This blog post is supplemental to a video where we feature 5 clips from the series, Fringe. Here, you'll find many of our observations about the content, links to watch the video, to the playlist for previous installments in the series, and to some recommended collateral studies.
To Watch: "Fringe" Way Over the Top! - Part 18: Piano Stargates in Media
(full HD version for streaming or download)
Please leave your comments here on this blog post or on the Bitchute video.
Find the "playlist" for this piano stargate series here.
KEY: Words with a dash and numbers show gematria values of interest that appear in the dialog and those associated with the objects seen onscreen.
Clip 1: Fringe S1-E17 "Bad Dreams"
The opening scene is the segue that begins a long Janus ritual sequence: "We need to talk to him NOW!" * Janus, god of time
"Where's the fire?" * Expression meaning, what's the rush? Emphasis on TIME
"I-54 ALWAYS LOVEd-22 that-13 expression-54-54" * Featuring significant gematria - Love Code 54 with a 22-13 power combo
"Lab Assistant (L.A. 12+1=13) was killed in-13 a fire" * Janus rules over death
We immediately see a piano (88keys, evoking Dimensional Transit Code 88, and Janus, god of keys) and a lamp-21-252 shade-222 -- with a pile of books on the table-13 * book book BB22 BBB222 BB88...
"Oh, that takes me back" * into the PAST - in time! Evoking time travel
CLOCK (Janus time) dresser-88 - lamp-21-252 - shade-222 - an open-13 book
"I remember" * reflecting on the PAST in time! * "Belly" is Dr-22-13 William Bell-13. A bell is a dimension transiting device, which is occasionally played up in Fringe episodes in very blatant ways!
"whipping up-222 a peyote-22 mash-22" * Peyote-22 mash-22 is a psychedelic drug-22. * evokes MK-ULTRA mind control use of drugs
Walter and Belly experimented on children, programming them toward the discovery and leveraging of their special psi powers as supersoldiers!
"Let-222 me guess" * Code 222 is a Antichrist number in Theomatics - resonates with Code 22
The piano evokes "dimensional transit" Code 88 because of the 88 key keyboard. Janus - god of keys, boundaries and passages. On the piano is an exercise-88 wheel (of TIME) in a glass-13 hamster cage. Nearby is a glass-13 window-88. Peter's sitting on the piano bench-22. There is sheet-21 music on the piano (signaling time because the notation features time signatures and 21 is a time number. The nearby curtains feature the vertical pleating that evokes the open stargate.
One of the white keys on the keyboard is depressed, calling attention to it. * Janus, god of keys. key-13 keys-21
"perception" -- Huxley-22 (Iconic Sci-fi novel: "Brave NEW-12-252(12x21) World") while showing lamp-21-252(12x21) dresser-22
"Perception is the key-13 to transformation" Janus, god of keys, god of transitions/transformations as the end of one state and the beginning of another.
This is actually magic! Walter and Dr. Bell are magicians, turning Olivia into a magician. And programmers who made her a mind-controlled slave.
"Reality is both subjective and malleable-54. If you can dream a better world you can make a better world." This is "magical thinking." It also evokes the practical reality of hypnotism and the exercise of certain Psi powers.
"Or-21-12 perhaps travel between them" * Walter is explicitly referring to a STARGATE transit as he responds to Peter, who is sitting at the piano!
And, it is at this very point that piano music begins softly in the soundtrack - magnifying the symbolic piano layer of this ritual!
Peter responds to Walter's unexpected and perhaps seemingly non sequitur response, "What did you just say?" He's still at the piano*88 sitting on the bench-22 next to the piles of books-BB-22-88. pile-21-252(12x21)
Nick-22 Lane-22
fridge-113
On top of the piano is a box-13 with the game, "Operation"-113, evoking medical procedures - and the "date of the revealing of the lawless one and time reset" Code 113.
Olivia has been paired or twinned with Nick-22 Lane-22, which is how it commonly is with Illuminati slaves. She has the special skill of jumping between universes, as Dr. Bell tells her explicitly.
Season 2 Episode 18: "The Man from the Other Side."
With his piano in the scene, Walter demonstrates how they sent Dr. Bell's car from "this universe to the other side." Janus ritual begins with a knock at the door and Peter opens it letting Olivia inside. Janus god of doors and passages. Doorway-88.
Walter apologizes for how early it is in the day * Janus, god of time. He stutters "I'm I'm. repeating the power combo: "I'm-22-13"
Olivia replies: "okay, okay * Code 666 transformation because of the associated symbolic hand sign.
Walter begins to explain, NOW - in TIME.
The toy car-22-13 (power combo) is on a box-13 (wood-21 cutting board-22) on the table-13 that is round * signaling the circle of time.
Walter pours a line of salt on a circular table to represent the boundary between dimensions. Witches typically include salt as an essential element in their magic. When they cast a magic circle, they will sometimes pour a line of salt on the floor or ground around the circumference to mark that dimensional boundary. Within that "bubble" of "sacred" space they conduct their ceremonial rituals, perform sacrifices, raise energy and cast spells.
Walter demonstrates using a toy car-22-13 that represents Dr-22-13 Bell's Monte-22 Carlo-22 while wearing a robe-22. This part requires 3 tuning forks (fork-22) Theomatic's antichrist number is signaled by the tines, (2 2 2 or Code 222) There's redundancy in the "return back and reset" Code 22 and mastery-of-time+rebel+lord+beast Code 13. This powerful signaling reveals what this ritual is about!
The featured toy car is a 1963 Alfa Romeo 2600 Touring Spider. A car from that make is called an Alfa-88. This resonates with the 88 key piano and magnifies the dimensional transit or stargate Code 88!
While the piano is most easily recognizable, we see both of Olivia's hands on the table, palms down. Her wristwatch is clearly visible, evoking TIME-Janus. Palm-21-252(12x21)
The car is sent down a ramp-21 - demonstrating gravity, which is caused by warping time.
The mirror on the set is a metaphor for this dimension and a "mirror" dimension. Also, framed objects represent dimensional frames. See our "Somewhere in Time" video series for more examples.
stained glass-13 window-88 -- lamp-21-252(12x21) shade-222
Season 2 Episode 21: "Over There."
This clip begins in the alt-verse. The Fringe Division is investigating a threat to their universe triggered by a crossing over from the other side. The main set involved features a grand piano!
McDonalds "golden arches" - Janus, god of arches. The element gold is Code 22 (AU is 1+21 is 22)
frenchfries-666 resonates with the Fringe division logo. FF=66 and circle=O=15=6
The location of the dimensional breech is an opera house-22 that features a grand piano *88 with bench-22. Next to it is the only other instrument on stage, a cello-88. "FringeDivision-88 The investigative and containment team together with the two instruments and the opera house redundantly signal Dimension Transiting / Stargate Code 88 - and also the return back and reset Code 22!
Lincoln Lee (LL 12 12) places a silver dollar with a date (time) on it in a glass of water - and it floats. Time is money -- Water-as-time -- glass-13, mastery of time. It's a gravity test, and gravity is caused by warping time. In the zoomed-out shot appears the cello-88 and the conductor-113 stand-13. Beeps-88
"We can't have another Boston-22, captain." * That's a repeat - resonating return back and reset Code 22!
Countdown (Janus) begins, "Warning. one MINUTE to quarantine."
"massive-88 loss of life-22 will result." Janus, god of birth and death, and gates and passages.
A dead man is found upstairs with a picture id and money (TIME is money) from the other universe. He had crossed over, causing their "stage-three degradation event."
"Saw a blue-13 flash through the-12 window-88."
Season 4 Episode 7: "Wallflower"
This clip is set in the alt-verse, but the apartment is familiar. The piano is present as the conversation revolves around the transiting between the dimensions. The return back theme is dominant! Major Janus ritual!
"Sorry it took SO LONG (TIME) for Broyles to sign-22 off*Code 666 on this stuff." The notable "Intersection" Code Combo!
Peter Bishop welcomes Fringe Division agent Lincoln Lee in, through the doorway-88 Janus, god of doors and passages. We see the action unfold as a reflection in the mirror. Why? Because the scene is set in the alt-verse, the realm of the mirror's reflection. Lincoln is native to that universe. While Peter is from there, originally, he mostly grew up on other side, which he considers home. The entry's framed mirror is a kind known as a Janus mirror because those are intended for an entryway. Coat/hat rack - mirror for checking appearance on exiting and arrival.
The next wall mirror is framed (dimensional frames) and oval-22 with a shelf-22. In an entry area, this is where you would keep your keys-21 for your car-22-13 and house-22. Key-13
"for-21 all your help-13 the-12 other DAY-12, I'm-22-13 surprised he-13-13..."
"like-222 a human being-222. I haven't been getting that-13 a lot LATELY-21. (TIME) I appreciate it."
"get-13 you back home to where-22 you came-22-13 from?" - resonates "return back and reset" code 22 * spoken with the piano*88 in view.
"The-12 machine was powerful enough to snap-22 me out of-21-12 my TIMELINE. It stands to reason that-13 it's powerful enough to snap-22 me back in-13." implicit: to his TIMELINE. - resonates "return back and reset" code 22
"...getting back home-13." * resonates "return back and reset" code 22
"Alt-Universes, different TIMELINES. Olivia says that-13, EVENTUALLY all of-21-12 this will seem-21-252 run of-21-12 the-12 mill."
Time-Binding:
- @ 21:52 - 21 appearing on counter means 22nd minute - Peter comes through doorway - doorway - Janus - there is a mirror showing Peter's reflection in the same shot.
- @ 21:53 ET - 22nd minute - Lincoln - time language - "sorry it took so LONG-21 to sign-22 off on this stuff"
- @ 21:56 ET - 22nd minute - Peter - more time language - "I was STARTING to get worried."
- @ 21:58 ET - Lincoln - more time language - "...the other DAY-12..."
- @ 22:12 ET - Peter - time language - "...getting that a lot LATELY"
- @ 22:13 ET camera shot changes - we see the piano in the background
- @ 22:14 Lincoln says, "So, you really think it'll get you BACK to where you came from?" - referencing the other TIME-line that Peter views as his home.
- @ 22:17 ET Peter responds - "The machine was powerful enough to snap me out of my timeline." - Piano is still visible (blurry) in the background behind Peter.
- @ 22:21 Peter is finishing his sentence about the machine being powerful enough to get him back into his timeline "...to snap me back in."
- @ 22:25 - Peter -"...It's my best chance of getting BACK home-13"
- @ 22:26 - Lincoln - "Alt-universes, different timelines."
- @ 22:30 - Lincoln - more time language - "...EVENTUALLY, all of this is...."
Season 4 Episode 8: "Back To Where You've Never Been."
The title of this episode evokes the reset of time that we're eagerly anticipating! We've already experienced 2012, of course, but not the version we'll find ourselves in!
This final clip features the really blatant piano stargate transit we previewed earlier. The setting is the same opera house featured in the other clip where a tense near-quarantine situation raised a lot of energy for the occult ritual.
Lincoln Lee (L-12 L-12) stammers, "if-12 if-12" * Redundantly signaling the time number.
"It'll cut you in half." resonates the number 2, division, and 22 as the cutting of the flesh-22(11)
"crossing through" - the portal between dimensions.
"I killed (Janus) a guy like-222 that-13 ONCE-222 ... He-13-13 was a bad guy."
Olivia: "Good-13 luck." winks * signaling the eye of Horus - Lady Luck goddess - goddess of stargate transits - and the sodomite gateway.
Agent Lee is seen crossing over through the portal, right in front of the piano*88 in the opera house-22.
"You Okay"? *Code 666
As they descend to the lower plane on their way to the exit, they remain right in front of the piano.
Time-Binding:
- @ 13:13 they are on the stage of the opera house-22 getting ready to fire up the dimensional portal/transiting equipment
- @ 13:51 Peter and Lincoln have finished coming through the portal and it powers off - showing the piano on the stage in the background.
For collateral study:
Fringe and the Dandelion Sign of the Pending Time Reset
Janus Ritual - Real, Effectual - and Common! * Also, here's two articles (
wikiwand and
romanpagan.wordpress websites) that will help you learn about Janus and Janus worship, so you can be better able to recognize when Janus rituals are being performed in media productions.
Time Number Codes and the Plus-Ones
Curious about the pending reset of time? Learn more here: The Pending Reset of Time
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