Part 8 - 2012 London Olympics - The Bell of Caliban: Be Afeard!

The opening ceremony of the 2012 London Olympics will be launched with the ringing of a giant bell. If you've been following this series and have done your homework on bells you should be able to grasp how that the reasonable expectation of the result is a dramatic escalation of evil, in the UK and throughout the world. The facts of the matter are the facts, indisputable, documented, and the story they tell is one with such redundancy and consistency of theme that it warrants, well, I must say, even demands our attention.

To introduce this post by summarizing all I've written about bells at the Lord's leading would be a lengthy undertaking. I'll offer some in brief, but if you've done your homework it should be apparent that what I'm proposing and the concerns I express aren't “me being whimsical” or superstitious, although it's not long since that would have been my own assessment of one who writes such things. If you feel like I'm exaggerating in my testimony here, you haven't yet grasped the import of this matter, layered even on top of Work #1197, All the Bells. I'm not interested in jerking you around with false drama. I am, however, very interested in giving a trustworthy report as a watchman, and what I see coming is trouble on a grand scale.

Bells are used by witches and priests of the ancient gods to cast spells. The evoking and invoking of demons is done with ringing instruments as energetic portal devices. If you see a bell being used in some religious context, it's a safe bet that it's been ritually cursed, consecrated to summons a specific god in the demonic hierarchy to serve the agenda of Mystery Babylon the Great and the Beast she rides. Large bells hung in structures serve the god of that domain, a territorial Ba'al. They are sometimes inscribed with expressions identifying their purpose.

Aleister Crowley, a giant of evil, included the bell in the small number of objects commonly used as "magickal weapons," instruments used to bring about intentional change. He knew how to bring evil into the world. This man, who relished the moniker assigned to him by the press of his day, "the wickedest man in the world," was listed in a BBC poll taken in 2002 as the seventy-third greatest Briton of all time. That's not good. If this giant bell is intended as such a device, a magickal weapon, and there's no cause to think it's not, big trouble is coming.

The Nazis understood such things, magickal weapons and big trouble. They are the one's who did the previous featuring of an Olympic Bell.

The IOC agenda is to promote Zeus worship and, attested to by an expansive array of signs, bring an incarnation of his son to rule over the kingdoms of the world. This is the change they seek, which can be inferred from the inscription of the words of the son of the Devil (Satan, aka Zeus - Revelation 2) on the bell, of the hybrid monster Caliban from The Tempest.

"Be not afeard, the isle is full of noises"

I want you to give consideration to what is revealed about the “noises” in Caliban's speech.

Be not afeard; the isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again; and then in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.

- Shakespeare’s The Tempest, III, ii

The dream that resulted was one that left one wanting desperately to return. This noise has a powerful and lingering influence. A noise such that, even though one is well rested, would make one sleep so soundly that a dream would result, is an impressive sleep inducement. The influence of the noise compares to that which has been assigned to the caduceus, the wand of Hermes. In fact, it may well be just that. Sir Francis Bacon (Shakespeare) was a Hermeticist and occultist. He knew of such things, who very likely penned The Tempest.

The reference to sweet airs in the second line makes me wonder if the Isles of Wonder crew are going to be engaging some aroma therapy during the event, to fine tune the atmosphere.

Caliban describes the noise, adding "and sometime voices" and we must understand this in the context of The Tempest's magical isle, where ancient spirits manifested themselves in various forms and kinds. These were the source of the noise, the carrier, if you will, for the enchantment.

The clouds of the dream that were thought might open and show riches ready to drop upon the dreamer are the subject of another text, one that is entirely pertinent, referencing dreamers, clouds without water and brute beasts, like Caliban.

7 Even as Sodom and Gomorrha, and the cities about them in like manner, giving themselves over to fornication, and going after strange flesh, are set forth for an example, suffering the vengeance of eternal fire.
8 Likewise also these filthy dreamers defile the flesh, despise dominion, and speak evil of dignities.
9 Yet Michael the archangel, when contending with the devil he disputed about the body of Moses, durst not bring against him a railing accusation, but said, The Lord rebuke thee.
10 But these speak evil of those things which they know not: but what they know naturally, as brute beasts, in those things they corrupt themselves.
11 Woe unto them! for they have gone in the way of Cain, and ran greedily after the error of Balaam for reward, and perished in the gainsaying of Core.
12 These are spots in your feasts of charity, when they feast with you, feeding themselves without fear: clouds they are without water, carried about of winds; trees whose fruit withereth, without fruit, twice dead, plucked up by the roots;
13 Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever.

Jude 7-13

That part about "to whom is reserved the blackness of darkness for ever," I can assure you that the IOC isn't going to be giving that angle much coverage.

During the opening ceremony, keep in mind that Underworld is responsible for the music.

“Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices”

I'm really at a loss for what to say about that, except, whatever happened to subtlety?

Still more to come, Lord willing!