what that represents, a covering like Adam and Eve received prior to their eviction from the Garden of Eden.

A little research turns up the fact that the t-shirt names the title of Gyeney's first film, which he made while he was still a student in film school. The following excerpts from an interview are worth noting. (Nicholas Gyeney On 'The Penitent Man')

“At the age of 20, Nicholas completed his first independent film, The Falling. The film premiered in Seattle in 2006 to a crowd of 600 people. The film resulted in a standing ovation that lasted through the scrolling end credits.
...
We shot the movie in 12 days in and around Seattle in the Capital Hill area in a big Masonic home/ retirement hospital. It’s a Masonic building called “The Landmark on the Sound”, which is a very cool place.”

A Masonic building. Sometimes that might not mean much, and sometimes it does. The film's symbolism suggests that all the locations were chosen with intent to leverage those symbols in the way of Occult ritual.

Here's the logo for Mirror Images, LTD. Again, that entity is basically, Nicholas Gyeney, the writer and director of the film. Drawing upon over 4 years of decoding as documented on this blog, it decodes to 666. Leveraging the letter i as a 9, the 999 formed inverts to 666. The reflection signals the Hermetic Maxim, As Above, So Below. It's a spiral “i” of Horus. Mirror Images, makes reference to the “twinning” of trauma-based Illuminati mind-control programming because alter identities are created in mirror image pairs. The spiral “i” of Horus makes reference to the anal vortex or kundalini energy involved in the ritual sodomy that brings the slave to dissociation and illumination. The mirror is a classic goddess symbol, and so is the spiral. I see the logo as a triple goddess image (maiden-mother-crone), and as a genetic model of the triple helix DNA of that coming trans-human beast life. That life is usually identified as Horus produced as Isis raises Osiris. There are 2 yonic vesica piscis shapes, each inside a classic Ichthus, the messianic fish that represents the magickal phallus of Osiris, eaten by the fish. It's a bit like the astrological glyph for Virgo and even more like the one for Scorpio. With Virgo as the virgin goddess and Scorpio as a Golden Gate sign, it speaks to me of Theurgy. The M and I letters represented by the logo decode to 13 and 9, important signal numbers I've written about at length over the years. The 13 represents the rebel-lord-beast and the goddess and their union. The 9 is the single digit signaling the (three times three) transformation of the mark of the beast.

All that? Really? Yeah - and probably more. It's high level stuff.

Here's a sample of the conversation Darnell has with Pyatt in his office.

Dr. Pyatt: Yeah, I do have a question. So how does this thing work? Anybody can just travel back?

Darnell: No. That is not what I intended. You can't just give anyone the power to actually go back. Think of the ramifications of that. What I envisioned was more like a window in time.

Dr. Pyatt: A window? Like what? Like a big screen what you could just see history on?

Darnell: Yes, a bit simplified, but yes. Once it was released publicly, people could see any time they desired without directly affecting past events. It was the only way to keep it safe. So we thought.

Dr. Pyatt: So theoretically anybody could see anything.

Darnell: Think about it as memory recall. Everyone has experiences they can revisit even vividly. Now imagine events in time as memories for the world in the space-time continuum. I discovered a way to harness that.

Dr. Pyatt: Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!

Darnell: He was just a man. Imagine the devastation from a revelation like that. 95% of the world's population believed in a god in some form. The scientists, the politicians, and eventually the public were able to go back and see the Christian Son of God as a mortal man. It shook the foundations. Even atheists began to lose hope for the future. Southern evangelists began lashing out violently at anybody who supported the new discovery. The world was more divided than ever. The road to hell had been paved with good intentions, and it was just the beginning.

Dr. Pyatt: Well what happened, some kind of big war, or?

Darnell: Once the technology was simplified ... Only the most wealthy could afford it at first but with any new technology price decreases with time. People were going back to the beginning. They were peering into new dimensions of space and time looking for positive proof of evolution, the origins of man, the mythic stories from ancient Greece, and it spread like wildfire and informed civilization as we know it.

Dr. Pyatt: If this technology existed we could learn everything.

Darnell: Everything.

Dr. Pyatt: I mean, think of what we could do. What we could accomplish with that.

Hey, just think of what we could accomplish with that. Right. There's the familiar line of thinking that inspires many fools in their folly. Darnell acknowledges having thought that (when he was Pyatt, of course), but makes a point about the potential was exploited in actual practice to bring bad results instead of good.

I've been writing about the nature of the deception that will open the way for the Antichrist's reception. I put many examples on exhibit that illustrate how a window into the past will be opened as into the Akashic Record. A twisted version of history's most significant people and events will be actively projected, globally, and false memories will be activated in a shared experience that is both collective and individual in how it is interpreted. Religious figureheads must be targeted as the focus of attention, being the basis for social order with constraints imposed by the implicit morality structures of large segments of the population. Romans 11 reveals how the key to history and man lies with the identity named, and profaned, in the script of The Penitent Man.

Is the presentation of Jesus Christ as being just a mortal man going to be enough to shake the foundations of those who profess to be Christians? Sure, but you should know that the epic scam is going to go beyond that. Here's the biblical description that reveals how it's going to go.

1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:1-4

What is revealed to us about that most threatening hour is not just about the saints being quickly shaken from our composure. There is a component that involves convincing evidence about the promised resurrection. Our hope rests firmly upon that, and, if that resurrection is already past, we will be left without hope.

It is my custom to repeat an important caveat, that it's not enough for you to believe what I'm telling you now about this event, to be spared from being deceived in that hour of crisis. Knowledge of the time and the trust relationship that represents is going to be essential.

I will repeat another precautionary warning, which you are probably choosing to ignore. If you are one who thinks you can continue taking matters of gender propriety lightly and still be found as one who “wins the race,” it's a bad bet. The problem Israel had in their wilderness trial was that they did not forsake their idols. That was an example for our benefit, ladies and gentlemen of the Body of Christ.

You adulteresses, do you not know that friendship with the world is hostility toward God? Therefore whoever wishes to be a friend of the world makes himself an enemy of God ~ James 4:4

Moving on, Darnell describes a world where the gods are stripped of their deity, but that's not how it's going to be. A man will be deified and accepted as the incarnation of each man's god. The goddess will manifest in glory and affirm the deification as baptismal rites are performed by her high priest, the Pope. Key elements lacking in this film's script are furnished by the visual imagery and supported by the esoteric identities of the characters.

Let's explore one of Pyatt's clever lines a little more deeply.

“Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!”

When Pyatt says, “I mean, Jesus Christ!” we interpret it as an emotional outburst. We hear him uttering a common profanity, “taking the Lord's name in vain.” We dismiss the words, “I mean,” as filler words, a meaningless expression. Having just heard the same filler words in the previous expression, it's an obvious conclusion. Yet, when we make the effort to analyze it in context we discover a deeper meaning. Darnell seized the opportunity to declare from his enlightened perspective that “the Christian Son of God” was just a mortal man, making Him a liar and the Bible a falsified account, fraudulent. Pyatt's well crafted line is a similar assault, on the integrity of the apostles and eye witnesses to His resurrection. It's a subtle device. When he says, “I mean, Jesus Christ,” consider this as a tip-off. He's explaining the subject of his previous statement. About what he just said, he means, Jesus Christ. He is the subject, the singular “god” that he suggests men assembled and developed. “I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!” He's referencing and supporting an age old conspiracy.

Matthew's gospel provides an account of what happened following the crucifixion.

27:59 And Joseph took the body and wrapped it in a clean linen cloth, 60 and laid it in his own new tomb, which he had hewn out in the rock; and he rolled a large stone against the entrance of the tomb and went away. 61 And Mary Magdalene was there, and the other Mary, sitting opposite the grave. 62 Now on the next day, the day after the preparation, the chief priests and the Pharisees gathered together with Pilate, 63 and said, “Sir, we remember that when He was still alive that deceiver said, ‘After three days I am to rise again.’ 64 Therefore, give orders for the grave to be made secure until the third day, otherwise His disciples may come and steal Him away and say to the people, ‘He has risen from the dead,’ and the last deception will be worse than the first.” 65 Pilate said to them, “You have a guard; go, make it as secure as you know how.” 66 And they went and made the grave secure, and along with the guard they set a seal on the stone. 28:1 Now after the Sabbath, as it began to dawn toward the first day of the week, Mary Magdalene and the other Mary came to look at the grave. 2 And behold, a severe earthquake had occurred, for an angel of the Lord descended from heaven and came and rolled away the stone and sat upon it. 3 And his appearance was like lightning, and his clothing as white as snow. 4 The guards shook for fear of him and became like dead men. 5 The angel said to the women, “Do not be afraid; for I know that you are looking for Jesus who has been crucified. 6 He is not here, for He has risen, just as He said. Come, see the place where He was lying. 7 Go quickly and tell His disciples that He has risen from the dead; and behold, He is going ahead of you into Galilee, there you will see Him; behold, I have told you.” 11 Now while they were on their way, some of the guard came into the city and reported to the chief priests all that had happened. 12 And when they had assembled with the elders and consulted together, they gave a large sum of money to the soldiers, 13 and said, “You are to say, ‘His disciples came by night and stole Him away while we were asleep.’ 14 And if this should come to the governor’s ears, we will win him over and keep you out of trouble.” 15 And they took the money and did as they had been instructed; and this story was widely spread among the Jews, and is to this day. ~ Matthew 27:59 - 28:15

I don't doubt that the conspiracy being given a further bump by Gyeney's clever script will be validated in the coming hour of crisis with false evidence, ported through time itself as a epic hoax. The evidence offered in support of the lie will be quite real. It just won't be true.

Decoding Flo's Dream - Miscreant Squirrel on a Cloud

Progressive Commercial: Flo's Dream



Miscreant squirrel. Obsessed with acorn. Captivity. Cloud-nest. Goddess and Silver Gate and mind control programming symbols. This all seems so familiar. Oh yeah! Coldplay's Strawberry Swing! I just published a post covering these same subjects. Progressive's marketing dept - Coldplay fans? Have the producers gone to the same school or are they just drawing from the same well of inspiration? What matters is the result, which advances the agenda of the dark side powers.

Flo's bedroom scene is Progressive's comical take on the Vogue. Flo, who lives to sell insurance, is iterating through the kinds of policies offered instead of counting sheep. It takes a turn when she has obviously succeeded in her effort to help her fall asleep.

Chipmunk family reunion.
Someone stole the nuts.
Squirrel Jail.
Justice!

Most would think it crazy to say so, but Flo's dream is a swipe at the true God's character. It's the dream of the Adversary to bind the Creator and seize the spoils. It's supported by the ancient rebellion leading goddess. The victorious chipmunk holding the acorn at the end is Lady Justice. The flower gives it away.

The video opens with some Illuminati mind-control programming symbolism. The carousel - carousel programming. The music box music. The unicorn - magickal androgyne. On the padded headboard are diamonds, symbols of Chosen Ones, Illuminati programmed multiples. Flo puts herself into a dream state with the trigger sequence of policies, with the enchanting music, into a trance state for programming.

There's a Jezebel jab, with the flipped theme of stealing the nuts. The female robs the male of masculinity by usurping his authority.

Goddess imagery abounds. Lady Justice, the chipmunk. The white picket fence looks like a scallop shell - Venus, on the sea foam cloud. Piggy bank - pig-boar symbol of Inanna-Ishtar. Flo's pillow forms an angel wing. Her bed is a vehicle. FloW - Vogue. To go, transport in a vehicle. Progressive, advancing, going forward.

On the hood of Flo's bed-car, the P (Progressive) is the 11th letter from the end (RAS - where Z=1), the pillar and Gemini twins number, set between the racing stripes that are a pillar. The white of the car is argent, in heraldry, the equivalent of silver. She is the goddess and the Silver Gate transiting vehicle is seen with the cloud. On the padded headboard you can see the line of XXXX that conceals the W of the Goddess, the M of the beast, the Masonic square and compass... Just because it's common and subtle doesn't mean its not legitimate. Symbols are deeply layered.

The closing scene is a Progressive nightlight. Nice touch. The Night Light in the sky is the moon, a goddess symbol. Re is the sun god. progREssive, with Re right over the plug.

I found this Code 33 collage in my inventory of previously unpublished stuff. The Certified Snapshot Agency Code 33 Royal Arse-Arch.

The life preserver is the sodomite orange with divine white squared circle, the sodomite gateway. The I "heart" insurance button adds a bonus feature - the heart butt for the goddess of "heart." The life preserver is a Mark of the Beast circle X. Think about it. Folks will take it as a life preserver, but it will actually cause it to end as they trade it in for an epic loss. Note the subtle bent elbow W pose.

The North American Demo Boat Show has the 8 point Star of Inanna and compass Rose goddess symbols, plus the Azazel-Horus red cross.

The Progressive sponsored Boat Show ads feature suns and the red spiral of life to celebrate the sun god and his goddess.

progressive = 16+18+15+7+18+5+19+19+9+22+5 = 153

The 153 is a resurrection number. See John 21, with 153 fish caught in the net. Could that be why Progressive sponsors boat shows and not car shows? Vogue: to sail or row, to sway or rock, water in motion. Progressive Flo. Goddess. Stargates. Raising Horus from Osiris from out of the Milky Way.

Ode to Flo -- Progressive Insurance Commercial

Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional

Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.

Again, here's the official video, Coldplay - Strawberry Swing.



While these words are heard, “People moving all the time Inside a perfectly straight line,” Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.

From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20

The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.

As we read in Isaiah 19:1, “Behold, the Lord is riding on a swift cloud...” The superhero rides the cloud, like the Lord he imitates.

We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.

4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
...
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28

The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.

The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15

So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.

See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.

Vogue

In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's “Insane” music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.” It's a popular symbol!

From The American Heritage® Dictionary of the English Language: “vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion."”

The “Insane” character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.

Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: “to sway, rock -- to go, transport in a vehicle.” The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.

Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the “feminine soul of Russia” - Mother Russia, the goddess of love, Venus, Mary.

The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. “Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies.” “ The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations.” “Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene.”(Wikipedia)

(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)

The music video demonstrates Vogue to us as both the “Material Girl” icon of fashion and as the mother goddess involved with stargate transit.

Madonna - Vogue

The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.

The lyrics are all about the dimensional transit! Again, vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Lyrics - Madonna - Vogue

“I know a place where you can get away

Chorus
Come on, vogue Let your body go with the flow (go with the flow)

If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it

Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
Vogue”

A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.

“If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it”

The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.

The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.

In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, “calf-land or land of cattle” (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.

The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.

A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)

Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.

Progressive Insurance Commercial - Flowing with Flo at the Marina



Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the “throttle of Osiris” on that vintage boat. Code 33: Flo ~ 6+12+15=33

Trending... Vogue.

Burning Man 2014 - Vulcanalia Rites + Wickerman + Cremation of Care

The annual Pagan festival known as Burning Man began this morning in Nevada. More large scale debauchery and ritual. Although it's not claimed to be, it is largely a modern celebration of Vulcanalia. It's also related to the Wicker Man Druidic sacrifice and the Cremation of Care (Bohemian Club and Grove) sacrifice to the Owl (not Moloch so much as Inanna-Ishtar).

“The festival of Vulcan, the Vulcanalia, was celebrated on August 23rd each year, when the summer heat placed crops and granaries most at risk of burning. During the festival bonfires were created in honour of the god, into which live fish or small animals were thrown as a sacrifice, to be consumed in the place of humans. The Volcanalia were part of the cycle of the four festivities of the second half of August (Consualia on August 21, Volcanalia on 23, Opiconsivia on 25 and Volturnalia on 27)
...
A flamen, one of the flamines minores, named flamen Volcanalis was in charge of the cult of the god. The flamen Volcanalis officiated at a sacrifice to the goddess Maia, held every year at the Kalendae of May.” (Wikipedia)

Vulcan = Satan
Maia = Mary-Isis-Venus-Aphrodite...

Such celebrations are intended to appease Vulcan, but it does not seem to be working.
Iceland volcano: Bardarbunga eruption begins (Aug 23, 2014)

Finland's Voice of Vulcanalia competition (Univeristy of Oulu) does not seem to have helped, either. http://www.oyy.fi/en/voice-of-vulcanalia-2013/ - https://www.facebook.com/Vulcanalia

Vulcan, honored in Star Trek with Mr Spock, from the planet Vulcan. Honored in Birmingham Alabama with a Statue of Vulcan in Vulcan Park. (Wikipedia) “The Vulcan statue is the largest cast iron statue in the world, and is the city symbol of Birmingham, Alabama, reflecting its roots in the iron and steel industry. The 56-foot tall statue depicts the Roman god Vulcan, god of the fire and forge.” The exalting of the idol over the city is an expression of who rules that domain as the local Baal.

Here's a short series written about last year's event.

Part 1 - Decoding Burning Man 2013, Cargo Cult and the Mysterious John Frum
Part 2 - Decoding Burning Man 2013, Dangers Beyond Rangers
Part 3 - Decoding Burning Man 2013 - Black (Rock City) Awakening

Heaven's Vehicles - UFOs - Fake and Genuine

The clouds of heaven and whirlwinds, feathered headdresses, chariots and wagons; merkabah, galgal and agalah...

The Adversary has heavenly vehicles that are commonly considered as UFOs or flying saucers that are piloted by aliens from distant planets. The one true God, the God of Abraham, Isaac and Jacob, also has heavenly vehicles. In the days to come, as in days gone by, both kinds will be playing an important role.

Since I first published this page to the site, the reports of UFO appearances and alien abductions have multiplied. The number of movies and TV shows and commercials featuring aliens and vehicles like flying saucers continues to grow. Many, perhaps most, now take it for granted that the future of the world is somehow in the hands of technologically and/or biologically superior off-world beings, with god-like abilities. It matters what we think about the subject because there's a legitimate threat, and it might not be what you think.

Read more: Heaven's Vehicles - UFOs - Fake and Genuine (updated and expanded)

Part 15 - Sochi Winter Olympics 2014 - The Queen of Peace Breaks the Ice (Paralympics Opening)

Series Links: Sochi Winter Olympics 2014

The goddess is uniting the world in preparation for her son. The role of the Marian goddess was modeled to us with brilliant subtilty during a segment of the opening ceremony of the 2014 Paralympics in Sochi, Russia, on March 7, 2014. A woman named Maria sang a lullaby as she rode a gigantic icebreaker across the stadium. The ship's name was MIR - Peace. Performers dramatized the ice being broken with stage props that made them resemble ice cubes. The immense stage looked like the frozen sea, being lit with the “multidimensional painting” (their words) projected on to the stadium floor. In her wake, fiery fallen angels moved in overhead and the performers under the wave of their influence formed the word, TOGETHER. The world was acting in concert, one in purpose. What happened next illustrated what's very soon to come, in reality.

You can watch the entire opening ceremony online. The segment of interest begins Breaking the Ice - Opening Ceremony | Sochi 2014 Paralympic Winter Games



Here's a description of the segment called, “Breaking the Ice” - from AroundTheRings.com, Sochi 2014 Paralympic Winter Games Opening Ceremony `broke the ice` in people's hearts.

“The final chapter of the Ceremony under the title "Breaking the Ice" began with a performance based on the plays of Anton Chekhov. Under the Cossack song "You, Russia, Mother Russia" sung by 400 singers, five large tables were placed on the stage, behind which guests sat. Accordion virtuoso and visually impaired musician Alexei Levchuk, performed a song written for the film "A Cruel Romance" together with a group of gypsies. Every minute the level of emotions intensified as laughter, shouting and cheering filled the arena. Suddenly the ice chandelier under the ceiling split into many small pieces, and the guests, delighted by the whirlwind of celebration, smashed plates and glasses. Moments later the flash of fireworks and the deep, low sound of a ship's horn signified the appearance of the huge Mir icebreaker, which sailed on stage and singer Maria Gulegina sang "Cossack Lullaby," based on the poetry by Mikhail Lermontov. The icebreaker easily crushed the blocks of ice in its path, as if breaking the barriers of misunderstanding between people. The author of this unique set, which is 42 meters in length, was the Oscar-winning production designer Eugenio Caballero of Mexico. When the ship sailed out of the blocks of ice, the word "Vmeste" (Together) in Russian and English appeared. Then the words turned into the emblem of the Paralympic Games, the Agitos.”

The ship's name is MIR, which means, peace. What the commentator is carefully not telling us is that the name of the singer provides the other key identifier in this grand metaphor. Maria Gulegina is the sole performer on the bow of the mighty ship, MIR. She represents the Queen of Peace, Maria, Mary. MIR was the name of the space station that orbited above the Earth for 15 years, we are told. The symbol represents the celestial goddess, The Queen of Heaven, who might well be called Our Lady of the Olympics.

“Breaking the Ice” is an idiom that means, “to initiate social interchanges and conversation; to get something started.” The commentator in this video's broadcast version interprets it to us in this way. “The ship is both physically and metaphorically breaking barriers, opening new channels of communication, tracing new paths for mankind.” The function of an icebreaker is to open a channel for other ships to travel through, when and where they otherwise could not. This is Mary's role, who is genuinely breaking the ice. In her wake, ice cube people swirl, broken from the sheet of ice shattered at her bow. They are united by her work. TOGETHER. E Pluribus Unum, as her work is described in branding peculiar to the USA. Out of many, one. Let it speak to you how the ice-cube people unite under the influence of firebirds, fallen angels that were shown to proceed out from the sun, as the sun god. See them as coming through the channel opened by the Maria of Mir, the icebreaker.

Leading up to the appearance of Maria, goddess of MIR, the song, “You, Russia, Mother Russia,” was heard. Yes, “Mother Russia” is the exalted goddess, Mary. What I wrote about Our Lady of the Nations is evident in this ceremonial exhibition. That traditional folk song was sung by 400 singers of the Pan-Russian Choir, with 4 being the Isis number (Code 47). Yes, Pan. That's the god to whom Jack Parsons (JPL) dedicated his rocket launches.

The goddess exalted as Mother Russia is uniting all the world, drawing them to herself. The force of attraction is pictured as the man and little girl are drawn so closely to the ship, Maria, goddess of MIR. The title of the article I quoted above says that the opening ceremony `broke the ice` in people's hearts. That's Mary for you, with her “Immaculate Heart.”

While the song that the commentator called, Mother of Russia, was sung, 5 tables were set up on the floor, over which appeared 5 huge chandeliers (1:43:09 mark). That number is the number of rings in the Olympic logo, which has been claimed to be an international symbol that represents all the people of the world joined in Olympism. The meaning of the number as representing all the people of the world is actually biblical. (The Feeding of the Five Thousand). What is known as "The Table of Nations" is presented in Genesis chapter 10 and 11. The Table of Nations ~ 5 tables. The chandeliers are lighting fixtures that illuminate the Table of Nations. The number 5 identifies the planet and goddess Venus. It's the Illumination of Mary described by St. Louis de Montfort. The number 5 is also signaling Horus (Code 47), providing the symbolism of the Horus Eye illumination.

These tables and chandeliers remained during the icebreaker scene as props to add their complementary symbolism. The floor becomes the frozen sea, populated with ice cube people who join with those who had been celebrating at the tables. Like the 5 chandeliers illuminating the Table of Nations, the Mir's floodlights shine down upon the performers that represent the population of the whole earth.

Maria, goddess of MIR is also the Great Harlot, Mystery Babylon. She sits upon many waters. Revelation 17:1. The meaning of the waters is explained in verse 15.

“And he said to me, “The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:15

What was performed at the tables just prior to the introduction of the icebreaker supports that identification. At the 1:43:52 mark, we hear the commentator say, “The scene is set for a great celebration, a wedding celebration.” We see the bride and groom, with stylish seats that strongly suggest Venus, the star of the sea, Stella Maris. The song performed was written for the film, “A Cruel Romance.” Indeed, the romance with the goddess will be cruel. In her is found all the blood of the saints (“And in her was found the blood of prophets and of saints and of all who have been slain on the earth.” ~ Rev. 18:24) She will be burned with fire (Rev. 18:8) and thrown down with violence. (Rev. 18:21)

and the light of a lamp will not shine in you any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery.” ~ Revelation 18:23

While the ship is exiting the scene, we see a Bride and groom waving goodbye.

The Goddess unites all the people of the world as the queen of peace. She is also the goddess of war. An icebreaker doesn't smash sheets of ice without violent force. The lyrics to what Maria was singing as the Mir broke the ice present us with a more full picture of what's going on in the world today, where the conflict in the process of uniting the world is ever more apparent. As Maria sings a lullabye, which is for putting children to sleep, so the Marian goddess lulls the world with her enchantments. They are oblivious to the destruction that awaits in their doomed rebelion against the authority of the Most High God.

Cossack Lullaby by Lermontov.

Sleep, my fine young baby
Lullabye, a-bye.
Quietly the clear moon looks down
Into your cradle
I will tell you stories,
I will sing you a song,
Sleep on, close your eyes,
Lullabye, a-bye.

The Terek runs over its rocky bed
And splashes its dark wave;
A sly brigand crawls along the bank
Sharpening his dagger;
But your father is an old warrior
Hardened in battle;
So sleep, my darling, undisturbed,
Lullaby a-bye.

The time will come, you will learn for yourself
The soldier's way of life,
Boldly you'll place your foot in the stirrup
And grasp your rifle.
Your fighting saddle I myself
Will embroider with silk
Sleep, my darling, my own one,
Lullaby a-bye.

Such a fine warrior you'll be to look at,
And a cossack in your soul.
I will watch you go, see you on your way,
And you'll wave your hand.
How many bitter tears silently
I will weep on that night when you go.
Sleep my angel, sweetly, softly,
Lullaby a-bye.

If you watch the sequence that follows the icebreaker's departure, you'll see the ice-cube masses form the Paralympic symbol, the Agitos, under the influence of the firebird demons that came in Mary's wake. It is an obfuscated 666, associated with the beast and his mark. (Part 42 - 2012 London Paralympics - Occult Closing Ceremony and the Agitos Symbol)

So much more could be written about how the producers of Sochi's Paralympics opener spill the beans on what's coming. It's the same plot I've been describing over and again. Are you catching on to how this isn't just a distracting sideshow?

In closing this post, I recommend reading chapters 17 and 18 of Revelation. Watch the scenes of the ceremony I described and reflect on those chapters. Note well verses 23 and 24 of chapter 18.

The goddess is preparing the world to come together as one, to receive her son. You do not want to be under her spell when that day breaks upon us. There will be great forfeit in that day, but great reward for a precious few.

Part 5 - Decoding Coldplay's Strawberry Swing - Space-Time and the Timed Fall from a Pedestal

The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.

The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Again, here's the official video, Coldplay - Strawberry Swing.



When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.

I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.

• Part 8 - Celestial Stargates - Insane Freefall from the Duat
• Part 9 - Celestial Stargates - Insane Physics Across Time
• Part 13 - Celestial Stargates - Run Toto, Run!

See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.

The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.

In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).

After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.

The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.

The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.

In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).

People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day

On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.

Another is this study: Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate.

(Miley Cyrus - We Can't Stop )
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.