Wednesday, October 02, 2013

Part 34 - Code 33 - MGM, Lion Kings

Like I mentioned in Part 1, it was an observation Aaron made about MGM that led to my interest in making a more comprehensive survey of the Occult code signaling the number 33. MGM is 13+7+13 = Code 33!

The influence this brand has had on the world through films and with resort hotels is enormous, comparing on many levels to Disney Studios, which I've given plenty of attention to on this blog in the context of mind-control programming. There is programming of the masses and of individuals (slaves with handlers and Illuminati programmers) in view. A list of their films includes the mind control standard, the Wizard of Oz and another standard, Singin' in the Rain (See posts in Sodomite Gateway Series). Others include Gone with the Wind, Rainman, the James Bond franchise, the Rocky (Stallone) franchise, Ben Hur, West Side Story, Doctor Zhivago, Stargate, 2001: A Space Odyssey (Stanley Kubrick), Around the World in 80 Days (Jules Verne), One Flew Over the Cuckoo's Nest, Hannibal, Carrie, Apocalypse Now, Red Dawn (1984), The Birdcage (hugely popular in LGBT community) and many more.

The MGM studios had long been located in Culver City. CC=33. The studio was born as Triangle Pictures in 1915. With the triangle as a 3, the 3P is a 3*11 transformation to 33. In 1924 the studio became Metro Goldwyn Mayer, and this was for a long time the most powerful studio in Hollywood. The MGM empire has been bought out and parceled out, but the entity flying that banner exists now in a skyscraper in Century City. Right, another CC.

The MGM branding is now primarily associated with hotels. The famed MGM Grand Hotel And Casino in Las Vegas features another CC, the Children's Choice Learning Center. It's a day care facility, probably supporting the facility's staff. (Day Care, which is the usual term for having others raise your children, is a DC sex magick “Isis + Osiris” signal, as featured in the related series about signs of Horus worship. )

The MGM Grand hosts a Studio 54, a disco persisting the legacy of the celebrity club in NYC I featured in Part 8 - Signs of Horus Worship - Studio ~ Stud IO.

I'll decode some of the relevant brand imagery of MGM here but first there's some very important history that should be spotlighted. While it won't come as a shock to those of you who have become aware of the nature of the world as I've been putting on exhibit, during the 30s MGM was acting in collusion with Hitler and the Nazi party.

(Hollywood helped Adolf Hitler with Nazi propaganda drive, academic claims) - Historian Ben Urwand says he has cache of documents that prove Tinseltown enthusiastically cooperated with Nazis' global propaganda effort

“Hollywood is not just collaborating with Nazi Germany,” Urwand told the New York Times. “It’s also collaborating with Adolf Hitler, the person and human being.”

Urwand, reportedly a folk musician from Australia who has become a member of the Society of Fellows at Harvard, said his interest was first aroused as a student in California when he read an interview with the screenwriter Budd Schulberg referring to meetings between the MGM boss Louis Mayer and a representative of the Nazi regime to discuss cuts to his studio's films.

The book describes many Jewish studio bosses not only censoring films to suit the regime, but also producing material that could be inserted into German propaganda films and even financing German weapons manufacturing. The collaboration of Hollywood with the regime began in 1930, says Urwand, when Carl Laemmle Jr of Universal Studios agreed major cuts to the First World War film All Quiet On The Western Front after riots in Germany instigated by the Nazi party.

“I would say there were a few shocking moments, probably starting with the document I discovered in the National Archives in Washington which explained how MGM was insulating its profits,” Urwand told the Times of London.

“There was a law in Germany that foreign businesses couldn't export currency. They made an exception for MGM because they were financing the production of German armaments.”

MGM's and other Hollywood moguls (and those of other industries, like Henry Ford) publicly supported the war against Nazi Germany but the documented facts tell another story, that higher agendas were being served by their duplicity.

Check out some Ford branding from back in the day.

(Book description on - The Collaboration: Hollywood's Pact with Hitler - by Ben Urwand)

To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.

At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly.

Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history.

The revelation of such controversial relationships in today's world hardly seems to make a splash, but not that long ago it might well have created some backlash with considerable impact.

('The Collaboration: Hollywood's Pact With Hitler' Details Negotiations Between American Movie Industry, Nazi Germany)

The book [The Collaboration] is at least the second release this year that documents the negotiations between Hollywood and Adolph Hitler's camp. Released in April, Thomas Doherty's "Hollywood and Hitler, 1933-1939" was a well-received exploration of the same topic.

The idea of such a collaboration flies in the face of the customary spin put on WWII, that of the hatred of and complete domination of Arian over Jew. The racial aspect is certainly the key dynamic, where the Nachash “tree” family and family tree works to replace the sovereign Lord God's, but the historical facts bear witness to how a deception was employed in a more complex scheme to accomplish that objective. There really is a conspiracy at the top levels, where the Horus worshiping Illuminated brotherhoods are supra-national, manipulating the masses as in a theater like puppeteers hidden offstage. This becomes all too obvious as the common meaning of their imagery is recognized and accepted. They all worship Horus and the collusion of such entities in apparent conflict is continuing to bring the world into subjection.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider moving on.

Below is their classic brand imagery, familiar to multiplied millions around the world. If you've followed this blog for a while you'll probably recognize the Horus Eye, with that golden circle of film that frames the lion as the sodomite golden sun-anus. The sphincter is pictured by the film's sprocket holes, an interpretation validated by the lion inside that alludes to the Sphinx. The shape of the Greek drama mask's mouth is a heart, a symbolic opening that is not the mouth but rather the other end of the GI tract. The mask is framed by leafy branches as another symbol of the sphincter, providing redundancy. The leafy branch wreath is a traditional sign of Apollo. The appearance of the registered trademark in this version adds to the two eyes of the mask to make the third eye, a Horus Eye.

The official motto, “Ars Gratia Artis,” is usually interpreted as Latin for, “Art for art's sake,” or, “Art for the sake of Art.” I won't dispute that, but there's more to it than that! This is all about the Occult, the magical arts that give favor to the gods, just like those arts that attend the sporting events of the Olympics.

Consider another meaning of “Ars Gratia Artis” that fits the visual imagery perfectly.

ars - Wiktionary: Old Saxon:the arse; the buttocks or anus

The word is pronounced, arse. Yes, really. In Latin, “gratia” means, “favor, gratitude.” “Artis” is the genitive of “ars.” Look at the MGM logo. Make sense now? This is all about the Occult magical arts that honor and seek the favor of the sodomite gods.

See how their branding has embraced ancient Egypt and the sphinx. Below is the MGM Grand entrance in Las Vegas, circa 1996.

The heads of the gods seen there are as seen on Easter Island, and they don't fit the classical Egyptian motif but the idols do represent and honor the sodomite sun god. Recent archaeological excavations have literally uncovered the giant bodies attached to the heads of the Easter Island idols. They were buried up to their necks. This speaks to me that, like Steve Quayle is fond of saying, what's hidden under ground is more important than what's above, what's unseen, compared to what's seen. What's under such monuments as the Sphinx and pyramids has been hidden, but not for much longer.

I want to put more of the links between MGM and the worship of the sun god on exhibit that touch on major themes of Code 33 that have been developed in this series.

MGM used to brag that the studio had "More stars than there are in the heavens." Star is a metaphor for angel, and they knew very well there was more truth to their statement than the general public could accept, who simply considered the impressive stable of actors and actresses under contract with the studio. The fallen angels were well represented in their idol images and in the agents of their organization.

MGM featured the separated Trade Mark identification in their classic imagery like Heineken did with their big star (see Part 30).

That adds another Code 33 layer (TM ~ 20+13=33) and also what speaks to me of relevant subjects in the book of Revelation.

Trade: Babylon the Great City - Revelation 18. (Hermes-Mercury)
Mark: of the beast - Revelation 13:18. (Horus-Apollo)
Trademark: The fruit of the woman riding the beast: Revelation 17:3 (Hermes facilitating Horus)

The MGM identity speaks of the “star” of Hollywood and Horus beast very particularly. MGM as the combination of a 13, a 7, and another 13 has the combined meanings of the numbers. The 13 of the rebel lord beast is emphasized, and the 7 is connected to Apollo aka Horus. They are one, of course. The union of 3-Osiris and 4-Isis is 5-Horus, as I have begun to repeat rather frequently. While the 3 and 4 produce 5 in the esoteric context of the Pythagorean triple and 47th Problem of Euclid, their sum is 7. Horus is the image of the 5, and also 7.

The MGM Grand in Las Vegas has a form of a pyramid, not like the nearby Luxor version but with steps, and with the shape of the cross that can be seen from overhead. It's the mark of the sun god. The place is a temple, literally.

The MGM lion is also Horus. The sphinx, seen by some as a guardian of the great pyramid, is an ancient Horus image. There's a reason why the lions appear as “the” royal family's icons and on the obelisk at the Vatican, with the equivalent eagle.

The lion of MGM is typically given the name of Leo. Technically, several lions have been the models for MGM, with various names, but Leo is the usual name given. Leo is a constellation of the zodiac, and the fifth in sequence. 5-Horus. Genesis 49 links the lion to Judah and the messiah's return in judgment, in a prophecy I'm personally very familiar with because that was my entrance point into this end-time ministration! I believe the Horus incarnation as the antichrist beast of Revelation 13:1 is in view.

The lion is a character in the MGM classic film, The Wizard of Oz. It's is an obfuscation of The Wizard of On, (search the blog for more on that) and the lion is a distinct picture of the sun god, linked historically to Helios, Apollo, Ra-Hoor-Khuit and Horus. Lion. King of the forest, royalty, the sovereign.

“The Lion King” is Disney's homage to the returning sun god Horus.

MGM Grand ~ gRAnd

The logo, which features Leo the Lion, was created by Dietz in 1916 for Goldwyn Pictures and updated in 1924 for MGM's use. Dietz based the logo on his alma mater's mascot—the Columbia University lion. Originally silent, the sound of Leo the Lion's roar was added to films for the first time in August 1928.”(Wikipedia)

Be of sober spirit, be on the alert. Your adversary, the devil, prowls around like a roaring lion, seeking someone to devour. ~ 1 Peter 5:8

Louis B. Mayer has been referred to as the lion of Hollywood. As you may recall, the name “Louis” means, “warrior.” Fitting.

In closing, here's an expansion of the passage of scripture I referenced earlier, to give this all some context.

6 Therefore humble yourselves under the mighty hand of God, that He may exalt you at the proper time, 7 casting all your anxiety on Him, because He cares for you. 8 Be of sober spirit, be on the alert. Your adversary, the devil, prowls around like a roaring lion, seeking someone to devour. 9 But resist him, firm in your faith, knowing that the same experiences of suffering are being accomplished by your brethren who are in the world. 10 After you have suffered for a little while, the God of all grace, who called you to His eternal glory in Christ, will Himself perfect, confirm, strengthen and establish you. 11 To Him be dominion forever and ever. Amen. ~ 1 Peter 5:6-11


  1. Hey Bob,

    Excellent post! A couple of insights on the Lion King imagery. The L in lion and the G in king are called out and separated, which leaves "ion" and "kin" left under the line in the script. Ion Kin, a reference to the Nachash family tree lineage, the "kin" of Cain who was fathered by the serpent Satan.

    Also, the entire bottom portion of the movie poster is in the form of a pyramid with the Lion King, Horus, at the top of the pyramid as the capstone in the midst of the golden sun-anus portal. In the heavens above we are told "The King has Returned.". The counterfeit king of the Horus-worshiping sun cult!




  2. Your adversary, the devil, prowls around like a roaring lion, seeking someone to devour.

    Also, the Devil is the Father of Liars, so Satan is the Lion King = Lying King,

    or King of the Liars...


  3. Not to mention the "nose" of the lion in the last image clearly depicts the backside of a woman in a bikini or underwear, her arms stretching in a "v" over the lion's eye (notice only one eye is visible)

    1. That subliminal image is pretty plain, and Disney is famous for such as that. Thanks for pointing it out.