Part 39 - 2012 London Olympics - The Menorah, and Choreographing 7x360, “For My Money”

With the closing ceremony mere hours away, here's one more post addressing the occult activity the officials lightly label an opening ceremony. There is more insight to be gleaned from the lighting of the Cauldron. After the closing ceremony, I may have plenty more to write about the Cauldron, and whatever else the Lord may direct about what is broadcast and published.

By the way, I am behind on email response so, if you wrote and haven't heard back from me yet, I do apologize for that and ask for your patience, and prayers.

The first thing that really caught my attention about the torch lighting was something I was watching for, the casting of a magick circle. I had already seen the golden ring lit as a magick circle and was amazed to see yet another instance as seven torchbearers lit the Cauldron! With each torchbearer lighting the thorn nearest them, the thorns that were laid down on the stadium floor in a circle began to burn in sequence, moving clockwise.

The torchbearers were standing to the right as I watched NBC's broadcast feed, which I might take as east, since I have no reference point other than to assume the observer is looking northward as on a map. This follows the standard for casting a magick circle in the northern hemisphere, beginning with element air in the east then traveling the circle clockwise, as fire burning upon the circle is visualized by the witch casting it.

A magick circle is really only a circle where it intersects the plane of the ground. It's more precisely an enclosing sphere, a bubble. This is what appeared during the ceremony because, as all the thorns lit and began to burn, they raised up off the ground together in the form of a dome, the visible upper hemisphere of the magick circle. Aaron were looking at each other as we watched this with eyes as big as saucers. DUDE! DID THEY REALLY JUST DO THAT? Yes, yes they did! The Bell of Caliban had been rung and rung again while other bells were being played as through the local cathedral was change ringing their bells, ringing rounds. The large bells played in this way are usually configured in a ring. DUDE! Mega Magick Ritual!

I've presented this Cauldron in several recent posts variously as a collection of Trojan horses, a burning thorn bush, a crown of thorns, and a rose, and now a magick circle. And, on top of all that, yet another image appears in this bewitching monument to evil genius, that of the rising of a many headed beast from out of the sea! This is, in the context of Olympism's worship of Zeus, the dawn of Apollo, but in the language of Revelation 13, Zeus is the dragon and Apollo is the beast seen coming up out of the sea by the apostle John as revealed by the Lord.

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. ~ Revelation 13:1

In the verses that follow, notice how this usage of “tabernacle” (verse 6) is defined for us as a reference to those who dwell in heaven.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “ Who is like the beast, and who is able to wage war with him?” 5 There was given to him a mouth speaking arrogant words and blasphemies, and authority to act for forty-two months was given to him. 6 And he opened his mouth in blasphemies against God, to blaspheme His name and His tabernacle, that is, those who dwell in heaven. ~ Revelation 13:1-6

The word “sea” is sometimes used in the Bible as a metaphor for people, as in the familiar expression, “sea of humanity.” This Cauldron was lifted up off the stadium floor, appearing in some shots as though it had many horn-heads crowned with flames, coming up out of the undulating blue sea of surrounding humanity. John was shown how blasphemous names were on his heads, which we may favorably compares to how each copper element composing the Cauldron is engraved with the name of a nation participating in Olympism, which, as I have suggested, quite probably represents in dark magick the Baal or regional demonic authority over each nation. The dragon is declared in that passage to give the beast his power and authority, and so it is that we saw the flame that had been ritually lit from the sun on Mt Olympus transferred from the torch to seven torches, then to the seven Cauldron heads, yes, SEVEN HEADS bearing blasphemous names, lighting the Cauldron in an anointing of fire, as the power and authority of the sun from god to beast! The worshipers in the stadium that had been dedicated as a temple were awestruck at the sight. This was not yet the ultimate fulfillment of the anointing of the beast, but it was, make no mistake, a very significant ritual modeling, and ordained with legitimate power.

Now, it may also be noted how the copper rose thorns resemble sharks teeth, which we might identify as dragon's teeth as pictured in familiar imagery. When these were installed after being carried in by each nation's youthful bearers, it may be perceived as though the dragon's teeth were given to the beast, which had a mouth like a lion. England has long born the symbol of a lion, and the iconic imagery seen around London is that of a griffin, a winged lion resembling a dragon. What is perhaps most intriguing about these observations is how the Aramaic text of Revelation 13:1 has been translated so that the beast seen rising out of the sea is literally, “a beast of the tooth.”

While this is all quite notable, I still haven't come to what I found most startling about this lighting ritual, a cryptic signal through the choreography! I believe this little flourish was intended to reference the fifth chapter of Daniel, making a very ominous statement through that allusion.

Just before the seven torchbearers lit the seven Cauldron beast heads, they did something very subtle that has profound implications. Arriving in position, with each standing before the head they would light, they were in a line. Each of them turned completely around, doing a full 360 degree rotation. By doing this, they signaled 7 times 360 degrees, or 2520. While this may not mean anything to some of you, to others, I can only imagine you're jumping out of your chair! I'll only be able to touch lightly on this here, but that signaling, in this context, is a very big deal!

22 Yet you, his son, Belshazzar, have not humbled your heart, even though you knew all this, 23 but you have exalted yourself against the Lord of heaven; and they have brought the vessels of His house before you, and you and your nobles, your wives and your concubines have been drinking wine from them; and you have praised the gods of silver and gold, of bronze, iron, wood and stone, which do not see, hear or understand. But the God in whose hand are your life-breath and all your ways, you have not glorified. 24 Then the hand was sent from Him and this inscription was written out. 25 “Now this is the inscription that was written out: ‘MENE, MENE, TEKEL, UPHARSIN.’ 26 This is the interpretation of the message: ‘MENE’—God has numbered your kingdom and put an end to it. 27 ‘TEKEL’—you have been weighed on the scales and found deficient. 28 ‘PERES’—your kingdom has been divided and given over to the Medes and Persians.” ~ Daniel 5:22-28

OK, so what does that have to do with rotating Olympian torchbearers? Well, there a fair number of “dots” to connect, so I'll explain what should be the more familiar connections, but first, what the 2520 signals.

“The mena equalled 50 shekels; the upharsin (half a mena) equalled 25. The four words, therefore, stood for: mena, 50 shekels; mena, 50 shekels; tekel, 1 shekel; upharsin, 25 shekels. The total equalled 126 shekels. In addition, each shekel can be divided into even smaller units (as a pound can be divided into ounces, for example). The shekel was equal to 20 gerahs (Ezekiel 45:12). The 126 shekels of Daniel 5:25 is equivalent to 2,520 gerahs.”
...
“In prophecy, a "time" equals a year of 360 days. This can be seen by noting that 3 1/2 "times" equals 42 months or 1,260 days (Revelation 12:6, 14; 13:5). "Seven times," therefore, equals 2,520 days, and Nebuchadnezzar himself spent seven years without his human reason, living like a beast (Daniel 4:31-37).”

What Do the Words Mene, Mene, Tekel, Upharsin Mean (Daniel 5:25)?

The focus is not on the gerahs as money but as redundantly identifying the number 2520 to clarify that seven times or seven years is being signaled. When the seven torchbearers each turned around, right at the peak moment of anticipation (i.e. magickal energy capture), a signal “seven years” was choreographed. This is key, because Satan does surely know what time it is on the Lord's calendar, at least in the context of this particular mission.

The year 2012 isn't the big deal we see made of it for no reason whatsoever. While it isn't what many insist it is, it will truly mark the beginning of the appointed Shemittah wherein the beast will receive the dragon's authority and rule for 42 months. That season won't begin until 2015, but the seven “times” begin in September, next month, and that's a plenty big enough deal to get excited about. I'll expand on this shortly.

The passage in Daniel relates how Belshazzar's prideful arrogance was confronted and judgment was dramatically pronounced, with a severe consequence to follow. I previously presented a message as implied in the burning thorn bush commission, suggesting the intent to bring Yahweh's people into rather than out of bondage. What we find in a link to Daniel 5 is similar, a giving over of a kingdom to the Medes and Persians. If you know your history, Yahweh's people had been taken captive and most of the kingdom of Judah was captive in Babylon, then subject to Belshazzar. The common theme I perceive is the bringing of Yahweh's people into captivity under the authority of foreign nations. (As a point of interest here, the Medes and Persians are the people of Iraq and Iran. I consider most Christians and Jews have been captives in Babylon in a figurative sense, Mystery Babylon the Great.)

When you read the passage above, consider the copper elements composing the cauldron as pagan idols where the gods of copper and steel are being praised. As the burning thorn bush imagery was hijacked by the Zeus worshipers in London to become an idol with a sun-lit flame, there is a sense in which the copper elements as holy vessels from the Temple in Jerusalem have been desecrated. In this is yet another conspicuous ZION connection. When you read, “your kingdom has been divided and given over to the Medes and Persians,” think about the cauldron as a kingdom that will be dramatically dismantled and parted out at the end of the ceremony. That really represents a sacrifice of the Cauldron to a greater purpose.

The signaling of 7 years as the torch was just about to be lit really does make sense when more of the context is considered. I see it as the ceremonial pronouncement of transition into the new world order, where the world, through a season of chaos, will be brought thereby into bondage on a scale and to a degree beyond what has ever yet been known in the history of the world. As the Cauldron was lit, there is a sense in which the 204 nations participating in Olympism gave their authority to the beast, as will soon enough be done by 10 kings (Rev. 17:12-13). The seven year span that is about to begin has been acknowledged by the Illuminists in London as the world watched, spellbound, oblivious.

On the enchanted Isles as under Prospero's spell in The Tempest, it does seem the world was made captive. What may be the supernaturalism of the Olympic Park's seeming magickal quantum entanglement with 1948 and Zion's temple, the fertilization of Gaia's body with the serpent's seed, all I've written about in this blog (and what I haven't, what I'm ignorant about or lacked the bandwidth to address), all this must be summed up as the mass ritual leading up to the opening was brought to the climactic moment of the torch lighting. When David Icke says, where attention goes, energy flows, he's expressing something that those who work the sorceries of Olympism capitalize on. Energy flowed to the Cauldron lighting moment, massive energy. I believe the choreographed rotation of the seven young athletes who bore the fire of Zeus in their gold light body torches was something of a capture moment, concentrating and focusing the sum total of dark energy that had been built in the flame, the stadium and the participants, London, the UK and all the world. Everywhere there was a coven participating in the SRA calendar's Grand Climax with ritual sacrifice, where those under the spell of Olympism watched with wonder on their TV, this too must be taken for what it is in reality as an investment in the Devil's account, which is then able to be reinvested in some wicked scheme. If we read the clue, it's all about the next seven years!

The Dragon Zeus knows what he needs to know to do what he needs to do, because the sovereign God hides from him what needs to be hidden and reveals what needs to be made known so he can do the job that needs to be done. The matter of times and seasons is watched over most carefully. The Lord's crux moves are carefully shielded, but the Adversary has the job of running cover, like blowing smoke all around the fire to obscure it, and because all but the very elect are going to be deceived in what is most essential, we should have confidence in knowing how counterfeiting schemes are going to be woven in alongside the genuine with evil genius. And so, it must be.

There are a few other things I want to note from the ceremonial lighting. Here's the NBC commentary that was heard while the torch entered the stadium, loaded with NLP and rich with allusion.

“So here is Sir Steve Redgrave carrying the torch that he received from David Beckham off the water just a second ago into the Olympic Park as you just heard through an honor guard of some 5oo construction workers who helped build the Olympic Park here in this once blighted section of London known as East London. So the torch just about to complete its journey of nearly thirteen thousand miles.”

There's no doubt Sir Steve Redgrave was a fit choice for carrying the torch on that leg of the journey. Yet, consider the imagery. Redgrave ~ red grave ~ bloody grave or grave of red-Adam-kind. By itself, this means nothing, but in addition to the bloody guts dress used for the awards ceremonies, etc., well, it's one more ominous layer of symbolism added to the towering heap.

Passing through an honor guard of 5oo workers who helped build the Olympic Park, could it be a nod to the Masons, the guild of builders from ancient times who use their skills to build the architectural structures inspiring and facilitating the worship of the ancient gods?

Many things might have been said about the torch journey, and what was said stamped it with the number of the beast that relates to the timing of the revealing of the beast, the number 13 (13th day of the 1st month). More than that, it is the number times 1000, the esoteric raising to the global level.

They do know about timing. When Steve was about to pass the torch, seven athletes faced him in a line. Steve passed it to one who was much taller than the rest, the 4th from left. Unless you understand how the focal seven years is a Shemittah and that it stands in relation to a certain point of reference as the 4th in line, you'll miss the significance of that simple act. When I call attention to how the pattern of three things and then a fourth are discovered in movies and logos, this is why. Are you catching on to how the Devil knows times and seasons, concealing and revealing his knowledge in cryptic ways?

Here's a really important signification, the identification with Zion's temple's seven branched lamp. As you can tell from this image, Steve was like the High Priest, who, having entered the holy place, lit the servant candle of the menorah, a fixture in Zion's temple that represented the messianic light of Yahweh.

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. ~ Revelation 1: 12-13

This symbolism was extended as that servant candle was then used to transfer the flame to the six other golden accented lampstands. When they subsequently lit seven branches of the Cauldron, it became the substitute for Zion's menorah, in London's new temple of Zeus version! Nothing good will come of this!

Seven young athletes from Great Britain were chosen to light the torch, and it was said that "this is that whole idea of the next generation of potential Olympians inspiring a new generation." There was in this ritual transition a pause for embracing their older generation of sponsors, former Olympians who passed six torches to the young athletes so each would have one. The point was being made that this ceremony marks the passing of the torch, figuratively. The new generation has arrived and the old has passed, and authority and responsibility has been transferred. The transition of the generations, of the ages, has come. The seven young athletes are the hope of the future, of the accomplishment of all that is intended for the next seven years.

This is all being done while Caliban's Dream by Underworld is being performed, an enchanting melody with the rhythm of a beating heart.

The athlete with the lit torch then lit those of the other six. They then lifted them up in a salute and, get this, they did the rotation here - the 7 x 360 signal. They do it again when standing before the Cauldron, but they did it here first. While they rotate, we hear, “So much is made about the creative part of the Olympic opening ceremony, different in every country of course, the great nations.” As they complete the rotation, we hear, “For my money, this is the most moving aspect of the opening ceremony, its so steeped in history and tradition...” The commentary has emphasis put through the vocal inflection upon one expression: “For my money." It all sounds so casual, but it's not. I can't say how much is carefully scripted in advance, but I can tell you with full assurance that the puppet master is pulling strings from the underworld to pull off this ritual magick. So, recalling what I wrote earlier about Daniel 5, around they went, 7 times 360 degrees. “For my money” ~ 126 shekels or 2520 gerahs ~ ‘MENE, MENE, TEKEL, UPHARSIN.’ That was the choreographed move referenced by the NLP, the “moving aspect.” This appears to be “steeped in history,” as in that of Babylon, going back to the judgment in Belshazzar's palace!

The athletes trotted off and soon turned off the perimeter to make their appointment with the Cauldron located in the center of the stadium. “And these young athletes will move through the center of the stadium, passing through the heart of the athletes gathered from all two hundred and four nations.” The heart. The Cauldron. The moment the commentator said heart, the soundtrack changed. From Caliban's Dream, we now heard the change ringing of bells. The distinctive beating heart rhythm of Caliban's Dream became the enchanting bell sounds, a new magickal life blood flowed through the stadium. There were other bell sounds too, and Caliban's bell would be rung. If you watched Fringe on TV, there was an episode where Olivia was visiting Dr Bell in the alternate universe. The soundtrack was entirely sampled from bells, and it was the ringing of a bell that took her there and brought her back. What Fringe dramatized as fictional entertainment the IOC ritualized in the stadium in London. The transdimensional meeting was facilitated. The alt-verse is here the underworld. Was it all just fiction? Do I just have an overactive imagination? Watch and see.

I have one last ominous item to cover. Again, here's what was said while the torch entered the stadium.

“So here is Sir Steve Redgrave carrying the torch that he received from David Beckham off the water just a second ago into the Olympic Park as you just heard through an honor guard of some 5oo construction workers who helped build the Olympic Park here in this once blighted section of London known as East London. So the torch just about to complete its journey of nearly thirteen thousand miles.”

Consider the following definitions for the word “blight,” which your mind will variously process as it does its subliminal data processing, finding and assessing the most fitting definition for the context.

Any of numerous plant diseases resulting in sudden conspicuous wilting and dying of affected parts, especially young, growing tissues.
The condition or causative agent, such as a bacterium, fungus, or virus, that results in blight.
An extremely adverse environmental condition, such as air pollution.

The following are taken from Blight (disambiguation) - Wikipedia

• Blight (urban), the term for abandoned, derelict, or severely neglected buildings and lots; slums
• The Blight is used to describe a group of diseases originating from Red Mountain in The Elder Scrolls universe
• Blight, a term in the book Worlds of the Imperium often related to as a spatial grid, and/or dimensional gateways in means of crossing the universe
• Blight (comics), an alien race in the universe of DC Comics
• A Blight, moment in which the Darkspawn, demonic monsters, swarm up the surface of Thedas in Dragon Age: Origins.
• The Blight, a condition that is negatively affecting the flora of the alternate universe in the TV series Fringe, caused by deterioration of the alternate universe.

To associate the Olympic Park with blight, given everything else noted, doesn't seem random. It just seems ominous. "...received ... off the water just a second ago into the Olympic Park ... blighted.” Have you read Parts 24 and 26 of this series yet? This is all really, really ominous.

Following the London Ceremony at the close of the 2008 Games in Beijing, that 8 minutes of production was fodder for the mill I spent over six months working, with most of that being a full time effort, or, overtime, to be more precise. That presentation included the Chinese ceremony and a few related signs, but mostly, it featured the 8 minutes of cryptic drama surrounding the double decker red bus. Whatever is done in closing the London Olympics, even with the probable Rio 2016 Ceremony, I will state with a high degree of confidence that it won't be followed by a similar effort on my part. Or, anyone elses. It's not that I'm not willing but that we are crossing the threshold into that new world order so much has been said about, and what characterizes this season of opportunity will pass quickly away. If it seems to you like I'm just being cryptic and dramatic you probably haven't been very deeply engaged by this blog for very long. This is a message I've been bringing for some time, and the daily news is supplying all the drama one could want - and more!