Here's some notes Aaron and I compiled, with some of our observations and insights. The counter times provided are relative to our own clips and may be useful for reference. If you watch these ceremonies, pay close attention to the excessive use of time language, some of which we point out in our commentary. For the moment, some of you may be able to watch the closing ceremony streaming at nbcolympics.com.
For years, we've documented how media presentations are sometimes a cohesive whole, with commercials that relate to and interrupt the other content in ways that support it as an Occult ritual. At least some of the commercials seem to be designed with the intent of supplementing the Olympic ceremonial ritual, so we give them due attention.
Clip 1: The Closing Ceremony Begins
Microsoft commercial. The celebrity Common says to a mind-controlled audience who can identify with his perspective, "Today. Right Now. You have more power at your fingertips than entire generations that came before you...we are living in the future we always dreamed of. We have mixed reality that changes how we see the world and AI empowering us to change the world we see. So what will you do with it?"
This is NOT the world Aaron and I "always dreamed of." The time and reality change language is an alchemical and magical NLP segue to the closing ceremony.
At about one minute in, while there is an anal triangle kind of display on the floor (the sodomite gateway - to illumination and another dimension in space and time), music is played that evokes the theme music from The Time Tunnel.
When you identify it with, The Time Tunnel, the strange costumes worn by the performers actually makes sense. They look like messy painters spattered with paint. Did you ever make spin art, where you squeeze paint onto a spinning canvas? There is a spin art kind of visual sequence in The Time Tunnel scenes of the opening and closing title and credits, and more than one of the designs projected on the PyeongChang stage evokes that. On a fundamental level, the rainbow of colors also speaks of the physics of dimensional boundaries because of the rainbow sign that appeared after the great flood of Noah's day.
A later segment of the closing ceremonies features a turtle that goes through what is explicitly called, The Time Tunnel, and that event is something of a climax. (What's The Meaning Of The Turtle In The 2018 Olympics Closing Ceremony? It's Deep)
The Time Tunnel theme music complements the time language - and the action on stage while the theme music plays is modeling the opening of a time vortex. We're not told what it is, so this has to be seen as esoteric or Occult imagery.
1:15 - 1:40 Terry Gannon says, "This is a night, guys, where they look to do three things. Inspire that NEXT WAVE of athletes here in South Korea and around the globe. Celebrate Korean culture but not like the opening ceremony - in the past, but they start in the present, look head to the future and give a nod to peace and an optimistic view of the world." - TIME WAVES radiating out from the present! Counter-rotating rings - anti-gravity / time field generation / zero-point energy...
There's a word that Terry inserted very casually, a word which is then picked up and repeated by Tara. GUYS. The conspicuous use of this word has been highlighted to me occasionally. Guys: Homophone: GUISE: "False appearance; pretense: spoke to me under the guise of friendship." Think about it. What they are presenting is a guise. Certainly, the scriptwriters of this mind-control spell-casting extravaganza are having fun at our expense.
The youth who are performing make a carnival-ride-ish 5 point star - and we've identified the number 5 as a special time number in connection with 12. Seeing the Gears? Think: Clockworks.
2:00 - Tara Lipinski says, "Guys, there are 102 performers in this scene because there were 102 medal events here." - 102 - transforms to 12 as a time number - relating to the time language in the preceding commentary.
2:18 - Johnny Weir - "Every Olympic games inspires a new generation. A NEW WAVE of athletes. I remember when I first saw the Olympic games on T.V. and I thought maybe one day I'd be there." - TIME WAVE radiating out from each Olympic Games - as he illustrates with an example, reflecting on such a moment in the past projected into the future.
The sandy colored scene features what looks like a truncated infinity symbol or a highly stylized hourglass figure, not unlike how 'The Time Tunnel' show bumpers featured a highly stylized hourglass. With the sandy color, the pairs of circles evoke sand dollars that you typically find on the beach. Sands of time. Dollars - money-as-time because time is money. That image is kind of washed away by water as the entire stage becomes a giant pentagonal blue sand dollar resonant image. Another esoteric interpretation is that the form is a stylized segment of a double helix strand of DNA, even GOLD DNA, which speaks of the body of the beast and the mark of the beast.
At about 2:45 there is the action of a counter-clockwise racing around the dial that suggests a turning back of the clock in the Olympic Park. They make it all look rather whimsical, but it's clearly not that. There's lots of circle and pentagon/pentagram magic circle casting imagery - and more many counter-rotating rings
Right around 3-minute mark they start to form the Olympic Rings and there's skiing and skating as if on the frozen surface of a body of water. Under the surface are trails of water with cavitation as the skaters move across the floor - water as time. The Olympic Rings logo is an inverted and truncated pyramid, connecting the pyramid with time using the water metaphor - in the Time Tunnel sequence.

The Olympic Rings themselves can be identified with time, because the circle is a fundamental symbol of time. Extending that imagery, there are 5 rings, the special time number in connection with 12. The Olympic Rings as time pyramid, marking the end of a time tunnel opening sequence.
This matter of a full cycle is related to the Olympics, those currently in PyeongChang (which has yet to conclude because of the Paralympic extension) but most centrally those of London 2012. Because Beijing will be the only city ever to have hosted both the Summer and Winter Olympics, a loop is closed in a spanning from 2022 back to 2008, which is 14 or 2 sets of 7s.
For more info, see
The role England played with the Balfour Declaration should be noted, which was an influential public statement issued by the British government just over 100 years ago! It read: "His Majesty's government view with favour the establishment in Palestine of a national home for the Jewish people, and will use their best endeavours to facilitate the achievement of this object, it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine, or the rights and political status enjoyed by Jews in any other country."
In our wide-ranging research into matters pertaining to time, time cycles and the manipulation of time, we have noted that there are some key time waves have distinct Shemitah wavelengths. We have noted that events in time-space have ripples that may be compared to phenomenon manifesting in "Temple at the Center of Time" effects. There are nodal intersections in space and time that are particularly significant. We perceive that we're in a season marked dramatically by transition. Our current study of the ceremonial time portal opening rituals in PyeongChang is revealing signs of standing waves of time linking multiple Olympic nodes and bindings with Zion established through space and time, through which energy may be transmitted toward the manipulation of all resonant structures. 

If you find this style of stargate imagery familiar it may be because of similar use in I, Pet Goat, II.
Yesterday's closing ceremony featured a segment with dandelion clocks, which we wrote about four days earlier in this post: 
The closing ceremony also featured a set of stacked pagoda roofs that was symbolic. We see it in the esoteric context as consistent with the theme and suggestive of the Great Pyramid. 

"Oh, and it's neat that the episode begins and ends with a dandelion — at the start, Young Etta is picking dandelions and blowing their spores away, and at the end, a despondent Walter is staring at a dandelion in the wreckage."

These are the kinds of tells that reveal the knowing and purposeful presence of Luciferian Occultism behind the production. My point in saying that is this, that the dandelion as clock is being used with knowledge to convey something secretly. We'll explain more, but we believe it can be taken as a sign of the pending reset of time. Another flower, a white tulip, was used symbolically on the show, which should speak to those of you who watched it closely. The White Tulip was received by Walter as a sign from God (that was actually revealed to have been given by a friendly Observer("Watcher") named September, yes, same as the month.)
Early in the episode we see the clock that is the downy flower head of a dandelion that has gone to seed blown away by young Etta. As time itself is scattered to the wind, in a figure. At the end, the flowering dandelion in its splendor is seen in a place where hope is clung to with desperation. Walter's attention was drawn to the setting by the sunlight that reflected into his bedroom off the collection of CDs hanging over a large metal tub. They were apparently placed there to act as a scarecrow, to keep birds away from the tub that must have been used as a planter. It may be said that farming demands faith and hope, with the effort made in the hopeful expectation of an eventual harvest.


As you may have noticed, we assert that time itself has been skewed away from the biblical timeline. This has been done on purpose by the enemies of the Most High God. The timeline must be restored - and we are assured that it will be. Our assertions have been made based upon our interpretation of the biblical texts, our understanding of revelation insight and supernatural signs that we've received in recent years. Our confidence in the pending reset of time is bolstered continually by what appears as echoes of this testimony in film, TV and commercials. Weapons utilized in wars of the distant past brought devastation to the creation and we believe what was done in ages past has begun to be repeated. There is nothing new under the sun, according to the wisdom expressed in Ecclesiastes.

Maiden Mother and Crone. The Black Madonna. The celestial goddess whose throne is established by the union of the X and O, a familiar symbolsm of the Occult. The union of the X and O is a sexual union of the male X and female O. The tagline reads, Her King's Love. The Queen of Heaven, the Queen Bee.
