Tuesday, June 18, 2013

Part 5 - Code 33 - Mellon Collie Mind-Control Stargate

Picking up where I left off, I'm going to explore more of the Code 33 imagery of “Thirty-Three” by The Smashing Pumpkins.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Again, here's the official video for The Smashing Pumpkins - Thirty-Three.

As I already wrote, the line, “Graceful swans of never topple to the earth,” makes reference to the sons of god who fell, fallen angels. A singular swan would refer to Lucifer, and, I believe, primarily to his agent Apollo.

How you have fallen from heaven, O star of the morning [Lucifer, shining one], son of the dawn! You have been cut down to the earth, you who have weakened the nations! ~ Isaiah 14:12

1 And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
~ Revelation 9:1, 11

The star that was seen to fall in verse 1 is identified in verse 11 as the king and angel of the bottomless pit, who is by name, Abaddon or Apollyon. The Bible uses a metaphor for an angel, “star,” and it will be seen that The Smashing Pumpkins frontman Billy Corgan does too. The identity of the singular star always points to Apollo aka Horus.

The following images are associated with the song packaging, the music video and the album on which it was released, “Mellon Collie and the Infinite Sadness.” It pivots on Occult themes of the sodomite gateway and mind-control.

The album cover features a woman who is perhaps emerging from a star, riding in it as a vehicle or, what is most probably the better interpretation, is the star herself, a celestial being. The exact way the star and woman appear associates the star with her bottom because we see only her top, and it meets her body at her bottom. As a very familiar symbol, the star bottom is a symbolic anus and celestial portal in ritual sodomy. The star is tipped head down as though falling, signaling fallen angel sodomy, and the golden color is perfectly suited to that meaning. (The popular franchise Dunkin' Donuts leveraged their golden star pastry in a similar way in a promotion of MIB3, like the band Limp Bizkit did with their use of the “chocolate starfish” metaphor. See Part 19 - The Sodomite Gateway - Dirty Pastry Tales - Undercover Black Cocoa Donut and Limp Bizkit.) With the gold star set against the signal purple color of the background of the starry heavens, the celestial sodomy theme could hardly be more obvious. With an awareness of the sex magick imagery, the placement of the woman's hands suggests why she wears the enraptured expression on her face.

The image of Alice and the white rabbit is a screenshot from the “Thirty-Three” video. This particular scene exemplifies Code 33. The Lewis Carroll series about Alice's adventures in Wonderland is a mind-control classic. And, where the scene used in the video appears in the story line links it to ritual sodomy. Alice spots the white rabbit with the watch, then follows him down the rabbit hole under the hedge. Going down the rabbit hole and falling down the well shaft is how she gets to Wonderland. The rabbit hole is the symbolic rectum, and going there and falling down the well into Wonderland presents the imagery of the slave being sodomized and dissociating during the programming ritual. The video is pretty clever in showing how the slaves perception of time is messed up, with the white rabbit's watch being a signal device. Watch the video and see how the bicycles go zooming past the man, then Alice and the white rabbit are acting out in slowed and paused modes, and even gravity appears to be distorted in the time-space bending.

More sodomy mind-control signs appear at lower right, where the woman with darkened eyes (like Avril Lavigne) has a ring of hair forming a third eye to show us she is illuminated. The band's sigil/logo appears as a heart above the song title. The heart-as-butt symbol and the number spelled out that is the graphic for sodomy conceals and reveals how she got her third eye opened.

The scene with the moon appears with the upc bar code because its on the back side of the packaging. Moon. Backside. Connect the dots.

The dirty orange CD packaging with the No. 33 in a circle opposes the disk that is the picture of a “black starfish” anus, with a hole in the middle. That is also the pentagram, of course, or altar pentacle used for ritual magick. It's not just kinky sex that's being concealed and revealed here.

Now, what's up with that bizarre album title?

10 MellonColl
10 ieandtheIn
10 finiteSadn
3 ess
33 letters

What a remarkable coincidence! Well, no, it's obviously part of the design and yet one more redundant Code 33 Occult layer for the working of the ritual magick.

Mellon Collie. This is obviously referencing melancholy, and I'll follow through down that trail shortly. Notice how the two most prominent letters in the artful title are M and C. This combination provides another 33 because the letter M is a rotated 3 and C has the value of 3. Because M has the value of 13, MC also transforms to 13 cubed, signaling the standard Illuminati programming grid structure of 13x13x13 principle A-coded alters. That condition certainly creates melancholy and infinite sadness. Code 33.

Illuminati? Have you ever studied up on who the families are whose bloodlines are considered by some to be the 13 lines of the serpent tree? Names like Rothschild and Rockefeller are widely recognized, but Carnegie and Mellon are two that have a lot less visibility. Those of us in live in the Pittsburgh area see these names practically everywhere we go. If a band was to put Rothschild in their title, that would draw some attention (like Jay-Z with his Rock-a-fella label), but naming the Illuminati Mellon bloodline seems to fly under the radar for most folks. (Some interesting leads here.)

Is Billy Corgan hinting at his identity with this title? The first band he formed was called, The Marked. Like Cain in Genesis 4:15? With the naming of Mellon, identification with Illuminati mind-control and global domination schemes through the serpent seed bloodline can hardly be avoided.

In keeping with the celestial imagery, the titular Collie has to be identified with the Dog Star Sirius, the esoteric light behind the sun that is so central to Freemasons and other Pagan worshipers of the celestial beings who align their terrestrial works with this star in mind. This is often associated with the Egyptian Isis and Osiris, who produced Horus. Given all I've observed in studying this out, I suspect the album cover's star-woman represents the dog star. Naming the Collie must also import the other dog meanings I've listed in a few recent posts.

Since Mellon is like melon and the band's pumpkin name plays as pumpkin head, “melon head” is kind of lurking subliminally on the album cover. A web search for “melon head” will turn up some certifiable weirdness. “Melon Heads is the name given to legendary beings found in Germany, England, and the long-running urban legends in parts of Michigan, Ohio, and Connecticut. They are described as small humanoids with bulbous heads who occasionally emerge from their hiding places to attack people. Different variations of the legend attribute different origins.” (Melon heads - The Free Dictionary - Encyclopedia)

I have observed how the word “infinite” appears in lots of Occult signaling vehicles. It's a powerful word like forever and I believe that is leveraged in programming scripts. The word is a 666 carrier because of the spelling. Three letters “i” transform to 666 because the value of “i” is 9 and the reflection of that is 6. Also, another transformation produces Code 33! The infinity symbol resembles the number 8, and an 8 is basically a pair of mirrored 3s, merged into one. The infinity symbol is an equivalent to a ring and circle, which is often stylized as the Ouroboros, the serpent eating its tail.

More to follow, Lord willing, as I intend to track Code 33 signaling in the lyrics down some very interesting paths. The poetic instruments of the song derive from some old and some very ancient literary classics, the Bible among them.

1 comment:

  1. Also see Albrecht Dürer's engraving Melencolia - fits so well with these themes and the album cover.