Monday, June 11, 2012

Part 19 - 2012 London Olympics - Bloody Guts Death Ritual Magick

Have I mentioned how there seems to be no lack of ominous items associated with the Olympics? Because of the nature of this post I'm going to offer a warning like I frequently include with posts in the ongoing series on the sodomite gateway. If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. I'm very serious. If you haven't read and understood that sobering series shining the light on the darker side of sex as a tool of the illuminated brotherhoods you'll be at a bit of a disadvantage here, so, if you you read this post and don't see where I'm coming from, there's some background you'll find very helpful.

What I have to show you is shocking - even after what I've already presented about the signaling imagery related to the London 2012 Olympics. On the first of June a news item was posted to the site: Podiums, costumes and flowers for Victory Ceremonies unveiled - “London 2012 have unveiled the key items that will be used across the 805 Victory Ceremonies at the Olympic and Paralympic Games.” I'm going to decode the promotional photo featuring these costumes. What it suggests is a death ritual, displaying the potential for more than one kind of outcome scenario.

What kind of crazy dress is the mannequin in the hat wearing? It has zippers, with a red sash hanging out. If you interpret the scene according to the symbolism of trauma-based mind-control programming (like MK-Ultra and Monarch) you can identify the red sash as bloody intestines and the open zippers as slashes in the abdomen. That mannequin pictures a SRA (Satanic/Sadistic Ritual Abuse) victim who has been disemboweled as part of a ritual where she will shortly die, who will have her blood drunk and other parts consumed in the midst of perverse sex magick. I wrote in Part 12 of this series about the opening day of the Olympics being the SRA calendar's Grand Climax. “This day of the Grand Climax will bring with it perverse rituals, performed around the world with human sacrifice (female) and gross sexual abuse.” The dress, on a most basic level, speaks to the reality of that activity.

How can those responsible do such as this with impunity? Well, who can really see it? The illuminated programmers can. Probably the handlers. Me. You, perhaps. Most everyone else is under a spell, drunk on the wine of Mystery Babylon the Great, sunk deep in the blackness of Antichrist delusion because they love not the truth. Zeus worship is Satan worship. I've said it before but it bears repeating. The IOC and their sponsors have an agenda and this how it is advanced, right in plain sight. Tell people about this. Some will protest, saying. No, the Oympics is just about sports and fun. Yeah, right. It's all fun and games until somebody gets their guts spilled out, and worse, their soul forfeited.

There's a companion witness to the ritual disembowelment designed into the Olympic ceremonial dress in the music video, Shady Love by Scissor Sisters vs Krystal Pepsy. This band Scissor Sisters from America released their debut album in 2004 and it became the best selling album of the year in the UK. Their follow-up album also hit the #1 position on the UK charts, so they have to be considered mainstream pop. I'll elaborate more on this, but first, watch it, if you can bear it. Shady Love features a mock-school stage production with a boy slashing another boy's abdomen with a sword. This pop music video is a very thinly veiled presentation of trauma-based ritual abuse that has a sodomy theme augmented by ritual sacrifice, primarily celebrating disembowelment.

When the victim's guts spill out, the girls step in and pull out his bloody intestines. The red scarf that spurts out before the sword is swung serves up a smidgeon of plausible deniability, yet, it simply is what it looks like. What's freaky weird is, judging by YT comments and thumbs-up polling, people actually seem to like the video. Don't they see what's happening right before their eyes? Really? WOW! What a spell!

The Olympic ceremonial costumes are intended to be worn for all the awards ceremonies for the 2012 London Olympics and the Paralympics. The stated number of them is eight hundred five. WOW! Are they that confident in their supernatural cloaking device? That's some powerful sorcery!

So, if you can accept what you've seen, the following question may come to mind, which begs to be asked. What's the intent behind making every awards ceremony a scene of ritual sacrifice and broadcasting that explicit imagery into homes, schools and businesses around the globe? I will propose a few possible answers, with perhaps all of them being valid. This may be a testing of the effectiveness of their dark magical cloak, the ability to pass it off as mere fashion elements that "represent London and its architecture with a modern twist," as claimed. Do we really want to recall and celebrate the cruel and gruesome history of the Tower of London?

Is the bloody guts award ritual intended to be an Illuminati prophetic projection, a form of predictive programming? If I interpret this proposed sequence of scenes in light of other signaling, like that suggestion of a flu pandemic embedded in The Cloud's Tamiflu promo, for example, it seems to suggest a global scale ritual sacrifice that targets the intestines. Will a viral agent or even bacterial be released that will be activated only after a multitude of unknowing carriers have returned to their homes and transmitted it to others? Will a contagion be inflicted upon victims around the globe as a mass ritual sacrifice, bringing suffering with intestinal bleeding? I can't say I know what is meant by all these signals, but such a redundant message about ritual death has to be taken seriously. Connecting the dots, this is what I see being signaled - and there is nothing comedic in any of it. (An Epidemiologist on 'Contagion': This Will Almost Certainly Occur - Rockefeller Foundation Predicts 13,000 Dead at London 2012 Olympics)

Even if all those behind the signaling intend at this point is limited to spreading fear and raising the equity in a magickal vault for that relatively minor acquisition of demonic authority, it's plenty worth having attention called to it for the sake of alerting others to what is being done.

It must be said that the Lord Jesus Christ has matters well in hand, and you have an opportunity to seek and find him, but only while you're still alive. I'm not promoting fear with this disclosure but rather faith. Sin is being judged in this season. I invite you to pray as you're led.

Other features of the Olympic costume scene point very clearly to Satanic Ritual Abuse (which I do intend to elaborate on) and since the point of that is to build an army for large scale missions in the relatively near future, could this season of the 2012 Olympics (and possibly in the months that follow, even September) be when Delta assassin programs will be triggered in waves, in what the BWB's themselves refer to as the black awakening? (The multiples refer to themselves as Babalon Working Babies, with apparent reference to the effectual endeavors of black magick practitioner Jack Parsons of JPL, student of Aliester Crowley. See Russ Dizdar's Shatter The Darkness) I believe the main offensive appointed for this delta force of super-soldiers comes later, but the forces may already be activating in increasing numbers to accomplish a phased series of objectives. As I become more familiar with the mechanics of Monarch programming, I have to consider whether the award ritual featuring the Olympic ceremonial costume's bloody guts might be broadcast to throw the switch on a super-soldier program as one in a sequence designed to eventually trigger the targeted Delta assassin alter. The agents triggered would thus be activated and the programmed mission green-lighted.

A week ago, this strange behavior was reported, one I've never before read in the news. Hackensack man critical after allegedly stabbing self, throwing intestines at police. This has happened in the midst of a flurry of cannibalism and zombie-ish (South Beach, Miami) reports. These don't seem like merely random acts. I've been watching and paying attention to many things, like an increasing number of others. I'm convinced this phenomenon is supernaturally orchestrated, with strings being pulled in this operation that extend through earthly agencies. There are underlying agendas with concise objectives. What is intended on a large scale begins with isolated smaller scale test scenarios. Consider what happened with the Eriksson twins, Ursula and Sabina (Madness in the Fast Lane (BBC) 17 May 2008), and with Anders Behring Breivik (Norway, on the island of Ut√łya, 69 people dead - 22 July 2011). Are these signs of what's to come?

Before I expand on and document the more concrete SRA and Monarch elements of the Olympic ceremonial costume press photo and the Shady Love video, let's develop the matter of the influence on a multitude of viewers a little further. To grasp the dynamic it helps to consider the works of others on the subject. The Vigilant Citizen's blog post titled, Amy Winehouse and 27 Club, included some references I'm going to reproduce here with a lengthy excerpt.

The VC writes about the 27 Club meme and sets up the following with questions prompted by some astute observations of a similar phenomenon.

These concepts might sound totally ridiculous to the average person but, to occult initiates, the magical potency of a human sacrifices has been recognized and documented by the rituals of many ancient civilizations. In Secret Societies and Psychological Warfare, author Michael A. Hoffman II writes:

“The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans”, “the profane”, “the gentiles” and “the goyim” by secret society initiates”

About mega-rituals Hoffman writes:

“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.

Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.

In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.

- Michael A. Hoffman II, Secret Societies and Psychological Warfare

In the 1940s, the French poet and theater director Antonin Artaud predicted the advent of occult mega-rituals in media. Artaud was an adept of several forms of occultism and well-aware of the transformative powers of theatrical rituals: he created the infamous “Theater of Cruelty” that intended to profoundly change the audience. Regarding the processing of the Group Mind, Artaud wrote:

“Aside from the trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically … That is how strange forces are aroused and transported to the astral vault, to the dark dome which is composed above all of … the poisonous aggressiveness of the evil minds of most people … the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.”

In Hollywood, the subjects of these rituals are often manipulated and mind controlled and their deaths are often “announced” in some way or another through symbolic works. In The Imaginarium of Doctor Parnassus, the last movie Heath Ledger appeared in, the theme of sacrifice is extremely important. In one important scene, we see the images of three celebrities who died young : Rudolph Valentino, James Dean and Princess Diana. Seeing these pictures, a woman says to Johnny Depp – who was one of Ledger’s replacements in the movie – “These people … they’re all dead”. Depp replies: “Yes … but immortal nevertheless. They won’t get old or fat. They won’t get sick or feeble. They are beyond fear because they are … forever young. They’re gods … and you can join them.” He then added: “Your sacrifice must be pure.” These lines were intended to be said by Heath Ledger.

If this is all new to you and the reality of it is hard to grasp, you may want to explore the following resources, Mind Control Theories and Techniques used by Mass Media (Vigilant Citizen) and Brainwashing: The Obama Method? by Kevin Hogan, Psy.D.

We have been the subjects of programming ritual all our lives. What is proposed for the Olympics with the bloody guts awards ritual represents, in my opinion, something on a level that has perhaps never yet been seen in our era.

More to follow, Lord willing.

1 comment:

  1. Hey Bob,

    Yet another excellent post of great and timely import! The link you provided pertaining to the likelihood of a global "contagion" event bears unmistakable testimony to the reality of such an occurrence.

    The date on the article is September 12, 2011 which can be read as a 9-12 signal event. As you pointed out in the "RUSH Clockwork Angels" post, the clock showing 9:12 references the very minute after 9:11. In other words, the 9-11 event catapults the world into a new state, with the 9-11 event as the act of transformation that forever alters the world and the inhabitants thereof.

    Just as the original 9-11 event occurred in a national theater of the United States and forever changed the nation with the advent of the Patriot Act, TSA molestation, eradication of privacy, etc the next 9-11 event that occurs on a global level with bring forth such transformation on a global scale.

    The clock is ticking and another 9:11 is rapidly approaching with the devastating consequences and the hour of 9:12 right behind it.

    May The Lord strengthen us and keep us in this late hour.