Friday, June 29, 2012

Crop Sign: Winged Serpent Seeds Fertilise Body of Gaia

When, a few years ago, the Lord revealed the imprint of a woman on the earth and subsequently identified it as Gaia, I didn't really know what to make of it. I pretty much kept it under my hat, as directed. I haven't shared it with more than a few people since then, but I believe the time has come to do so on this blog. I'm not going to elaborate much on what it means beyond presenting and connecting a few rather esoteric "dots," but it will mean much to some.

While you might be thinking something like, “Uh - WHAT? Bob's gone New Age!” I can assure you that's just not the case. The ancient gods have a significant role in these last days, and they are neither my friends nor yours! There are some ancient mysteries about the heavens and the earth and those gods that are unraveling rapidly, and there are things on those lines some of us need to know. During this season, the ramp up to the upcoming London Olympics has the UK reveling in idolatry and engaging in ritual magick. While Zeus (aka Satan, Devil, Serpent, Dragon) sponsors that activity, it seems Quetzalcoatl, an alias for his feathered serpent incarnation, has been busy fertilizing Gaia's body.

A crop sign appeared in a field of young winter wheat near Woodborough Hill in Wiltshire, UK that was discovered and documented on the 9th of June, 6/9/12. The following is a comment left on a popular site.

“Oh, my dear one, he (the farmer who mowed the formations) was so angry and did not want hordes of people coming to his land. Thus he prevented it decisively. Many of you wish to know the meaning of the three wriggling sperm:”

“They are winged serpent seeds. It is my creative power shooting into the land to fertilise the body of dear Gaia. She needs the energy, dear ones, also of you human beings who enter our circles in wonder and joy. Your positive and loving energy unites with what we imprint into the earth to strengthen and glorify our work. When many people come and walk in our circles and sit or lie absorbing the energies, the earth also receives what you, dear ones, give to her in your interaction with our loving energies which pulse up out of the land below you. Thus do we work together already? Those who are more conscious among you know this and align their work with us in full awareness, which greatly increases the power. We need you to fully awaken, dear human beings, and call you to work with us now in the formations on the sacred land of Gaia.”

Quetzalcoatl 11 June 2012
Crop Sign - Woodborough Hill - 6/9/12 - comment by Amuna

I don't generally take an interest in "channeling," except when the Lord calls it out distinctly. The crop sign is claimed to be winged serpent seeds, shooting into the land to fertilize the body of Gaia. While most equate Gaia with the entirety of the globe of the earth, the claimed seed of Quetzalcoatl appeared on the very body of Gaia that was shown to me by the Lord, near the right breast!

The witness is that ritual magick is now powering the Osiris+Isis=Horus equation via an effectual energy vampirism, the drawing of power from the pagan coppertops who are plugged in to the matrix, if you will. The layering of power, the stockpiling of evil (in the language of Russ Dizdar) is building to birth the false prophet and the antichrist beast into the world, and even the posthuman army loyal to the ancient gods through the mark of the Beast. There is a symbiotic relationship being experienced in the fields around the UK, one that's more parasitic than mutually beneficial because the predatory gods are engaged in deceit to bring destruction to their prey. Those engaging on a spiritual level with the crop signs are augmenting what's happening with the Cultural Olympiad, London 2012 Festival events, Olympic Torch Relay and preparations for the upcoming games and ceremonies that are wholly dedicated to Zeus. Worship is sought by the ancient gods and worshipers are being engaged.

You may have noticed how the language of Quetzalcoatl has the same creepy manner as the “Queen of Peace” or “Virgin Mary” that masquerades in Marian apparitions as the mother of the Lord Y'shua, the Lord before whom every knee shall bow. That's no coincidence. BTW, Amun Ra (Amuna - Amuna Ra) is the equivalent of Zeus.

The man farming the targeted field at Woodborough Hill moved quickly to mow over those crop signs, apparently perceiving the pagan worshipers as pests and the designs made on his crop as akin to graffiti, the work of vandals. That's a crime, not the farmer's, really, but the sign maker's!

7 So Jesus said to them again, “Truly, truly, I say to you, I am the door of the sheep. 8 All who came before Me are thieves and robbers, but the sheep did not hear them. 9 I am the door; if anyone enters through Me, he will be saved, and will go in and out and find pasture. 10 The thief comes only to steal and kill and destroy; I came that they may have life, and have it abundantly.
John 10:7-10

The crop vandals are the agents of that thief, just so we're clear on that. They are rural graffiti artists that generally manifest as orb/fairies when captured photographically, sponsored by Zeus and Quetzalcoatl. I've written about that foundational observation and many others relative to crop signs in Olympic Ceremony Symbolism - Part Five and Part Six, where I featured a sign that occurred in Wiltshire on the opening day of the Summer Olympics in Beijing. That one, you may recall, was an enormous figure 8 that appeared at the base of Milk Hill on 8/8/08.

Here's how Gaia appears in Wiltshire.

The first key was the identification of Milk Hill as a lactating breast. The Lord opened this insight to me in the early morning hours, a time of day when the Lord will often grant me some new insight. When I checked my email that morning, I found one in my inbox from a group that doesn't have much activity. A classmate from Jr. High had sent out a dirty joke about an alternate to GPS, the navigation system. The joke was that there is a TPNS system. This is where a man uses a Two Point Navigation System to navigate for intercourse, the two points being the woman's breasts. Hmmm. First, Milk Hill as a breast. Then, the TPNS navigation. I can take a hint.

Milk Hill, in the geography of Wiltshire, is one of two comparable elevations. The other breast is obviously Walbury Hill. There's a curious feature associated with it that some suspect was a well, which speaks to me of a lactiferous duct to the nipple. So, once the TPNS was operational, the next step was to locate the birth canal based upon the location of the breasts and normal proportions. There is a wetlands area just above the town of Ringwood that is higher than it is wide. The name of the town is suggestive, just like the name Milk Hill. Ringwood, the anatomy that “rings” the phallic “wood” during intercourse.

Since the navel is another reproductive feature that marks the body, I searched where one should be expected according to standard proportion and readily found the feature you see in this image. Gaia's bellybutton. The TPNS appears to have worked, revealing the external reproductive features of a woman or goddess upon the earth!

The evident marking upon the landscape in Wiltshire and Hampshire had no meaning for me at the time, with no understanding given to attend the identification. I considered the potential for a birthing event and did some research for anything on the region of Ringwood that might lead to further insight, but nothing interesting surfaced. I just put that on the shelf, so to speak, awaiting further direction. I began to have a sense of where the Lord might be going with this about a year ago. Now I can present the image of Gaia in the landscape of the UK, the more specific identification hinted at by the channeled message above.

I've put a yellow pin under the one for Milk Hill and labeled it Crop Sign 6/9/12. This image at right is zoomed in to show the field where the crop sign appeared with a line to the outlined insert picture of the crop sign. It's at Woodborough Hill, about 2 miles from the much larger Milk Hill. A straight line from this sign to Milk Hill passes directly over East Field, near Alton Priors, which is widely considered to be crop circle central.

In this image at bottom left I've connected the three locations of interest that were identified using the TPNS with dark blue lines, forming what I refer to as the Gaia triangle. I've labeling a few points of interest, including the yellow pins marking Milk Hill and the Woodborough Hill crop sign that appear very close together in this wider scale view. I hope to expand upon these other VERY interesting elements in the next post, Lord willing!

Wednesday, June 27, 2012

GLPVC Presents - Bob Schlenker /Reverse Speech Tue 6/26

I was on the radio last night as a guest with the knowledgeable and entertaining folks from GLP, Godlike Productions. The podcast download link is included here, and a link to the pre-show thread on that popular forum.

Also, I was interviewed earlier today for a show Henrik Palmgren (Red Ice Creations and Red Ice Radio) is putting together on the subject of the London Olympics. Any sound bites selected from that interview will be added to those being recorded from 6-8 others who have been logging their observations about what they see. Lord willing, I'll announce when that is produced. Please pray for the work and workers as the Lord might lead.

GLPVC Presents - Bob Schlenker /Reverse Speech Tue 6/26

podcast - download mp3
Duration: 111:41 m - Filetype: mp3 - Bitrate: 32 KBPS - Frequency: 22050 HZ

Reverse speech is proving to be an odd and very interesting phenomenon and much different than back masking. Your conscious brain does not hear it but you can place a pretty good bet that your subconscious brain does. Bob Schlenker has been studying this for many years and how it ties in with the occult world. He has also been studying the occult symbols present today from the Obama campaign to the Present.

To observe this phenomenon you simply play a recording backwards. It doesn't matter whether the words are sung, chanted, whispered or shouted, muttered or wailed, written and read aloud or simply spoken, when played backwards you will hear more speech, not just gibberish. While that may seem impossible, or highly improbable, it is, nevertheless, reality!

Monday, June 25, 2012

Part 27 - The Sodomite Gateway - MIB3

If you watch MIB3 (which is still playing in theaters) you'll notice this movie signals sodomy heavily throughout. This should be no surprise because it's connected with the Dunkin' Donuts sodomite promotion. DD uses black instead of brown as the scatological reference (Black Cocoa products) which serves to clue us in to the subtle sodomite signaling in the name of the franchise Men in Black. Think Black Sun, Black Hole Sun... There's more going on that deserves some exposure here! Spoiler Alert, heads up.

Warning: If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of sexual imagery, please give a similar consideration. This is material fit for the healthy and mature.

Will Smith plays Agent J, partner to Tommy Lee Jones and Josh Brolin as Agent K, older and younger versions. Many of Agent J's lines are fit for a woman and his emotional relationship with K featured through much of the movie is just not that of a "straight" male with another.

A scene from MIB3: [after Z's eulogy J and K are driving around in the city]
Agent J: Can you promise me, if I go first, you'll do better than that at my funeral? You know, something like uh...'J was a friend, now there's a big part of me that's gone. Oh, J, all the things that I should have said, except I was too old and craggy and surly, and just tight. Cause I was too tight. Now I'm gonna just miss your caramel, brown skin.'
Agent K: I'll wing something.

Another scene from MIB3: [K and J are in a Chinese restaurant with aliens. J had been sharing about his issues due to his childhood with an absent father.]
Agent K: Yeah. I'll take the Choloropod, you take the Taranovi and the Hydronian over there. I'll take whoever's in the kitchen and meet you on the street.
Agent J: This is a very confusing time in my life.

Gay. The partner relationship played is clearly homosexual. In one scene, time traveling J meets a man in the office elevator who is effeminate. We learn that he is J's partner in a future where Agent K had long been dead.

[J gets in the elevator at MIB headquarters and is joined by another man.]
Agent AA: J, everything you told me yesterday, you were right as rain. Thank God for that ten hour stakeout.
Agent J: Uh...who are you?
Agent AA: Exactly. I feel like a whole new man today, like this great weight has been lifted. I mean, I've got these anger issues my entire life, but now I can see I was just mad at myself, and my step mom.
Agent J: Sir, I'm gonna need you to stop talking.
Agent AA: It's like I've closed this emotional window. But yesterday I threw a brick right through that window, and I just wanna thank you for handing me that brick, J.
Agent J: Okay, who ever you are, I need you to give me five feet, or I'm gonna pluck you in your throat.
Agent AA: Okay, well I'm gonna go to the little mens in black room and then we'll go find those morons from Poxlythera. Lunch is on me.
[As he walks off he slaps J playfully on his butt. Then J stops an agent walking by.]
Agent J: Who was that?
MIB Agent: Double A, your partner.

See Part 25 of this series for the brick's Masonic connection to sodomy, and Aaron's comment about Pink Floyd's classic Rock song, Another Brick in The Wall.

Double A is a battery size, and batteries are usually paired, as partners. In the movie franchise, The Matrix, humans were plugged into a bio-electrical network and used as power generating slaves for their sentient machine-collective masters. Those freed from the matrix who understood their former purpose referred to those still plugged in as “coppertops,” which is a familiar cultural reference to Duracell brand batteries. What's being signaled by J's sodomite partner's name is, "Powered by Sodomy," the sex magick energy source that feeds the parasitic demonic entities. Trauma-based mind-control programmers also consider the mind to have an energy source like a battery, which is the brain's essence, what is called the Core.

The relationship between J and his partners is mixed, racially, but the focus is far more on the brown skinned J as the passive "bottom" partner in the sodomite relationship because neither of the characters playing Agent K are effeminate.

There's some plausible deniability for the sodomite theme built in, of course, offsetting it by playing Agent K's relationship with the female Agent O as a minor plot. Yet, even in that, sodomy is signaled because K's fond memory with Agent O is one of a night spent playing darts until dawn, alluding to a slang reference - butt darts.

If you watch for them, you'll see signs of MK-ULTRA programming. Near the end of the movie there's a scene that suggests K is actually J's handler, “recruiting” him when he was just a little boy.

The Neuralizer device used by the franchise is actually referencing the SRA handler's stun gun.

“An owner of a slave will ordinarily carry a stun gun. This is perhaps a 120,000 DC volt stun gun to erase & compartmentalize memories, but some of the stun guns go up to 200,000 volts DC to erase the memory of his slave. They will apply their stun guns to the base of the skull. After giving programming instructions they will usually give a high voltage shock to the base of the skull to imbed the instructions deep in the subconscious. They often use hypnotic cues along with the shock. For instance, they will tell the slave they are “now going over the rainbow”, and that when the sun goes down they will forget everything, before they shock the body. The shock destroys and scrambles the memory which is still stored in the short term memory section of the brain. They must shock the person within 24 hours, to insure that the short term memory doesn’t get into long term memory as a coherent memory.” ...
[ another description of a device for shocking a slave]
... “Finally, the person will be brought out of their hypnotic trance, instructed not to remember anything, to feel happy and sent on their way.”

The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler.

A scene from MIB3: [addressing crowd of people who have witnessed a flying saucer crash]
Agent K: Good afternoon. Please give your attention to my associate, Agent J. He's going to demonstrate an Electro-Biomechanical-Neuro-Transmitting-Zero-Synapses-Repositioner, we call it the Neuralizer.
Agent K to J: Better keep it simple.
[J turns to the crowd]
Agent J: Thank you, Agent K. Uh...ladies and gentlemen, if you will, look right here.
[J holds up the Neuralizer and flashes the crowd]
Agent J: Okay. You know how you're on an airplane and the flight attendant asks you to turn your cell phone off, and you're like; I ain't turnin' my cell phone off, ...

The Neuralizer device looks phallic, and the effects of the Neuralizer actually suggests the use of the phallic wand in ritual sodomy, presenting the Rothschild Sodomy aka the Key of David. The phallic device provides a flash of white light and, like the sodomy, wipes the traumatic event from memory while enabling the programming of another.

“Sodomy puts them into a trance where you can program in directly to the subconscious memory file without any interference of the conscious mind. Sodomy is what puts the person into that state where you can do it. They might even get them so highly programmed that they can just say the word or repeat the code.”

“Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.”

Deprogrammer Interview with Marion Knox: In the House of the Strongman, Sodomy is the Key - by Elana Freeland

A scene from MIB3: [J is strapped in and carried towards an earlier model of a neuralizer that looks like a MRI chamber]
Agent J: That's not an eye exam, K! That's a big-a**ed neuralizer!
Young Agent K: You sure know a lot of information for a fellow who doesn't know anything.
Agent J: I...I see what you're saying.
[as the MIB Techs turn J to enter him into the neuralizer chamber]
Agent J: Whoah! Hey, you know what, K? We need to hold up a second. K?
MIB Tech #1: Let's just get this bite guard in here.
Agent J: Hey, back up! Back up!

So, a “big-a**ed neuralizer” ... “back up! Back up!” ... reference to an eye exam, and knowing a lot of information, then not knowing anything ... ALL alluding to illuminating the third eye and acquiring gnosis through ritual sodomy while including the memory accessing, deleting and rewriting functionality! Evil genius. Wicked, depraved and unbelievably abusive.

This third movie in the popular series features time travel, a theme that, in the context of ritual sodomy and the psi-powers associated with this sex magick, no longer appears to me as entirely fictional. Whatever we're on the threshold of with CERN's LHC science, misc. fringe tech, the looming mega-ritual of the London Olympics, substantially increased alien/UFO activity and evidence of a phased activation of an army of psi-powered super-soldiers, what was nearly approached with the city and the Tower of Babel so many years ago seems like it may be just barely out of reach, if even. Trans-dimensional travel - i.e. crossing the time barrier, seems at hand. Tom Horn has been talking about the descriptive names of some of DARPA's black ops that were brought to light before being quickly made dark again. At least one dealt with the manipulation of time. As I understand it, remote viewing and access of the Akashic record has never been limited to the present, nor to the past.

When J traveled through time, he leapt off a stylized gargoyle, which is to say that a high ranking demon gave him flight and access through a dimensional portal, requiring the use of gravity, leveraging the law of gravity. He was helped after traveling back in time by a character named Griffin, a fifth dimensional being. A griffin in "mythology" has the wings (transdimensional faculties) of an eagle and the body of a lion, a chimeric aka Nephilim.

I must mention a few important instances of 9-11 signaling. One takes place at a rocket launch, a key scene at the movie's climax. Apollo 11 is on the pad at Cape Canaveral. Key action takes place on a crane with a boom numbered 9, associated with the Apollo 11 rocket. 9-11. Another took place after J arrived in 1969. He was at the base of the Chrysler Building in NYC, the one he had jumped off to travel from the future. The main entrance showed the street number of the Chrysler Building's address, located at 405 Lexington Ave. The entry was flanked by 2 pillars, forming an 11. 4+0+5=9. 9-11.

As that scene ended, J steals a Caddy that was left for the valet. On his way to the car he passed in front of one of the pillars. The song that began to play was from a Rolling Stones album titled His Satanic Majesty's Request. The song? 2ooo Light Years From Home. As J passed in front of the pillar, the scene with the marble pillar seemed to resemble the album cover art. This seemed to me to link the 9-11 with the time event, and the serving of his Satanic majesty, of course.

I've been noting signal instances of the time 9:12 and there's one in this movie. Inside the 1969 version of the Chrysler Building we were briefly shown an ornate clock, showing, yes, 9:12: the minute after 9:11, calling out the season a 9-11 event is intended to introduce.

In closing, I wanted to identify some of the symbolism in the promotional image shown here. Back in Black, with Black as a scatological reference signaling sodomy. The Men are pictured In Black, each framed within black anal portals. A phallic package is illustrated with the two phallus signaling guns as one single phallus, erect between two eggs or testicles. The guns form a subtle letter H, for Horus. Horus, the sodomizer, back in black. The M III B at the bottom calls out the M and the B as Man-Boy, as in man-boy love or pederasty. That can be connected with the scene suggestive of “K recruiting J.”

It only makes sense that the Dunkin' Donuts promotion of MIB3 signaled the sodomite gateway. After all, that IS the theme.

Sunday, June 24, 2012

Part 26 - The Sodomite Gateway - PREA - The Prison Rape Elimination Act & Obama Squaring the Circle at the G20: What Can Brown Do For You?

Earlier this week a very interesting post was made to The Weekly Standard blog by Daniel Halper, Prison Rape Regulations to Cost $7 Billion, where he describes a very important development.

Mr. Halper reports: “President Obama's Department of Justice recently released new regulations to prevent prison rape. "Sexual violence, against any victim, is an assault on human dignity and an affront to American values," Obama said when announcing the new initiative. "The Prison Rape Elimination Act of 2003 (PREA) was enacted with bipartisan support and established a 'zero-tolerance standard' for rape in prisons in the United States."” If you read and consider the balance of the post it should become evident that PREA is merely a monitoring and reporting system, a data collection operation that makes no legitimate provision for the elimination or even the reduction of rape. It seems to me that prison inmates are being assessed as part of a farming program. Note, rape is sodomy.

Given how sodomy is the key qualifier for mind-controlled and psi-powered super-soldiers, there's a logic in scanning the assets already available in the system for reprogramming and deployment. I have a feeling this operation has been planned for a long time.

“But the inmates are imprisoned, so what harm can come of it?” you may say. They are now, but probably not for long. Releasing prisoners is a matter for government officials, and they, as the action of making PREA the law demonstrates, simply do what they want. Soon, big trouble is coming to America. Prisons will be opened and those imprisoned now will probably be replaced with the likes of you and I, God-loving types who are not under the spell and therefore non-compliant with their antichrist agenda. Those who hold and are held by The Truth are the real threat.

Any sodomite super-soldiers farmed from the prisons will represent cheap resources, well worth the 7 billion dollar bill to them. If you've been paying attention to such things, the rational conclusion is that money numbers we're told are manipulated. Perhaps all we can really learn from the figure given is that this reporting of sodomite activity is assigned a very high priority.

An army of programmed inmates would have to be deployed fairly shortly after the assessment and reprogramming systems become operational, since there's not very much time remaining before their services will be required.

In related news, former Penn State assistant football coach Jerry Sandusky faces life in prison, convicted on 45 counts for assulting 10 boys over 15 years. Hey DOJ - heads-up! Here's a high value asset to add to your collection!

Obama Squaring the Circle at the G20

A picture was taken of Obama during the G20 Leaders Summit a few days ago where he may be leaning in to better hear, or he may actually be bowing to yet another foreign dignitary. “Mexican President Felipe Calderon(R) welcomes US President Barack Obama prior to the opening of the G20 Leaders Summit in Los Cabos, Baja California, Mexico on June 18, 2012.” (Obama Bows Again?)

When the photo positioning Obama's round head against the square symbol was put into circulation by the media we were presented with a very recognizable instance of Squaring the Circle, the Masonic metaphor for ritual sodomy. The fact that Obama was bending over for the Mexican President does nothing to diminish it. Add to that the color of Obama's skin and captioning it with the former UPS slogan referencing sodomy is hard to resist. It looks as though the G20 logo has been designed so it could be placed to afford such photo ops and promos.

What Can Brown Do For You?

The leveraging of brown skin to make the scatological reference shouldn't be interpreted as a racial bias because Lucifer and those who serve him hate and abuse everyone, regardless of race, color or creed. I don't perceive an ethnic insult in this matter, and any suggestion that it might be one just seems to me about as silly as a confectioner claiming a bias against peanut butter and chocolate for the similar leveraging of the characteristic features. The color brown is leveraged by the Devil and his Illuminati programmers to signal sodomy, whether it's from candy, dirt or skin color. Purple is too, and no offense should be taken by anyone who might be of purple skin color.

If you've been following the Sodomite Gateway Series you've seen enough examples to suggest that there is no level to which the evil perpetrators will not stoop in this spell casting promotion of sodomy. In their scheme, brown skin is just another symbol to be leveraged, and many opportunities have been seized upon. When insiders like Professor Griff ([video - Warning: graphic language used!] Professor Griff Exposes Will Smith Quincy Jones and More) and comedian Dave Chappelle ([video - Warning: graphic language used!] America Hijacked by Freemasonry, Homosexuality, Cultism, Conspiracy) have the conviction and courage to speak out on the promotion of sodomy and of men wearing dresses in their industry, you should pay attention. There is increasing pressure being brought to bear on all men and women to encourage engaging in homosexual behavior, but an argument can be made that the pressure is more particularly directed toward men with brown skin. Web search dave chappelle dress conspiracy. I believe the most convincing reason for that bias is to leverage the scatological metaphor, just like I've demonstrated with chocolate.

This leveraging of the brown metaphor is being done with Obama. It's being done with UPS (Part 10 - The Sodomite Gateway - What can Brown do for you?) and it's been done by Lady Gaga and Madonna. I suspect that the primary reason why brown skinned performers appear with Madonna in her Like a Prayer video is because the song is about ritual sodomy and the brown supports the symbolism by adding one more layer. (Part 6 - The Sodomite Gateway - Madonna worships on her knees) There's a reason why the Shady Love video by Scissor Sisters features children wearing Obama and Madonna (from Like a Prayer era) masks. There's a reason why the cover of a Random House book for young readers titled, “Barack Obama: Out of Many, One” features him in the midst of so many sodomite cues. (Part 14 - The Sodomite Gateway - National Identity and Gov't School Agenda) Are the rumors of Obama involvement with homosexual lovers true? I can't say I have any evidence one way or the other beyond what the symbolism continually declares. Knowing how sodomy is the Illuminist's power base, it would be pretty naive to think he hasn't been ritually “enlightened.” Ditto Biden, Romney and Dubya, Hillary and Pilosi...

Saturday, June 23, 2012

Part 23 - 2012 London Olympics - London 2012 Festival ~ "The Voyage"

By Aaron Hermann

The London 2012 Festival is now fully underway with the completion of "The Big Concert" and several other events marking the beginning of the festival.  One of the other major events selected to kick off the festival that has captured my attention is the event called "The Voyage".

While "The Big Concert" and "The Voyage" are two separate and distinct events, they are both part of the bigger picture and speak to the overall aim of this festival and the mega-ritual opening ceremony of the Olympic Games.

The description of "The Voyage" provided by the official London 2012 Festival web site truly says it all:

"An enormous ship sails into the centre of Victoria Square, Birmingham, docking itself beside the city’s Town Hall. High above the people who gather to look at this marvel, dancers and aerialists appear in the ship’s rigging – the voyage begins.

Professional dancers and aerialists join forces with a huge amateur choir, live musicians and more than 140 community performers to transform the Square and tell the story. Watch the action unfold onboard the ship and be caught up in the atmosphere on the ground, where seagulls swoop and travelers prepare to embark on their journey. The ship sets sail, the Town Hall is transformed by spectacular projected imagery and the city’s skyline becomes a dream of undiscovered worlds."

If you happened to miss the most telling aspects of this description, I can assure you that the transformation of the square involved in telling the story that leads to observers being "caught up in the atmosphere" is most definitely not a good thing.  The entire atmospheric transformation serves as a means of magickal preparation needed to invoke and evoke the necessary supernatural forces needed for the transformation of those in attendance and participating in the event.

The transformation of the square sets the supernatural stage as necessary gateways are opened "and travelers are prepared to embark on their journey".  The question remains, where are these people being taken to?  We do not have to wait long for the answer. In the very next sentence we are told that the town square is transformed and "the city's skyline becomes a dream of undiscovered worlds".  Is it me, or does this entire event scream of a supernatural, magickal dimensional transport ritual?

Just in case you are not yet convinced, let’s take a look at two quotes given by critics on the official event page:

'The company blasts physical theatre into a new and triumphant dimension.' ~ The Sun Herald, Australia, on Legs On The Wall

'A fascinating experience... an assault on the sense, amazing.' ~ Manchester Evening News on Motionhouse

The NLP taking place in these two quotes is rather unmistakable.  The critic from The Sun Herald tells us that the company is blasting things into a new and triumphant dimension.  Sure, there is the plausible deniability option and you could believe that this is an innocent review of an innocent production.  You could even apply that same fallacious perspective to the critic who described the event as "an assault on the sense"; however, a rose by any other name is...well you get the point.

There may be some of you who remain unconvinced by the evidence presented thus far and while the official description of the event and the reviews of the event provide compelling evidence of the objective and intent of "The Voyage", the image for the event provides the most compelling evidence of all.

You will notice that the "V" in "The Voyage" is singled out for our attention and for a very specific and nefarious purpose.  You will also notice that "the" is written inside the "v" so it is pointing out that it is not just a "v" but THE "V".  The V in this image is that of the birthing canal of the goddess Isis, revered as the queen of Heaven.

Some will claim that the man hanging from the "v" is merely representing the nature of the theatrical presentation; however, those of us with eyes to see are aware of something far more being signaled here.  The "man" hanging from THE "V" is none other than the hybrid god-man Horus being birthed from Isis' womb.  The cable is the umbilical cord and lifeline from mother Isis to son Horus.

Also of great interest is the fact that the word voyage is marked at the halfway point by the front of the ship splitting the word in half and highlighting the "age" in voyage.  Those of you familiar with the work of the Vigilant Citizen and the Secret Arcana web sites will understand that this entire image is referring to what infamous British Satanist Aleister Crowley referred to as the Aeon of Horus!  

The entire London 2012 Festival, the subsequent mega-ritual opening ceremony of the Olympic Games, and the Games themselves are all part of the main agenda of ushering in the age of Antichrist...the Aeon of Horus.


The "V" in voyage is really "v" for vagina, Isis' birth canal. While the man hanging from "the v"is one depiction of the birthing and return of Horus, there is another depiction layered that must be addressed. The graphical depiction of the ship is also referencing the arrival of Horus as it leverages the idiom of one's "ship coming in". The ship itself is Horus, making his voyage to this dimension. The visible element of the animating force of any steamship are the smoke stacks. In this graphical representation, we see three smokestacks signaling the the triple-helix DNA nature of Horus' body.

You will notice that the ship is comprised of various pieces of luggage, which is yet another subtle layer of the depiction of Horus as one who is bringing his baggage with him. The baggage references the issues he has going back to the days of Noah when his beloved Nephilim siblings were purged from the face of the earth. Horus is making his dimesional voyage on the waves of the counter-flood coming forth, and he will most certainly be bringing all of his baggage with him.

By Aaron Hermann

Friday, June 22, 2012

Part 25 - The Sodomite Gateway - Rosetta Stones Yielding the Secret of the Masonic 33

As the Lord continues to open to me the secrets of Masonic symbolism, the sets of imagery now appear to me as a collection of esoteric Rosetta Stones, layered symbol sets that are useful for getting the redundant elements to yield their shared meaning. Warning: If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of sexual imagery, please give a similar consideration. This is material fit for the healthy and mature.

I'll demonstrate how sodomy can be said to be the Rosetta Stone of esoteric Freemasonry, Illuminated brotherhoods and secret societies by building upon several of the symbols I've already decoded to expose the meaning of the mystical number 33, the double-headed eagle and the trowel.

The number 33 has been researched extensively by many students over many years and assigned meanings in a wide variety of categories, and while I don't recall anyone connecting it with sodomy, it is, and the spell cloaking it has been potent indeed! Leveraging the graphic element representing the buttocks used in Dee's Monas Hieroglyphica, sodomy is pictured when two are arranged to position one behind the other. When rotated so the couple are facing left, this appears as the number 33.

Masonic pins, rings and pendants are Rosetta Stones in miniature, with those pictured here illustrating the sodomy message through the “anal triangle” (the portion of the perineal region surrounding the anus - see Part 23) with a 33 inside, the graphic of the engaged couple as a minimalist overhead view, facing left. In this collection of images, some of the other sodomy symbols layered in are the pucker-rays portal illumination and royalty. The triple-triangle establishes a “9” Beast triple-helix transformation element that matches to the black stone. The triangle inside a triangle seen in the pin may be a man-inside-man signal, similar to the pederast signaling spiral of the BLogo's pair.

The pendant pictured here identifies the 33 with squaring the circle placing it inside the square and compass, and at the same time, the squared circle letter G. It's another Rosetta Stone!

The collection (below) I titled Rosetta Stones of Masonic Secrets: 33 = SODOMY presents the glowing anal triangle that has already been established as the third eye enlightenment through ritual sodomy.

The 33 identified with the Insignia of the 33rd Degree of Scottish Rite Freemasonry is pictured inside a triangle that's positioned either central to the figure or up above the crown, like on the cover of Albert Pike's classic, Morals and Dogma.

The 33 inside the triangle is a legitimate substitute for the eye sometimes found inside because the message is equivalent, testifying of the sodomite gateway. It's also like the glowing eye on the pyramid of the Great Seal of the United States of America. Set above the crown, the glowing 33 triangle is as the crown chakra, lit up through the kundalini gland / pineal gland activation, the ritual sodomy referred to as the Key of David. This crown as a symbol of royalty represents the authority of Lucifer.

The Eagle has long been identified with Zeus, aka Lucifer. It is equivalent to the phoenix and a feathered serpent, and also signifies Apollo / Horus as the god-man, two natures in one, the fusion of the heavenly and the earthly. The sun yellow triangle with the 33 inside set centrally is the binding core between the dual natures as a kind of keystone of the arch, a cornerstone of the union that is unmistakably sodomy, without which this work does not exist.

What I am calling the Vitruvian Eagle is the double headed eagle. This pair of images is presented for comparison as equivalents. Titled, The Vitruvian Eagle of Freemasonry, this illustrates how Da Vinci's method of obfuscating the activity concealed and revealed in the Vitruvian Man drawing works just as effectively in the esoteric Double Headed Eagle. Da Vinci presented an image of what appears to be one man in two poses, with one head and torso and two sets of limbs. The eagle appears to be one bird with two heads. As I have already described in an earlier post, the Vitruvian Man is actually encoding two men, engaged in sodomy. The one in the passive role is in the female circle and the man in the active role is in the square, carefully not revealing that the secret of squaring the circle is sodomy. The double headed eagle is just like that but is revealing the secret of the 33, presented inside the anal triangle with the Luciferian light of the antichrist sun. If we were to change the perspective of these models by rotating out of the frontal view, the reality of one behind another would appear. If we were to take an overhead perspective on these two esoteric images, rotating then in another plane until the pair engaging in sodomy faced left, the outline of their buttocks would form the 33.

I subtitle that striking comparison, Two Become One in Sodomy. A 3 and 3 are joined together to form a 33. When the two numbers become a 33 it expresses a value greater than 6, the sum of 3+3, and greater than 9, the product. The 33 thus expresses the bonding of the individuals that is a supernatural binding, one that transcends anything natural. This bond is an essential feature leveraged by those who use ritual sodomy to accomplish their goals.

This is why we see two men at the top of the Steps of Freemasonry pyramid, both holding the banner bearing the image of the tools for squaring the circle with the squared circle letter G inside. These members had formerly been individual threes but through the ancient rites have attained the 33rd Degree, joined as one in becoming a 33. This is the hidden testimony of the Masonic 33, and why there is no higher numbering bestowed within the order. In becoming 33, you have fully arrived.

Understanding how the 33 represents the joining of two threes, we see how each individual as a 3 signifies the triple-helix DNA of the mark of the Beast body. Ritual sodomy and the mark of the Beast are closely linked, with the coming of the mark of the Beast being advanced over thousands of years through abusive ritual means. What is accomplished by ritual sodomy will soon be augmented and possibly completed through the mark. This is why the sodomy signaling is so pervasive and seeming to be found at the core of nearly every power structure sponsored by Satan.

There's an interesting comparison, the back of the one dollar bill and the Insignia of the 33rd Degree of Scottish Rite Freemasonry. How likely is it that the Federal Reserve and those behind the Great Seal are not in on the secret of 33?

What do you suppose Walt Disney had in mind when he made the members-only Club 33 at Disneyland? According to the introduction on an unofficial Club 33 site, Presidents of the United States, leaders of foreign nations, dignitaries, actors, and business leaders from around the world have all enjoyed the club.” Well, that does fits the profile.

This feature of the 33 testifies of the same essential dynamic as the red cross emblems, where two blood streams or lines and lives are joined at their intersection. The nature of the tie that binds the sodomites together is put on exhibit on this cigar box featured at right. The binding tie is the key to maintaining the secrets of their order, and the key to their ability to function in the secret power of lawlessness, the mystery of iniquity, the mysterion anomia of 2 Thessalonians 2:7.

Moreover, and as Austin Osman Spare found, bum sex both benumbs (which allows the subconscious to be accessed without the conscious mind interfering) and binds. If binding is required the penetration of the 'wand' must occur at an upward angle so as to impress the nerves at the end of the spine and produce flashes of white light in the very mind of the initiate (enlightenment).

Satanist Explains the Rites of Sodomy

The binding agent between bricks and stones in the construction trade is called mortar, mud. This provides a fundamental symbol and metaphor for the tie that binds the sodomite brothers together; the trowel. If you survey the images on the “Rosetta” cigar box, you'll find one in that set of messaging symbols, marked with a “G.” Works of masonry are built with stones and Freemasonry is built with living stones, comparing as a counterfeit to the Temple of God that is a spiritual house.

4 And coming to Him as to a living stone which has been rejected by men, but is choice and precious in the sight of God, 5 you also, as living stones, are being built up as a spiritual house for a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ.
1 Peter 2:4-5

The trowel is the tool used to apply the mortar that binds bricks and stones together. The Masonic trowel represents the work of ritual sodomy as their essential tool, worked to bind the living stones together for the offering up of spiritual sacrifices to their god, Lucifer. It's used for the application of mud between them, to use a relevant scatological metaphor.

The following declaration is featured on

... To Spread The Cement Of Brotherly Love And Affection, That Cement Which Unites Us Into One Sacred Band Or Society Of Brothers, Among Whom No Contention Should Ever Exist, But That Noble Emulation Of Who Can Best Work Or Best Agree ...

The Masonic Trowel

Freemasons use a special trowel in public dedication ceremonies where they set a cornerstone. This magickal working represents a binding of the brotherhood to their messiah, their god. This ritual work dedicates the construction project to their god with a demonic curse that claims it as his domain.

The trowel is seen in contexts of esoteric Masonic imagery with the redundant messaging of a Rosetta Stone, among symbols of like kind that make the interpretation pretty obvious.

Again, the essential element is sodomy, but with the trowel an emphasis is placed upon the keeping of the secret of this binding agency, apparently by means of physical force, a "concrete" sword, and by the sorcerer's "sword," words of magickal weaponry. According to the Council of Cryptic Masons: “Without the Royal and Select Master degrees, neither the Master Mason degree, nor the Royal Arch degree is complete. These two degrees account for the concealment and preservation of the treasures revealed to the candidate in the Royal Arch degree.” (York Rite - Nevada -- See also The Cryptic Degrees of the York Rite ) There is more concealed in the Cryptic Degrees and kept under guard beyond just sodomy, but that's as far as I go in this post.

What things I reveal in this series are well kept secrets. It's a big deal that the Lord should ordain this work of revealing in this hour! The number 33, the double-headed eagle, the trowel; these can now be added to your expanding vocabulary as you interpret the esoteric symbol language of the illuminated brotherhoods and the Lord reveals the meaning. Their Luciferian story of rebellion is unfolding all around us. They sit in the seat of power. Their season is drawing to a close, yet, what the sovereign Lord has ordained in granting that they should rule has not yet been brought to completion. Soon enough, their end will come. Until then, focus intently upon what the Lord has for you, personally. Pray and act as the Lord directs, engaging as the Lord Himself engages you, at times and in ways of His leading. In this, success is assured, and the Lord of Glory will show forth His favor upon those who love Him!

Thursday, June 21, 2012

Part 22 - 2012 London Olympics - London 2012 Festival - "The Big Concert"

by Aaron Hermann

The London 2012 Festival begins today, and it is safe to say that the ongoing ritual layering and magickal lead-up to the 2012 Olympic Games are being ramped up to a level not yet seen. The Festival Director Ruth MacKenzie provides several quotes in the Official London 2012 Festival Guide, and one of the most telling is when she says, " It is really important that everybody gets the chance to take part in the London 2012 Festival...We really want people to take part, to be creative themselves. With the Big Dance, for example, we hope five million people will join us in dancing all around the UK. This is the true spirit of the Cultural Olympiad – the formal name of the creative programme we have been running since 2008 with the help of 16 million people, building up to its finale, the London 2012 Festival."

Why is it that it is "really important" for everybody to participate in what is going on to promote these Olympic Games? Why is Ruth McKenzie and those whom she represents so adamant about wanting people to "take part" in the activities? I believe part of the answer lies within her own quote as she pointed out that "this is the true spirit of the Cultural Olympiad". The vast majority of the activities planned are interactive in nature, requiring those involved to participate in a fashion that more often than not requires physical exertion and an expenditure of energy.

Those who have designed these events in the service of the evil entities whom they serve are well aware of the massive energy needed to attend the mega-ritual event of the Opening Ceremony. The Cultural Olympiad that has been going on since 2008 has served as a means of harvesting and harnessing that needed energy through the participation of the willing and the ignorant. The London 2012 Festival is the final ramp-up and exponential acceleration of this ritual layering in preparation for the mega ritual Opening Ceremony taking place on July 27, the day known by Luciferians as the day of the Grand Climax.

It must be noted that the official opening of the London 2012 Festival begins on June 21, 2012 which occurs on the Summer Solstice. These days mean something and are of great import to those "in the know" that are responsible for orchestrating these events. This is ritual magick at its highest, and most lethal, form. Even the official guide proclaims the curse that is being levied against those participating in these events. The official guide on page 7 has the following:

The official opening event to mark the beginning of the London 2012 Festival is "The Big Concert". The concert features Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela. According to the official London 2012 Festival web site, The Big Concert features a full performance by the Simón Bolívar Symphony Orchestra with a special guest appearance by Big Noise. The Big Concert brings this charismatic conductor and his ebullient 200-strong orchestra to the Scottish community of Raploch, Stirling, where they will perform an outdoor concert set against the backdrop of Stirling Castle.

After reading this description of the event the first thing I did was investigate Gustavo Dudamel's official website, which had some interesting information about the exact nature of the program set to mark the official opening of the Festival.

"The programs feature Beethoven's iconic Symphony No. 3, "Eroica," as well as works by Britten, Benzecry, and Strauss. You can watch these performances live online from anywhere in the world via the Guardian." It is important to note the intent to attract, influence, and curse as many people as possible via the online option by broadcasting this event to a global audience. These folks know exactly what they are doing and they are quite good at it.

Beethoven's Symphony No.3, "Eroica", which means "heroic," was originally written for and dedicated to Napoleon Bonaparte, who was a clear and definitive model of Antichrist:

"Beethoven had originally conceived of dedicating the symphony to Napoleon Bonaparte. The biographer Maynard Solomon relates that Beethoven admired the ideals of the French Revolution, and viewed Napoleon as their embodiment. In the autumn the composer began to have second thoughts about that dedication. It would have deprived him of a fee that he would receive if he instead dedicated the symphony to Prince Franz Joseph Maximillian Lobkowitz. Nevertheless, he still gave the work the title of Bonaparte." ~ Wikipedia Quote

Knowing that Beethoven so admired the French Revolution that he was moved to dedicate it to the man whom he believed embodied that movement begs the question, "What exactly where the fundamental ideals of the French Revolution?" The answer is none too pretty:

"The French Revolution (French: Révolution française; 1789–1799), was a period of radical social and political upheaval in France that had a major impact on France and indeed all of Europe. The absolute monarchy that had ruled France for centuries collapsed in three years. French society underwent an epic transformation, as feudal, aristocratic and religious privileges evaporated under a sustained assault from radical left-wing political groups, masses on the streets, and peasants in the countryside. Old ideas about tradition and hierarchy – of monarchy, aristocracy, and religious authority – were abruptly overthrown by new Enlightenment principles of equality, citizenship and inalienable rights." Wikipedia Quote

Apparently Beethoven exalted the radical social and political upheaval leading to the absolute collapse of society and the overthrow of religious authority in lieu of humanistic philosophy. I believe that it says a great deal that this was the music chosen to celebrate the opening of the London 2012 Festival.

Beethoven's Symphony No. 3 contains other elements that further demonstrate the truly ominous nature of what is about to transpire tomorrow in Raploch. The Symphony is comprised of four movements and according to Wikipedia the first movement "like the rest of the piece, is characterized by remarkable harmonic and rhythmic tension due to dissonant chords and long passages of syncopated rhythm."

If you are not familiar with the techniques used in mind-control and programming, I will give you a hint and tell you that dissonant chords play a large role. Modern Rock music, which a large number of folks recognize as "evil" uses these very same dissonant chords and syncopated rhythms to achieve their mind-control aims.

"Also, the musical tones (chords) used along with those lyrics are dissonant in modern music, making certain automatic emotions happen in the mind that attaches to the lyric message. This can cause emotional stress in a person, which is "resolved" in a song's ending, with a "happy" message as the resolution of the song ... this IS how PROGRAMMING WORKS in most mind control victims." (How Mind Control Works in Rock Music)

Perhaps you have been taught that modern music is evil and bad, but classical music is good and pure. Wrong. If you are not yet convinced of the evil intent behind the music and its use in this opening event, please allow me to share with you a quote from Beethoven himself in regards to his views and thoughts about music and his role in delivering it to the masses.

"Music is a higher revelation than all wisdom and philosophy, it is the wine of a new procreation, and I am Bacchus who presses out this glorious wine for men and makes them drunk with the spirit."
-- Ludwig van Beethoven, quoted in Marion M Scott, Beethoven (1934)

The official Festival guide lists this event as "The transformative power of music". In light of the aforementioned insight into the music chosen for the event, what do you think they mean when they use the word transformative? Of this I can assure you, nothing good! The fact that the listing of this event is featured on page 69 of the official guide is certainly no coincidence. The listing of this event on page 69 further informs us of the intended transformation that they have in mind, which is the triple-helix DNA modification of God's created Adamic-Mankind. Adamic-Mankind possesses 46 chromosomes within the double-helix DNA formation, the addition of 23 extra chromosomes provided by the third strand of DNA forever transforms Adamic-Mankind into Satanic-Mankind with a triple-helix DNA structure containing 69 chromosomes!

Along with the date and the music chosen for the event, the location is of specific interest and I believe is the most revealing of all of the elements. Like me, you may be wondering why the London 2012 Festival chose Raploch, Stirling and the backdrop of Stirling castle as the locale for this event. For those of you unaware, Stirling was the location where England suffered a humiliating defeat at the hands of William Wallace in 1297. Rather odd that this was the location selected to mark the event of the London Festival, no?

I was a bit confused at first myself, until I visited the official Raploch web site and found this piece of information:

The first mention of the place known as Raploch was recorded during the reign of James I in the 15th century. The site had witnessed several notable moments in Scottish history, the most significant on 11 September 1297, when a Scottish army, led by William Wallace and Andrew Moray, defeated the English army led by the Earl of Surrey at Stirling Bridge.

The site chosen for "The Big Concert" has "several notable" moments, but the most significant occurred on September 11, 1297. Yes, another 9-11 signal! It is also worth noting that 1297 is 715 years from 2012, which is a "13" signal of "7+1+5=13". William Wallace led a revolution against English authority, and is yet another piece of "The Big Concert" puzzle that reveals an intense undercurrent of revolution and upheaval.

There is yet one more insidious layer to all of this that must be addressed. For those of you who have been following the blog you will be familiar with the topic of disembowelment and its relation to mind-control and SRA/DID programming. The story of William Wallace is one with a gruesome end, and one that goes far beyond coincidence in light of the entire context of date, music, and location coming together to mark the opening of the London 2012 Festival.

In accordance with the predetermined result of the case, Wallace was found guilty and condemned to death with the sentence being carried out on the same day in the most inhumane way possible. He was dragged through the streets of London to a gallows erected in Elms in Smithfield. Where after being hanged for a short time he was taken down still breathing and his bowels torn out and burned. His head was then struck off, and his body divided into quarters, the punishment known as 'hanged, drawn and quartered'. His head was placed on a pole on London Bridge, his right arm above the bridge in Newcastle, his left arm was sent to Berwick, his right foot and limb to Perth and his left quarter to Aberdeen where it was buried in what is now the wall at St. Machars Cathedral. He bore his fate with a magnanimity that secured the admiration even of his enemies, and his name will be held in everlasting honor by the truehearted friends of freedom in every age and country. ~ William Wallace

The Big Concert will be transformative power of music indeed, and they will most certainly be making a "Big Noise"; however, when confronted with the question of what kind of transformation and what kind of noise I must offer the same conclusion previously put forth. Nothing good!

by Aaron Hermann

Wednesday, June 20, 2012

Part 21 - 2012 London Olympics - Neo-Solomon's Temple - Under Construction?

While this series isn't intended to resemble a one-stop shop with a cataloging of all things Occult London 2012 Olympics, I wanted to feature a couple videos that recently came to my attention.

[video] Necrolympics: Tales from the Occult Olympics (Clyde Lewis - Ground Zero Media)

There's a lot of interesting items covered there!

The next one covers some noteworthy items on the theme of Zion and Zion's Temple!

[video] London 2012 Olympics Warning 2

The first one item addressed from 2 Chronicles speaks to me of a lot of effort going into the official matching these numbers to magickally link it to the building of the Temple.

2 Now Solomon decided to build a house for the name of the Lord and a royal palace for himself. 2 So Solomon assigned 70,000 men to carry loads and 80,000 men to quarry stone in the mountains and 3,600 to supervise them.
2 Chronicles 2:1-2

  • 70,000 men to carry loads ~ Olympic volunteers, carrying the burden of labor
  • 80,000 men to quarry stone in the mountains ~ Olympic Stadium capacity - seated on the hillsides overlooking the UK countryside laid out on the stadium floor - living stones (1 Peter 2:5)
  • 3,600 to supervise them ~ Olympic Village - # apartments housing athletes and support personnel including chaperones. There 3000 chaperones just for monitoring for doping. (NHS volunteer gains Olympic chaperone role)

I think when the ritual sacrifice of the award ceremonies takes place, which I mentioned in Part 20, the three metallic medals that will be awarded according to custom are intended relate to the verse offered.

Take ye from among you an offering unto the Lord: whosoever is of a willing heart, let him bring it, an offering of the Lord; gold, and silver, and brass,
Exodus 35:5

Several verses later, we read the following.

20 And all the congregation of the children of Israel departed from the presence of Moses. 21 And they came, every one whose heart stirred him up, and every one whom his spirit made willing, and they brought the Lord's offering to the work of the tabernacle of the congregation, and for all his service, and for the holy garments. 22 And they came, both men and women, as many as were willing hearted, and brought bracelets, and earrings, and rings, and tablets, all jewels of gold: and every man that offered an offering of gold unto the Lord.
Exodus 35:20-22

Even from the words of the Olympic Hymn (“Shine in a roseate hue and form a vast temple. To which all nations throng to adore thee.”), the IOC's intent to establish a temple for Zeus is apparent, which they do by means of the Olympian Sun-lit torch and cauldron. The presentation of the medals to the athletes is more than a tribute to the athletes who wear them, or even the national entities they represent. The tribute extends primarily to the god the games are held to honor, Zeus. The tributes brought to the ritual podium-altar of sacrifice are offerings to Zeus; certainly the gold, the silver and the bronze, but also what is most important, the athletes themselves and all the effort and resources that were sacrificed for the sake of that competitive event. It must be said that such participants have been caught in this diabolical snare by their pride, personal and national. Any participants who claim to honor Jesus Christ while giving honor to Zeus have been deceived. As my buddy Aaron likes to say, there is no right way to do a wrong thing. Giving honor to Zeus, no matter what kind of spin you give it, is still idolatry.

When the video presents video coverage of the most recent Royal wedding (29 April 2011) we hear them singing William Blake's poem, “And Did Those Feet in Ancient Times,” also known as “Jerusalem.” If we can accept what continues to be signaled, the goal of those in authority in the UK and everyone else throwing their weight behind the Olympics is to establish in England's green and pleasant land a form of Jerusalem. This is absolutely counter to what work my Lord is doing, which will result in a New Jerusalem related to the bride, the wife of the Lamb. That will come down out of heaven from God (Revelation 21) but a counterfeit is apparently being brought forth through a magickal work.

A claim is made in the video that the opening ceremony is set for mere minutes after the start of a day on the Jewish calendar called Tisha B'Av, a day that has a notably relevant history and which is generally observed with sober fasting. I can't verify the legitimacy of that claim, noting that by popular accounting it doesn't begin until the next evening, and under Karaite reckoning probably even a day later. Even still, that's a very noteworthy observation to make and a day to be on a watchman's schedule. Solomon's Temple, built on Mt. Zion, was destroyed on that day (~ 586 BC), which has a magickal link to the Olympics and their ceremonies if we accept a reality underlying what is being signaled. It's also when the next Temple was destroyed, built under the Ezra and Nehemiah and remodeled under Herod's rule. Also, that's the same day on the annual cycle when, following the exodus from Egypt, the report of those who had spied out the promised land was presented. The Israelites made a bad choice and suffered the consequences, being denied entrance by reason of their lack of faith in their God.

A temple will be established, according to a sure word of prophecy, and it may be that, perhaps by some quantum entanglement, which I've noted in this blog series, this ominous magickal working in London is ordained to result in a temple on Mt. Zion. The working may be for a Shiva kind of creation paired with a destruction. A temple must be brought forth according to the following passage.

3 “Behold, I am going to send My messenger, and he will clear the way before Me. And the Lord, whom you seek, will suddenly come to His temple; and the messenger of the covenant, in whom you delight, behold, He is coming,” says the Lord of hosts. 2 “But who can endure the day of His coming? And who can stand when He appears? For He is like a refiner’s fire and like fullers’ soap. 3 He will sit as a smelter and purifier of silver, and He will purify the sons of Levi and refine them like gold and silver, so that they may present to the Lord offerings in righteousness. 4 Then the offering of Judah and Jerusalem will be pleasing to the Lord as in the days of old and as in former years. 5 “Then I will draw near to you for judgment; and I will be a swift witness against the sorcerers and against the adulterers and against those who swear falsely, and against those who oppress the wage earner in his wages, the widow and the orphan, and those who turn aside the alien and do not fear Me,” says the Lord of hosts.
Malachi 3:1-5

“The Lord, whom you seek” is not the Lord Y'shua, who died and was raised on the third day. This one must come first, and his temple will be established after the sons of Levi have already been refined and offerings will be pleasing to the Lord Y'shua, presented in righteousness!

Wednesday, June 13, 2012

Shady Love - Ritual Abuse Flaunted as Pop Music Video

The music video, Shady Love by Scissor Sisters vs Krystal Pepsy, is a flaunting of the ritual abuse of trauma-based mind-control programming, masquerading as a pop music video. I first introduced it here in the context of ritual sodomy: Part 14 - The Sodomite Gateway - National Identity and Gov't School Agenda. I more recently referenced it in, Part 19 - 2012 London Olympics - Bloody Guts Death Ritual Magick, where it was offered as a companion witness to the ritual disembowelment designed into the 2012 London Olympic ceremonial dress. This sick video is worthy of a more explicit exposure in the interest of turning about what the devil intends for evil.

11 Do not participate in the unfruitful deeds of darkness, but instead even expose them; 12 for it is disgraceful even to speak of the things which are done by them in secret. 13 But all things become visible when they are exposed by the light, for everything that becomes visible is light. 14 For this reason it says, “ Awake, sleeper, and arise from the dead, and Christ will shine on you.”
Ephesians 5:11-14

If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of graphic violence or sexual imagery, please give a similar consideration. This is adult material.

While it may be unlikely that most of you reading here would encounter this video in the course of your customary activity, this work of exposure can help you and any others you might share this with to WAKE UP to what's really happening in the world. Like smelling salts. Remember them? I sure do! Some of us need spiritual smelling salts. Satanic Ritual Abuse is not a distant activity as one that is only remotely relevant. Those folks who sold you groceries yesterday, they may be involved. The staff at the medical center you last visited may be involved, or the last church you attended. Your children's teachers and coaches may be involved, and your friends and neighbors. Maybe even your spouse - and you wouldn't even know it. Mine was, and I didn't, until the Lord finally put me on to the harsh truth many years after she divorced me and went back to her handler.

Yes, this is personal for me. This will always be close to me, and I praise the Lord for His mercy and grace that allowed me to endure and come to this day where I can minister in His strength from a place of experience. Whole and vital. I have been a victim as the targeted prey of a chosen one, just as you yourself may be, but now I am helped and can participate in bringing His help - and I am so grateful!

In this season, the Lord is arming us for victory in coming engagements by showing us openly what's been going on in plain sight but which has been cloaked with a spell. He is freeing us and arming us, preparing warriors with supernatural defence and weapons of warfare that are not carnal. This is not to be feared because perfect love casts out fear. The love of my God is perfect. His is no shady love. Shady Love is doomed. Revelation 19

Why are the nations in an uproar and the peoples devising a vain thing? 2 The kings of the earth take their stand and the rulers take counsel together against the Lord and against His Anointed, saying, 3 “Let us tear their fetters apart and cast away their cords from us!” 4 He who sits in the heavens laughs, the Lord scoffs at them. 5 Then He will speak to them in His anger and terrify them in His fury, saying, 6 “But as for Me, I have installed My King upon Zion, My holy mountain.”
Psalm 2:1-6

Shady Love features a mock-school stage production with a boy slashing another boy's abdomen with a sword. When the victim's guts spill out, the girls step in and pull out his bloody intestines. The red scarf that spurts out before the sword is swung affords those associated with the video a small degree of plausible deniability in the face of any accusation that it's presenting disembowelment in the context of ritual sacrifice for the purposes of making super-soldier slaves of children. Let's reduce that to ZERO degrees.

One of the song's verses contains the following lyric.

When the victim flips and dead from the beat don't stop
My tease, your tease, he sneeze
I pop, I cork, he gets phased, and desert cheat

(Occult Popagenda - Shady Love)

What does this cryptic language mean? It's not necessary to go line by line and word by word to destroy any suspicion that it might not be what I propose it is. Here's a quote from The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler.

“Courier Pigeon -- Alters (In Illuminati systems--these are Delta-Beta alters). “FLOCK” --word meaning the stable of carrier pigeons of DIA To turn a Genie free, pop a cork: “TURN YOUR GENIE FREE...POP A CORK.” An internal controller must activate the umbrella or genie bottle pop the cork program to release a delta or delta-beta alter. ”

I pop, I cork” Pop a cork. The programming is Delta, creating an assassin alter. The victim disemboweled is not merely symbolically killed but actually, in reality, sacrificed. The DIA is the Defense Intelligence Agency. A sneeze is also a signal. See NSA Mind Control and Psyops by Will Filer. The umbrella program is a locking mechanism. The lyrics of the song signal messages in coded programming language. The video scenes dramatize some of the common activity during programming. This is being presented right out in the public domain, right? It's hard to look at for what it represents, but let's pray for grace. Lord help us see what You would have us see and equip us for Your work. In Y'shua's holy name I pray.

As the video begins, count the people filing in to see the show. Count those you see in the audience. There are twelve, exactly. Including you as one more observer, that makes 13. This is a coven. This is witchcraft and they intend to magickally involve you as the viewer. This is a ceremonial ritual with a gallery of witnesses, mostly family and friends.

Notice the brick wall in the shadows as they file in. This work of masonry is a subtle but common signal identifying the works of Freemasonry. Have you seen Bimbo's Initiation? If you really see that for what it is, you won't be likely to forget any time soon! What you see in Shady Love might be happening when your local lodge meets in your neighborhood. The numbers of children either raised for this purpose or kidnapped and trafficked for ritual sacrifice and slave creation is not small. It takes a lot of high level men and women in government to run this activity in secrecy, in every arm. It's a massive conspiracy, and secret societies are involved throughout. Watch Bimbo's Initiation. Watch Shady Love. See the brick wall. Do you get it?

Did you read the sign at the theater entry? Did it say Northwest? Look more closely. Most will read it as Northwest because there is no familiar exact match to what's written on the sign, and our brain automatically "corrects" it without effort or even logging the correction. What else did our minds do without registering consciously? Having been subtly engaged in the unscrambling and reassembly process, our minds assessed the context for meaning to supply likely interpretations. Now, with conscious effort, we can reflect on what we were presented with. We saw in this video a focus on sodomy but also on disembowelment. The intestines are part of the GI tract, the gastrointestinal tract, which the Masons make frequent reference to in their iconic imagery. This part of our anatomy is also part of what's called the alimentary canal. Study the sign and think about it.

elementary ~ alimentary
lake ~ canal

Shady Love takes us to school with lessons on anatomy and the cruel perversion related to it.

The victim of what is called the Key of David or Rothschild Sodomy experiences flashes of white light. The flashing lights during the video are signaling this third eye activation as by means of what is called in Tantric sex the Kundalini gland.

The song title, Shady Love, references the shadow realm, that which doesn't dwell in the light of The Truth, and those who pursue it with a passion. Shadows. Darkness. Consider the vampire series and movie, Dark Shadows, and the Wiccan Book of Shadows, etc. Witchcraft, the dark arts of sorcery and enchantments. Shady Love is also a reference to sodomy as the act of "lovemaking" that involves the shady place "where the sun don't shine."

A hidden valley is a shady place, in crude vernacular, a butt crack, and a symbol that may be leveraged by those who cast spells through such as found in this example. A classy looking logo for a ski resort seems innocent enough, right? Well, here's the H for Horus, getting a ride on the backside of the V, a delta representing the daughters of men. There's some shady love in the hidden valley.

Ritual sodomy is featured in the Shady Love lyric, “Give me your bum and I hop off the whip.” In the choreographed routine you see the girls lined up on stage, making motions suggestive of being sodomized and of carousel programming, while the boys are lined up behind them making whipping motions. Ritual abuse, torture and sodomy, for programming. The children performing are adolescents around the age of puberty but the abuse of the programming begins much earlier, usually around the age of 3. If that doesn't offend and shock, you're either still asleep or completely numb and detached, like the rest of the gallery. Reach for the smelling salts.

The devil is bad! But my God is good. He is both sovereign and just, and His plan is working and will work, perfectly, to completion!

Tuesday, June 12, 2012

Part 20 - 2012 London Olympics - Decoding the Costume, Podium and Bouquet Design Scene

This post augments the previous one as I decode the Olympic ceremonial costume awards ritual. It should become obvious that Illuminati trauma-based mind-control programming is fully in play. Warning: If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of graphic violence or sexual imagery, please give a similar consideration. This is adult material.

The official Olympic photo and promo I'm referencing is found here: Podiums, costumes and flowers for Victory Ceremonies unveiled - “London 2012 have unveiled the key items that will be used across the 805 Victory Ceremonies at the Olympic and Paralympic Games.

Typical of much of the UK Olympic style, the scene looks unstaged, unprofessional, even casually sloppy. Wires are visible, run in a messy fashion as if we're in the studio interrupting their work and can't take the time to set up the scene for a nice shot. A picture appears like it might be askew. Yet, make note: This serves a purpose. This scene most certainly was staged, but your guard is dropped and the messages of the embedded symbols transmit and imprint.

I already pointed out how the dress with the red scarf is the basis for a symbolic ritual sacrifice, with the red scarf as bloody intestines and the open zippers as slashes in the abdomen. According to the official explanation: “The costumes were inspired by London and its architecture, British heritage, as well as Greek mythology.” Human sacrifice was not unknown in British heritage. There's the Celtic / Druidic wicker man, for one example. Neither was it unknown in the worship of the gods of Mt. Olympus. London's architecture is identified with torture and death, the Tower of London and the iconic bridge of that name. This hints at what must be more than mere inspiration for costume and podium design. It should at least mentioned be here that suicide programs are programmed into multiples that can be triggered when their missions have been completed or their usefulness has passed, of which kind is one called Disembowelment, according to Fritz Springmeier and Cisco Wheeler.

Now, have you considered why we're not just shown real people actually modeling the clothes? Why mannequins? The mannequins should be a very familiar prop to those who have been following the Vigilant Citizen blog for any length of time, with possibly hundreds of examples illustrating the dissociated identities created through the trauma of Satanic Ritual Abuse. A seemingly endless array of fashion shoots and pop videos present the victims of abuse and their alter identities using lifeless representations of people that include mannequins, dolls, robots, puppets, stuffed animals, masks and shadows. A celebrity is pictured next to a doll or mannequin signalling mind control, alter personalities and dissociation. What's illustrated is the issue of control over the body and the ability to influence one's own condition and situation by their will. The two pictured are one in body but separate as distinctly compartmentalized identities. In this image there are three people represented, multiples, in the terminology of trauma-based programming, each as an animated person who is the alter presently manifesting and living out the programmed life, and each is also a helpless slave. See the black hat on the manniquin with the bloody guts? That's not really a hat. It's a mask that belongs to her alter. Hats have chin straps, but this strap goes behind the head like a mask. The black mask identifies the mannequin as the dissociated identity of the witch alter in black standing next to her.

On that same theme, the picture on the right is a disembodied head, dissociated. Somebody lost their head and mind and will and ability to control, which happens during trauma when dissociation is triggered. This is another common element in Illuminati mind-control imagery. If you have seen the old cartoon Bimbo's Initiation, this same symbol appears when the head of Bimbo's shadow is separated from the body.

In the costume scene, the very gay looking male mannequin has a purple hanky sticking out of his pocket that forms a Greek letter delta (dalet in Hebrew), the symbol of a portal. The purple portal is a reference to the anus and sodomy, familiar, if you've been attentive to the sodomite gateway series roughly concurrent with this one. Connect the dots. Ritual sodomy is the essential element in creating mind-controlled slaves. The purple costumes identify the wearers with ritual sodomy. They are multiples, mind controlled victims and handlers enlisted into the growing army of the Illuminated Zeus worshiping elite.

The homosexual theme identified with purple is really evident in this official photo shoot. The girl on the right wears a feline print smock. That signals Beta or sex kitten alter programming. Where is her right hand? It's on the manniquin's bum and she wears a sly grin. See how the woman in black is leaning into the manniquin? There's enough distance between them for a degree of plausible deniability, but the breast-to-elbow proximity and the unusual angling of the mannequin's hand is more than a little suggestive of a lesbian relationship. This, beyond merely a slick promotion of homosexual agenda, witnesses to the fallen angel nature behind it, which is here subtly being advanced through the occult symbolism of ritual abuse, sodomy, torture and death! There's evil genius at work here! It may look like an amateur set but it's high level Illuminati witchcraft.

Ritual magick will be practiced during the awards ceremony when the medalists appear on the specially designed podiums, with their royal purple color, gold highlights and dynamic lines. The podium is the altar where the rituals are performed. The pleating of this design creates a purple pucker, associating it with the missing “glowing eye capstone” ring of the Olympic Rings pyramid. If that makes sense, you've probably been following this blog pretty closely for a while, and you may also perceive in the scene in the lower left of this set of images how the guy in the center is identified as being third eye illuminated through ritual sodomy.

These rituals might be called ZRA, Zeus Ritual Abuse as a substitution for the SRA acronym of Satanic Ritual Abuse.

This ritual magick will include the leveraging of elements familiar to practicing witches.

“The flower bouquets were designed by Jane Packer, an internationally renowned UK florist, and represent the vibrancy of the Games. They include the iconic British flower, the rose, and a selection of traditional herbs which together create an unusual fragrant mix.” (Podiums, costumes and flowers for Victory Ceremonies unveiled)

The herbs are mint, rosemary, English lavender and wheat.

NLP: Vibrancy - vibration - resonance of structures including DNA - brainwaves ... In the words of Caliban, the son of the devil and an evil witch whose words are inscribed on the Olympic bell: “Be not afeard; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not” The stadium's giant bell enchantment is augmented by the pharmakeia, the sorcery of herbs as used by witches for spells and rituals for thousands of years. I am calling the “hurt not” part a lie from the Father of Lies himself. The ritual magic clearly intended for the Olympic ceremony will do nothing but bring targeted curses that bind and control upon the unwary and helpless.

It may seem obvious now how their intent is to further extend and magnify the ritual magick modeling Caliban's magickal isle's atmosphere. It was announced just today that there will even be some very special clouds! See Olympic opening ceremony will recreate countryside with real animals.

Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.

Caliban - The Tempest - Shakespeare (Bacon)

Yeah. This is pretty over the top OMINOUS when you sum it all up!

The numbers for everything related to the Olympics including the opening ceremony appear to symbolic and actual magickal ritual. The 3 hour long ceremony, for example is the essential resurrection number three, and a hidden 666 with 60 minutes in an hour and a 9 as 180 minutes = 1+8+0, the single digit equivalent to 666. The number of podium awards ritual ceremonies during the 2012 London Olympics and the Paralympics is given as 805, a very interesting number.

The number identified with the beast of Revelation 13.

The number factors as 805=5x7x23
I discovered this feature just after I had been directed by the Lord to research out the number linked to the Skull and Bones society, 322.


When I discovered how 805 was related to 322 through the common factor 7x23 I knew there was a link and some insight to be had by connecting some dots. I could go on at length about this, how the skull and bones is a symbol of the beast just like the number 13, the 7x23 signaling perfect DNA, and so on, but I'll leave that up to you according to your interest.

The last item I want to mention about the ceremonial costume scene is the signaling of 3 things and a 4th (comparing to the “West-Side Gang” hand signal) which I mention pretty regularly as an important cryptic time signal. The males are numbered 3 and 4 in a count from left to right.

I decided to decode the Shady Love video that is so closely related to the scene featured here in a separate post, Lord willing, and not part of this series because it's peripheral to the Olympics and just as closely related to the Sodomite Gateway series.